Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems

Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267

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Abstract / Summary

Much improvised music that has developed since the advent of free jazz has been concerned with the
imposition of structure, often through systems of directed improvisation, or through the use of rule-based approaches
(e.g., game pieces). In this article, we explore the possibility of a networked live-coding system as a structural
intervention mechanism par excellence, through the discussion of two pieces from the repertoire of the Birmingham
Ensemble for Electroacoustic Research

Item Type: Article
Identification Number: https://doi.org/10.1162/COMJ_a_00229
ISSN: 0148-9267
Subjects: Music > Digital Music
Technology > Digital Works
Music > Musical Performance
Science
Music > Sound Art
Courses by Department: Academy of Music & Theatre Arts > Music
Depositing User: Norah Lorway
Date Deposited: 26 Apr 2017 13:33
Last Modified: 23 Nov 2023 13:43
URI: https://repository.falmouth.ac.uk/id/eprint/2576

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