| Farmer, Paul  ORCID: https://orcid.org/0009-0002-4822-038X
  
(2023)
After the Miners' Strike.
    
    
    Open Book Publishers, Cambridge.
     ISBN 978-1-80064-912-5 | 
| Hayes, Derek  ORCID: https://orcid.org/0009-0005-8185-5098
  
(2023)
The Day Of The Coyote.
    [Media] | 
| Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London. | 
| Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x | 
| Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305
  
(2023)
‘Music as Narrator in Call Me by Your Name’.
    
      In:  
      Call Me by Your Name: Perspectives on the Film.
    
    
    Intellect, Bristol.
     ISBN 9781789389425 | 
| Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305
  
(2023)
Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-).
    MAI: Feminism and Visual Culture Journal, 10.
    
     ISSN 2003-167x | 
| Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305
  
(2023)
WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN.
    In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University.
  
   (In Press) | 
| Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305
  
(2023)
Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman.
    
      In:  
      Future Folk: Contemporary Anxieties and Possible Futures.
    
    
      Lexington Books Horror Studies
      .
    
    Lexington Books, Lanham, US.
     ISBN 978-1-66692-123-6
  
   (In Press) | 
| Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul  ORCID: https://orcid.org/0009-0001-4424-1637
  
(2023)
From The Culch (Documentary, Original Soundtrack).
    [Composition]
  
   (In Press)
       Item not available from this repository. | 
| Misiak, Anna  ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman  ORCID: https://orcid.org/0000-0002-7736-2494 and Backman Rogers, Anna
  
(2023)
MAI Feminism & Visual Culture: Focus Issue Eleven: Representing Women's Realities.
    [Journal] | 
| Misiak, Anna  ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman  ORCID: https://orcid.org/0000-0002-7736-2494, Kahn, Ariel and Antola, Laura
  
(2023)
MAI Feminism & Visual Culture: Focus Issue Ten: Feminist Discourse in Comics & Graphic Novels.
    [Journal] | 
| Misiak, Anna  ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman  ORCID: https://orcid.org/0000-0002-7736-2494, Sheen, Erica and Fayard, Nicole
  
(2023)
MAI: Feminism & Visual Culture: Focus Issue Twelve: Reframing Varda.
    [Journal] | 
| Mulraney, Paul  ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley  ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew
  
(2023)
From the Culch: Film.
    [Project] | 
| Padfield, Jerry  ORCID: https://orcid.org/0000-0003-2885-2697
  
(2023)
Broadening participation in community radio: investigating methods for inclusion and wellbeing.
    Doctoral thesis, Falmouth University / University of the Arts London. | 
| Tattersall, Felicity, Monk, Denzil  ORCID: https://orcid.org/0000-0002-8658-9463 and Hodsdon, Laura  ORCID: https://orcid.org/0000-0002-0817-4852
  
(2023)
Re:voice archive database.
    [Dataset]
  
   (Unpublished)
      
       Item availability may be restricted. |