Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) The Network as Niche. Journal of Music, Technology and Education, 10 (2-3). pp. 289-303. ISSN 17527066
Preview |
Text (The Network as Niche)
JMTE_10_2-3_art_9_The Network as Niche.pdf - Accepted Version Available under License Creative Commons Attribution Non-commercial. Download (219kB) | Preview |
Abstract / Summary
As telematic music emerges as a medium distinct from that of live performance, broadcast or recorded music, we are in a privileged position to experience it in its naïve form. This article investigates where these distinctions reside and starts by considering the ways in which telematic music systems mediate the music made with them. It then turns to Anthony Chemero’s rendering of William Gibson’s theory of affordances, imagining Online Orchestra as an ‘environment’, or musical habitat. Rather than focusing on spurious notions of the fixed properties of the media that comprise this environment, attention is given to the relations between the various mediating forms within the system, whether they be performers, audiences or technical media.
Item Type: | Article |
---|---|
Identification Number: | 10.1386/jmte.10.2-3.289_1 |
Uncontrolled Keywords: | Online Orchestra; telematic performance; mediation; affordance; network; niche |
ISSN: | 17527066 |
Subjects: | Communication > Media > Digital Media Education Music > Musical Performance |
Courses by Department: | Academy of Music & Theatre Arts |
Depositing User: | Michael Rofe |
Date Deposited: | 23 Jan 2018 11:17 |
Last Modified: | 08 Aug 2024 08:28 |
URI: | https://repository.falmouth.ac.uk/id/eprint/2799 |
View Record (staff only) |