Items where Subject is "Digital Music"

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Number of items at this level: 65.

B

Birch, Simon ORCID logoORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository.

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]
[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]
[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance]
[thumbnail of Orlando. Biographies photo: M. Hueckel]
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[thumbnail of Orlando. Biographies photo: M. Hueckel]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2022) Gatekeeper perceptions on adopting environmentally sound Information and Communication Technology enhanced live performances to improve the sustainability of music festivals. International Journal of Event and Festival Management, 13. ISSN 1758-2954
[thumbnail of Adrian Bossey IJFEM Mar 22.PDF]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
[thumbnail of Conference presentation proposal] [thumbnail of Conference paper]

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Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.
[thumbnail of The Crackle of Contemporaneity Cox, Prior, and Nolan FoC draft.pdf]

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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
[thumbnail of Interview with filmmaker Jake Meginsky for the Quietus]

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Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
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Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]
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Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

Huang, Anna, Chen, Sherol, Nelson, Mark and Eck, Douglas (2018) Towards Mixed-Initiative Generation of Multi-Channel Sequential Structure. In: International Conference on Learning Representations, 30 Apr - 3 May 2018, Vancouver, Canada.
[thumbnail of iclr18_mixedinitiative_sequential.pdf]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] Item availability may be restricted.
[thumbnail of REF Portfolio]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
[thumbnail of __MACOSX/AcrossVoidsMedia/._SWCTN_LORWAY.pdf] [thumbnail of Audio Visual Media and a contextual document]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.
[thumbnail of Link to report in Sound, Gender, Feminism, Activism zine]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]
[thumbnail of PC.zip]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.
[thumbnail of Audio files for Future World]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance] Item availability may be restricted.
[thumbnail of Hollow Vertices] [thumbnail of REF Portfolio]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
[thumbnail of Anthropocene: The Human Epoch Original Soundtrack]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.
[thumbnail of AISB2019_Live_Coding_Game.pdf]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.
[thumbnail of AIMC2021 paper CameraReady.pdf]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
[thumbnail of ICLC2020_Lorway.pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Electro Dudes. International Times, none. ISSN 26340852
[thumbnail of CD Review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Endless Voyage. International Times, none. ISSN none
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983
[thumbnail of Rupert Loydell – Malinder interview FINAL.docx]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2019) Seeing Stars. International Times, none. ISSN none
[thumbnail of review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vertical Hold. International Times, none. ISSN none
[thumbnail of review document]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2014) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Modular Forms, Roehampton University. Item not available from this repository.

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X
[thumbnail of SOUND MIRRORS 2017_FINALKM_Edit171017.pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted.
[thumbnail of Zemeckis_abstract_FinalKMEdited_FURR.pdf]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.
[thumbnail of FURR_HandbookonViolenceinFilmandMedia_abstract_FinalKMEdit.pdf] [thumbnail of MarshallK_V3_0700821_Edit_HandbookonViolenceinFilmandMedia.docx]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury Academic, London. ISBN 9781441117458
[thumbnail of Book chapter]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
[thumbnail of Submitted copy]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979
[thumbnail of Loydell and Marshall TwinPeaksNov192019FINALDRAFT_wFOOTNOTEs..pdf]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.
[thumbnail of ThinkingInsideThe Box.pdf]
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[thumbnail of Thinking inside the box.pdf]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
[thumbnail of CFP_La_condition_contemporaine_Fran_ais_Anglais.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na
[thumbnail of Lac_Bugs_Petrocapitalism_and_Data.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165
[thumbnail of Prior_CochleaUnwound_PerformanceResearch_FinalDraft.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Descent. [Composition] Item availability may be restricted.
[thumbnail of Descent album sleeve]
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[thumbnail of Descent album cover]
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Reeder, Philip (2014) Chopped and Stretched. [Media]

Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
[thumbnail of Musical Composition for iOS app]

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
[thumbnail of Playback of Exclusive Late Junction Composition of 'Farewell To Grog']
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Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
[thumbnail of Programme for the Innovation In Music Conference 2015]
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[thumbnail of Slideshow for Presentation delivered with Dr Johny Lamb at Innovation in Music 2015]
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Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished)
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Rofe, Michael, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED.
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Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository.

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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.
[thumbnail of Submitted conference paper that was accepted for Routledge book chapter publication. For MOCK REF review only.]
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[thumbnail of REF Portfolio]

Slater, Tom (2019) Illusory Contours. [Media] (In Press)
[thumbnail of Audiovisual installation - laser projection, video projection, 3rd order ambisonics.]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project]
[thumbnail of Waite2023_AudiovisualProduction_NatWorldProcess&Works.pdf]
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[thumbnail of Euclid]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition] Item availability may be restricted.
[thumbnail of Church Belles score]
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[thumbnail of Software: Max for Live devices]

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
[thumbnail of NIME paper 2016]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198
[thumbnail of https://www.routledge.com/Innovation-in-Music-Performance-Production-Technology-and-Business/Hepworth-Sawyer-Hodgson-Paterson-Toulson/p/book/9781138498198]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] Item availability may be restricted.
[thumbnail of Score for Willow]
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[thumbnail of Score for Unquiet]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
[thumbnail of NIME 2015 Paper]
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267
[thumbnail of BEER CMJ Article.pdf]
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.
[thumbnail of Stirring_Up_Pea_Stew_A_networked_feedbac.pdf]
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This list was generated on Fri Apr 19 18:36:43 2024 UTC.