Items where Subject is "Music > Sound Design"
 | Up a level |
- Falmouth University Subject Areas (48)
- Music (48)
- Sound Design (48)
- Music (48)
Group by: Creators | Item Type
Number of items at this level: 48.
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| Attlee, James and Whittaker, Emma (2017) The Cartographer’s Confession. [Media] |
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Barrios-O'Neill, Danielle and Heholt, Ruth  ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR.
[Journal]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve
(2023)
Re:Voice.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve
(2022)
Help! I Think I’m a Nationalist!
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena
(2022)
Orlando. Biografie (in translation: Orlando. Biographies).
[Performance]
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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550
(2022)
Reviver Voce: The Voice, Technology, and Death.
Doctoral thesis, Falmouth University.
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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550
(2022)
Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts.
[Media]
(Unpublished)
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Garcia Rangel, Sherezade ORCID: https://orcid.org/0000-0002-0166-690X
(2019)
On The Hill podcast – Season One: Falmouth Cemetery.
UNSPECIFIED.
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Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833
(2020)
88-108.
[Exhibition]
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Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833
(2019)
Reimagining John Cage's Imaginary Landscapes No. 4.
In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK.
Item not available from this repository.
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Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Dean Quarry / with eyes that are not seen are quickly forgotten.
[Composition]
(Submitted)
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2019)
Clatter.
[Composition]
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![[img]](/style/images/fileicons/archive.png)
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy
(2016)
Hollow Vertices: A performance environment for live coding and interactive media.
[Performance]
Item availability may be restricted.
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose
(2018)
Anthropocene: The Human Epoch
Original Soundtrack.
[Composition]
Item availability may be restricted.
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew
(2019)
Autopia: An AI Collaborator for Live Coding Music Performances.
In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Complexity from Simplicity.
International Times, none.
ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Something Special.
International Times, none.
ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return.
In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy.
(Unpublished)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed).
Routledge, London.
ISBN 9780367423131
(Submitted)
Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound Design, Music and the Birth of Evil in Twin Peaks: The Return.
In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York.
(Unpublished)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2017)
Sound Mirrors: Brian Eno & Touchscreen Generative Music.
Musicology Research, 3 (Autumn).
pp. 27-50.
ISSN 2515-981X
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Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2022)
THE COASTGUARD BY MARIE MACNEILL - audio recording.
[Performance]
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![[img]](/4755/2/overlay%3Fsrc0%3Dhttps%253A%252F%252Fi.vimeocdn.com%252Fvideo%252F1442898637-613e05ea2b97d26665092a61a2a3f2d727987febdf027d7f1abdbd720c3c50b4-d_1280x720%26src1%3Dhttps%253A%252F%252Ff.vimeocdn.com%252Fimages_v6%252Fshare%252Fplay_icon_overlay.png){kind=icon}
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
The Aesthetics of Asymmetrical Warfare: Cinematic representation of 21st Century Conflict.
In:
The Palgrave Handbook on Violence in Film & Media.
The Palgrave Handbook
.
Palgrave Macmillan., London.
ISBN 978-3031053894
(In Press)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2020)
Allied: The Longstanding Relationship Between Composer Alan Silvestri and Director Robert Zemeckis.
In:
A Critical Companion to Robert Zemeckis.
Critical Companions to Popular Directors
.
Lexington Books, Lanham, US.
ISBN 9781793623454
(In Press)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
“Can you hear me?” From script to mix – writer/director Mark Jenkin and ‘son sur le scenario’ - the act of writing sound in the script of Enys Men (2022).
The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay.
ISSN 17514193
(Submitted)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare.
In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Music as Narrator in Call Me By Your Name.
In:
Call Me by Your Name: Perspectives on the Film.
Intellect, London.
ISBN TBC
(In Press)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Music as a source of narrative information in HBO's Westworld.
In:
Reading Westworld.
Palgrave Macmillan, London, pp. 97-118.
ISBN 978-3-030-14514-9
(In Press)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019).
[Composition]
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound and Music Use in Twin Peaks: The Return.
In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
These Violent Delights Have Violent Ends: Representing
Artificial Intelligence in HBO’s Westworld.
In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC.
(In Press)
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
David Lynch Constrained.
In:
A Critical Companion to David Lynch.
A Critical Companion, Directors Series
.
Lexington Books, Lanham, US.
ISBN 978-1-66691
(Submitted)
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Eno Remixed: Collaboration & Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury, London.
ISBN 978-1441155344
Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return.
In:
Critical Essays on Twin Peaks: The Return.
Palgrave Macmillan, London, pp. 269-280.
ISBN 9783030047979
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return.
In:
Critical Essays on Twin Peaks: The Return.
Palgrave Macmillan, New York, pp. 269-280.
ISBN 978-3-03-004797-9
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In: Music & The Moving Image, 27 May 2018, NYU, New York.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen To The Sounds.
Music and Screen Media Series
.
Routledge, London.
ISBN 9783030047979
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| Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository. |
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2014)
Documentary Sound: Beyond the Diegetic.
In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University.
(Unpublished)
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2014)
Of This Parish [Film].
[Media]
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2017)
Public Dreaming: Europe. Almost. A Fantasy.
[Composition]
Item availability may be restricted.
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon
(2021)
Speaker Park: An intersection of loudspeaker design and post-acousmatic composition.
In:
Innovation in music: Future opportunities.
Perspectives on Music Production
.
Routledge, Abingdon.
ISBN 9780367363352
Item availability may be restricted.
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2016)
Church Belles.
[Composition]
Item availability may be restricted.
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| Whittaker, Emma (2015) Inside the Snow Globe: Pragmatisms, belief and the ambiguous objectivity of the imaginary. Technoetic Arts: A Journal of Speculative Research, 13 (3). pp. 275-284. ISSN ISSN 1477965X |
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| Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository. |
| Whittaker, Emma and Brocklehurst, James (2013) The Lost Index: Landscape with Figures. [Artwork] |
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Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X
(2023)
Cuts, fades and layers: Audio production interfaces and mental schemas for radiophonic storytelling.
In: IAMCR Annual Conference 2023, 9-13 July 2023, Lyon, France.
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