Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2016) She's only doing this: scores. Theatre Dance and Performance Training, 9 (2). pp. 190-192. ISSN 1944-3927 print |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2016) what remains and is to come. [Performance] Item availability may be restricted. |
Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository. |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition] |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK. |
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2016) The Quiet House. [Performance] Item availability may be restricted. |
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository. |
Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Singh-Barmi, Kuldip, Biscoe, Ian, Cesar, Pablo, Jansen, Jack, Wang, Chen and Kaiser, Rene (2016) Co-Present and Remote Audience Experiences: Intensity and Cohesion. Multimedia Tools and Applications, 2016. pp. 1-34. ISSN 1380-7501 |
Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished) |
Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. |
Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted. |
Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted. |
Hayman, Darren and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) Herodsfoot, Cornwall - Thankful Villages #16. [Composition] |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED. |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition] |
Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366 |
Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted. |
Murray, Samuel J ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin. In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University. (Unpublished) Item not available from this repository. |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878 |
Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press) |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) Sure Lines? Reflections on Dramaturgy in participatory dance and performance. 'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1). pp. 20-23. ISSN 0969-7225 |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2016) Retro Rock & Heavy History. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music . Routledge, London, pp. 297-310. ISBN 9781315742816 |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215 |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition] |
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED. |
Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished) |
Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository. |
Standen, Verity (2016) HUG. [Performance] |
Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance] |
Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository. |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition] |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806 |
Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G (2016) Last Act Of Rebellion at Compass Festival, Leeds 2016. [Performance] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2016) Beings & Things, at Playing-UP The Symposium, Tate Modern. In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2016) Weather and Imagination, 2016 ANTI International Seminar. [Conference] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry (2016) Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 978-1-4438-9888-1 |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2016) ANTI Contemporary Art Festival 2016: Winter. [Exhibition] |