Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636, Dobson, Emily, Motley, Polly, Ingleheart, Claire, Slingerland, Isabel, Middleton, Antony, Southward, James, Waller, Antony, Waller, Sarah, Ausenda, Alessandra and Hughes, Jon
(2016)
SHORELINE by Simon Birch Dance.
[Performance]
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Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636
(2014)
Transmission.
[Performance]
Item not available from this repository.
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Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636, Dobson, Emily and Sellwood, Grace
(2015)
Words Move…
commissioned by Freefall Dance.
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve
(2023)
Re:Voice.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka
(2015)
Gwalt. Glosy (Rape. Voices).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian
(2021)
We've Been Here.
[Media]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kaba, Angel, Kaiwa, Sayaka, Morales, Marielle, Shyshko, Igor, Yoshihara, Mioko and Lisac, Valerij
(2014)
EINTOPF (Stew).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Sarkisian, Roza, Wichowska, Joanna and Levytskyi, Dima
(2016)
My Granddad was digging, My Dad was digging and I will not.
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena
(2022)
Orlando. Biografie (in translation: Orlando. Biographies).
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria
(2019)
DEVILS (Diably).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria
(2015)
At The End Of The Line.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules
(2014)
Once Upon A Time.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Clark, Gareth
(2015)
(F.E.A.R.).
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Dobson, Emily and Sellwood, Grace
(2016)
Wild Women.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kujawska, Patrycja and Iwanowski, Michal
(2017)
Polish Vermin.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Sienicki, Artur, Mleczak, Natalia, Korsak, Emilia and Olszak, Kuba
(2017)
Mephisto.
[Performance]
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2016)
She's only doing this: scores.
Theatre Dance and Performance Training, 9 (2).
pp. 190-192.
ISSN 1944-3927 print
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2020)
3 Em[bed]ding circle.
[Performance]
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
Writing body/annotating gesture.
In: Annual Conference SAR 10, March 2019, Zurich University of the Arts.
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2022)
between Sol and sea and grey.
[Performance]
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2022)
circling, tumbling, dancing around: Back pieces.
Choreographic Practices, 13 (2).
pp. 145-163.
ISSN 2040-5669
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna
(2014)
What remains and is to come: a document.
Middlesex University, London UK.
ISBN 9781859243329
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Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna
(2016)
what remains and is to come.
[Performance]
Item availability may be restricted.
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| Cooper, Siouxsie (2012) Walk Like an Egyptian: Belly Dance Past and Present Practice in England. Doctoral thesis, University of Plymouth, Falmouth University. |
Deepres, Ravi and Dutheil, Evy ORCID: https://orcid.org/0000-0003-4079-6923
(2022)
Immersive Reflections on Future Living.
In: Sustainable Innovation 2023, 22/03/24, https://cfsd.org.uk/events/sustainable-innovation-2023/programme/.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2024)
Hope, in the bleak mid - winter.
Theatre, Dance and Performance Training Journal, 15 (1).
pp. 1-6.
ISSN 1944-3919
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2017)
Can you train on your own? How?
Theatre, Dance and Performance Training Journal, 8 (1).
pp. 105-108.
ISSN 1944-3927
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Making Solo Performance.
Palgrave Macmillan, London.
ISBN 978-1-137-60326-5
Item availability may be restricted.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria
(2015)
Solo Contemporary Performance Forum Website.
[Website]
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Contact [and] Improvisation.
[Journal]
Item availability may be restricted.
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Framing the Gap: Contact (and) Improvisation.
The Journal of Dance and Somatic Practices, 6 (2).
ISSN 17571871
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Emanue, Ella ORCID: https://orcid.org/0000-0002-0785-6018
(2024)
dAnCing LiNes.
In:
C&C '24: Proceedings of the 16th Conference on Creativity & Cognition.
ACM, US, pp. 614-618.
ISBN C&C '24: Proceedings of the 16th Conference on Creativity & Cognition
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Lost Classic: Black Orpheus (Marcel Camus, 1959).
The Big Picture, N/A.
ISSN N/A
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip
(2023)
Noise Drawing No.4.
[Performance]
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip
(2022)
Noise Drawings 1, 3, & 2.
[Performance]
|
| Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (6). pp. 96-104. ISSN 1352-8165 Item availability may be restricted. |
| Levinsky, Sarah, Abbott, Vicky, Pirie, Karen, Wynne Jones, Rhys, Walton, Jodie and Chapman, Anthony (2024) SEEN/HEARD. [Performance] |
| Levinsky, Sarah (2023) ENCOUNTERS BETWEEN DANCE AND DIGITAL MEANING DISCOVERING POTENTIAL IN THE QUESTION OF MOVEMENT. Doctoral thesis, Falmouth University / University of the Arts London. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Doctor Strange.
International Times, none.
ISSN 26340852
|
Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2016)
ANY AGE, ANY BODY, ANY DANCE.
Foundation for Community Dance, Leicester.
ISBN 978-1898409366
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
The hills are alive… with event cinema.
Arts Professional, The arts in rural areas (311).
|
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2014)
Still, Moving: Reflecting on All This Can Happen.
The International Journal of Screendance, Volume 4 (Fall).
pp. 177-182.
ISSN 2154-6878
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Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2016)
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition.
The International Journal of Screendance, 6 (Spring).
pp. 166-177.
ISSN 2154-6878
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Smith, Lindsay ORCID: https://orcid.org/0000-0001-8035-9379
(2023)
Embodying care: Trauma-informed practice in community dance.
Journal of Applied Arts and Health.
ISSN 2040-2465
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2020)
From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance).
In:
Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century.
Dance Books, Hampshire.
ISBN 978-1852731816
Item availability may be restricted.
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2017)
Moving Dramaturgy.
[Performance]
Item availability may be restricted.
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2014)
Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice.
Journal of Dance and Somatic Practices, 6 (2).
pp. 175-187.
ISSN 17571871
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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2016)
Sure Lines? Reflections on Dramaturgy in participatory dance and performance.
'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1).
pp. 20-23.
ISSN 0969-7225
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2008)
Un Abrazo Sin Tiempo.
Animated, Autumn.
ISSN 0969-7225
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary
(2019)
"Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par.
In:
Routledge Companion to Dance Studies.
Routledge Companion
.
Routledge, London/Abingon, pp. 471-487.
ISBN 9781138234581
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo
(2018)
Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance.
In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris.
(Unpublished)
Item availability may be restricted.
|
Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G
(2016)
Last Act Of Rebellion at Compass Festival, Leeds 2016.
[Performance]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2014)
The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running.
In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2012)
Running Through A Field: Performance and Humanness.
Performance Research: A Journal of the Performing Arts, 17 (2).
ISSN 1352-8165
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2007)
ANTI Contemporary Art Festival 2007 - 2013.
[Exhibition]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2017)
Ghost Dance at In Between Time Festival, Arnolfini, Bristol, 2017.
[Performance]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2015)
True West by Lone Twin & The Table.
[Performance]
|