Barrios-O'Neill, Danielle and Collins, Michael (2018) At Home with the Weird: Dark Eco-Discourse in Tanis and Welcome to Night Vale. Revenant: Critical and Creative Studies of the Supernatural, 3. ISSN ISSN 2397-8791 |
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935 |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile. In: Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 9781786832337 |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) 'Perverting the Family: Re-Working Victor Frankenstein’s Gothic Blood-Ties in Penny Dreadful'. In: 'Transmedia Creatures: Frankenstein's Afterlives'. Bucknell University Press, Lewisburg, Pennsylvania. ISBN 978-1-6844-8060-9 |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) '"Powerful beyond all question": Catherine Crowe's novels of the 1840s'. In: 'From Bronte to Bloomsbury: Volume One, edited by Adrienne E. Gavin and Carolyn W. de la L. Oulto. British Women's Writing from Bronte to Bloomsbury, 1840-1940 . Palagrave Macmillan, Basingstoke, pp. 39-54. ISBN 978-3-319-78225-6 |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Visible Yet Immaterial: The Phantom and the Male Body in Ghost Stories by Three Victorian Women Writers. In: The Victorian Male Body. Edinburgh Critical Studies in Victorian Culture . Edinburgh University Press, Edinburgh, pp. 148-170. ISBN 9781474428606 |
Osmond, Matthew (2018) Anima #5. In: The Black Madonna's Song. Atlantic Press, Penryn, Cornwall. ISBN N/A |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press) |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished) |
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK. |
Willow, Lucy (2018) At Sea Again: A Drop in the Ocean. In: Remember Me The Changing Face of Memorialisation, 4-7 April 2018, Hull, UK. (Unpublished) |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 978-1-78683-233-7 |
Parsons, Jo ORCID: https://orcid.org/0009-0002-2884-6676 and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Victorian Male Body. Edinburgh Critical Studies in Victorian Culture . University of Edinburgh Press, Edinburgh. ISBN 9781474428606 Item availability may be restricted. |
Barrios-O'Neill, Danielle and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR. [Journal] |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Flesh and Fluids published in Another Dysfunctional Cancer Poem Anthology. Mansfield Press, Toronto. |