Items where Subject is "Film & TV > Film > Hollywood Film"

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Group by: Creators | Item Type

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Number of items at this level: 48.

B

Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2015) Adaptive Harmonics - Star Trek's Universe and Galaxy of Games. In: The Star Trek Universe: Franchising the Final Frontier. Chapter 12 . Rowman & Littlefield, Lanham, Maryland, USA, pp. 133-145. ISBN 978-1-4422-4985-1

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Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2016) Book Review: Game Play by Paul Booth. Intensities, 1 (8). ISSN 1471-5031

Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2019) To Disney Infinity and Beyond - Star Wars Videogames Before and After the Lucasarts Acquisition. In: Disney’s Star wars: Forces of Production and Promotion. University of Iowa Press, Iowa, USA, pp. 123-135. ISBN 9781609386436

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C

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2018) The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint. In: Rethinking Genre in Contemporary Global Cinema. Palgrave Macmillan, New York, NY, pp. 121-133. ISBN 978-3-319-90133-6

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Canning, Laura and Sweeney, Sheamus (2015) Not Your Feminist Daddy. In: Console-ing Passions International Conference on Television, Video, Audio, New Media and Feminism, June 18-20 2015, Cornwall. (Unpublished) Item availability may be restricted.

Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2017) Can environmental documentaries make waves? The Conversation, online article. ISSN N/A

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Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 and Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2019) The Dead Cry Out. [Media]

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2017) Beyond the page: Crowdsourcing as a case study for digital screenwriting techniques. New Cinemas: Journal of Contemporary Film, 15 (2). pp. 209-228. ISSN 14742756 Item availability may be restricted.

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2016) The screenplay and the spectator: Exploring audience identification in narrative structure. Journal of Screenwriting, 7 (3). pp. 319-331. ISSN 17597137

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2019) The Script Department. [Project] Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN TBC (In Press) Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Screengem: The Dude’s Ralphs card in The Big Lebowski. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Together Alone. Beneficial Shock, 1 (3). pp. 67-72. ISSN 2399-5173

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Why Sofia Coppola’s misunderstood drama is ripe for reappraisal. The Big Picture, Rolling. ISSN N/A

G

Greenhough, Amy (2021) It's All in Your Head. In: Dark Economies - Anxious Futures, Fearful Pasts. Falmouth University, 21st – 23rd July 2021, 21-23 July 2021, Falmouth University. (Unpublished) Item availability may be restricted.

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Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 (2009) Movie-games and Game-movies: Towards an aesthetics of transmediality. In: Film Theory and Contemporary Hollywood Movies. Routledge/AFI, New York, USA. ISBN 978-0415962629

L

Lloyd, Rebecca (2016) Haunting the Grown-Ups: The Borderlands of ParaNorman and Coraline. In: Haunted Landscapes Super-Nature and the Environment. Place, Memory, Affect . Rowman & Littlefield International, London, New York, pp. 199-214. ISBN 9781783488827 Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Back On The Road Again. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Into the Mystic. International Times, none. ISSN none

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Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) The Aesthetics of Asymmetrical Warfare: Cinematic representation of 21st Century Conflict. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London. ISBN 978-3031053894 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Allied: The Longstanding Relationship Between Composer Alan Silvestri and Director Robert Zemeckis. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US. ISBN 9781793623454 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381. In: The Films of Denis Villeneuve. Refocus Series . Edinburgh University Press, Edinburgh. ISBN 9781474497381 (Submitted)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Music as Narrator in Call Me By Your Name. In: Call Me by Your Name: Perspectives on the Film. Intellect, London. ISBN TBC (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9 (In Press) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2013) Stone/Dubya: The Improbable President. In: The Films of Oliver Stone Conference, November 2013, Rider University, Princeton, New Jersey. (Unpublished)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN. In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University. (In Press)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller. MAI: Feminism and Visual Culture Journal, 7. ISSN 2003-167x

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) David Lynch Constrained. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978-1-66691 (Submitted) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, New York, pp. 269-280. ISBN 978-3-03-004797-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance. MAI: Feminism & Visual Culture, 1 (1). ISSN 2003-1671

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799

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Owen, Ann (2021) A World within Reach: A Neuroanimatic Perspective on Themes of Threat in the Miniature World OF Coraline. In: Coraline: A Closer Look at Studio LAIKA s Stop-Motion Witchcraft. Animation: Key Films/Filmmakers . Bloomsbury, London, pp. 135-152. ISBN 978-1501347863

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Summerley, Rory ORCID: https://orcid.org/0000-0001-6496-9679 (2018) Approaches to Game Fiction Derived from Musicals and Pornography. MDPI Arts Journal, 7 (3). ISSN 2076-0752

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W

Whitehead, Jean ORCID: https://orcid.org/0000-0001-7756-9586 (2019) Creating an interior mise-en-scene: the relationship between interior design, production design and film. Film and Furniture, n/a. ISSN n/a

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This list was generated on Sat Sep 23 12:14:27 2023 UTC.