Items where Division is "Music" and Year is 2019

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Number of items: 15.

C

Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.

L

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) J.Lynch - Skipholt 31. [Composition] Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] Item availability may be restricted.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.

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N

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Can Music be Contemporary? In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Is “New Music” Contemporary Art? In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Leonardo, 52 (3). ISSN 0024-094X

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S

Slater, Tom (2019) Illusory Contours. [Media] (In Press)

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W

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198

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