Items where Subject is "Sound Art"

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Number of items at this level: 106.

A

Attlee, James and Whittaker, Emma (2017) The Cartographer’s Confession. [Media]

B

Barrios-O'Neill, Danielle and Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2018) Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR. [Journal]
[thumbnail of Editors-Introduction.pdf]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]
[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]
[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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C

Clarke, Ciaran ORCID logoORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death. Doctoral thesis, Falmouth University.
[thumbnail of Reviver Voce - Introduction - Side A] [thumbnail of Reviver Voce - Introduction - Side B]

Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.
[thumbnail of The Crackle of Contemporaneity Cox, Prior, and Nolan FoC draft.pdf]

Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands.
[thumbnail of Organ of Corti]
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[thumbnail of Of this parish_megaphone]
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]
[thumbnail of end of the game]
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[thumbnail of end of the game]
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.
[thumbnail of of this parish_soundwalkers]
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[thumbnail of transient parish]
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]
[thumbnail of Report_Performance_01]
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[thumbnail of Report_Score]
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183
[thumbnail of PDF]
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]
[thumbnail of Transient Parish_01]
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[thumbnail of Transient Parish_0]
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F

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2021) Listening for baselines beyond anthropophony:
an interview with Bernie Krause. [Website Content]
[thumbnail of An interview for the Bloomsbury Sound Studies Website]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
[thumbnail of Interview with filmmaker Jake Meginsky for the Quietus]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA
[thumbnail of Delia Derbyshire FINAL.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
[thumbnail of Reel Sounds Vol 3 FINAL.pdf]
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Frears, Lucy ORCID logoORCID: https://orcid.org/0000-0003-3654-7246 (2023) Giving everyone a voice – creating locative media & audio walks. In: Symposium: Re:voicing Cultural Landscapes Narrative and Non-narrative traditions across media, part of: Heritage, Identity and Inclusivity Leeuwarden Summer School in collaboration with the Heritage Lab, 3rd-7th July 2023, Leeuwarden, the Netherlands.
[thumbnail of AppAudiowalks_NL23.pdf]
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Frears, Lucy ORCID logoORCID: https://orcid.org/0000-0003-3654-7246 (2023) A Serpent's Dance by Lucy Frears Sound piece by Lucy Frears Film by Lucy Frears, edited to the sound by Marcus Cook. [Artwork]
[thumbnail of Serpent Dance Final Mix.wav] [thumbnail of A_Serpent_s_Dance_by_Lucy_Frears_Marcus_Cook-763404429.mp4]
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G

Garcia Rangel, Sherezade ORCID logoORCID: https://orcid.org/0000-0002-0166-690X (2019) On The Hill podcast – Season One: Falmouth Cemetery. UNSPECIFIED.
[thumbnail of Description of the project, 300-word statement, distribution and contextual evidence]

Garrett, Conor and Barrios-O'Neill, Danielle (2016) BBC Radio 4 / Radio Ulster Stories in Sound: Invisible Belfast. [Media]
[thumbnail of BBC Radio 4 Broadcast]

H

Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
[thumbnail of PDF]
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Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]
[thumbnail of Interactive Audio/visual Exhibition]

Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

I

Ingate, Tom (2021) Three Seasons - The Apple Tree Orchestra. [Composition]
[thumbnail of The Apple Tree Orchestra - Three Seasons]

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Jones, Rachael and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)
[thumbnail of Dean Quarry / with eyes that are not seen are quickly forgotten]
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Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810, Mitchell, Bill, Wannell, Myriddin, Williams, Eleanor, Hill, Sue and D'Hoe, Jeroen (2015) ONCE AND TWICE UPON A CASTLE. [Exhibition]
[thumbnail of installation image]
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[thumbnail of installation image]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch Brythonic Problem. [Composition] Item availability may be restricted.
[thumbnail of Album content]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition]
[thumbnail of REF Portfolio]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance]
[thumbnail of Noise Drawing No 4]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]
[thumbnail of composition, production and text in form of cassette, A5 book, and download.]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.
[thumbnail of A miniature book that accompanies and explicates in part, the compositions of this project]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.
[thumbnail of Post print of article]
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[thumbnail of still every year.pdf]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]
[thumbnail of Noise Drawings 1, 3, & 2]
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Lees, Jonty ORCID logoORCID: https://orcid.org/0000-0002-1445-1262 (2003) Spiral Drawing. [Artwork]
[thumbnail of Record Sleeve]
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[thumbnail of Recording]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
[thumbnail of __MACOSX/AcrossVoidsMedia/._SWCTN_LORWAY.pdf] [thumbnail of Audio Visual Media and a contextual document]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance]
[thumbnail of Hollow Vertices]
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[thumbnail of REF Portfolio]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.
[thumbnail of Link to report in Sound, Gender, Feminism, Activism zine]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
[thumbnail of Anthropocene: The Human Epoch Original Soundtrack]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
[thumbnail of ICLC2020_Lorway.pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2014) Brian Eno. Visual Music. Third Way, Jan/Feb 2014. ISSN 0309-3492
[thumbnail of Brian Eno review.Oct2013.doc]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Complexity from Simplicity. International Times, none. ISSN none
[thumbnail of review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Hissing of Summer Storms. International Times, none (none). ISSN none
[thumbnail of CD review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Impossible Worlds. International Times, none. ISSN 26340852
[thumbnail of CD reviews]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Multichannel Diffusion: an interview with Robert Hampson. Punk & Post-Punk, 12 (1). pp. 79-90. ISSN 20441983 (In Press) Item availability may be restricted.
[thumbnail of proof with abstract etc] [thumbnail of robert hampson.interview.final.Loydell (1).pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music Matters. International Timesa, none. ISSN none
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Musical Histories. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983
[thumbnail of Rupert Loydell – Malinder interview FINAL.docx]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) Still Life with Diary. International Times, none. ISSN 26340852
[thumbnail of CD review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2021) Untitled book review of THE LONDON MUSICIANS' COLLECTIVE. 'AN OBSTINATE CLOT OF INVENTION', TREVOR BARRE (2020) London: Limbic, 233 pp., ISBN: 978-1-5272-6657-9, p/bk, £13.00 PIANOS, TOYS, MUSIC AND NOISE: CONVERSATIONS WITH STEVE BERESFORD, ANDY HAMILTON (2021) London: Bloomsbury, 291 pp., ISBN: 978-1-5013-6644-4, h/bk, £81.00. Punk & Post-Punk, 10 (3). pp. 535-537. ISSN 20441983 (In Press)
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Versions of Live. International Times, none. ISSN 26340852
[thumbnail of CD review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) Wish You Were Here. International Times, none. ISSN 26340852
[thumbnail of CD review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2024) untitled review of ON MINIMALISM and THE NAMES OF MINIMALISM. Punk & Post-Punk, 12 (3). pp. 413-416. ISSN 20441983 Item availability may be restricted.
[thumbnail of Book review] [thumbnail of pdf published version]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X
[thumbnail of SOUND MIRRORS 2017_FINALKM_Edit171017.pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193 Item availability may be restricted.
[thumbnail of Marshall the act of writing sound in the script of Enys Men FURR.pdf]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2024) ‘David Lynch Constrained on Dune’. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978166691 (Submitted) Item availability may be restricted.
[thumbnail of Book chapter accepted version]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
[thumbnail of Conference paper]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
[thumbnail of Submitted copy]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.
[thumbnail of Script for Conference - edited version being submitted to publisher]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979
[thumbnail of Loydell and Marshall TwinPeaksNov192019FINALDRAFT_wFOOTNOTEs..pdf]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.
[thumbnail of ThinkingInsideThe Box.pdf]
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[thumbnail of Thinking inside the box.pdf]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Mott, Nicholas (2017) Nick Mott 'The Hole World' lathe cut 10" and CDR album. [Media]
[thumbnail of Sample of 'In His Hands' from the album 'The Hole World']

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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.
[thumbnail of Beyond 'Theory' and 'Practice' in Arts-based Research[2].pdf]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
[thumbnail of CFP_La_condition_contemporaine_Fran_ais_Anglais.pdf]
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Parker, Will ORCID logoORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) POST- ensemble: workshop and performance at the 'Electronics Symposium'. [Performance]
[thumbnail of Footage of the POST- performance at the Electronics Symposium]
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[thumbnail of Score for POST- workshop at the Electronic Symposium]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165
[thumbnail of Prior_CochleaUnwound_PerformanceResearch_FinalDraft.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Descent. [Composition] Item availability may be restricted.
[thumbnail of Descent album sleeve]
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[thumbnail of Descent album cover]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215
[thumbnail of PDF]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
[thumbnail of TDPT_2018_9_3_PRIOR_PREPRINT.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)
[thumbnail of Conference Presentation]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.
[thumbnail of 231010_DPRIOR_DHRA2023_Sounding the Museum.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2020) The Unreliable Mediator: Speakers in Sound Art heard through Music on a Long Thin Wire. In: The Oxford Handbook of Sound Art. Oxford University Press Handbooks . Oxford University Press, New York. ISBN Pending (In Press) Item availability may be restricted.
[thumbnail of 190210_PRIOR_Unreliable Mediator_post review edit.pdf]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]
[thumbnail of 289ms Away_01]
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[thumbnail of already_289ms_away_map.jpg]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
[thumbnail of Of This Parish Film Poster]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]
[thumbnail of Of This Parish - TRAILER]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]
[thumbnail of To Intercession_Gallery View_01]
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[thumbnail of To Intercession_Gallery View_02]
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Reeder, Philip (2014) Chopped and Stretched. [Media]

Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
[thumbnail of Musical Composition for iOS app]

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
[thumbnail of Playback of Exclusive Late Junction Composition of 'Farewell To Grog']
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Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
[thumbnail of Programme for the Innovation In Music Conference 2015]
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[thumbnail of Slideshow for Presentation delivered with Dr Johny Lamb at Innovation in Music 2015]
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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]
[thumbnail of oral_history.html]

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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.
[thumbnail of Public Dreaming: Europe. Almost. A Fantasy.] [thumbnail of Live dreamscape file]

Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.
[thumbnail of Submitted conference paper that was accepted for Routledge book chapter publication. For MOCK REF review only.]
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[thumbnail of REF Portfolio]

Slater, Tom (2019) Illusory Contours. [Media] (In Press)
[thumbnail of Audiovisual installation - laser projection, video projection, 3rd order ambisonics.]

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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition]
[thumbnail of Church Belles score]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition]
[thumbnail of Score for Willow]
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[thumbnail of Score for Unquiet]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]
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[thumbnail of ANTI Contemporary Art Festival]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]
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Whittaker, Emma (2013) Listening to Locative Narratives: Illusion and the Imaginative Experience. Leonardo Music Journal, December (LM23). pp. 17-18. ISSN ISSN: 0961-1215
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Whittaker, Emma (2015) Place-Matching. [Media]
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Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository.

Whittaker, Emma and Brocklehurst, James (2016) Locative Narrative: Creating Contexts for Supposition in Spatially Distributed Museums. In: National Archives Conference: Discovering Collections, Discovering Communities 2016, 10-12 October 2016, The Lowry, Salford.

Whittaker, Emma and Brocklehurst, James (2014) Playing with Perception: Locative Narrative and Sonic Virtual Locations. In: Digital Research in the Humanities and Arts 2014, 31 August - 1 September 2014, University of Greenwich.

Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.
[thumbnail of documentation of event]
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[thumbnail of documentation of event]
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This list was generated on Fri Nov 15 00:36:31 2024 UTC.