Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas
(2024)
Through My Eyes.
[Performance]
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2024)
Live Audience Accessibility & Augmentation – Exploring Inclusive Haptic Futures for Music Festivals.
In: ATLAS Conference, 26-28 June 2024, Breda.
Item availability may be restricted.
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323, Curtis, Mandy and Jones, Adam
(2024)
Audience perceptions of Deaf Rave DJ performances augmented with haptic vests at two UK music festivals.
In: AEME Forum 2024 - The Value of Events and Events Education, 3-4 July 2024, Sheffield Hallam University.
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2024)
UK Science Festivals Network conference 2024.
In: UK Science Festivals Network conference 2024, 30th January 2024, STEAMhouse, Belmont Row, Birmingham B4 7RQ.
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Cocker, Emma ORCID: https://orcid.org/0000-0002-2985-7839
(2024)
Dorsal Practices—Towards a Back-Oriented Being-in-the-World.
Humanities, 13 (2).
ISSN 2076-0787
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| Clarke, Ciaran and King, Giles (2024) Kite Tales. [Project] |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2024)
Hope, in the bleak mid - winter.
Theatre, Dance and Performance Training Journal, 15 (1).
pp. 1-6.
ISSN 1944-3919
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2024)
J.Lynch - Brythonic Problem, Live.
[Performance]
(Unpublished)
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| Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (6). pp. 96-104. ISSN 1352-8165 Item availability may be restricted. |
| Levinsky, Sarah, Abbott, Vicky, Pirie, Karen, Wynne Jones, Rhys, Walton, Jodie and Chapman, Anthony (2024) SEEN/HEARD. [Performance] |
Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and
(2024)
Red Lake / Black Mine - Electronics Symposium Performance. Fish Factory.
[Performance]
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Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Hignell-Tully, Daniel Alexander
(2024)
'Red Lake / Black Mine' featured in Means Magazine 'Open Scores'.
Means Magazine, Open Scores (1).
ISSN N/A
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Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2024)
Engaging Diverse Cohorts in Music Production: Insights from POST—.
In:
Perspectives on innovation in music production education (BOOK 2).
Perspectives on Education in Audio and Music Production
.
Routledge, London, UK.
ISBN TBC
(Submitted)
Item availability may be restricted.
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| Pellow, Stephen (2024) test item for requests. Test Journal, 3 (1). pp. 2-5. ISSN 9999-9991 (In Press) |
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2024)
Immersed in Cabilla.
In: InMusic24: Innovation in Music 2024 Conference - Have You Tried That?, 14-16 June 2024, Kristiania University College, Oslo.
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2024)
Yesterday’s Charm, Today’s Precision”: Martin B. Kantola and the design of a new ‘classic’ microphone (Nordic Audio Labs NU-100K).
In:
Innovation in Music: Technology and Creativity.
Perspectives on Music Production
.
Routledge, UK, pp. 153-171.
ISBN 9780367633363
Item availability may be restricted.
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