Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636, Dobson, Emily, Motley, Polly, Ingleheart, Claire, Slingerland, Isabel, Middleton, Antony, Southward, James, Waller, Antony, Waller, Sarah, Ausenda, Alessandra and Hughes, Jon (2016) SHORELINE by Simon Birch Dance. [Performance] |
Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository. |
Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636, Dobson, Emily and Sellwood, Grace (2015) Words Move… commissioned by Freefall Dance. [Performance] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Sarkisian, Roza, Wichowska, Joanna and Levytskyi, Dima (2016) My Granddad was digging, My Dad was digging and I will not. [Performance] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria (2015) At The End Of The Line. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules (2014) Once Upon A Time. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka (2015) Gwalt. Glosy (Rape. Voices). [Performance] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Clark, Gareth (2015) (F.E.A.R.). [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Dobson, Emily and Sellwood, Grace (2016) Wild Women. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian (2021) We've Been Here. [Media] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kaba, Angel, Kaiwa, Sayaka, Morales, Marielle, Shyshko, Igor, Yoshihara, Mioko and Lisac, Valerij (2014) EINTOPF (Stew). [Performance] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kujawska, Patrycja and Iwanowski, Michal (2017) Polish Vermin. [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance] |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Sienicki, Artur, Mleczak, Natalia, Korsak, Emilia and Olszak, Kuba (2017) Mephisto. [Performance] |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2020) 3 Em[bed]ding circle. [Performance] |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2016) She's only doing this: scores. Theatre Dance and Performance Training, 9 (2). pp. 190-192. ISSN 1944-3927 print |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2019) Writing body/annotating gesture. In: Annual Conference SAR 10, March 2019, Zurich University of the Arts. |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2022) between Sol and sea and grey. [Performance] |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 (2022) circling, tumbling, dancing around: Back pieces. Choreographic Practices, 13 (2). pp. 145-163. ISSN 2040-5669 |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2014) What remains and is to come: a document. Middlesex University, London UK. ISBN 9781859243329 |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2016) what remains and is to come. [Performance] Item availability may be restricted. |
Cooper, Siouxsie (2012) Walk Like an Egyptian: Belly Dance Past and Present Practice in England. Doctoral thesis, University of Plymouth, Falmouth University. |
Deepres, Ravi and Dutheil, Evy ORCID: https://orcid.org/0000-0003-4079-6923 (2022) Immersive Reflections on Future Living. In: Sustainable Innovation 2023, 22/03/24, https://cfsd.org.uk/events/sustainable-innovation-2023/programme/. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2024) Hope, in the bleak mid - winter. Theatre, Dance and Performance Training Journal, 15 (1). pp. 1-6. ISSN 1944-3919 Item availability may be restricted. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927 |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 (2018) Making Solo Performance. Palgrave Macmillan, London. ISBN 978-1-137-60326-5 Item availability may be restricted. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria (2015) Solo Contemporary Performance Forum Website. [Website] |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Contact [and] Improvisation. [Journal] Item availability may be restricted. |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Framing the Gap: Contact (and) Improvisation. The Journal of Dance and Somatic Practices, 6 (2). ISSN 17571871 |
Emanuele, Ella ORCID: https://orcid.org/0000-0002-0785-6018 (2024) dAnCing LiNes. In: C&C '24: Proceedings of the 16th Conference on Creativity & Cognition. ACM, US, pp. 614-618. ISBN C&C '24: Proceedings of the 16th Conference on Creativity & Cognition |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance] |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance] |
Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (8). ISSN 1352-8165 (In Press) Item availability may be restricted. |
Levinsky, Sarah, Abbott, Vicky, Pirie, Karen, Wynne Jones, Rhys, Walton, Jodie and Chapman, Anthony (2024) SEEN/HEARD. [Performance] |
Levinsky, Sarah (2023) ENCOUNTERS BETWEEN DANCE AND DIGITAL MEANING DISCOVERING POTENTIAL IN THE QUESTION OF MOVEMENT. Doctoral thesis, Falmouth University / University of the Arts London. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Doctor Strange. International Times, none. ISSN 26340852 |
Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366 |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) The hills are alive… with event cinema. Arts Professional, The arts in rural areas (311). |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878 |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2020) From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance). In: Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Dance Books, Hampshire. ISBN 978-1852731816 Item availability may be restricted. |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2017) Moving Dramaturgy. [Performance] Item availability may be restricted. |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2014) Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice. Journal of Dance and Somatic Practices, 6 (2). pp. 175-187. ISSN 17571871 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2016) Sure Lines? Reflections on Dramaturgy in participatory dance and performance. 'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1). pp. 20-23. ISSN 0969-7225 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 (2008) Un Abrazo Sin Tiempo. Animated, Autumn. ISSN 0969-7225 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary (2019) "Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par. In: Routledge Companion to Dance Studies. Routledge Companion . Routledge, London/Abingon, pp. 471-487. ISBN 9781138234581 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Smith, Lindsay ORCID: https://orcid.org/0000-0001-8035-9379 (2023) Embodying care: Trauma-informed practice in community dance. Journal of Applied Arts and Health. ISSN 2040-2465 Item availability may be restricted. |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo (2018) Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance. In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris. (Unpublished) Item availability may be restricted. |
Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G (2016) Last Act Of Rebellion at Compass Festival, Leeds 2016. [Performance] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2014) The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running. In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 (2012) Running Through A Field: Performance and Humanness. Performance Research: A Journal of the Performing Arts, 17 (2). ISSN 1352-8165 |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2017) Ghost Dance at In Between Time Festival, Arnolfini, Bristol, 2017. [Performance] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) True West by Lone Twin & The Table. [Performance] |