Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
Cinegi Arts&Film, a Case Study: how it worked and what we learned.
Project Report.
Arts Council England, UK.
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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
Irish Production Culture and Women Producers: Nicky Gogan.
In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London.
(Unpublished)
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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint.
In:
Rethinking Genre in Contemporary Global Cinema.
Palgrave Macmillan, New York, NY, pp. 121-133.
ISBN 978-3-319-90133-6
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Interview with Richard Herring.
In:
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308.
ISBN 978-3-319-90055-1
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
MAI in conversation with Hope Dickson Leach.
MAI: Feminism and Visual Culture, 1 (1).
ISSN 20031671
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551.
ISBN 978-3-319-90055-1
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Energy Flash: Jake Meginsky On Milford Graves.
The Quietus, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative.
Media Practice and Education, 19 (2).
pp. 205-221.
ISSN 2574-1144
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Final Cut: Here To Be Heard Puts The Slits On Film.
The Quietus, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
An Interview With Caroline Richards.
Directors Notes, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods.
Directors Notes, N/A.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest.
The Quietus, NA.
ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Screengem: The Dude’s Ralphs card in The Big Lebowski.
The Big Picture, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Stupid Things Are Best”: Conny Plank – The Potential of Noise.
The Quietus, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Together Alone.
Beneficial Shock, 1 (3).
pp. 67-72.
ISSN 2399-5173
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
"We Were Not The Part": Pondering the Importance of The Go-Betweens.
Directors Notes, NA.
ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Why Sofia Coppola’s misunderstood drama is ripe for reappraisal.
The Big Picture, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario
(2018)
Cinematologists: Knowing Sounds.
Media Practice and Education, 19 (1).
pp. 48-51.
ISSN 2574-1144
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound and Music Use in Twin Peaks: The Return.
In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
These Violent Delights Have Violent Ends: Representing
Artificial Intelligence in HBO’s Westworld.
In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC.
(In Press)
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In: Music & The Moving Image, 27 May 2018, NYU, New York.
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
FEMINISTS UNDER COMMUNISM?
Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
From Visceral Style to Discourse of Resistance:
Reading Alka Sadat’s Afghan Documentaries on Violence Against Women.
In:
Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism.
Edinburgh University Press, Edinurgh, pp. 137-155.
ISBN 9781474419475
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance.
MAI: Feminism & Visual Culture, 1 (1).
ISSN 2003-1671
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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
FylmK.
Working Paper.
UNSPECIFIED.
(Unpublished)
Item availability may be restricted.
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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
The hills are alive… with event cinema.
Arts Professional, The arts in rural areas (311).
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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
BEST KEPT SECRET: Fantasy is a great way to explore reality.
In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy.
(Unpublished)
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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
“I am really glad and privileged that I shared my shit with you”.
Storytelling for Refuge, Storytelling As Refuge.
In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.
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