| Barrios-O'Neill, Danielle and Collins, Michael (2018) At Home with the Weird: Dark Eco-Discourse in Tanis and Welcome to Night Vale. Revenant: Critical and Creative Studies of the Supernatural, 3. ISSN ISSN 2397-8791 |
Barrios-O'Neill, Danielle and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR.
[Journal]
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget
(2018)
Weaving intuitive illegitimate improvisation.
Liminalities: Unforseen Encounters, 14 (1).
pp. 90-109.
ISSN 1557-2935
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.
Gothic Literary Studies
.
University of Wales Press, Cardiff.
ISBN 978-1-78683-233-7
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
The Hammer House of Cornish Horror:
The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile.
In:
Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.
Gothic Literary Studies
.
University of Wales Press, Cardiff.
ISBN 9781786832337
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
'Perverting the Family: Re-Working Victor Frankenstein’s Gothic Blood-Ties in Penny Dreadful'.
In:
'Transmedia Creatures: Frankenstein's Afterlives'.
Bucknell University Press, Lewisburg, Pennsylvania.
ISBN 978-1-6844-8060-9
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
'"Powerful beyond all question": Catherine Crowe's novels of the 1840s'.
In:
'From Bronte to Bloomsbury: Volume One, edited by Adrienne E. Gavin and Carolyn W. de la L. Oulto.
British Women's Writing from Bronte to Bloomsbury, 1840-1940
.
Palagrave Macmillan, Basingstoke, pp. 39-54.
ISBN 978-3-319-78225-6
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
Visible Yet Immaterial: The Phantom and the Male Body in Ghost Stories by Three Victorian Women Writers.
In:
The Victorian Male Body.
Edinburgh Critical Studies in Victorian Culture
.
Edinburgh University Press, Edinburgh, pp. 148-170.
ISBN 9781474428606
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Flesh and Fluids published in Another Dysfunctional Cancer Poem Anthology.
Mansfield Press, Toronto.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
These Violent Delights Have Violent Ends: Representing
Artificial Intelligence in HBO’s Westworld.
In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC.
(In Press)
|
| Osmond, Matthew (2018) Anima #5. In: The Black Madonna's Song. Atlantic Press, Penryn, Cornwall. ISBN N/A |
Parsons, Jo ORCID: https://orcid.org/0009-0002-2884-6676 and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
The Victorian Male Body.
Edinburgh Critical Studies in Victorian Culture
.
University of Edinburgh Press, Edinburgh.
ISBN 9781474428606
Item availability may be restricted.
|
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2018)
I'm No Genre Nazi but these guys are the least black metal doom band ever.
In: Crosstown Traffic, September 2018, Huddersfield University.
(Unpublished)
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2018)
The Blackened Affect: Affect and Production in Black Metal.
In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
|
| Willow, Lucy (2018) At Sea Again: A Drop in the Ocean. In: Remember Me The Changing Face of Memorialisation, 4-7 April 2018, Hull, UK. (Unpublished) |