Items where Subject is "Music > Sound Art"

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Number of items at this level: 99.

A

Attlee, James and Whittaker, Emma (2017) The Cartographer’s Confession. [Media]

B

Barrios-O'Neill, Danielle and Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2018) Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR. [Journal]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]
Re:Voice, Tate St. Ives, April 2023
Preview
Re:Voice, Tate St. Ives, April 2023
Preview

C

Clarke, Ciaran ORCID logoORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death. Doctoral thesis, Falmouth University.
Reviver Voce - Introduction - Side A Reviver Voce - Introduction - Side B

Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.
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Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands.
Organ of Corti
Preview
Of this parish_megaphone
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]
end of the game
Preview
end of the game
Preview

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.
of this parish_soundwalkers
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transient parish
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]
Report_Performance_01
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Report_Score
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183
PDF
Preview

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]
Transient Parish_01
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Transient Parish_0
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F

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
Interview with filmmaker Jake Meginsky for the Quietus

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
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Frears, Lucy ORCID logoORCID: https://orcid.org/0000-0003-3654-7246 (2023) A Serpent's Dance by Lucy Frears Sound piece by Lucy Frears Film by Lucy Frears, edited to the sound by Marcus Cook. [Artwork]
[img] [img]

G

Garcia Rangel, Sherezade ORCID logoORCID: https://orcid.org/0000-0002-0166-690X (2019) On The Hill podcast – Season One: Falmouth Cemetery. UNSPECIFIED.
Description of the project, 300-word statement, distribution and contextual evidence

Garrett, Conor and Barrios-O'Neill, Danielle (2016) BBC Radio 4 / Radio Ulster Stories in Sound: Invisible Belfast. [Media]
BBC Radio 4 Broadcast

H

Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
PDF
Preview

Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]
Interactive Audio/visual Exhibition

Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

I

Ingate, Tom (2021) Three Seasons - The Apple Tree Orchestra. [Composition]
The Apple Tree Orchestra - Three Seasons

J

Jones, Rachael and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)
Dean Quarry / with eyes that are not seen are quickly forgotten
Preview

K

Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810, Mitchell, Bill, Wannell, Myriddin, Williams, Eleanor, Hill, Sue and D'Hoe, Jeroen (2015) ONCE AND TWICE UPON A CASTLE. [Exhibition]
installation image
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installation image
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L

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]
composition, production and text in form of cassette, A5 book, and download.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.
A miniature book that accompanies and explicates in part, the compositions of this project

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition] Item availability may be restricted.
REF Portfolio

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.
Post print of article
Preview
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]
Noise Drawings 1, 3, & 2

Lees, Jonty ORCID logoORCID: https://orcid.org/0000-0002-1445-1262 (2003) Spiral Drawing. [Artwork]
Record Sleeve
Preview
Recording

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
[img] Audio Visual Media and a contextual document

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.
Link to report in Sound, Gender, Feminism, Activism zine

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance] Item availability may be restricted.
Hollow Vertices REF Portfolio

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
Anthropocene: The Human Epoch Original Soundtrack

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2014) Brian Eno. Visual Music. Third Way, Jan/Feb 2014. ISSN 0309-3492
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Complexity from Simplicity. International Times, none. ISSN none
review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) The Hissing of Summer Storms. International Times, none (none). ISSN none
CD review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Impossible Worlds. International Times, none. ISSN 26340852
CD reviews
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Multichannel Diffusion: an interview with Robert Hampson. Punk & Post-Punk, 12 (1). pp. 79-90. ISSN 20441983 (In Press) Item availability may be restricted.
proof with abstract etc [img]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2019) Music Matters. International Timesa, none. ISSN none
book review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Musical Histories. International Times, none. ISSN 26340852
book review
Preview

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Open for Investigation: An interview with Stephen Mallinder. Punk & Post-Punk, 7 (1). pp. 93-101. ISSN 20441983
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) Still Life with Diary. International Times, none. ISSN 26340852
CD review
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2021) Untitled book review of THE LONDON MUSICIANS' COLLECTIVE. 'AN OBSTINATE CLOT OF INVENTION', TREVOR BARRE (2020) London: Limbic, 233 pp., ISBN: 978-1-5272-6657-9, p/bk, £13.00 PIANOS, TOYS, MUSIC AND NOISE: CONVERSATIONS WITH STEVE BERESFORD, ANDY HAMILTON (2021) London: Bloomsbury, 291 pp., ISBN: 978-1-5013-6644-4, h/bk, £81.00. Punk & Post-Punk, 10 (3). pp. 535-537. ISSN 20441983 (In Press)
book review
Preview

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Versions of Live. International Times, none. ISSN 26340852
CD review
Preview

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) Wish You Were Here. International Times, none. ISSN 26340852
CD review
Preview

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) untitled review of ON MINIMALISM and THE NAMES OF MINIMALISM. Punk & Post-Punk, 12 (3). ISSN 20441983 (In Press) Item availability may be restricted.
Book review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

M

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) “Can you hear me?” From script to mix – writer/director Mark Jenkin and ‘son sur le scenario’ - the act of writing sound in the script of Enys Men (2022). The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay. ISSN 17514193 (Submitted) Item availability may be restricted.
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
Conference paper
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) David Lynch Constrained. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978-1-66691 (Submitted) Item availability may be restricted.
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
Submitted copy

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.
Script for Conference - edited version being submitted to publisher
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Mott, Nicholas (2017) Nick Mott 'The Hole World' lathe cut 10" and CDR album. [Media]
Sample of 'In His Hands' from the album 'The Hole World'

N

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
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P

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165
[img]
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Descent. [Composition] Item availability may be restricted.
Descent album sleeve
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Descent album cover
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215
PDF
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)
Conference Presentation
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2020) The Unreliable Mediator: Speakers in Sound Art heard through Music on a Long Thin Wire. In: The Oxford Handbook of Sound Art. Oxford University Press Handbooks . Oxford University Press, New York. ISBN Pending (In Press) Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]
289ms Away_01
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[img]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
Of This Parish Film Poster
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]
Of This Parish - TRAILER

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]
To Intercession_Gallery View_01
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To Intercession_Gallery View_02
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R

Reeder, Philip (2014) Chopped and Stretched. [Media]

Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
Musical Composition for iOS app

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
Playback of Exclusive Late Junction Composition of 'Farewell To Grog'
Preview

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
Programme for the Innovation In Music Conference 2015
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Slideshow for Presentation delivered with Dr Johny Lamb at Innovation in Music 2015
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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.
Public Dreaming: Europe. Almost. A Fantasy. Live dreamscape file

Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.
Submitted conference paper that was accepted for Routledge book chapter publication. For MOCK REF review only.
Preview
REF Portfolio

Slater, Tom (2019) Illusory Contours. [Media] (In Press)
Audiovisual installation - laser projection, video projection, 3rd order ambisonics.
Preview

W

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition] Item availability may be restricted.
Church Belles score
Preview
Software: Max for Live devices

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
NIME paper 2016
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition] Item availability may be restricted.
Score for Willow
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Score for Unquiet
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
NIME 2015 Paper
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]
ANTI Contemporary Art Festival
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ANTI Contemporary Art Festival
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]
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Whittaker, Emma (2013) Listening to Locative Narratives: Illusion and the Imaginative Experience. Leonardo Music Journal, December (LM23). pp. 17-18. ISSN ISSN: 0961-1215
[img]
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Whittaker, Emma (2015) Place-Matching. [Media]
Place-Matching

Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository.

Whittaker, Emma and Brocklehurst, James (2016) Locative Narrative: Creating Contexts for Supposition in Spatially Distributed Museums. In: National Archives Conference: Discovering Collections, Discovering Communities 2016, 10-12 October 2016, The Lowry, Salford.

Whittaker, Emma and Brocklehurst, James (2014) Playing with Perception: Locative Narrative and Sonic Virtual Locations. In: Digital Research in the Humanities and Arts 2014, 31 August - 1 September 2014, University of Greenwich.

Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
[img]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.
documentation of event
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documentation of event
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This list was generated on Sat Sep 23 21:27:11 2023 UTC.