| Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted. |
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2026)
Gothic Metal.
In:
Bloomsbury Encyclopedia of Popular Music of the World, Volume 13.
Bloomsbury Encyclopedia of Popular Music of the World
.
Bloomsbury, London.
ISBN 9781501359965
Item availability may be restricted.
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2026)
Symphonic Metal.
In:
Bloomsbury Encyclopedia of Popular Music of the World, Volume 13 Genres: International. Part I, A-Ho.
Bloomsbury Encyclopedia of Popular Music of the World
.
Bloomsbury, London.
ISBN 9781501359965
Item availability may be restricted.
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2026)
Slow and Accelerating Violence at the Edge of Apocalypse:
Black Metal’s Dark Ecosophy as Strategy of Resistance Against Climate and Social Breakdown.
In:
Women and Femme Voices in Metal Music, Culture, and Scholarship: Feminist Strategies of Resistance.
Ashgate Popular and Folk Music Series
.
Routledge, London.
ISBN 9781032608938
Item availability may be restricted.
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778 and Shadrack, Jasmine Hazel ORCID: https://orcid.org/0000-0002-8550-1431
(2026)
Women and Femme Voices in Metal Music, Culture, and Scholarship: Feminist Strategies of Resistance.
In:
Women and Femme Voices in Metal Music, Culture, and Scholarship: Feminist Strategies of Resistance.
Ashgate Popular and Folk Music Series
.
Routledge, Oxon, UK.
ISBN 9781032608938
Item availability may be restricted.
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2026)
Women's Rescription in Metal's Past, Present & Future: (Re)writing Metal Canons and Histories.
In:
Women and Femme Voices in Metal Music, Culture, and Scholarship: Feminist Strategies of Resistance.
Ashgate Popular and Folk Music Series
.
Routledge, Oxon, UK.
ISBN 9781032608938
Item availability may be restricted.
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2026)
Ian Gillan and the legacy of the operatic voice in heavy metal: Borrowed feminine classical virtuosity in metal masculinity.
In:
Who Do We Think They Are? Deep Purple and Metal Studies.
Studies in Popular Music
.
Equinox ltd., Sheffield, UK.
ISBN 9781800506367
Item availability may be restricted.
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2022)
Abyssal Noise: Representations of Death and Dying in Extreme Metal Music.
In:
Embodying the Music and Death Nexus: Consolations, Salvations, Transformations.
Emerald Interdisciplinary Connextions
.
Emerald Publishing, London, England..
ISBN ISBN : 1-80117-766-X ISBN : 9781801177672
|
| Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University. |
| Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland.. |
Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169
(2025)
Red Lake / Black Mine - Album.
[Composition]
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2023)
Audiovisual Music Production: Influence of the Natural World on Process and Works.
[Project]
|