Items where Division is "Academy of Music & Theatre Arts"

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Cocker, Emma ORCID: https://orcid.org/0000-0002-2985-7839 (2024) Dorsal Practices—Towards a Back-Oriented Being-in-the-World. Humanities, 13 (2). ISSN 2076-0787

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2024) Hope, in the bleak mid - winter. Theatre, Dance and Performance Training Journal, 15 (1). pp. 1-6. ISSN 1944-3919 Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2024) J.Lynch - Brythonic Problem, Live. [Performance] (Unpublished)

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2024) Live Audience Accessibility & Augmentation – Exploring Inclusive Haptic Futures for Music Festivals. In: ATLAS Conference, 26-28 June 2024, Breda. Item availability may be restricted.

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323, Curtis, Mandy and Jones, Adam (2024) Audience perceptions of Deaf Rave DJ performances augmented with haptic vests at two UK music festivals. In: AEME Forum 2024 - The Value of Events and Events Education, 3-4 July 2024, Sheffield Hallam University.

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2024) Witching Sound in the Anthropocene (and Occultcene). In: The Witch Studies Reader. Duke University Press, Durham, NC, USA, pp. 262-274. ISBN 978-1-4780-3135-2 (In Press) Item availability may be restricted.

Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (8). ISSN 1352-8165 (In Press) Item availability may be restricted.

Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2024) UK Science Festivals Network conference 2024. In: UK Science Festivals Network conference 2024, 30th January 2024, STEAMhouse, Belmont Row, Birmingham B4 7RQ.

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Smith, Lindsay ORCID: https://orcid.org/0000-0001-8035-9379 (2023) Embodying care: Trauma-informed practice in community dance. Journal of Applied Arts and Health. ISSN 2040-2465 Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance]

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Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2023) POST- ensemble: workshop and performance at the 'Electronics Symposium'. [Performance]

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Williams, Emma, Glew, Sarah, Newman, Hannah, Kapka, Agneiska, Shaughnessy, Nicola, Herbert, Ruth, Walduck, Jackie, Foster, Annette, Cooke, Paul, Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Shaughnessy, Caitlin and Hugh‐Jones, Siobhan (2023) Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64 (12). pp. 1735-1764. ISSN 1469-7610

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2023) Keynote Presentation at Access to Music Conference, Cheltenham Jazz Festival, 2024. In: Access to Music, 03 May 2024, Cheltenham Jazz Festival, Montpellier Gardens, Cheltenham, UK.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project]

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Pugh, Jane (2023) A Re-imagining of Measure for Measure by West Cornwall Women’s Aid. [Project] (Unpublished)

Rawlins, Trevor ORCID: https://orcid.org/0009-0007-6201-1126 (2023) From Past to Present and the Future: As the conservatoire dies, what should replace it? In: DramaHE conference 2023, 29th - 30th June 2023, University of Stafford. (Unpublished)

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2023) Through the Periscope: Microphone Character in Creative Studio Production. In: Innovation in Music 2023 Conference, 30 June - 02 July, Edinburgh Napier University. (Unpublished)

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2023) Family Tree portfolio. UNSPECIFIED.

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Levinsky, Sarah (2023) ENCOUNTERS BETWEEN DANCE AND DIGITAL MEANING DISCOVERING POTENTIAL IN THE QUESTION OF MOVEMENT. Doctoral thesis, Falmouth University / University of the Arts London.

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2022) circling, tumbling, dancing around: Back pieces. Choreographic Practices, 13 (2). pp. 145-163. ISSN 2040-5669

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2022) circling, tumbling, dancing around: Back pieces. Choreographic Practices, 13 (2). pp. 145-163. ISSN 20405669

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Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Morello and Mimesis: Genre Signifiers and Political Commentary. In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina. Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Conjuring Sound: Mimesis and Guitar Virtuosity. In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia. Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]

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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts. [Media] (Unpublished)

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance]

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2022) between Sol and sea and grey. [Performance]

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Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778 (2022) Abyssal Noise: Representations of Death and Dying in Extreme Metal Music. In: Embodying the Music and Death Nexus: Consolations, Salvations, Transformations. Emerald Interdisciplinary Connextions . Emerald Publishing, London, England.. ISBN ISBN : 1-80117-766-X ISBN : 9781801177672

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]

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Slater, Tom (2021) Drone Technologies and Dis/embodied Spaces: A practice-based enquiry into human-drone relationships through audiovisual art installation. Doctoral thesis, Falmouth University / University of the Arts London.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian (2021) We've Been Here. [Media]

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2021) The Politics of Medium Specificity. In: The Politics of Medium Specificity, 5 May, 2021, Centre for the Study of the Networked Image, London South Bank University.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2021) Music and contemporaneity: Temporality and scale in a globalised present. In: BSA Annual Conference 2021 - Remaking the Future, 13-15 April, 2021, Online.

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2021) Listening for baselines beyond anthropophony: an interview with Bernie Krause. [Website Content]

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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2021) Shandyland - Pint Size. [Performance] Item availability may be restricted.

Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2020) From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance). In: Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Dance Books, Hampshire. ISBN 978-1852731816 Item availability may be restricted.

Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted.

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2020) Dark Sound: Feminine Voices in Sonic Shadow. Ex-centrics . Bloomsbury, New York. ISBN 9781501325809 (In Press) Item availability may be restricted.

Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2020) 3 Em[bed]ding circle. [Performance]

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Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]

Williams, Frances (2020) Looking away: Failure, Embarrassment and Mis-attention in a Performance-related Artistic Practice. Doctoral thesis, University of the Arts London, Falmouth University.

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2020) Working low: activating the horizontal plane. In: Body, Space, and Place in Collective and Collaborative Drawing: Drawing Conversations II (Hardback). Drawing Conversations . Cambridge Scholars Publishing, Cambridge. ISBN 9781527541962 Item availability may be restricted.

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Slater, Tom (2019) Illusory Contours. [Media] (In Press)

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition]

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary (2019) "Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par. In: Routledge Companion to Dance Studies. Routledge Companion . Routledge, London/Abingon, pp. 471-487. ISBN 9781138234581

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) J.Lynch - Skipholt 31. [Composition] Item availability may be restricted.

Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2019) and a body turns. [Exhibition] Item availability may be restricted.

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen (2019) ANTI Contemporary Art Festival 2019: Death. [Exhibition]

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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2019) Shandyland by Gareth Farr. [Performance] (Submitted) Item availability may be restricted.

Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2019) Translucent surface/Quiet body, redistributed. Journal for Artistic Research JAR, 2019 (18). ISSN 2235-0225

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Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Leonardo, 52 (3). ISSN 0024-094X

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Is “New Music” Contemporary Art? In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Can Music be Contemporary? In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2019) Writing body/annotating gesture. In: Annual Conference SAR 10, March 2019, Zurich University of the Arts.

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Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2018) Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest. Theatre, Dance and Performance Training, 9 (3). pp. 431-444. ISSN 1944-3927

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2018) J.Lynch - Extended Play. [Composition]

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2018) ANTI Contemporary Art Festival 2018: Games and Play. [Exhibition]

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.

Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions of potential digital futures for live performance in the staging and consumption of music festivals. In: The Routledge Handbook of Festivals. Routledge, Abingdon, pp. 406-416. ISBN 9781138735811

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Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165

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Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University.

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition]

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2018) Beyond the dichotomy of 'theory' and 'practice' in artistic research. In: Theorem 2018, Cambridge School of Art.

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2018) Making Solo Performance. Palgrave Macmillan, London. ISBN 978-1-137-60326-5 Item availability may be restricted.

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2018) Going Solo: Dr MIsri Dey discusses the past, present and future of solo performance. Chichester Festival Theatre Programme, 1. ISSN N/A Item availability may be restricted.

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo (2018) Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance. In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris. (Unpublished) Item availability may be restricted.

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.

Rofe, Michael, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 and Parker, Will (2017) Online Orchestra - Connecting Remote Communities through Music. Journal of Music, Technology and Education, 10 (2-3). pp. 147-166. ISSN 17527066 Item availability may be restricted.

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Rofe, Michael and Reuben, Federico (2017) Telematic Performance and the Challenge of Latency. Journal of Music, Technology and Education, 10 (2-3). pp. 167-184. ISSN 17527066

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2017) Moving Dramaturgy. [Performance] Item availability may be restricted.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reuben, Federico, Biscoe, Ian and Rofe, Michael (2017) Designing a System for Online Orchestra - Computer Hardware and Software. Journal of Music, Technology and Education, 10 (2-3). pp. 185-196. ISSN 17527066

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2017) Designing a System for Online Orchestra - Peripheral Equipment. Journal of Music, Technology and Education, 10 (2-3). pp. 197-212. ISSN 17527066

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Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Rofe, Michael (2017) Designing a System for Online Orchestra - Microphone Evaluation and Cost-Benefit Analysis. Journal of Music, Technology and Education, 10 (2-3). pp. 213-230. ISSN 17527066

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Rofe, Michael and Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 (2017) Composing for a Latency-Rich Environment. Journal of Music, Technology and Education, 10 (2-3). pp. 231-256. ISSN 17527066

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Rofe, Michael, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852 (2017) Experiencing Online Orchestra - Communities, Connections and Music-Making through Telematic Performance. Journal of Music, Technology and Education, 10 (2-3). pp. 257-276. ISSN 17527066

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Hargreaves, Jon ORCID: https://orcid.org/0000-0002-6230-8436 (2017) Notes from the Podium of an Online Orchestra. Journal of Music, Technology and Education, 10 (2-3). pp. 277-287. ISSN 17527066

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) The Network as Niche. Journal of Music, Technology and Education, 10 (2-3). pp. 289-303. ISSN 17527066

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Rofe, Michael and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) Online Orchestra - Special Issue of Journal of Music, Technology and Education. [Journal] Item availability may be restricted.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2017) ANTI Contemporary Art Festival 2017: Water. [Exhibition]

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Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland..

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2017) Unresolved Differences : Choreographing Community in Cross-generational Dance Practice. Doctoral thesis, University of the Arts London, Falmouth University. Item availability may be restricted.

Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 and Randell, James (2017) How can a professional box office system be utilised as a learning vehicle for events management students? In: AEME Conference 2017, 4th July 2017, Cardiff Metropolitan University.

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.

Gough, Richard (2017) Richard Gough and Polish Theatre – A Forty-year Encounter "Teatr" no 3/2017 (1192). Teatr - Polish Theatre Journal, "Teatr" no 3/2017 (1192) (1192). ISSN 0040-0769 Item availability may be restricted.

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2017) Stage Flight - Runner's World article. Runner's World, March 2017. ISSN 0897-1706 Item availability may be restricted.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215

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Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository.

Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G (2016) Last Act Of Rebellion at Compass Festival, Leeds 2016. [Performance]

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2016) what remains and is to come. [Performance] Item availability may be restricted.

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Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished)

Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366

Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository.

Hayman, Darren and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) Herodsfoot, Cornwall - Thankful Villages #16. [Composition]

Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland.

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry (2016) Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 978-1-4438-9888-1

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Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Singh-Barmi, Kuldip, Biscoe, Ian, Cesar, Pablo, Jansen, Jack, Wang, Chen and Kaiser, Rene (2016) Co-Present and Remote Audience Experiences: Intensity and Cohesion. Multimedia Tools and Applications, 2016. pp. 1-34. ISSN 1380-7501

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2016) She's only doing this: scores. Theatre Dance and Performance Training, 9 (2). pp. 190-192. ISSN 1944-3927 print

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Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.

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Standen, Verity (2016) HUG. [Performance]

Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance]

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806

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Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition]

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Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press)

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Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository.

Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted.

Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.

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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2016) The Quiet House. [Performance] Item availability may be restricted.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.

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Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted.

Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2016) Beings & Things, at Playing-UP The Symposium, Tate Modern. In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London.

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Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted.

Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2016) Retro Rock & Heavy History. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music . Routledge, London, pp. 297-310. ISBN 9781315742816

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Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository.

Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) Sure Lines? Reflections on Dramaturgy in participatory dance and performance. 'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1). pp. 20-23. ISSN 0969-7225

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Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance]

Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2016) ANTI Contemporary Art Festival 2016: Winter. [Exhibition]

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Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished)

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2016) Weather and Imagination, 2016 ANTI International Seminar. [Conference]

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Murray, Samuel J ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin. In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University. (Unpublished) Item not available from this repository.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.

Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2015) Translucent surface/Quiet body. Performance Research, 20 (6). pp. 101-105. ISSN 1352-8156 print

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) Spiral at Compass Festival, Leeds. [Performance]

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Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED.

Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2015) Art of Endurance, 2015 ANTI International Seminar. [Conference]

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2015) ANTI Contemporary Art Festival 2015: Running Programme. [Exhibition]

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Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921

Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921

Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032

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Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED.

Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Reuben, Federico (2015) The Online Orchestra: Connecting Remote Communities through Music. [Performance]

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806

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Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Andrews, P (2015) Unruly Runnings: On track with identity and difficulty. In: Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association of Medical Humanities Conference, 23/06/15 - 25/06/15, Darlington Hall.

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Bleakley, Alan, Lynch, Larry, Taylor, Kerry, Whalley, Joanne, Fussell, Ian, Marshal, Robert and Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2015) Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association for Medical Humanities Conference 2015. [Conference]

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Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository.

Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Gough, Richard (2015) On Ruins and Ruination - Co-Edited issue of Performance Research Volume 20 Issue 3. [Journal] Item availability may be restricted.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Dark Sound: Destructive Pop 2015. [Conference]

Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]

Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2015) Shaking and Faking It: when is a vibrato not a vibrato? In: Giving Voice, International Festival of the Voice, Centre for Performance Research, April 10 - 18th 2015, Falmouth University. Item not available from this repository.

Meunier, Danielle (2015) 'Intersections of Neuroscience & Voice Training' presentation delivered at Giving Voice Festival 2015: Listening Mind, Moving Voice. In: Giving Voice Festival 2015: listening mind, moving voice, 10-18 April 2015, Falmouth University, Penryn Campus, Penryn, Cornwall, UK. Item availability may be restricted.

Myers, Misha, Crow, Frances, Persighetti, Simon, Frears, Lucy, Garwood, Gemma, Arnold, Bram and Qualmann, Clare (2015) Where to? Steps to the Future of Walking Arts. [Conference]

Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2015) How do the personal backgrounds, experiences, attributes and entrepreneurial motivations of students and graduates from Falmouth University influence their decision to engage in entrepreneurial activity? In: AEME 12th Annual Conference, 15 & 16 July 2015, AMATA, Falmouth University. (Unpublished) Item availability may be restricted.

Condron, Aiden (2015) 'Worstward Ho' adapted for the stage by Aiden Condron in collaboration with Mouth on Fire Theatre. [Performance]

Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) The Taxidermist (Thirty Pounds of Bone). [Composition] Item availability may be restricted.

Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria (2015) Solo Contemporary Performance Forum Website. [Website]

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) True West by Lone Twin & The Table. [Performance]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2014) Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice. Journal of Dance and Somatic Practices, 6 (2). pp. 175-187. ISSN 17571871

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Framing the Gap: Contact (and) Improvisation. The Journal of Dance and Somatic Practices, 6 (2). ISSN 17571871

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Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted.

Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished)

Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]

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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810 (2014) Wildworks 100: The Day Our World Changed/ 100:UnEarth. [Performance]

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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2014) What remains and is to come: a document. Middlesex University, London UK. ISBN 9781859243329

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex.

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2014) The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running. In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.

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Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.

Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) The Vinyl Frontier. In: Pop Life, University of Northampton.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]

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Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137

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Otter Bickerdike, Jennifer (2014) It Ain't Over ...Till It's Over. In: It Ain't Over Till Its Over. Atria, New York. ISBN 1476739919

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Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267

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Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878

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Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished)

Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Contact [and] Improvisation. [Journal] Item availability may be restricted.

Reeder, Philip (2014) Chopped and Stretched. [Media]

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]

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Otter Bickerdike, Jennifer (2013) The 360 Deal. In: The 360 Deal. New Music Strategies, London. ISBN 1780976186

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2013) Chroma: Interactions of Noise. [Exhibition]

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215

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Otter Bickerdike, Jennifer (2012) Spirit of Talk Talk. In: Spirit of Talk Talk. Rocket 88, London. ISBN 190661539X

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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521

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Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3

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Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.

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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2012) Running Through A Field: Performance and Humanness. Performance Research: A Journal of the Performing Arts, 17 (2). ISSN 1352-8165

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2012) The Ship's Log. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2012) Have Done with the Celtic Phantom. [Composition] Item not available from this repository.

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2011) The Boat Project. [Project]

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2011) Five Songs: more than a metaphor. Animated, Winter. ISSN 0969-7225

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2010) Beastie 2010 - 2017. [Performance]

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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2010) Dance and Age Inclusive Practice. Foundation for Community Dance, unknown. ISBN 978-1-898409-09-0

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2010) Method. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2009) And They Go Down To It In Ships. [Composition] Item not available from this repository.

Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2008) Un Abrazo Sin Tiempo. Animated, Autumn. ISSN 0969-7225

Reeder, Philip (2007) Whisper. [Media]

Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2007) A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening. In: In the Place of Sound. Cambridge Scholars Publishing, Newcastle, pp. 125-134. ISBN 9781847183750 Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2006) The Homesick Children of Migrant Mothers. [Composition] Item not available from this repository.

Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183

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