dAnCing LiNes

Emanuele, Ella ORCID logoORCID: https://orcid.org/0000-0002-0785-6018, Hunter, David ORCID logoORCID: https://orcid.org/0000-0002-0234-1023, Duer, Zachary ORCID logoORCID: https://orcid.org/0000-0001-9386-8770 and Birch, Simon ORCID logoORCID: https://orcid.org/0000-0002-5059-2636 (2023) dAnCing LiNes. In: 15th Conference on Creativity and Cognition, 19-21 June 2023, Online.

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Official URL: https://dl.acm.org/doi/10.1145/3591196.3593511

Abstract / Summary

How do we interpret a multi-participant choreographed performance in the public domain through digital technologies? In collaboration with data visualisation expert David Hunter from University of Colorado at Boulder, and visual artist Zach Duer from
Virginia Tech, dAnCing LiNes explores how dance can generate a
choreographic view of drawing through mediated representation.
In this respect the artwork produced for dAnCing LiNes is not
intended as a means of documentation of the live events but as a
tool for new artistic production. The intention is to rethink performative drawing beyond the gestural trace of the body in movement
through the use of data visualisations. Capturing chorographic
scores and task-based instructions through digital technologies,
the data visualisations explore how the agency of dance moves
from the performative to the visual via technological means by
using combinations of established computer vision techniques from
OpenCV [1] like Optical Flow, Blob Detection. The visualisations
not only reveal the rules of the underlying choreography in each
location but also computationally play with and exemplify those
rules on a per location basis (five in total).

Item Type: Conference or Workshop Item (Paper)
Courses by Department: The Falmouth School of Art > Drawing
SWORD Depositor: Mr Pub Router
Depositing User: Mr Pub Router
Date Deposited: 25 Oct 2023 14:30
Last Modified: 26 Oct 2023 08:17
URI: https://repository.falmouth.ac.uk/id/eprint/4992

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