Items where Subject is "Sound Design"

Article

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193 Item availability may be restricted.

Whittaker, Emma (2015) Inside the Snow Globe: Pragmatisms, belief and the ambiguous objectivity of the imaginary. Technoetic Arts: A Journal of Speculative Research, 13 (3). pp. 275-284. ISSN ISSN 1477965X

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Book Section

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) ‘David Lynch Constrained on Dune’. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978166691 (Submitted) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, London, pp. 269-280. ISBN 9783030047979

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, New York, pp. 269-280. ISBN 978-3-03-004797-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen To The Sounds. Music and Screen Media Series . Routledge, London. ISBN 9783030047979

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Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.

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Conference or Workshop Item

Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246 (2023) Giving everyone a voice – creating locative media & audio walks. In: Symposium: Re:voicing Cultural Landscapes Narrative and Non-narrative traditions across media, part of: Heritage, Identity and Inclusivity Leeuwarden Summer School in collaboration with the Heritage Lab, 3rd-7th July 2023, Leeuwarden, the Netherlands.

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Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2019) Reimagining John Cage's Imaginary Landscapes No. 4. In: 26th International Conference on Auditory Display, 11 APR 2020, Northumbria University, Newcastle-upon-Tyne, UK. Item not available from this repository.

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy. (Unpublished)

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound Design, Music and the Birth of Evil in Twin Peaks: The Return. In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York. (Unpublished)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Documentary Sound: Beyond the Diegetic. In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University. (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.

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Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X (2023) Cuts, fades and layers: Audio production interfaces and mental schemas for radiophonic storytelling. In: IAMCR Annual Conference 2023, 9-13 July 2023, Lyon, France.

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Thesis

Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death. Doctoral thesis, Falmouth University.

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Artwork

Exhibition

Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]

Composition

Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]

Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.

Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition]

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Performance

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]

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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance]

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Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance]

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Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426 (2022) THE COASTGUARD BY MARIE MACNEILL - audio recording. [Performance]

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Media

Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts. [Media] (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]

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Project

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]

Journal

Barrios-O'Neill, Danielle and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Revenant: Critical and Creative Studies of the Supernatural. Special Issue: CROSS-PLATFORM STUDIES OF SONIC AUDIO AND HORROR. [Journal]

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Review

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Complexity from Simplicity. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852

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Other

Garcia Rangel, Sherezade ORCID: https://orcid.org/0000-0002-0166-690X (2019) On The Hill podcast – Season One: Falmouth Cemetery. UNSPECIFIED.