Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished) |
Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository. |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2014) What remains and is to come: a document. Middlesex University, London UK. ISBN 9781859243329 |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance] |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Contact [and] Improvisation. [Journal] Item availability may be restricted. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Framing the Gap: Contact (and) Improvisation. The Journal of Dance and Somatic Practices, 6 (2). ISSN 17571871 |
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted. |
Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished) |
Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810 (2014) Wildworks 100: The Day Our World Changed/ 100:UnEarth. [Performance] |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition] |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878 |
Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137 |
Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521 |
Otter Bickerdike, Jennifer (2014) It Ain't Over ...Till It's Over. In: It Ain't Over Till Its Over. Atria, New York. ISBN 1476739919 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2014) Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice. Journal of Dance and Somatic Practices, 6 (2). pp. 175-187. ISSN 17571871 |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex. |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2014) The Vinyl Frontier. In: Pop Life, University of Northampton. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media] |
Reeder, Philip (2014) Chopped and Stretched. [Media] |
Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2014) The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running. In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition] |
Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267 |