Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2017)
Can you train on your own? How?
Theatre, Dance and Performance Training Journal, 8 (1).
pp. 105-108.
ISSN 1944-3927
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Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2014)
Improvising Themes of Abjection with Maggie Nicols.
Performance Research: A Journal of the Performing Arts, 19 (1).
pp. 81-90.
ISSN 1352-8165
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Who is to say?: An interview with Paul Morley.
Punk and Post-Punk journal, 10 (3).
pp. 477-485.
ISSN 20441983
(In Press)
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2016)
Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University.
NIME 2016, 2016.
pp. 265-270.
ISSN 2220-4806
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2015)
Reimagining the Computer Keyboard as a Musical
Interface.
NIME 2015, 2015.
pp. 168-169.
ISSN 2220-4806
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2020)
Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books.
In:
A Critical Companion to Robert Zemeckis.
Critical Companions to Popular Directors
.
Lexington Books, Lanham, US, pp. 75-89.
ISBN 9781793623454
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury Academic, London.
ISBN 9781441117458
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon
(2021)
Speaker Park: An intersection of loudspeaker design and post-acousmatic composition.
In:
Innovation in music: Future opportunities.
Perspectives on Music Production
.
Routledge, Abingdon.
ISBN 9780367363352
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2014)
Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies.
In: Modular Forms, Roehampton University.
Item not available from this repository.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2014)
Thinking Outside the Box: Brian Eno, music, movement and light.
In: Music and Moving Image, Steinhardt, New York University.
Item not available from this repository.
|
| Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository. |
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2015)
Project Report: 'still every year they went'.
In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University.
(Unpublished)
|
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799 |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019).
[Composition]
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2018)
Multi-tool suite of pieces for vocals, guitar and interactive system.
[Composition]
|
| Mott, Nicholas (2015) Nick Mott 'Here Begins The Great Destroyer' Compact Disc. [Media] |
| Mott, Nicholas (2015) Volcano The Bear 'Commencing'. [Media] |
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
Moving, mesmerising, memorable.
The Morning Star, 2024 (23/01).
ISSN 0307-1758
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Outrage, Power, Publishing and Noise.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Endless Voyage.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
The Ghost of Music Past.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Music Matters.
International Timesa, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Pressure Drop.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Still Life with Diary.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Woke up this morning, somebody rewrote the past.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
An untitled book review of Monolithic Undertow: In Search of Sonic Oblivion, Harry Sword (2021), London: White Rabbit, 455pp, ISBN: 9781474615235, h/bk £20 (1).
Punk & Post-Punk journal, 10 (3).
pp. 533-534.
ISSN 20441983
(In Press)
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2017)
FOMO: Falmouth Art Publishing Fair 2017.
UNSPECIFIED.
|