Items where Subject is "Music"

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Number of items at this level: 230.

A

Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED.
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Attlee, James and Whittaker, Emma (2017) The Cartographer’s Confession. [Media]

B

Best, Chris (2013) Fragilities. [Composition] (Unpublished)
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Best, Chris (2016) Scending. [Composition] (Unpublished)
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Birch, Simon (2014) Transmission. [Performance] Item not available from this repository.

Birch, Simon, Dobson, Emily, Motley, Polly, Ingleheart, Claire, Slingerland, Isabel, Middleton, Antony, Southward, James, Waller, Antony, Waller, Sarah, Ausenda, Alessandra and Hughes, Jon (2016) SHORELINE by Simon Birch Dance. [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 (2014) People Have Voice. [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria (2015) At The End Of The Line. [Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules (2014) Once Upon A Time. [Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas and Abbott, Victoria (2016) Seamas Carey Meets His 4 Year Old Self, With a Choir. [Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka (2015) Gwalt. Glosy (Rape. Voices). [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted.
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2020) Accessibility All Areas? UK live music industry perceptions of current practice and Information and Communication Technology improvements to accessibility for music festival attendees who are Deaf or disabled. International Journal of Event and Festival Management, 11 (1). pp. 6-25. ISSN 1785-2954
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2020) Accessibility All Areas? UK live music industry perceptions of current practice regarding accessibility for music festival and event attendees who are Deaf or disabled. In: A Greener Festival Green Event Innovations Conference, 3rd March 2020, Royal Garden Hotel, London.
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
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C

Causley, Jim and Thompson, Luke (2016) Clay Hymnal. [Composition] Item not available from this repository.

F

Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary. In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK. Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) “I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Juxebox Jarmusch: Jim at the Intersection of Music and Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551. ISBN 978-3-319-90055-1 Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) Richard Lester Discusses A Hard Day's Night. Clash Magazine, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA
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H

Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
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Hilmi, Adem (2020) 88-108. [Exhibition]
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Hilmi, Adem (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

J

Joule, Andy (2015) Be Here Steryear. [Artwork]
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Joule, Andy (2014) Me Fish Bring. [Artwork]
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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810 (2018) WildWorks 100:UnEarth. [Performance] (Unpublished) Item availability may be restricted.
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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810, Vanackere, Luc and d'Hoe, Jeroen (2014) Once upon a Castle Ontsluier mijn geheimen - Uncover my Secrets. In: Once upon a Castle Ontsluier mijn geheimen - Uncover my Secrets. [BE] Stichting Kunstboek, Belgium. ISBN 9789058564955
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] Item availability may be restricted.
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.
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Lees, Jonty (2019) Pool School Gallery CIC Contemporary Artist Programme 2019/2020. [Exhibition] Item availability may be restricted.
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Lees, Jonty and Halvorsen, Morten Norbye (2019) Cornwall Council Schools Art Collection. [Website]
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.
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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Album That Never Was. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Always about ideas'. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Back and Ready to Go. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) The Book I Read. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Born to be Wild. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2014) Brian Eno. Visual Music. Third Way, Jan/Feb 2014. ISSN 0309-3492
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A Cause for Celebration. International Times, none (none). ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Complexity from Simplicity. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Cutting through the Crap. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Deeply Personal. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Deliciously Crazy. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Direct and Precise. International times, none. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Don't Sell Your Dreams. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Doo Right Done Wrong. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Double Trouble. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Driving Me Backwards. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Dullsville, USA. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Electronic Cobwebs. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Encyclopaedic Tendencies and Impossible Projects: An interview with Peter Blegvad. Punk & Post-Punk journal, 7 (3). pp. 421-431. ISSN 20441983 / 20443706 (In Press) Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Endless Voyage. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Engines of Excess. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Falling in Love Again. International Times, none. ISSN none
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Loydell, Rupert (2017) Fearless. The Making of Post-Rock. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fly Me to the Moon / Frames of Reference. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Foresight Saga. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fun, Fashion, Faith and Flamboyance: an interview with Bev Sage. Punk & Post-Punk, 8.3. pp. 449-460. ISSN 20441983 (In Press)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2015) Future Days, Krautrock and the Building of Modern Germany. Punk & Post-Punk, 3 (2). pp. 83-84. ISSN 20441983 (In Press) Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Garden of Earthly Delights. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A Glimpse of the Possibilities. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Glorious Excess. Interntational Timesa, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Guilty Secret. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Hanging out Downtown. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Heaven Can Wait. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Henry Cow. The World is a Problem, Benjamin Piekut. Punk & Post-Punk journal, 9 (1). pp. 148-152. ISSN 20441983 (print) (In Press) Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) High Ideals & Crazy Dub. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Hissing of Summer Storms. International Times, none (none). ISSN none
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Loydell, Rupert (2017) How Music is Made. International times, None (published weekly). ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Hyperbole, Exaggeration and Conjecture. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) I Know What I Like and I Like What I Know. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) I know what I like... International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Information Overload. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Inheritance. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) It's a Kind of Magic. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Just for the Record. International times, None. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Living on the Edge. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Looking and Waiting. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Lost and Found. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Methinks Thou Dost Protest Too Much. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Misreading Punk. International Times, n/a. ISSN n/a
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Misreading Punk. Stride, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Moods, atmospheres, photos, language and sound. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music Matters. International Timesa, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) The Music That Time Forgot. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music is Power. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) The Music of the Future. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) My Boy Lollipop... International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Never-never Land. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) New Releases Review Triptych. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) No More Heroes Anymore. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Noise Reduction System. International times, None.. ISSN None

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) An Obsessive's Delight. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) On a Night Like This. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2015) Out of Context: 'Control & Surrender' Revisited and Remixed. Journal of Writing in Creative Practice, 7 (1). pp. 111-119. ISSN 17535190 (In Press)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Paradiddle, Plucking, Picking and Progrock. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Party People. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A Politics of Memory: an interview with Mark Sinker. Punk & Post-Punk, 8 (3). pp. 439-448. ISSN 20441983 (In Press)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Post-Punk Poet: An interview with Dick Witts of The Passage. Punk & Post-Punk, 6 (3). pp. 415-422. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Pressure Drop. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Psykick Dancehall Horror House Repetition. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Reaching for the Source. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Rebellious Jukebox. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2014) Rupert Loydell interviews Andrew Poppy. Punk & Post Punk, 2 (3). ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Say hello, wave goodbye. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Seeing Sound, Hearing Pictures. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Seeing Stars. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Seek the truth, then doubt it'. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Sentences move dancing away'. International Times, none. ISSN none
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Loydell, Rupert (2018) Soft in the Head. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Spiritual Terrorism. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Still Life with Diary. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Street Life. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Such larks! International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sunset Glow. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Synthesizer Dreams. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Thank you for the future. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) This is not a burden, it's a joy: An interview with Ben Ratliff. Punk & Post-Punk, 9 (2). ISSN 20441983 (In Press) Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Throwing Toys Out of the Pram. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Time & Tide wait for no man: Greenslade reissued. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Time Capsule. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) To The Outside Of Everything: A story of Post-Punk 1977-1981. Punk & Post-Punk, 7 (2). pp. 287-289. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Twin Peaks, Writing and Shortbread: an interview with alumni Charlie Onions. [Website Content]
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) U2 and the Religious Impulse: take me higher, ed. Scott Calhoun (London: Bloomsbury Academic). Punk & Post-Punk, 9 (1). pp. 132-134. ISSN 20441983 (print) (In Press) Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Unsung Mysteries. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vapour Trails & Echoes. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Vertical Hold. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) 'Visit New York City for an unforgettable adventure'. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Warp & Woof. Analogue Flashback, Devoran, Cornwall. ISBN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) We need to talk about Bob. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Weird Religious Backgrounds: Larry Norman, Jesus Rock, and an interview with Gregory Alan Thornbury. Punk & Post-Punk, 8 (1). pp. 121-135. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) What is this place? International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) What's the Story? International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Widdly-diddly freakouts. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) Wish You Were Here. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) Wombwell Rainbow Interviews: Rupert Loydell. [Website Content]
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Yes, 50th Anniversary Tour, London Palladium, 24 March 2018. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) A blissed out, fuzzy replica. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) An eccentric gathering. International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A honeycomb of opinion: An interview with Jeanette Leech. Punk & Post-Punk Journal, 6 (3). pp. 409-414. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) The poem as iceberg. Stride, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of All Gates Open: The Story of Can by Rob Young and Irmin Schmidt (Faber, 2018). Punk and Post-Punk, 7 (3). pp. 457-459. ISSN 20441983 Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of Mad Dogs and Englishness. Popular Music and English Identities (Bloomsbury, 2017). Punk & Post-Punk, 7 (2). pp. 283-285. ISSN 20441983 (In Press)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) a review of PUNK IS DEAD. MODERNITY KILLED EVERY NIGHT, EDS. RICHARD CABUT & ANDREW GALLIX (2017) Winchester: Zero Books, 318pp, ISBN 9781785353468, pbck, £17.99. Punk and Post-Punk, 7 (2). pp. 280-283. ISSN 20441983
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of The Monk's Record Player: Thomas Merton, Bob Dylan and the Perilous Summer of 1966, Robert Hudson (263pp, £17.20, hbck, Eerdmaans). International Times, none. ISSN none
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) A review of WHY SHOULD THE DEVIL HAVE ALL THE GOOD MUSIC? LARRY NORMAN AND THE PERILS OF CHRISTIAN ROCK, GREGORY ALAN THORNBURY (2018) New York: Convergent, ISBN: 9781101907078, hbk, $26. Punk & Post-Punk, 7 (2). pp. 277-280. ISSN 20441983 (In Press)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Modular Forms, Roehampton University. Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy. (Unpublished)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound Design, Music and the Birth of Evil in Twin Peaks: The Return. In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York. (Unpublished)
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

M

Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9 (In Press) Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury Academic, London. ISBN 9781441117458 Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, London, pp. 269-280. ISBN 9783030047979 Item availability may be restricted.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.
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Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted.
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Meunier, Danielle and Bills, Martin (2014) 'Black Nocturne', Martin Bills (composer), Danielle Meunier (soprano). [Performance] (Unpublished) Item availability may be restricted.
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Meunier, Danielle and Bills, Martin (2014) 'Twilight and Dreams', Martin Bills (composer), Danielle Meunier (soprano). [Performance] (Unpublished) Item availability may be restricted.
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Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository.

Mott, Nicholas (2017) Nick Mott 'The Hole World' lathe cut 10" and CDR album. [Media]
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N

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

O

Otter Bickerdike, Jennifer (2013) The 360 Deal. In: The 360 Deal. New Music Strategies, London. ISBN 1780976186

Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137
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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press)
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Otter Bickerdike, Jennifer (2017) Marc Bolan Rock Shrine: Pilgrimage, Identity and Ownership in a Fan Community. Journal of Fan Studies, 5.1. ISSN 20466692 (Submitted)
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799
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Otter Bickerdike, Jennifer (2012) Spirit of Talk Talk. In: Spirit of Talk Talk. Rocket 88, London. ISBN 190661539X
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Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032
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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2020) The Unreliable Mediator: Speakers in Sound Art heard through Music on a Long Thin Wire. In: The Oxford Handbook of Sound Art. Oxford University Press Handbooks . Oxford University Press, New York. ISBN Pending (In Press) Item availability may be restricted.
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Reeder, Philip (2014) Chopped and Stretched. [Media]

Reeder, Philip (2011) Contribution of artist statement and musical composition on CyberArts 2011, as a result of honorary mention at Prix Ars Electronica 2011. In: CyberArts 2011. Hatjke Cantz, Germany. ISBN 978-3-7757-3181-2 Item availability may be restricted.
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Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
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Reeder, Philip (2012) Inter-piece Sampling and Convolution : Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text. Doctoral thesis, University of the Arts London, Falmouth University.
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Reeder, Philip (2007) Whisper. [Media]
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Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
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Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
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Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3
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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]
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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition]
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Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository.

W

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198 Item availability may be restricted.
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] Item availability may be restricted.
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Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]
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Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository.

Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927
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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2016) THE DAY THE WORLD TURNED DAY GLO. [Exhibition] Item availability may be restricted.
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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
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Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 (2011) Rank. [Exhibition]
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This list was generated on Thu Jan 21 02:17:30 2021 GMT.