Items where Subject is "Film"

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Bailey, Adrian, Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925, Byers, Kate, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Waite, Linn (2019) Hard, Cracked the Wind. [Media] Item availability may be restricted.

Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian (2021) We've Been Here. [Media]

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Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.

Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449

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Brackenbury, Dan ORCID: https://orcid.org/0009-0001-4906-5310 (2024) Site Revealed. In: Nineteenth International Conference on the Arts in Society, 24—26 May, 2024, Hanyang University, Seoul, Korea (Republic of). Item availability may be restricted.

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Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media]

Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2015) Adaptive Harmonics - Star Trek's Universe and Galaxy of Games. In: The Star Trek Universe: Franchising the Final Frontier. Chapter 12 . Rowman & Littlefield, Lanham, Maryland, USA, pp. 133-145. ISBN 978-1-4422-4985-1

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Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2016) Book Review: Game Play by Paul Booth. Intensities, 1 (8). ISSN 1471-5031

Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629 (2019) To Disney Infinity and Beyond - Star Wars Videogames Before and After the Lucasarts Acquisition. In: Disney’s Star wars: Forces of Production and Promotion. University of Iowa Press, Iowa, USA, pp. 123-135. ISBN 9781609386436

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2022) As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief. Revenant: Critical and Creative Studies of the Supernatural, 8. pp. 348-363. ISSN 2397-8791

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2020) European Cinema in the Twenty-First Century. Palgrave Macmillan, United Kingdom. ISBN 978-3-030-33436-9 (Submitted) Item availability may be restricted.

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2018) Irish Production Culture and Women Producers: Nicky Gogan. In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London. (Unpublished)

Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2020) Irish Production Cultures and Women Producers: Nicky Gogan. In: Women in the Irish Film Industry: Stories and Storytellers. Cork University Press, Cork, Republic of Ireland. ISBN 9781782053736

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2018) The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint. In: Rethinking Genre in Contemporary Global Cinema. Palgrave Macmillan, New York, NY, pp. 121-133. ISBN 978-3-319-90133-6

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Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 and Sweeney, Sheamus (2015) Not Your Feminist Daddy. In: Console-ing Passions International Conference on Television, Video, Audio, New Media and Feminism, June 18-20 2015, Cornwall. (Unpublished) Item availability may be restricted.

Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2022) Machines Dreams & Fabulations: On Time After Time & The Wild Ones. nickberkeley.com, N/A. ISSN N/A

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Christoforidou, Maria ORCID: https://orcid.org/0000-0002-1340-4114, Phoebe, Christina, El Mouadden, Rabab, Dati, Sofia and Vassalou, Elli (2023) Surplus Cinema Polyphonic. In: Second Online International Networking Symposium on Women’s Global Film Movements and Networks., 5-7 January 2023, online.

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Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 and Andreoli, Enrico (2017) "Be Tradition" A metaphor for sustainable energy. [Media]

Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2017) Can environmental documentaries make waves? The Conversation, online article. ISSN N/A

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Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2018) Reconsidering fictional films for communicating climate change issues: an analysis of the filmmaking strategies behind sustainable energy narratives. In: Handbook of Climate Change Communication: Vol. 1. Theory of Climate Change Communication. Handbook of Climate Change Communication . Springer International Publishing, Britain, pp. 123-136. ISBN 978-3-319-69837-3 Item availability may be restricted.

Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 and Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2019) The Dead Cry Out. [Media]

Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands.

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Devanny, David (2023) THE CURSE OF THE CURSIVE: THE HORROR OF THE HAND IN FOLK HORROR FILM TYPOGRAPHY. In: Folk Horror: New Global Pathways. University of Wales Press, Wales. ISBN 9781786839794 Item availability may be restricted.

Dutheil, Evy ORCID: https://orcid.org/0000-0003-4079-6923 and Deepres, Ravi (2018) Utopias: Sustainable Ethos Design. In: International Open Elective 2019 Ghandhi and Desigh, 21 Jan - 01 Feb 2019, Ahmedabad. (In Press)

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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2021) Shandyland - Pint Size. [Performance] Item availability may be restricted.

Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2017) Beyond the page: Crowdsourcing as a case study for digital screenwriting techniques. New Cinemas: Journal of Contemporary Film, 15 (2). pp. 209-228. ISSN 14742756 Item availability may be restricted.

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 (2016) The screenplay and the spectator: Exploring audience identification in narrative structure. Journal of Screenwriting, 7 (3). pp. 319-331. ISSN 17597137

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Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2019) The Script Department. [Project] Item availability may be restricted.

Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Mac Coille, Oisin (2016) Still Life. [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) MAI in conversation with Hope Dickson Leach. MAI: Feminism and Visual Culture, 1 (1). ISSN 20031671

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2024) Music Films. BFI/Bloomsbury, Physical Book. ISBN 9781839023439 Item availability may be restricted.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2025) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN 9781771126434 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart. In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE). Digital Culture & Education, NA. ISSN 1836-8301

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) ‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative. Media Practice and Education, 19 (2). pp. 205-221. ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) On Location: Manchester. In: Directory of World Cinema: Britain 2. Directory of World Cinema . Intellect, Bristol, pp. 32-39. ISBN 978-1-78320-397-0 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Screengem: The Dude’s Ralphs card in The Big Lebowski. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Together Alone. Beneficial Shock, 1 (3). pp. 67-72. ISSN 2399-5173

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, London, pp. 207-218. ISBN 978-1-6289-2555-5 Item availability may be restricted.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) ‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media Projects. In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Why Sofia Coppola’s misunderstood drama is ripe for reappraisal. The Big Picture, Rolling. ISSN N/A

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) 'Wilderness'. [Media]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production. Media Practice and Education, 23 (2). ISSN 2574-1144

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA

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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Making Strange: Adapting H. P. Lovecraft for the Screen. In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.

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Goch, Dylan, Rhys, Gruff and Ramasut, Catrin (2014) American Interior (Story consultant). [Media]

Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583 (2024) Unwieldy matter: Liquid landscapes of memory in postdictatorship Chilean film. MIRAJ: Moving Image Review & Art Journal, 12 (2). pp. 189-204. ISSN 2045-6298

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Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190

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Greenhough, Amy ORCID: https://orcid.org/0009-0005-2421-8252 (2021) It's All in Your Head. In: Dark Economies - Anxious Futures, Fearful Pasts. Falmouth University, 21st – 23rd July 2021, 21-23 July 2021, Falmouth University. (Unpublished) Item availability may be restricted.

Greenhough, Amy ORCID: https://orcid.org/0009-0005-2421-8252 (2024) Spinning Bodies into Gold. Marvels and Tales, 38 (2). ISSN 1521-4281 (In Press)

Greenhough, Amy ORCID: https://orcid.org/0009-0005-2421-8252 (2021) Spinning Flesh Into Gold. In: ICFA: "Climate Change and the Anthropocene", 18th-21st March 2021, Online. (Unpublished) Item availability may be restricted.

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Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 978-1-78683-233-7

Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile. In: Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 9781786832337

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James, Ben Evans ORCID: https://orcid.org/0000-0003-0553-416X (2023) A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes. Arts, 12 (3). p. 94. ISSN 2076-0752

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Jandrell, Mandy ORCID: https://orcid.org/0000-0001-6396-1544 (2018) Evidence in Camera. [Exhibition]

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Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925 (2019) Bait. [Media]

Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted)

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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2015) salvage. [Artwork]

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Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 (2009) Movie-games and Game-movies: Towards an aesthetics of transmediality. In: Film Theory and Contemporary Hollywood Movies. Routledge/AFI, New York, USA. ISBN 978-0415962629

Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2021) Gothic Kernow. Anthem Studies in Gothic Literature . Anthem Press, London. ISBN 9781785279065 (In Press) Item availability may be restricted.

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Lloyd, Rebecca (2016) Haunting the Grown-Ups: The Borderlands of ParaNorman and Coraline. In: Haunted Landscapes Super-Nature and the Environment. Place, Memory, Affect . Rowman & Littlefield International, London, New York, pp. 199-214. ISBN 9781783488827 Item not available from this repository.

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2022) Back On The Road Again. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2017) Earthbound: David Bowie and the Man Who Fell to Earth. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Into the Mystic. International Times, none. ISSN none

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Joining Up The Dots. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) London Calling. International Times, none. ISSN 26340852

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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Myriad Mysteries. International Times, none. ISSN 26340852

Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852

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Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x

Mackie, Mel (2016) RTS Student Networking Event: Breaking Into Media 2016. [Conference]

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Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426 (2021) THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development. In: THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146. ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook)

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Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted.

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Macneill, Marie and Macneill, John (2019) THE COASTGUARD. [Performance]

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2020) Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books. In: A Critical Companion to Robert Zemeckis. Critical Companions to Popular Directors . Lexington Books, Lanham, US, pp. 75-89. ISBN 9781793623454

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) ‘Music as Narrator in Call Me by Your Name’. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change'. In: Communicating a World-in-Crisis. Global Crises and the Media . Peter Lang, Oxford, pp. 179-199. ISBN 9781636671864 Item availability may be restricted.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students. Film Education Journal, 7 (1). pp. 17-29. ISSN 2515-7086

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Harvey, Simon (2024) The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students. Film Education Journal, 6 (1). pp. 17-29. ISSN 2515-7086

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2024) ‘David Lynch Constrained on Dune’. In: A Critical Companion to David Lynch. A Critical Companion, Directors Series . Lexington Books, Lanham, US. ISBN 978166691 (Submitted) Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mackfall, Ryan (2024) The Birdwatcher. [Media] (Unpublished)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-). MAI: Feminism and Visual Culture Journal, 10. ISSN 2003-167x

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381. In: The Films of Denis Villeneuve. Refocus Series . Edinburgh University Press, Edinburgh, pp. 178-193. ISBN 9781474497381

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition]

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2013) Stone/Dubya: The Improbable President. In: The Films of Oliver Stone Conference, November 2013, Rider University, Princeton, New Jersey. (Unpublished)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN. In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University. (In Press)

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press)

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller. MAI: Feminism and Visual Culture Journal, 7. ISSN 2003-167x

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Backwoods (Dir. Ryan Mackfall, 2019) - Short Film. [Media] Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.

Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2019) ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, New York, pp. 269-280. ISBN 978-3-03-004797-9

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.

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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

McGregor, Wayne and Deepres, Ravi (2018) AfteRite and Woolf Works. [Performance]

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2024) Appointed convener, Royal Scottish Academy Annual 2024. [Exhibition] (Submitted)

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2018) 'Between Realities’ a group exhibiton of international artists funded by the Goethe Institute in Sweden, and curated for the Stockholm based Kunsthalle Färgfabriken. Produced as a multi art form exhibition exploring issues around technology and future society. [Exhibition]

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2014) 'Digital Play: Wendy McMurdo Collected Works 1995–2012' Mid-career retrospective Solo exhibition Jun-Aug 2014. [Exhibition] Item availability may be restricted.

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2017) Indeterminate Objects (classrooms). A solo digital commission for the Photographers Gallery, London (Oct 2017- Jan 2018). [Exhibition]

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McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2018) UNSEEN Living Room: Film & Foto. In: Unseen Photo Festival, 22nd Sept 2018, Amsterdam, Netherlands. (Unpublished)

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2024) „Feministka jest, chociaż szyldu nie ma.” Moje spotkanie z Heleną Amiradżibi. In: (Nie)Zapomniane dokumentalistki. Wydawnictwo PWSFTiTV, Łódź, Poland. ISBN 978-83-67397-42-1 (In Press) Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance. MAI: Feminism & Visual Culture, 1 (1). ISSN 2003-1671

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2003) Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting. Kwartalnik Filmowy/Film Quarterly, Fall. pp. 92-102. ISSN 0452-9502

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2013) Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics. Journal of Film and Video, 65 (3). pp. 26-39. ISSN 07424671

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2012) Jerzy Skolimowski: The Cinema of the Non-conformist. Historical Journal of Film, Radio and Television, 32 (1). pp. 150-152. ISSN 0143-0985 Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X (2018) When Politics Tipped the Scales: Locating Polish Documentary Films from the 1940s. Historical Journal of Film, Radio & Television, 38 (4). pp. 762-786. ISSN 1465-3451

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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal]

Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) FylmK. Working Paper. UNSPECIFIED. (Unpublished) Item availability may be restricted.

Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Cornish Media Service Update. In: Cornish Language Forum, 07.11.20, Zoom. (Unpublished)

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Development Report 30042020. Project Report. UNSPECIFIED. (Unpublished)

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2007) Rural Revolution through Digital Media. In: Inclusion Through Media. Goldsmiths / OpenMute, UK, pp. 220-235. ISBN 1906496005

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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) The hills are alive… with event cinema. Arts Professional, The arts in rural areas (311).

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Moore, Marshall ORCID: https://orcid.org/0000-0003-0638-0828 (2019) An End to Monstrosity: Horror, Queer Representation, and the Trump Kakistocracy. In: Make America Hate Again: Trump-Era Horror and the Politics of Fear. Routledge, London. ISBN 9781138498280

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian (2024) Hip-hop Dar es Salaam. [Project] (Unpublished) Item availability may be restricted.

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2020) Fledglings. UNSPECIFIED. (In Press)

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Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2022) From the River: Beneath the Visible Evidence. [Project]

Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 and Arendse, Adrianne (2021) Freeman. UNSPECIFIED.

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Mulraney, Rosa (2014) 'Deep' Kiss Pre-production. [Artwork] Item availability may be restricted.

Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.

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Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Nicholls, Katharine and Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098 (2021) Case studies from the Live Briefs on BA(Hons) Animation at Falmouth University CILECT. In: CILECT CONGRESS 2021-10-12 Audiovisual Education: Impact & Relevance, ZOOM, in partnership with Kristiania University, Oslo, Norway, 14 - 16 October 2021, ZOOM. Item availability may be restricted.

Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted.

Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878

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Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878

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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521

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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799

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Owen, Ann (2021) A World within Reach: A Neuroanimatic Perspective on Themes of Threat in the Miniature World OF Coraline. In: Coraline: A Closer Look at Studio LAIKA s Stop-Motion Witchcraft. Animation: Key Films/Filmmakers . Bloomsbury, London, pp. 135-152. ISBN 978-1501347863

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Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Prior, David ORCID: https://orcid.org/0000-0002-8750-445X (2014) Documentary Sound: Beyond the Diegetic. In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University. (Unpublished)

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.

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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]

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Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished)

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Sousa Lobo, Francisco (2017) Ordet / A PAlavra. Ao Norte, Viana do Castelo, Portugal. Item availability may be restricted.

Sullivan, Steve (2017) Being Frank: The Chris Sievey Story (Story consultant). [Media] (Unpublished)

Summerley, Rory ORCID: https://orcid.org/0000-0001-6496-9679 (2018) Approaches to Game Fiction Derived from Musicals and Pornography. MDPI Arts Journal, 7 (3). ISSN 2076-0752

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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2015) German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging. In: Diasporic Constructions of Home and Belonging. De Gruyter, Amsterdam and Boston, pp. 479-497. ISBN 978-3-11-040861-4

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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2016) Katja Riemann Intro_KCL Event_Verena von Eicken. In: An Evening with Katja Riemann, 17 May 2016, King's College London. Item availability may be restricted.

Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756

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Whitehead, Jean ORCID: https://orcid.org/0000-0001-7756-9586 (2019) Creating an interior mise-en-scene: the relationship between interior design, production design and film. Film and Furniture, n/a. ISSN n/a

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Yule, Eleanor and Manderson, David (2014) The Glass Half Full. OPEN SCOTLAND . LUATH PRESS LTD, EDINBURGH. ISBN 978-1-9100021-34-7 Item availability may be restricted.