Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2026)
Splaxtraction.
INSAM Journal of Contemporary Music, Art and Technology, I (16).
pp. 26-39.
ISSN 2637-1898
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2026)
The Artist-Led Web: Curatorial Methods of Para-institutional Platforms.
In: xCoAx 2026 - 14th Conference on Computation, Communication, Aesthetics & X, 8-10 July 2026, Turin, Italy.
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2025)
Polygon Palm for Piksel25.
[Exhibition]
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2025)
SCANITAS:lab.
[Exhibition]
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2025)
Scanitas.
[Exhibition]
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063, Ainsworth, Peter ORCID: https://orcid.org/0000-0002-8570-7560 and Plagerson, Sam ORCID: https://orcid.org/0000-0002-8712-7519
(2023)
The Photogrammetric Image and Black-Boxed Mutative Automation Considered through Philip K. Dick’s The Preserving Machine.
Visual Resources, 37 (2).
pp. 121-138.
ISSN 0197-3762
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Milnes, Tom ORCID: https://orcid.org/0000-0002-5181-2063
(2021)
Ephemer(e)ality Capture: Glitching The Cloud through Photogrammetry.
Journal for Artistic Research, 1 (24).
ISSN 2235-0225
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