Items where Division is "Academy of Music & Theatre Arts"

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Number of items: 18.

Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions of potential digital futures for live performance in the staging and consumption of music festivals. In: The Routledge Handbook of Festivals. Routledge, Abingdon, pp. 406-416. ISBN 9781138735811
[thumbnail of Chapter in Routledge Handbook of Festivals]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
[thumbnail of Conference presentation proposal] [thumbnail of Conference paper]

Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2018) Going Solo: Dr MIsri Dey discusses the past, present and future of solo performance. Chichester Festival Theatre Programme, 1. ISSN N/A Item availability may be restricted.
[thumbnail of Article in a Festival Programme] [thumbnail of Text only version of article without photographss]
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2018) Making Solo Performance. Palgrave Macmillan, London. ISBN 978-1-137-60326-5 Item availability may be restricted.
[thumbnail of 400246_1_En_1_Chapter2.pdf]
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[thumbnail of Making Solo Performance Book_PrintPDF1 copy.pdf]

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935
[thumbnail of D. Ferret - Weaving.pdf]
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Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2018) J.Lynch - Extended Play. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
[thumbnail of Anthropocene: The Human Epoch Original Soundtrack]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2018) Beyond the dichotomy of 'theory' and 'practice' in artistic research. In: Theorem 2018, Cambridge School of Art.
[thumbnail of Press-Release_Theorem-2018-1.pdf]
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[thumbnail of THEOREM 2018 – Cambridge School of Art.pdf]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo (2018) Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance. In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris. (Unpublished) Item availability may be restricted.
[thumbnail of Abstract for a lecture demonstration]
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[thumbnail of ShapeshiftersPowerpoint .pdf]

Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
[thumbnail of Crosstown Traffic Paper..pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
[thumbnail of TDPT_2018_9_3_PRIOR_PREPRINT.pdf]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
[thumbnail of TheBlackenedAffect_Crosstown_Traffic_2018_Presentation_Saario.pdf]
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Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University.
[thumbnail of Basis of the paper which was expanded upon.]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition]
[thumbnail of Score for Willow]
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[thumbnail of Score for Unquiet]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2018) Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest. Theatre, Dance and Performance Training, 9 (3). pp. 431-444. ISSN 1944-3927
[thumbnail of WHELAN_HERE WE ARE_TDPT.pdf]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2018) ANTI Contemporary Art Festival 2018: Games and Play. [Exhibition]
[thumbnail of ANTI Festival 2019_ Madeleine Flynn & Tim Humphrey, Pivot. Photo: Pekka Mäkinen]
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Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927
[thumbnail of Musical Arts at Dartington_Pre Print.pdf]
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