Items where Subject is "Film & Television"

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Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) Cinegi Arts&Film, a Case Study: how it worked and what we learned. Project Report. Arts Council England, UK.

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]

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Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.

Boljkovac, Nadine (2016) Returning Guest Speaker. ‘Feminist (Auto)Portraiture and the Moving Image.’ Englisches Seminar, Universität zu Köln. In: 'Feminist (Auto)Portraiture and the Moving Image' Guest Lecture, 2016, Universität zu Köln.

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Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449

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Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674 (2014) ‘A Hero Mumsy’: Parenting, Power and Production Changes in The Sarah Jane Adventures. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, London, pp. 118-130. ISBN 978-1-137-32757-4 Item availability may be restricted.

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Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674 (2015) ‘"I belong to the future": Timeslip Drama as History Production in The Georgian House and A Traveler in Time’. In: Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. McFarland & Company, Jefferson, N.C., pp. 149-164. ISBN 978-0-7864-7807-1

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Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2022) Machines Dreams & Fabulations: On Time After Time & The Wild Ones. nickberkeley.com, N/A. ISSN N/A

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Christoforidou, Maria ORCID: https://orcid.org/0009-0003-9894-9643 (2021) Μάλθα(Maltha): The Thrice Burnt Archive of Unreliable Prophesies. [Artwork]

Clark, Tim (2020) Masculinities: Liberation through Photography. [Exhibition] Item availability may be restricted.

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Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2016) Planet Earth’s adventure into cities cements its position as a pioneer of environmental film. The Conversation, online article. ISSN N/A

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Downing, Niamh, Llinares, Dario and Arnold, Sarah (2014) Cosmographies. [Conference]

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Lees, Belinda ORCID: https://orcid.org/0000-0003-1358-6824 (2024) Rethinking screenwriting credits and the unproduced screenplay: Innovative approaches to accreditation using the script reading as an output. Journal of Screenwriting, Not known. ISSN 1759-7145 Item availability may be restricted.

Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2017) Beyond the page: Crowdsourcing as a case study for digital screenwriting techniques. New Cinemas: Journal of Contemporary Film, 15 (2). pp. 209-228. ISSN 14742756 Item availability may be restricted.

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Fontoura, Catarina ORCID: https://orcid.org/0000-0002-8330-1217 (2024) Wild Home: Photography, Domesticity and More-than-human Boundaries in Fieldwork and Expeditionary Science. Photographies, 17 (1-2). pp. 169-185. ISSN 1754-0763 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2024) Music Films. BFI/Bloomsbury, Physical Book. ISBN 9781839023439 Item availability may be restricted.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2025) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN 9781771126434 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Black Stars: Belafonte, Poitier and a Long Overdue Celebration of Black Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Classrooms without teachers and film without borders: proactively responding to digital disruption in film education. In: Media Education Summit, 20-21 November, 2015, Emerson College, Boston, USA. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Coffee & Celluloid: In Conversation with Bronco’s House Director Mark Jenkin. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Collection-making: Podcasting as a contemporary curation practice. In: MeCCSA 2020, 8-10 January 2020, University of Brighton.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Death Foretold is Not Death. Directors Notes, N/A. ISSN N/A Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart. In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE). Digital Culture & Education, NA. ISSN 1836-8301

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) ‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative. Media Practice and Education, 19 (2). pp. 205-221. ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Four Frames: Best In Show (Christopher Guest, 2000). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: The Immigrant (James Gray, 2014). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Four Frames: The Royal Tenenbaums (Wes Anderson, 2001). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: There Will Be Blood (Paul Thomas Anderson, 2007). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2013) Four Frames: Tragic spectacle in Rust and Bone (Jacques Audiard, 2012). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Interview with Richard Herring. In: Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308. ISBN 978-3-319-90055-1

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary. In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) “I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Juxebox Jarmusch: Jim at the Intersection of Music and Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Landscape, Metaphors and Self-Distribution: The Tale of Brett & Simon Harvey’s ‘Brown Willy’. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Listen Up Philistines: Alex Ross Perry Interviewed. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: A Serious Man (Joel & Ethan Coen, 2009). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: Prince Avalanche (David Gordon Green, 2013). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) MAI in conversation with Hope Dickson Leach. MAI: Feminism and Visual Culture, 1 (1). ISSN 20031671

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) A Mirror To Nature: Genius, Disaster and the Legacies of Orson Welles. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) New Joys: The Wonder Of Kelly Reichardt. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) #Noirvember: The Theming of Cinema & the End of Criticism. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2013) On Location: Macclesfield in Control (Anton Corbijn, 2007). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Paths to the Pantheon: Using the Education of Successful Filmmakers to Shape Film Education. In: MECCSA 2016, 6-8 January, 2016, Canterbury Christchurch University, Kent, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551. ISBN 978-3-319-90055-1 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Richard Lester Discusses A Hard Day's Night. Clash Magazine, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Screengem: General Mireau’s Sofa in Paths of Glory (Stanley Kubrick, 1957). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Screengem: Telephones in Rififi (Jules Dassin, 1955). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Screengem: The Dude’s Ralphs card in The Big Lebowski. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Sex and Paranoia – Movies, Satire and the brinks of War. The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) “There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Together Alone. Beneficial Shock, 1 (3). pp. 67-72. ISSN 2399-5173

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media. In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK. Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) We merely get in their way: The fierce chemistry of Herzog and Kinski. The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) ‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media Projects. In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Why Sofia Coppola’s misunderstood drama is ripe for reappraisal. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) 'Wilderness'. [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production. Media Practice and Education, 23 (2). ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “You Talkin’ To Me?” - Returning to Conversation,. Doing Arts Research In A Pandemic, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Making Strange: Adapting H. P. Lovecraft for the Screen. In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2018) Cinematologists: Knowing Sounds. Media Practice and Education, 19 (1). pp. 48-51. ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2016) Knowing Sounds: Podcasting As Academic Practice. Journal Of Media Practice, Disruptive Media Special Edition. ISSN 2040-0926

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Llinares, Dario and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2015) The Cinematologists. UNSPECIFIED. Item availability may be restricted.

Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2023) A Serpent's Dance by Lucy Frears Sound piece by Lucy Frears Film by Lucy Frears, edited to the sound by Marcus Cook. [Artwork]

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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246, Chatfield, Andy and Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X (2022) Equity, Diversity & Inclusion: How to make your cultural leadership more diverse. Project Report. UNSPECIFIED.

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Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190

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Guthrie, Mark, Oxborrow, Stephen and Macneill, Marie (2014) THE DEAD SEA. UNSPECIFIED. Item availability may be restricted.

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Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098 (2023) The Day Of The Coyote. [Media]

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Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098 and Mulraney, Rosa (2016) Primary Sources for VFX. In: The Cross Channel Film Lab, Le Groupe Ouest. Item availability may be restricted.

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2020) Gothic Animals: Uncanny Otherness and the Animal With-Out. Studies in Animals and Literature’ . Palgrave Macmillan, London. ISBN 978-3-030-34539-6

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2023) Folk Horror New Global Pathways. Horror Studies . University of Wales Press, Cardiff. ISBN 978-1-78683-979-4 Item availability may be restricted.

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile. In: Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 9781786832337

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2014) ‘The Hammer House of Cornish Horror: The Plague of Zombies (1966) and The Reptile (1966)’. In: Locating the Gothic, October 2014, Limerick University. Item not available from this repository.

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2023) Handicrafts of Evil: The Make-Culture of Folk Horror. In: The Routledge Companion to Folk Horror. Routledge, Abingdon, pp. 160-172. ISBN 978-1-032-04283-1 Item availability may be restricted.

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2014) "Look Closer": Sam Mendes's Visions of White Men. In: Sensational Pleasures in Cinema, Literature and Visual Culture: The Phallic Eye. Palgrave Macmillan, New York. ISBN 978-1-137-36363-3

Hook, Alan, Barrios-O'Neill, Danielle and Mairs Dyer, Jolene (2016) A Transmedia Topology of Making a Murderer. VIEW Journal of European Television History and Culture, 5 (10). ISSN 2213-0969

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Jandrell, Mandy ORCID: https://orcid.org/0000-0001-6396-1544 (2018) Evidence in Camera. [Exhibition]

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Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925 (2019) Bait. [Media]

Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London.

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2015) Be Here Steryear. [Artwork]

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2014) Me Fish Bring. [Artwork]

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2013) four and five. [Artwork]

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Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 (2000) A Skin for Dancing In: Witchcraft, Possession and Voodoo in Film. Flicks Books, unknown. ISBN 978-0275976552

Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and King, Geoff (2000) Science Fiction Cinema: From Outerspace to Cyberspace. Wallflower Press, unknown. ISBN 978-1903364031

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Lloyd, Rebecca (2016) Haunting the Grown-Ups: The Borderlands of ParaNorman and Coraline. In: Haunted Landscapes Super-Nature and the Environment. Place, Memory, Affect . Rowman & Littlefield International, London, New York, pp. 199-214. ISBN 9781783488827 Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2025) Carry On Confluence. International Times, none. ISSN 2634-0852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Documenting the [Im]Possible. Internationl Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Tentative Histories. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Back On The Road Again. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Behind the Scenes. International Times, none. ISSN none

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Body Talk. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Curiouser and Curiouser. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Earthbound: David Bowie and the Man Who Fell to Earth. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fly Me to the Moon / Frames of Reference. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Fractured and Elliptical Sensibilities: An interview with Steve Taylor. Punk & Post-Punk journal, 11 (2). pp. 251-261. ISSN 20441983

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Into the Mystic. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Joining Up The Dots. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) London Calling. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Lynch Mob. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Myriad Mysteries. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) The Problem of England. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy. (Unpublished)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound Design, Music and the Birth of Evil in Twin Peaks: The Return. In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York. (Unpublished)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

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Mackay, Jem (2014) www.swarmtv.net : Non-hierarchy Through Open Source Approaches To Distributed Filmmaking. Doctoral thesis, University of the Arts London in collaboration with Falmouth University.

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Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426 (2021) THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development. In: THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146. ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook)

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Manley, Nick (2024) Postvention training film for national Police conference use. [Media]

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2011) Oliver Stone's Improbable W. In: Presidents in the Movies: American History and Politics on Screen. Palgrave Macmillan, London. ISBN 978-0230113282 Item not available from this repository.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, London, pp. 269-280. ISBN 9783030047979

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305, Shear, Tim and Truran, Chris (2009) AltDiss: Creativity, Reflection and TV Production Practice. Media Education Research Journal, 1 (1). pp. 79-84. ISSN 2040-4530 Item not available from this repository.

McMurdo, Wendy (2021) Chat Room screens as part of the 'Insights programme at the 2021 Shanghai Photofair. [Exhibition]

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2018) Wendy McMurdo: The Digital Mirror. [Media]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2024) ‘Guerilla; Publishing on Feminism Today: MAI Feminism & Visual Culture. In: The Autumn Film School: Women Make Film, 14-18 October 2024, The Slovenian Cinematheque, Miklošičeva cesta 28, 1000 Ljubljana, Slovenia. (Unpublished)

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Horeck, Tanya, Ford, Jessica and Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494 (2021) MAI: Feminism & Visual Culture: Focus Issue Seven: Female Detectives on TV. [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Peirse, Alison ORCID: https://orcid.org/0000-0003-1032-9013 and Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494 (2024) MAI Feminism & Visual Culture: Focus Issue Thirteen: Doing Women’s Global Horror Film History. [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494 and Backman Rogers, Anna (2023) MAI Feminism & Visual Culture: Focus Issue Eleven: Representing Women's Realities. [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494, Kahn, Ariel and Antola, Laura (2023) MAI Feminism & Visual Culture: Focus Issue Ten: Feminist Discourse in Comics & Graphic Novels. [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494, Sheen, Erica and Fayard, Nicole (2023) MAI: Feminism & Visual Culture: Focus Issue Twelve: Reframing Varda. [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sardi, Houman, Rouse, Rebecca, Westborg, Josefin and Carron Youmans, Amy (2024) MAI Feminism & Visual Culture: Focus Issue Fourteen: Feminist Pedagogies in Games (Autumn 2024). [Journal]

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2003) Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting. Kwartalnik Filmowy/Film Quarterly, Fall. pp. 92-102. ISSN 0452-9502

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2013) Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics. Journal of Film and Video, 65 (3). pp. 26-39. ISSN 07424671

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) FEMINISTS UNDER COMMUNISM? Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2014) Gazing at the 'World without Women': Female Documentary Filmmakers in Socialist Poland. In: Dokumentarny film v krajinach V4/ Documentary film in V4 countries. Vysoka skola muzickych umeni, Bratislava, pp. 56-77. ISBN 978-80-89439-65-2 Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2013) Review: 'A Social History of Iranian Cinema, Vol.4: The Globalizing Era, 1984-2010'. Transnational Cinemas, 4 (2). ISSN Print ISSN: 2040-3526 Online ISSN: 2040-3534

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824

Misiak, Anna (2014) The Unstable Epistemological Territory of Roman Polanski's Cinema. Studies in Eastern European Cinema, 5 (2). pp. 211-213. ISSN ISSN: 2040-350X (Print) Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2014) The Voices of Displaced Afghan Women: Documentaries by Alka Sadat. In: World Documentary Conference 2014, 9-11 September 2014, Falmouth University. Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2014) WORLD DOCUMENTARY CONFERENCE FALMOUTH UNIVERSITY 2014. [Conference]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) When Politics Tipped the Scales: Locating Polish Documentary Films from the 1940s. Historical Journal of Film, Radio & Television, 38 (4). pp. 762-786. ISSN 1465-3451

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Bielak, Anna (2017) ORDERY NA POPLAMIONYCH SUKNIACH: ROZMOWA Z ANNĄ MISIAK. dwutygodnik.com, 224. ISSN 2299-8128

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Berry, Mandy (2020) Kas Rag Media Gonis Poblek Kernewek A Case for Cornish Public Service Media. Project Report. UNSPECIFIED.

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Browne, Florence, Moseley, Rachel and Berry, Mandy (2019) Ragdres Hwithrans Darlesor Gonis Poblek Kernewek Cornish Public Service Broadcaster Research Project. Other. Cornwall Council.

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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2016) “Aberfan – Remembering, Forgetting, Moving on”: An American In Aberfan. In: Aberfan - Remembering, Forgetting and Moving On, 8/9/2016, Cardiff University.. (Unpublished)

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2018) BEST KEPT SECRET: Fantasy is a great way to explore reality. In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy. (Unpublished)

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2014) The Essence of Agatha Christie. [Media]

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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 (2018) “I am really glad and privileged that I shared my shit with you”. Storytelling for Refuge, Storytelling As Refuge. In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.

Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 and Sheers, Owen (2014) Mametz. [Performance]

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Morris, David (2017) After The Sewol. [Media] (In Press)

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Morris, David (2016) O Outro Lado do Cartão-Postal (The Other Side of the Postcard). [Media]

Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository.

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]

Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856 (2024) Women's Health on Film: A Conversation with Alison Ramsey. MAI: FEMINISM & VISUAL CULTURE, 14. ISSN 2003-167x

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Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856 and Nicholls, Katharine (2024) Why Mums Don't Jump: Our Stories, Our Health - Workshop. In: Why Mums Don't Jump: Our Stories, Our Health - Workshop, 16th November 2024, Fish Factory Arts Space, Penryn.

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Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856, Nicholls, Katharine and Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098 (2024) Why Mums Don't Jump: Our Stories, Our Health (Virtual Tour). [Exhibition]

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Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2022) From the River: Beneath the Visible Evidence. [Project]

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.

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Nicholls, Katharine ORCID: https://orcid.org/0000-0001-9055-9972, Derek, Hayes and Mulraney, Rosa (2022) The Art of Animation Exhibition. [Exhibition]

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Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted.

Nicholls, Katharine (2014) Deep Presentation. In: Creative Animation Knowledge Exchange - C.A.K.E., 14th - 18th July 2014, Edge hill University, St Helens Road, Ormskirk, Lancashire, L39 4QP. (Unpublished) Item availability may be restricted.

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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799

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Peters, Camilla Filmmaker Margaret Tait: A Woman’s Voice in Context. Doctoral thesis, Falmouth University and University of the Arts London. Item availability may be restricted.

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Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished)

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Sear, H M (2015) ...the rest is smoke. [Exhibition]

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Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111 (2024) Introduction to ‘Transitus: Illustration as Material Crossing Ground’: The stake in the physical trace. Journal of Illustration, 10 (1). pp. 3-9. ISSN 2052-0204

Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111 (2016) Nature as Neighbour: Landscape’s Relation to the Human in Studio Ghibli Films. In: Lanugage, Landscape and the Sublime, 29-30 June 2016, Dartington College, Devon.

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Tattersall, Felicity, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852 (2023) Re:voice archive database. [Dataset] (Unpublished) Item availability may be restricted.

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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2015) German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging. In: Diasporic Constructions of Home and Belonging. De Gruyter, Amsterdam and Boston, pp. 479-497. ISBN 978-3-11-040861-4

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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756

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Williams, Jeremy and Cane, Eli (2017) On a Knife Edge. [Media] (Unpublished) Item availability may be restricted.

Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) The Day the World Turned Day Glo. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) Aasinanimal. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) Amerikan Tan: The Way of the Sausage. [Exhibition] (Unpublished)

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2014) Bleu Gouttes. [Media]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2013) Blond Antediluvian. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2013) DIRT TIME: 9.Theorem 7.Debacle. In: DIRT TIME: 9.Theorem 7.Debacle, 7 April, 2013, Videotage, , To Kwa Wan, Hong Kong.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2015) 'The Dark Precursor' International Conference on Deleuze and Artistic Research 2015. In: International Conference on Deleuze and Artistic Research 2015, 9-11 November 2015, Ghent, Belgium.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2018) Gillian Wylde - Will Internets Eated Brain? [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) Golden Fulvous. In: POLYply 13, October 13th 2011, The Centre for Creative Collaboration, London.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2012) Humbly Through the Dust. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) Intertextually Ignored Sapphic Vapours. In: Environments, 11 May 2016, London.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2019) ‘Intertextuel Sapphic Vaporwave’. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) IΩS▼NT GRLL. [Exhibition] (Unpublished)

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) Rank. [Exhibition]

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) Topologies of Writing, Text and the Moving Image. In: International Conference on Artistic Research, The Hague Society for Artistic Research, 28-29 April 2016, University of the Arts The Hague & Leiden University Venues: Royal Conservatoire and Royal Academy of Art.

Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2012) Velvety Nap. [Exhibition] (Unpublished)

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2017) Will Internets Eat Brain? [Exhibition] (In Press)

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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 and Olsen, Redell (2018) Verdant Scent. [Performance]

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Yule, Eleanor (2015) Authenticity of Simulacra?: The Problematic Process of Creating a Medieval Screenwork. In: 10th Annual International Screenwriting Research Network Conference, London. (Unpublished)

Yule, Eleanor (2014) Ethnography or Auto-Ethnography? The Process of Biographical Construction in ”Moominland Tales - The Life of Tove Jansson” (BBC 2012). In: Tove Jansson Centennial Conference Multiple Aesthetics. Passion, Politics and Philosophy, November 27th – 28th 2014, Aula Magna, Stockholm University.

Yule, Eleanor (2015) In Search of Gregor Fisher, Finestripe Productions for BBC Scotland (2015). [Media]

Yule, Eleanor (0016) Michael Palin's Quest for Artemisia. [Media] Item availability may be restricted.