Sound Design, Music and The Birth of Evil in Twin Peaks: The Return

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979

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Abstract / Summary

We explore how Lynch makes use of intricate sound design, score, existing source music and music performed within the diegesis to articulate and distinguish the real world geography from the supernatural spaces of the series, and how sonically distinct liminal spaces connect these places within a rhizomic narrative. We explore how the series as a whole makes use of intertextual connections to conventional and experimental film form and how a complex relationship between sound and visuals - and the manipulation of these media - lends an otherworldly quality to The Return and allows the series to further extend established Lynchian worlds.

Item Type:	Book Section
Uncontrolled Keywords:	david, lynch, twin, peaks, sound design, narrative, film music
ISBN:	9783030047979
Subjects:	Music > Digital Music Film & TV > TV > Foreign TV Language Philosophy & Psychology Music > Sound Art Music > Sound Design
Courses by Department:	The School of Film & Television > Film The School of Writing & Journalism > English & Writing
Related URLs:	http://repository.falmouth.ac.uk/2894/
Depositing User:	Kingsley Marshall
Date Deposited:	16 Sep 2019 13:30
Last Modified:	30 Nov 2022 01:38
URI:	https://repository.falmouth.ac.uk/id/eprint/3288

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