| Barwick, Tom (2014) RE-Thinking the Mystery of Glitch. Varoom, 16 (27). pp. 42-46. ISSN 1750-483X |
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Macleod, Katy
(2014)
The Absenting Subject.
Journal of Visual Arts Practice, 13 (2).
pp. 138-149.
ISSN 1470-2029
Item availability may be restricted.
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Jaeger, Peter, Norwood, Tamarin, Pester, Holly, Kivland, Sharon, Jelili, Sami and LaMarre, Rebecca
(2014)
Jonah's Booth.
Their eyes travel across the page and their hearts search out meaning, n/a (n/a).
ISSN n/a
|
| Osmond, Matthew (2014) The Mingled Measure. The Mingled Measure: Interpreting and Adapting ST Coleridge's The Rime of the Ancient Mariner, 8 (2). |
Scott, Linda ORCID: https://orcid.org/0000-0002-8277-1209
(2014)
The Outsider Obsessions.
Varoom Magazine: The Journal of Illustration and Made Images, 24 (24).
pp. 18-25.
ISSN 1750-483X
Item availability may be restricted.
|
Paton, David ORCID: https://orcid.org/0000-0002-2790-7687 and DeSilvey, Caitlin
(2014)
Growing Granite: The Recombinant Geologies of Sludge.
In:
Making and Growing: Anthropological Studies of Organims and Artefacts.
Anthropological Studies of Creativity and Perception
.
Taylor & Francis, Farnham, pp. 221-237.
ISBN 140943642X
Item not available from this repository.
|
Arnold, Bram ORCID: https://orcid.org/0000-0002-1233-6244
(2014)
Resting Places.
In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris..
(Unpublished)
|
| Barwick, Tom (2014) She's Lost Control. In: 3rd International Illustration Symposium: Interpretation., September 2014, University of The Arts Bournemouth. |
| Graham, Joe (2014) The Specious Line: Drawing as a method for re-presenting the specious present. In: Crossing the Line 2: Drawing in the Middle East, 12th - 14th September 2014, The American University in Dubai. (Unpublished) |
| Marton, Helen (2014) Material Resonance and Site Specificity: An Interdisciplinary Approach. In: European Ceramic Context, September 2014, Bornholm: Denmark. |
| Pullum, Isolde (2014) Pareidolia. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. |
Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111
(2014)
(Per)happiness, Performative Language and the Figure of the Automaton: reading the deconstructive wedge of Felicific Calculus.
In: Well-Being Reconsidered: the International Society for Utilitaran Studies, 19-22 August 2014, Yokohama University.
|
Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111
(2014)
Performing Objects/Performing Philosophy.
In: Performance Philosophy, April 1-12, 2015, University of Chicago.
(Unpublished)
|
| Sousa Lobo, Francisco (2014) Manta Banter. In: THE CARNATION REVOLUTION BETWEEN AFRICAN ANTI-COLONIALISM AND EUROPEAN REBELLION, 22nd and 23rd of May, 2014, Birkbeck Institute, London, United Kingdom. Item availability may be restricted. |
| Willow, Lucy (2014) Under The Influence: The Silent Creek at Low Tide. In: Under The Influence, 07-07 Mar 2014, CAST Helston, Cornwall.. (Unpublished) |
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2014)
Diagrams for Seriality.
7
.
Copy Press, London.
ISBN 978-1-909570-00-9
Item availability may be restricted.
|
| Matthias, Gayle (2014) Anatomical Deconstruction VII. [Artwork] |
Scott, Linda ORCID: https://orcid.org/0000-0002-8277-1209
(2014)
Cheltenham Illustration Awards.
[Artwork]
|
| Southworth, Kate (2014) 64 Telepathic Moments. [Artwork] |
| Southworth, Kate (2014) Thunder Arousing. [Artwork] |
| Averill, Simon (2014) 'Splitter'. [Exhibition] |
| Graham, Joe (2014) No Brown Shoes After Six O'Clock. [Exhibition] |
| Graham, Joe (2014) Pardes No.1 - 6. [Exhibition] (Submitted) |
| Graham, Joe (2014) The Specious Line No.42. [Exhibition] |
Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262
(2014)
Art Base Tate St Ives 21st Birthday Celebration.
[Exhibition]
|
Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262
(2014)
Quiet Works.
[Exhibition]
|
| Pullum, Isolde (2014) Pangolin. [Exhibition] |
| Pullum, Isolde (2014) Sasha. [Exhibition] |
| Pullum, Isolde (2014) Top Shell. [Exhibition] |
| Surridge, Mark (2014) Alignments Exhibition. [Exhibition] |
| Willow, Lucy (2014) FALLEN: A SITE RELATED EXHIBITION. [Exhibition] (Unpublished) |
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Stent, David and Farmer, Patrick
(2014)
Writing As Occupation #2.
[Performance]
|
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2014)
Report.
[Performance]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2014)
Bleu Gouttes.
[Media]
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427, Lockley, Elfrea, Douglas, Mark, Downing, Niamh ORCID: https://orcid.org/0000-0002-3840-3257 and North, Laurence ORCID: https://orcid.org/0000-0002-6578-1771
(2014)
Haunted Landscapes: Nature, Supernature and the Environment.
[Conference]
|
| Montag, Daro, Osmond, Matthew and Allen, Jude (2014) Soil Culture Forum. [Conference] |