Blonska, Agnieszka  ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas
  
(2024)
Through My Eyes.
    [Performance]
  
  
      
      
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    Bossey, Adrian  ORCID: https://orcid.org/0000-0002-9874-6323
  
(2024)
Live Audience Accessibility & Augmentation – Exploring Inclusive Haptic Futures for Music Festivals.
    In: ATLAS Conference, 26-28 June 2024, Breda.
  
  
      
       Item availability may be restricted.
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    Bossey, Adrian  ORCID: https://orcid.org/0000-0002-9874-6323, Curtis, Mandy and Jones, Adam
  
(2024)
Audience perceptions of Deaf Rave DJ performances augmented with haptic vests at two UK music festivals.
    In: AEME Forum 2024 - The Value of Events and Events Education, 3-4 July 2024, Sheffield Hallam University.
  
  
      
      
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    Bossey, Adrian  ORCID: https://orcid.org/0000-0002-9874-6323
  
(2024)
UK Science Festivals Network conference 2024.
    In: UK Science Festivals Network conference 2024, 30th January 2024, STEAMhouse, Belmont Row, Birmingham B4 7RQ.
  
  
      
      
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    Brown, Katrina  ORCID: https://orcid.org/0000-0001-9651-5233 and Cocker, Emma  ORCID: https://orcid.org/0000-0002-2985-7839
  
(2024)
Dorsal Practices—Towards a Back-Oriented Being-in-the-World.
    Humanities, 13 (2).
    
     ISSN 2076-0787
  
  
      
      
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| Clarke, Ciaran and King, Giles (2024) Kite Tales. [Project] | 
      
    Dey, Misri  ORCID: https://orcid.org/0000-0001-8659-9445
  
(2024)
Hope, in the bleak mid - winter.
    Theatre, Dance and Performance Training Journal, 15 (1).
     pp. 1-6.
     ISSN 1944-3919
  
  
      
      
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    Lamb, Johny  ORCID: https://orcid.org/0000-0001-7654-1004
  
(2024)
J.Lynch - Brythonic Problem, Live.
    [Performance]
  
   (Unpublished)
      
      
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| Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (6). pp. 96-104. ISSN 1352-8165 Item availability may be restricted. | 
| Levinsky, Sarah, Abbott, Vicky, Pirie, Karen, Wynne Jones, Rhys, Walton, Jodie and Chapman, Anthony (2024) SEEN/HEARD. [Performance] | 
      
    Parker, Will  ORCID: https://orcid.org/0009-0003-9967-0169 and 
  
(2024)
Red Lake / Black Mine - Electronics Symposium Performance. Fish Factory.
    [Performance]
  
  
      
      
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    Parker, Will  ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny  ORCID: https://orcid.org/0000-0001-7654-1004
  
(2024)
Engaging Diverse Cohorts in Music Production: Insights from POST—.
    
      In:  
      Perspectives on innovation in music production education (BOOK 2).
    
    
      Perspectives on Education in Audio and Music Production
      .
    
    Routledge, London, UK.
     ISBN TBC
  
   (Submitted)
      
       Item availability may be restricted.
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| Pellow, Stephen (2024) test item for requests. Test Journal, 3 (1). pp. 2-5. ISSN 9999-9991 (In Press) | 
      
    Saario, Antti  ORCID: https://orcid.org/0000-0002-2912-1354
  
(2024)
Immersed in Cabilla.
    In: InMusic24: Innovation in Music 2024 Conference - Have You Tried That?, 14-16 June 2024, Kristiania University College, Oslo.
  
  
      
      
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    Saario, Antti  ORCID: https://orcid.org/0000-0002-2912-1354
  
(2024)
Yesterday’s Charm, Today’s Precision”: Martin B. Kantola and the design of a new ‘classic’ microphone (Nordic Audio Labs NU-100K).
    
      In:  
      Innovation in Music: Technology and Creativity.
    
    
      Perspectives on Music Production
      .
    
    Routledge, UK, pp. 153-171.
     ISBN 9780367633363
  
  
      
       Item availability may be restricted.
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