Items where Subject is "Music & Sound"

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Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED.

Attlee, James and Whittaker, Emma (2017) The Cartographer’s Confession. [Media]

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Barrios-O'Neill, Danielle and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR. [Journal]

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Best, Chris (2013) Fragilities. [Composition] (Unpublished)

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Best, Chris (2016) Scending. [Composition] (Unpublished)

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Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636, Dobson, Emily, Motley, Polly, Ingleheart, Claire, Slingerland, Isabel, Middleton, Antony, Southward, James, Waller, Antony, Waller, Sarah, Ausenda, Alessandra and Hughes, Jon (2016) SHORELINE by Simon Birch Dance. [Performance]

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Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository.

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted.

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 (2014) People Have Voice. [Performance] Item availability may be restricted.

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria (2015) At The End Of The Line. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules (2014) Once Upon A Time. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas and Abbott, Victoria (2016) Seamas Carey Meets His 4 Year Old Self, With a Choir. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka (2015) Gwalt. Glosy (Rape. Voices). [Performance] Item availability may be restricted.

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance]

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2020) Accessibility All Areas? UK live music industry perceptions of current practice and Information and Communication Technology improvements to accessibility for music festival attendees who are Deaf or disabled. International Journal of Event and Festival Management, 11 (1). pp. 6-25. ISSN 1758-2954

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2021) Accessibility All Areas? UK live music industry perceptions of current practice and Information and Communication Technology improvements to accessibility for music festival attendees who are Deaf or disabled. In: AEME Forum, 1st July 2021, Virtual via Hop In:.

Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2020) Accessibility All Areas? UK live music industry perceptions of current practice regarding accessibility for music festival and event attendees who are Deaf or disabled. In: A Greener Festival Green Event Innovations Conference, 3rd March 2020, Royal Garden Hotel, London.

Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2019) Digital futures for ethically informed specialist training in the live music industry. In: REBOOT 2019, 12 June 2019, The Institute of Contemporary Music Performance, 1B Dyne Road, London NW6 7XG.

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2022) Gatekeeper perceptions on adopting environmentally sound Information and Communication Technology enhanced live performances to improve the sustainability of music festivals. International Journal of Event and Festival Management, 13. ISSN 1758-2954

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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.

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Cassar, Mariella (2014) Creative Responses to Maltese Culture and Identity : Case Study and Portfolio of Compositions. Doctoral thesis, Falmouth University.

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Causley, Jim and Thompson, Luke (2016) Clay Hymnal. [Composition] Item not available from this repository.

Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death. Doctoral thesis, Falmouth University.

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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts. [Media] (Unpublished)

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Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.

Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands.

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183

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Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]

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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927

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Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository.

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Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X (2024) A39 & Cornish Political Theatre. In: A39 & Cornish Political Theatre, 11/6/2024, Cornish Heritage in Penzance/ Ertach Kernow yn Pennsans.

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Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X (2023) After the Miners' Strike. Open Book Publishers, Cambridge. ISBN 978-1-80064-912-5

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Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X (2024) Contempt for the warmongers. The Morning Star, 2024 (28/05). ISSN 0307-1758

Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X (2024) Moving, mesmerising, memorable. The Morning Star, 2024 (23/01). ISSN 0307-1758

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2021) Listening for baselines beyond anthropophony: an interview with Bernie Krause. [Website Content]

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2024) Witching Sound in the Anthropocene (and Occultcene). In: The Witch Studies Reader. Duke University Press, Durham, NC, USA, pp. 262-274. ISBN 978-1-4780-3135-2 (In Press) Item availability may be restricted.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2020) Dark Sound: Feminine Voices in Sonic Shadow. Ex-centrics . Bloomsbury, New York. ISBN 9781501325809 (In Press) Item availability may be restricted.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Dark Sound: Destructive Pop 2015. [Conference]

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2024) Music Films. BFI/Bloomsbury, Physical Book. ISBN 9781839023439 Item availability may be restricted.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary. In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) “I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Juxebox Jarmusch: Jim at the Intersection of Music and Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551. ISBN 978-3-319-90055-1 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Richard Lester Discusses A Hard Day's Night. Clash Magazine, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media. In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, London, pp. 207-218. ISBN 978-1-6289-2555-5 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA

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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2023) Giving everyone a voice – creating locative media & audio walks. In: Symposium: Re:voicing Cultural Landscapes Narrative and Non-narrative traditions across media, part of: Heritage, Identity and Inclusivity Leeuwarden Summer School in collaboration with the Heritage Lab, 3rd-7th July 2023, Leeuwarden, the Netherlands.

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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2023) A Serpent's Dance by Lucy Frears Sound piece by Lucy Frears Film by Lucy Frears, edited to the sound by Marcus Cook. [Artwork]

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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246, Chatfield, Andy and Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X (2022) Equity, Diversity & Inclusion: How to make your cultural leadership more diverse. Project Report. UNSPECIFIED.

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Garcia Rangel, Sherezade ORCID: https://orcid.org/0000-0002-0166-690X (2019) On The Hill podcast – Season One: Falmouth Cemetery. UNSPECIFIED.

Garrett, Conor and Barrios-O'Neill, Danielle (2016) BBC Radio 4 / Radio Ulster Stories in Sound: Invisible Belfast. [Media]

Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Rofe, Michael (2017) Designing a System for Online Orchestra - Microphone Evaluation and Cost-Benefit Analysis. Journal of Music, Technology and Education, 10 (2-3). pp. 213-230. ISSN 17527066

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Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165

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Hargreaves, Jon ORCID: https://orcid.org/0000-0002-6230-8436 (2017) Notes from the Podium of an Online Orchestra. Journal of Music, Technology and Education, 10 (2-3). pp. 277-287. ISSN 17527066

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Hayman, Darren and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) Herodsfoot, Cornwall - Thankful Villages #16. [Composition]

Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]

Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

Howard, Jeff ORCID: https://orcid.org/0000-0001-9077-1025 (2017) Force and Fire: Making Your Game More Metal. In: Game Developer's Conference (GDC), San Francisco.

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Huang, Anna, Chen, Sherol, Nelson, Mark and Eck, Douglas (2018) Towards Mixed-Initiative Generation of Multi-Channel Sequential Structure. In: International Conference on Learning Representations, 30 Apr - 3 May 2018, Vancouver, Canada.

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Ingate, Tom (2021) Three Seasons - The Apple Tree Orchestra. [Composition]

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Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2015) Be Here Steryear. [Artwork]

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2014) Me Fish Bring. [Artwork]

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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810 (2018) WildWorks 100:UnEarth. [Performance] (Unpublished) Item availability may be restricted.

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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810, Mitchell, Bill, Wannell, Myriddin, Williams, Eleanor, Hill, Sue and D'Hoe, Jeroen (2015) ONCE AND TWICE UPON A CASTLE. [Exhibition]

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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810, Vanackere, Luc and d'Hoe, Jeroen (2014) Once upon a Castle Ontsluier mijn geheimen - Uncover my Secrets. In: Once upon a Castle Ontsluier mijn geheimen - Uncover my Secrets. [BE] Stichting Kunstboek, Belgium. ISBN 9789058564955

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2014) I Cannot Sing You Here, But For Songs of Where : Contemporary Alt-folksong and Articulations of Place. Doctoral thesis, University of the Arts London, Falmouth University.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2024) J.Lynch - Brythonic Problem, Live. [Performance] (Unpublished)

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch Brythonic Problem. [Composition] Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition]

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance]

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2009) And They Go Down To It In Ships. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2012) Have Done with the Celtic Phantom. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2006) The Homesick Children of Migrant Mothers. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2018) J.Lynch - Extended Play. [Composition]

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) J.Lynch - Skipholt 31. [Composition] Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2010) Method. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2012) The Ship's Log. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) The Taxidermist (Thirty Pounds of Bone). [Composition] Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.

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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004, Reeder, Philip and Frears, Lucy (2013) Churks, Clidgy & Doodle-Dashers songs. [Composition] Item not available from this repository.

Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]

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Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262 (2019) Pool School Gallery CIC Contemporary Artist Programme 2019/2020. [Exhibition] Item availability may be restricted.

Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262 (2003) Spiral Drawing. [Artwork]

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Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262 and Halvorsen, Morten Norbye (2019) Cornwall Council Schools Art Collection. [Website]

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Levinsky, Sarah, Abbott, Vicky, Pirie, Karen, Wynne Jones, Rhys, Walton, Jodie and Chapman, Anthony (2024) SEEN/HEARD. [Performance]

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance]

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Cultural Crossroads. Internationl Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Dance of the Machines. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Documenting the [Im]Possible. Internationl Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) The Evangelical Mind. Ship of Fools, none. ISSN 0260-292X

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Greenslade at the BBC. Internationl Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) 'I know you now as in memory flown'. International Times, none. ISSN 2634-0852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Infused With Echoes. Internationl Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2025) Into the future: An interview with Steven Alexander of the Dance. Punk & post-Punk journal, 13 (3). ISSN 2044-1983 (In Press) Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Mr Soft. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) NEIL IS IN DA HOUSE. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Nationalisation. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Outrage, Power, Publishing and Noise. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) PUNK JAZZ? Punk & Post-Punk journal, 14 (1). ISSN 2044-1983 (In Press) Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Post-Poptastic People. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) The Return of the Dark Lord. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Saint Arthur. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Seeing what they want to see: An interview with Michael Bracewell. Punk & Post-Punk, 12 (2). pp. 223-234. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Self-Obsession. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Set the Controls for the Heart of the Strum. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Sonic Archeology / Dig Deep. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Stardust. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Tales from the Crumhorn Crusade. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Tentative Histories. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Then and Now. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Untitled book review of A BOOK OF DAYS, PATTI SMITH (2022) London: Bloomsbury, 400pp., ISBN: 978-1526650986, h/bk, £25 and SURRENDER: 40 SONGS, ONE STORY, BONO (2022) London: Hutchinson Heinemann, 576pp., ISBN: 978-1529151787, h/bk, £25. Punk & Post-Punk, 12 (1). pp. 140-143. ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Untitled review of Exit Stage Left: the Curious Afterlife of Pop Stars, Nick Duerden (374pp, £20, Headline). Punk & Post-Punk, 11 (3). pp. 422-424. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Untitled review of MARK HOLLIS: A PERFECT SILENCE, BEN WARDLE (2022) London: Rocket 88, 368pp, ISBN 9781910978856, h/bk, £40. Punk & Post-Punk, 11 (3). pp. 419-421. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Untitled review of Rock Against Racism Live. 1977-1981, Syd Shelton (32pp, Café Royal Books) Syd Shelton: Rock Against Racism 1976-1981, eds. Carol Tulloch and Mark Sealy (187pp, Rare Bird Books). Punk & Post-Punk, 12 (1). pp. 135-139. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Untitled review of THE LIGHT POURS OUT OF ME: THE AUTHORISED BIOGRAPHY OF JOHN McGEOCH, RORY SULLIVAN-BURKE (2022), London: Omnibus Press, 259 pp, ISBN 978-1913172-66-4, h/bk, £20.00. Punk & Post-Punk, 11 (3). pp. 416-418. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) VISIBLE LANGUAGE. UNSPECIFIED.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) We Have Lift Off. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) untitled review of BLANK CANVAS. ART SCHOOL CREATIVITY FROM PUNK TO NEW WAVE, SIMON STRANGE (2022), Bristol: Intellect, 297pp, ISBN 978-1-78938-631-8, pbck, £20. Punk & Post-Punk journal, 12 (1). pp. 121-124. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) An untitled review of THEMES FOR GREAT CITIES: A NEW HISTORY OF SIMPLE MINDS, Graeme Thomson (2022) London: Constable, 360 pp, ISBN 978-1-4721-3400-4, h/bk, £20.00. Punk & Post-Punk, 12 (1). pp. 412-415. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Taylor, Andrew (2024) Out from Behind the Curtain. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Album That Never Was. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Alien Soundscapes. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) All About Love. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Always about ideas'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Angry Shouts, Catchy Slogans and Shock Tactics. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) The Art School Dance Goes On Forever. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Art of Landscape. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Ashes to Ashes. International Times, none. ISSN 02665816

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Baby Free Spirit. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Back and Ready to Go. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Because He Was Him. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Better the Devil You Know. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Big It Up. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Body Talk. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) The Book I Read. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Born to be Wild. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2014) Brian Eno. Visual Music. Third Way, Jan/Feb 2014. ISSN 0309-3492

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) British Progressive Jazz. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Bullshit, Ego and Overspend. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A Cause for Celebration. International Times, none (none). ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) ‘Chance Meeting: disembodied voices in the work of Nurse With Wound and Cabaret Voltaire’. In: Bodies, Noise and Power in Industrial Music. Pop Music, Culture and Identity . Palgrave, London. ISBN 9783030924614 (In Press) Item availability may be restricted.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Clever and Difficult, Vital and Energetic. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Complexity from Simplicity. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Could Do Better. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Creative Antagonism. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Cutting through the Crap. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) 'Dancing Out In Space'. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Deeply Personal. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Deliciously Crazy. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Different Places Everywhere. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Digging in the Dark: Recent Listening. Interational Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Direct and Precise. International times, none. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Doctor Strange. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Document and Eye Witness. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Don't Sell Your Dreams. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Doo Right Done Wrong. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Double Trouble. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Draw the Blinds on Yesterday. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Driving Interplay. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Driving Me Backwards. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Droning On. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Dullsville, USA. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Electro Dudes. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Electronic Cobwebs. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Encyclopaedic Tendencies and Impossible Projects: An interview with Peter Blegvad. Punk & Post-Punk journal, 7 (3). pp. 421-431. ISSN 20441983 / 20443706 (In Press) Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Endless Voyage. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Engines of Excess. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Escape From The Island. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Falling in Love Again. International Times, none. ISSN none

Loydell, Rupert (2017) Fearless. The Making of Post-Rock. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fly Me to the Moon / Frames of Reference. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Foresight Saga. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Four from Cold Blue Music. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Fractured and Elliptical Sensibilities: An interview with Steve Taylor. Punk & Post-Punk journal, 11 (2). pp. 251-261. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Full Steam Ahead. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fun, Fashion, Faith and Flamboyance: an interview with Bev Sage. Punk & Post-Punk, 8.3. pp. 449-460. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2015) Future Days, Krautrock and the Building of Modern Germany. Punk & Post-Punk, 3 (2). pp. 83-84. ISSN 20441983 (In Press) Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Garden of Earthly Delights. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Ghost of Music Past. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A Glimpse of the Possibilities. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Glorious Excess. Interntational Timesa, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Good Vibrations. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Guilty Secret. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Hanging out Downtown. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Heaven Can Wait. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Henry Cow. The World is a Problem, Benjamin Piekut. Punk & Post-Punk journal, 9 (1). pp. 148-152. ISSN 20441983 (print) (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Hidden Treasure. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) High Ideals & Crazy Dub. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) High-rise Statistics. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Hissing of Summer Storms. International Times, none (none). ISSN none

Loydell, Rupert (2017) How Music is Made. International times, None (published weekly). ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Hyperbole, Exaggeration and Conjecture. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) I Know What I Like and I Like What I Know. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) I Want to See the Bright Lights. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) I know what I like... International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Impossible Worlds. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) In the Can. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) In the Spirit of Things. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Information Overload. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Inheritance. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Interview with Jason Whittaker, by Rupert Loydell. Fal Writing, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Invisible Man: Tom Verlaine, 1949-2023. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) It is as though the process has got stuck. International Times, n/a. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) It's a Kind of Magic. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Just for the Record. International times, None. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Keyboard Wizards. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) A Life. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) 'Listen to me, don't listen to me'. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Listen to the Music. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Living on the Edge. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Looking and Waiting. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Looking down the wrong end of a telescope. Ship of Fools, none. ISSN 0260292X

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Lost Kingdoms. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Lost and Found. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Loud and Proud. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Machine That Changed The World. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Making All The Right Noises. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Making Connnections. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Methinks Thou Dost Protest Too Much. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Misreading Punk. International Times, n/a. ISSN n/a

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Misreading Punk. Stride, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) The Missing Link. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Monsoon Season. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Moods, atmospheres, photos, language and sound. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Most Likely You'll Go Your Way and I'll Go Mine. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Movements Through Time and Place. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Multichannel Diffusion: an interview with Robert Hampson. Punk & Post-Punk, 12 (1). pp. 79-90. ISSN 20441983 (In Press) Item availability may be restricted.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Murder On The Dance Floor. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Music Is A Better Noise. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music Matters. International Timesa, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Music Matters. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Music That Time Forgot. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music is Power. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) The Music of the Future. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Musical Histories. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Musical Time Travel. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) My Boy Lollipop... International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2015) 'The Need for Healing: an interview with Martyn Bates'. Punk & Post-Punk, 3 (3). pp. 257-264. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Never-never Land. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) New Releases Review Triptych. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) No More Heroes Anymore. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Noise Reduction System. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Not Afraid. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) An Obsessive's Delight. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) On a Night Like This. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) On the Edge of Time. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Orchestral Manoeuvres in the Dark. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2015) Out of Context: 'Control & Surrender' Revisited and Remixed. Journal of Writing in Creative Practice, 7 (1). pp. 111-119. ISSN 17535190 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) 'Out of the Gloom Comes Salvation'. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) 'PROVOCATION, STIMULATION AND GROOVE'. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Paradiddle, Plucking, Picking and Progrock. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Party People. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) 'A Poetry of Noise'. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A Politics of Memory: an interview with Mark Sinker. Punk & Post-Punk, 8 (3). pp. 439-448. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Post-Punk Poet: An interview with Dick Witts of The Passage. Punk & Post-Punk, 6 (3). pp. 415-422. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Pressure Drop. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Psykick Dancehall Horror House Repetition. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Punk Psychogeography. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) A Quiet Revolution. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Reaching for the Source. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Rebellious Jukebox. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Remix, Revisit and Reassess. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) The Resurrection Shuffle. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Return Of The Riff Monster. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Rhythmic Persuasion. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Rock Against Racism. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Rumours of Glory. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Run From The Shadows. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2014) Rupert Loydell interviews Andrew Poppy. Punk & Post Punk, 2 (3). ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Sailing on a Strange Boat. International Times, none. ISSN 26349852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Say hello, wave goodbye. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Seeing Sound, Hearing Pictures. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Seeing Stars. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Seek the truth, then doubt it'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Sentences move dancing away'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Shadow of a Hand. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Shop 'til You Drop. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Slow Burn. International Times, none. ISSN 26340852

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Loydell, Rupert (2018) Soft in the Head. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sonic Shadows. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) The Sound of Silence. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Spirit of the Age. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Spiritual Terrorism. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Still Life with Diary. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Street Life. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Such larks! International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sunset Glow. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Sunset Songs for Street Deviants. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Sunshine On My Shoulders. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sweet Dreams: The Story of the New Romantics, Dylan Jones (2020). Punk & Post-Punk, 10 (2). pp. 307-310. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Synthesizer Dreams. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Systems, Strategies and Ideas. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Thank you for the future. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) A Theoretical Object Alternative. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) This is not a burden, it's a joy: An interview with Ben Ratliff. Punk & Post-Punk, 9 (2). ISSN 20441983 (In Press) Item availability may be restricted.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Those Were the Days, My Friend. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Throwing Toys Out of the Pram. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Time & Tide wait for no man: Greenslade reissued. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Time Capsule. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) To Be Music. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) To The Outside Of Everything: A story of Post-Punk 1977-1981. Punk & Post-Punk, 7 (2). pp. 287-289. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Totally Inspired by punk: An interview with Martin Bowes and Alan Rider. Punk & Post-Punk, 12. pp. 235-247. ISSN 20441983 (In Press) Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Twin Peaks, Writing and Shortbread: an interview with alumni Charlie Onions. [Website Content]

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) U2 and the Religious Impulse: take me higher, ed. Scott Calhoun (London: Bloomsbury Academic). Punk & Post-Punk, 9 (1). pp. 132-134. ISSN 20441983 (print) (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Unsung Mysteries. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Untitled book review of THE LONDON MUSICIANS' COLLECTIVE. 'AN OBSTINATE CLOT OF INVENTION', TREVOR BARRE (2020) London: Limbic, 233 pp., ISBN: 978-1-5272-6657-9, p/bk, £13.00 PIANOS, TOYS, MUSIC AND NOISE: CONVERSATIONS WITH STEVE BERESFORD, ANDY HAMILTON (2021) London: Bloomsbury, 291 pp., ISBN: 978-1-5013-6644-4, h/bk, £81.00. Punk & Post-Punk, 10 (3). pp. 535-537. ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Untitled review of LIGHTNING STRIKING, LENNY KAYE (2021) London: White Rabbit, 528pp, ISBN 978-1474615075, hbck, £20. Punk & Post-Punk, 11 (2). pp. 267-270. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Untitled review of Shake the Foundations: Militant Funk & the Post-Punk Dancefloor 1978-1984 3CD box set London: Cherry Red, £19.99. Punk & Post-Punk journal, 10 (2). pp. 341-342. ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vapour Trails & Echoes. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Versions of Live. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vertical Hold. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) 'Visit New York City for an unforgettable adventure'. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Warp & Woof. Analogue Flashback, Devoran, Cornwall. ISBN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) We Travel the Spaceways. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) We don’t hide from vague: An interview with the Revolutionary Army of the Infant Jesus. Punk & Post-Punk journal, 10 (1). pp. 141-148. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) We need to talk about Bob. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Weird Religious Backgrounds: Larry Norman, Jesus Rock, and an interview with Gregory Alan Thornbury. Punk & Post-Punk, 8 (1). pp. 121-135. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Welcome to the New Age. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Welcome to the Pleasure Dome. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) What Salvation Must Be Like. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) What is this place? International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) ‘What you cannot say I will say for you’. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) What's the Story? International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Who is to say?: An interview with Paul Morley. Punk and Post-Punk journal, 10 (3). pp. 477-485. ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) 'Who's gonna grok the shape of things to go?'. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Widdly-diddly freakouts. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Wish You Were Here. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Wish You Were Here? International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Woke up this morning, somebody rewrote the past. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Wombwell Rainbow Interviews: Rupert Loydell. [Website Content]

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Wordsmithery or Smith, Smith & Smith. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Wowie Zowie! International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Yes, 50th Anniversary Tour, London Palladium, 24 March 2018. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A blissed out, fuzzy replica. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) The culture I identify with: An interview with Gary Budden. Punk & Post-Punk journal, 11 (1). ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) An eccentric gathering. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A honeycomb of opinion: An interview with Jeanette Leech. Punk & Post-Punk Journal, 6 (3). pp. 409-414. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) An obituary of Richard H. Kirk, 21 March 1956 – 21 September 2021. Punk & Post-Punk journal, 10 (3). pp. 509-513. ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) The poem as iceberg. Stride, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of All Gates Open: The Story of Can by Rob Young and Irmin Schmidt (Faber, 2018). Punk and Post-Punk, 7 (3). pp. 457-459. ISSN 20441983 Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of Mad Dogs and Englishness. Popular Music and English Identities (Bloomsbury, 2017). Punk & Post-Punk, 7 (2). pp. 283-285. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) a review of PUNK IS DEAD. MODERNITY KILLED EVERY NIGHT, EDS. RICHARD CABUT & ANDREW GALLIX (2017) Winchester: Zero Books, 318pp, ISBN 9781785353468, pbck, £17.99. Punk and Post-Punk, 7 (2). pp. 280-283. ISSN 20441983

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of The Monk's Record Player: Thomas Merton, Bob Dylan and the Perilous Summer of 1966, Robert Hudson (263pp, £17.20, hbck, Eerdmaans). International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of WHY SHOULD THE DEVIL HAVE ALL THE GOOD MUSIC? LARRY NORMAN AND THE PERILS OF CHRISTIAN ROCK, GREGORY ALAN THORNBURY (2018) New York: Convergent, ISBN: 9781101907078, hbk, $26. Punk & Post-Punk, 7 (2). pp. 277-280. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) An untitled book review of Monolithic Undertow: In Search of Sonic Oblivion, Harry Sword (2021), London: White Rabbit, 455pp, ISBN: 9781474615235, h/bk £20 (1). Punk & Post-Punk journal, 10 (3). pp. 533-534. ISSN 20441983 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) untitled review of ON MINIMALISM and THE NAMES OF MINIMALISM. Punk & Post-Punk, 12 (3). pp. 413-416. ISSN 20441983 Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) untitled review of SILHOUETTES AND SHADOWS. THE SECRET HISTORY OF DAVID BOWIE'S SCARY MONSTERS (AND SUPER CREEPS), ADAM STEINER (2023) Essex, CT: Backbeat Books, 282pp., ISBN 978-1-4930-656-6, p/bk, $24.95. Punk & Post-Punk journal, 12 (3). pp. 410-412. ISSN 20441983 Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) untitled review of SOUVENIR: LONDON, 1979-1986, MICHAEL BRACEWELL (2021) London: White Rabbit, 124pp., ISBN: 9781474622301, h/bk, £14.99. Punk & Post-Punk journal, 11 (1). ISSN 20441983 (In Press)

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Modular Forms, Roehampton University. Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy. (Unpublished)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound Design, Music and the Birth of Evil in Twin Peaks: The Return. In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York. (Unpublished)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

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Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366

Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426 (2022) THE COASTGUARD BY MARIE MACNEILL - audio recording. [Performance]

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) ‘David Lynch Constrained on Dune’. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978166691 (Submitted) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury Academic, London. ISBN 9781441117458

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, London, pp. 269-280. ISBN 9783030047979

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, New York, pp. 269-280. ISBN 978-3-03-004797-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted.

Meunier, Danielle and Bills, Martin (2014) 'Black Nocturne', Martin Bills (composer), Danielle Meunier (soprano). [Performance] (Unpublished) Item availability may be restricted.

Meunier, Danielle and Bills, Martin (2014) 'Twilight and Dreams', Martin Bills (composer), Danielle Meunier (soprano). [Performance] (Unpublished) Item availability may be restricted.

Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository.

Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository.

Mott, Nicholas (2015) Nick Mott 'Here Begins The Great Destroyer' Compact Disc. [Media]

Mott, Nicholas (2017) Nick Mott 'The Hole World' lathe cut 10" and CDR album. [Media]

Mott, Nicholas (2015) Volcano The Bear 'Commencing'. [Media]

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian (2024) Hip-hop Dar es Salaam. [Project] (Unpublished) Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Conjuring Sound: Mimesis and Guitar Virtuosity. In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia. Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Morello and Mimesis: Genre Signifiers and Political Commentary. In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina. Item availability may be restricted.

Murray, Samuel J ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin. In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University. (Unpublished) Item not available from this repository.

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Neal, Andy (2016) The Claze; Time to be friends. [Design] Item availability may be restricted.

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Neal, Andy (2021) Myths. [Composition] Item availability may be restricted.

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Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.

Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2018) Beyond the dichotomy of 'theory' and 'practice' in artistic research. In: Theorem 2018, Cambridge School of Art.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Can Music be Contemporary? In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2021) The Contemporaneity of Class Relations. The Sociological Review. ISSN 2754-1371

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Is “New Music” Contemporary Art? In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2021) Music and contemporaneity: Temporality and scale in a globalised present. In: BSA Annual Conference 2021 - Remaking the Future, 13-15 April, 2021, Online.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2021) The Politics of Medium Specificity. In: The Politics of Medium Specificity, 5 May, 2021, Centre for the Study of the Networked Image, London South Bank University.

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Leonardo, 52 (3). ISSN 0024-094X

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Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008, Jones, Paul and Sharma, Priya (2022) Introduction to March's Theme: Time. The Sociological Review. ISSN 2754-1371

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Otter Bickerdike, Jennifer (2013) The 360 Deal. In: The 360 Deal. New Music Strategies, London. ISBN 1780976186

Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137

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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press)

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Otter Bickerdike, Jennifer (2017) Marc Bolan Rock Shrine: Pilgrimage, Identity and Ownership in a Fan Community. Journal of Fan Studies, 5.1. ISSN 20466692 (Submitted)

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799

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Otter Bickerdike, Jennifer (2012) Spirit of Talk Talk. In: Spirit of Talk Talk. Rocket 88, London. ISBN 190661539X

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Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032

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Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2023) POST- ensemble: workshop and performance at the 'Electronics Symposium'. [Performance]

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2016) Retro Rock & Heavy History. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music . Routledge, London, pp. 297-310. ISBN 9781315742816

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex.

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) The Vinyl Frontier. In: Pop Life, University of Northampton.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2007) A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening. In: In the Place of Sound. Cambridge Scholars Publishing, Newcastle, pp. 125-134. ISBN 9781847183750 Item availability may be restricted.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2017) Designing a System for Online Orchestra - Peripheral Equipment. Journal of Music, Technology and Education, 10 (2-3). pp. 197-212. ISSN 17527066

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2023) Descent. [Composition] Item availability may be restricted.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Documentary Sound: Beyond the Diegetic. In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University. (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) The Network as Niche. Journal of Music, Technology and Education, 10 (2-3). pp. 289-303. ISSN 17527066

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2020) The Unreliable Mediator: Speakers in Sound Art heard through Music on a Long Thin Wire. In: The Oxford Handbook of Sound Art. Oxford University Press Handbooks . Oxford University Press, New York. ISBN Pending (In Press) Item availability may be restricted.

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reuben, Federico, Biscoe, Ian and Rofe, Michael (2017) Designing a System for Online Orchestra - Computer Hardware and Software. Journal of Music, Technology and Education, 10 (2-3). pp. 185-196. ISSN 17527066

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Reeder, Philip (2014) Chopped and Stretched. [Media]

Reeder, Philip (2011) Contribution of artist statement and musical composition on CyberArts 2011, as a result of honorary mention at Prix Ars Electronica 2011. In: CyberArts 2011. Hatjke Cantz, Germany. ISBN 978-3-7757-3181-2 Item availability may be restricted.

Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]

Reeder, Philip (2012) Inter-piece Sampling and Convolution : Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text. Doctoral thesis, University of the Arts London, Falmouth University.

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Reeder, Philip (2007) Whisper. [Media]

Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.

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Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

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Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3

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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]

Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished)

Rofe, Michael, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 and Parker, Will (2017) Online Orchestra - Connecting Remote Communities through Music. Journal of Music, Technology and Education, 10 (2-3). pp. 147-166. ISSN 17527066 Item availability may be restricted.

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Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED.

Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted.

Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository.

Rofe, Michael and Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 (2017) Composing for a Latency-Rich Environment. Journal of Music, Technology and Education, 10 (2-3). pp. 231-256. ISSN 17527066

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Rofe, Michael, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852 (2017) Experiencing Online Orchestra - Communities, Connections and Music-Making through Telematic Performance. Journal of Music, Technology and Education, 10 (2-3). pp. 257-276. ISSN 17527066

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Rofe, Michael and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) Online Orchestra - Special Issue of Journal of Music, Technology and Education. [Journal] Item availability may be restricted.

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Rofe, Michael and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2015) Online orchestra: performance, edited journal and patent. [Project] Item not available from this repository.

Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Reuben, Federico (2015) The Online Orchestra: Connecting Remote Communities through Music. [Performance]

Rofe, Michael and Reuben, Federico (2017) Telematic Performance and the Challenge of Latency. Journal of Music, Technology and Education, 10 (2-3). pp. 167-184. ISSN 17527066

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2024) Immersed in Cabilla. In: InMusic24: Innovation in Music 2024 Conference - Have You Tried That?, 14-16 June 2024, Kristiania University College, Oslo.

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2023) Through the Periscope: Microphone Character in Creative Studio Production. In: Innovation in Music 2023 Conference, 30 June - 02 July, Edinburgh Napier University. (Unpublished)

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2024) Yesterday’s Charm, Today’s Precision”: Martin B. Kantola and the design of a new ‘classic’ microphone (Nordic Audio Labs NU-100K). In: Innovation in Music: Technology and Creativity. Perspectives on Music Production . Routledge, UK, pp. 153-171. ISBN 9780367633363 Item availability may be restricted.

Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.

Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.

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Slater, Tom (2021) Drone Technologies and Dis/embodied Spaces: A practice-based enquiry into human-drone relationships through audiovisual art installation. Doctoral thesis, Falmouth University / University of the Arts London.

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Slater, Tom (2019) Illusory Contours. [Media] (In Press)

Standen, Verity (2016) HUG. [Performance]

Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778 (2022) Abyssal Noise: Representations of Death and Dying in Extreme Metal Music. In: Embodying the Music and Death Nexus: Consolations, Salvations, Transformations. Emerald Interdisciplinary Connextions . Emerald Publishing, London, England.. ISBN ISBN : 1-80117-766-X ISBN : 9781801177672

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Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted.

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Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University.

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Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland..

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Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance]

Summerley, Rory ORCID: https://orcid.org/0000-0001-6496-9679 (2018) Approaches to Game Fiction Derived from Musicals and Pornography. MDPI Arts Journal, 7 (3). ISSN 2076-0752

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Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository.

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition]

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition]

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project]

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]

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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]

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Whittaker, Emma (2015) Inside the Snow Globe: Pragmatisms, belief and the ambiguous objectivity of the imaginary. Technoetic Arts: A Journal of Speculative Research, 13 (3). pp. 275-284. ISSN ISSN 1477965X

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Whittaker, Emma (2013) Listening to Locative Narratives: Illusion and the Imaginative Experience. Leonardo Music Journal, December (LM23). pp. 17-18. ISSN ISSN: 0961-1215

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Whittaker, Emma (2015) Place-Matching. [Media]

Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository.

Whittaker, Emma and Brocklehurst, James (2016) Locative Narrative: Creating Contexts for Supposition in Spatially Distributed Museums. In: National Archives Conference: Discovering Collections, Discovering Communities 2016, 10-12 October 2016, The Lowry, Salford.

Whittaker, Emma and Brocklehurst, James (2013) The Lost Index: Landscape with Figures. [Artwork]

Whittaker, Emma and Brocklehurst, James (2014) Playing with Perception: Locative Narrative and Sonic Virtual Locations. In: Digital Research in the Humanities and Arts 2014, 31 August - 1 September 2014, University of Greenwich.

Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927

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Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267

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Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.

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Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X (2023) Cuts, fades and layers: Audio production interfaces and mental schemas for radiophonic storytelling. In: IAMCR Annual Conference 2023, 9-13 July 2023, Lyon, France.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) The Day the World Turned Day Glo. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria ORCID: https://orcid.org/0009-0003-9894-9643 and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) Rank. [Exhibition]

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