Items where Subject is "Miscellaneous"

Article

Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927

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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Who is to say?: An interview with Paul Morley. Punk and Post-Punk journal, 10 (3). pp. 477-485. ISSN 20441983 (In Press)

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806

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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806

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Book Section

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury Academic, London. ISBN 9781441117458

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.

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Conference or Workshop Item

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Modular Forms, Roehampton University. Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

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Book

Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799

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Composition

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] Item availability may be restricted.

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Media

Mott, Nicholas (2015) Nick Mott 'Here Begins The Great Destroyer' Compact Disc. [Media]

Mott, Nicholas (2015) Volcano The Bear 'Commencing'. [Media]

Review

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) Outrage, Power, Publishing and Noise. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Endless Voyage. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Ghost of Music Past. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music Matters. International Timesa, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Pressure Drop. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Still Life with Diary. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Woke up this morning, somebody rewrote the past. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) An untitled book review of Monolithic Undertow: In Search of Sonic Oblivion, Harry Sword (2021), London: White Rabbit, 455pp, ISBN: 9781474615235, h/bk £20 (1). Punk & Post-Punk journal, 10 (3). pp. 533-534. ISSN 20441983 (In Press)

Other

Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.

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