Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2022) Gatekeeper perceptions on adopting environmentally sound Information and Communication Technology enhanced live performances to improve the sustainability of music festivals. International Journal of Event and Festival Management, 13. ISSN 1758-2954 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A |
Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165 |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) PUNK JAZZ? Punk & Post-Punk journal, 14 (1). ISSN 2044-1983 (In Press) Item availability may be restricted. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983 |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted. |
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165 |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806 |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806 |
Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267 |
Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury Academic, London. ISBN 9781441117458 |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979 |
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted. |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198 |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED. |
Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED. |
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University. |
Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository. |
Huang, Anna, Chen, Sherol, Nelson, Mark and Eck, Douglas (2018) Towards Mixed-Initiative Generation of Multi-Channel Sequential Structure. In: International Conference on Learning Representations, 30 Apr - 3 May 2018, Vancouver, Canada. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Modular Forms, Roehampton University. Item not available from this repository. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository. |
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8. |
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished) |
Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished) |
Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository. |
Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository. |
Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK. |
Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition] |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition] |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2023) Descent. [Composition] Item availability may be restricted. |
Reeder, Philip (2015) Hayle Churks Music Composition. [Composition] |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition] |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] |
Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted. |
Reeder, Philip (2014) Chopped and Stretched. [Media] |
Slater, Tom (2019) Illusory Contours. [Media] (In Press) |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project] |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Electro Dudes. International Times, none. ISSN 26340852 |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Endless Voyage. International Times, none. ISSN none |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Seeing Stars. International Times, none. ISSN none |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vertical Hold. International Times, none. ISSN none |
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED. |