Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Going Solo: Dr MIsri Dey discusses the past, present and future of solo performance.
Chichester Festival Theatre Programme, 1.
ISSN N/A
Item availability may be restricted.
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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget
(2018)
Weaving intuitive illegitimate improvisation.
Liminalities: Unforseen Encounters, 14 (1).
pp. 90-109.
ISSN 1557-2935
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Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Towards Song: Reshaping Spoken Lyric.
Performance Research, 23 (2).
pp. 100-106.
ISSN 1352-8165
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Postcard: Site-Specific Music at Dartington.
Theatre, Dance and Performance Training, 9 (3).
p. 398.
ISSN 1944-3927
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2018)
Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest.
Theatre, Dance and Performance Training, 9 (3).
pp. 431-444.
ISSN 1944-3927
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Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Musical Arts at Dartington.
Theatre, Dance and Performance Training, 9 (3).
pp. 393-395.
ISSN 1944-3927
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2018)
Industry perceptions of potential digital futures for live performance in the staging and consumption of music festivals.
In:
The Routledge Handbook of Festivals.
Routledge, Abingdon, pp. 406-416.
ISBN 9781138735811
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2018)
Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals.
In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2018)
Beyond the dichotomy of 'theory' and 'practice' in artistic research.
In: Theorem 2018, Cambridge School of Art.
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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo
(2018)
Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance.
In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris.
(Unpublished)
Item availability may be restricted.
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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2018)
I'm No Genre Nazi but these guys are the least black metal doom band ever.
In: Crosstown Traffic, September 2018, Huddersfield University.
(Unpublished)
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2018)
The Blackened Affect: Affect and Production in Black Metal.
In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
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| Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Making Solo Performance.
Palgrave Macmillan, London.
ISBN 978-1-137-60326-5
Item availability may be restricted.
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2018)
ANTI Contemporary Art Festival 2018: Games and Play.
[Exhibition]
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2018)
J.Lynch - Extended Play.
[Composition]
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose
(2018)
Anthropocene: The Human Epoch
Original Soundtrack.
[Composition]
Item availability may be restricted.
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2018)
Multi-tool suite of pieces for vocals, guitar and interactive system.
[Composition]
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