Items where Subject is "Film & Television"

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Number of items at this level: 222.

B

Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463 (2018) Cinegi Arts&Film, a Case Study: how it worked and what we learned. Project Report. Arts Council England, UK.
[thumbnail of Cinegi Arts&Film – a Case Study – how it worked and what we learned.pdf]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]
[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]
[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]
[thumbnail of FEAST: Ingredients of Us - Photos: David Oxberry © PROJEKT EUROPA]
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[thumbnail of FEAST: Ingredients of Us - Photos: David Oxberry © PROJEKT EUROPA]
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Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.
[thumbnail of Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.]

Boljkovac, Nadine (2016) Returning Guest Speaker. ‘Feminist (Auto)Portraiture and the Moving Image.’ Englisches Seminar, Universität zu Köln. In: 'Feminist (Auto)Portraiture and the Moving Image' Guest Lecture, 2016, Universität zu Köln.
[thumbnail of Returning Guest Speaker. ‘Feminist (Auto)Portraiture and the Moving Image.’ Englisches Seminar, Universität zu Köln]
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Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449
[thumbnail of Book. Untimely Affects: Gilles Deleuze and an Ethics of Cinema. Edinburgh University Press, April 2015 paperback]
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Byard, Victoria ORCID logoORCID: https://orcid.org/0000-0001-8107-4674 (2014) ‘A Hero Mumsy’: Parenting, Power and Production Changes in The Sarah Jane Adventures. In: British Television Drama: Past, Present and Future. Palgrave Macmillan, London, pp. 118-130. ISBN 978-1-137-32757-4 Item availability may be restricted.
[thumbnail of British_Television_Drama_Past_Present_and_Future_----_(11_'A_Hero_Mumsy'_Parenting_Power_and_Production_Changes_in_The (1).pdf] [thumbnail of British Television Drama: Past, Present and Future (2nd edition) chapter]
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Byard, Victoria ORCID logoORCID: https://orcid.org/0000-0001-8107-4674 (2015) ‘"I belong to the future": Timeslip Drama as History Production in The Georgian House and A Traveler in Time’. In: Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games. McFarland & Company, Jefferson, N.C., pp. 149-164. ISBN 978-0-7864-7807-1
[thumbnail of Book chapter on children's TV timeslip dramas in the 1970s]
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C

Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2022) Machines Dreams & Fabulations: On Time After Time & The Wild Ones. nickberkeley.com, N/A. ISSN N/A
[thumbnail of TTWWb_2022.pdf]
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Christoforidou, Maria ORCID logoORCID: https://orcid.org/0009-0003-9894-9643 (2021) Μάλθα(Maltha): The Thrice Burnt Archive of Unreliable Prophesies. [Artwork]
[thumbnail of Maltha is a video essay that tampers with and speculates on cultural memory. Departing from mainstream Greek imagery and the subsequent hegemonic subjugation of those who do not fit a “Greek imaginary”.]

Clark, Tim (2020) Masculinities: Liberation through Photography. [Exhibition] Item availability may be restricted.
[thumbnail of 1. Masculinities Liberation through Photography, Installation view, © Tristan Fewings, Getty Images] [thumbnail of 2. Masculinities Liberation through Photography, Installation view, © Tristan Fewings, Getty Images]

Cortese, Michela ORCID logoORCID: https://orcid.org/0000-0001-5012-8297 (2016) Planet Earth’s adventure into cities cements its position as a pioneer of environmental film. The Conversation, online article. ISSN N/A
[thumbnail of Planet Earth adventure into cities.pdf]
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D

Downing, Niamh, Llinares, Dario and Arnold, Sarah (2014) Cosmographies. [Conference]
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F

Finnegan, John ORCID logoORCID: https://orcid.org/0000-0003-4902-4399 (2017) Beyond the page: Crowdsourcing as a case study for digital screenwriting techniques. New Cinemas: Journal of Contemporary Film, 15 (2). pp. 209-228. ISSN 14742756 Item availability may be restricted.
[thumbnail of NC 15.2_1_art_Finnegan.pdf]
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[thumbnail of TheScriptDept_Portfolio.pptx]

Fontoura, Catarina ORCID logoORCID: https://orcid.org/0000-0002-8330-1217 (2024) Wild Home: Photography, Domesticity and More-than-human Boundaries in Fieldwork and Expeditionary Science. Photographies, 17 (1-2). pp. 169-185. ISSN 1754-0763 Item availability may be restricted.
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2024) Music Films. BFI/Bloomsbury, Physical Book. ISBN 9781839023439 Item availability may be restricted.
[thumbnail of Final Corrected Proof] [thumbnail of Permissions form]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA
[thumbnail of Stewart_Lee_Michael_Cumming_Interview.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Black Stars: Belafonte, Poitier and a Long Overdue Celebration of Black Cinema. Directors Notes, N/A. ISSN N/A
[thumbnail of The BFI season Black Star.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Classrooms without teachers and film without borders: proactively responding to digital disruption in film education. In: Media Education Summit, 20-21 November, 2015, Emerson College, Boston, USA. Item availability may be restricted.
[thumbnail of MES 2015.pdf] [thumbnail of MES Paper 2015.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Coffee & Celluloid: In Conversation with Bronco’s House Director Mark Jenkin. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Collection-making: Podcasting as a contemporary curation practice. In: MeCCSA 2020, 8-10 January 2020, University of Brighton.
[thumbnail of Pod Paper FINAL.pptx] [thumbnail of Final Paper NF.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Death Foretold is Not Death. Directors Notes, N/A. ISSN N/A Item availability may be restricted.
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart. In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.
[thumbnail of Conference Presentation]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA
[thumbnail of Big Pic Double Bill V1.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
[thumbnail of Interview with filmmaker Jake Meginsky for the Quietus]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A
[thumbnail of ELEPHANT DAYS Q&A with James and Orlando answers..docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE). Digital Culture & Education, NA. ISSN 1836-8301
[thumbnail of Film Production Education and COVID19 - A Conversation]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) ‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative. Media Practice and Education, 19 (2). pp. 205-221. ISSN 2574-1144
[thumbnail of Media Practice Article REDRAFT.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A
[thumbnail of Here to be Heard.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Four Frames: Best In Show (Christopher Guest, 2000). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: The Immigrant (James Gray, 2014). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) Four Frames: The Royal Tenenbaums (Wes Anderson, 2001). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Four Frames: There Will Be Blood (Paul Thomas Anderson, 2007). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2013) Four Frames: Tragic spectacle in Rust and Bone (Jacques Audiard, 2012). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Head Music: Stop Making Sense Reassessed. The Quietus, Rolling. ISSN N/A
[thumbnail of Stop Making Sense 2.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA
[thumbnail of Delia Derbyshire FINAL.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA
[thumbnail of Feature Article and Interview the the team behind byNWR]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Interview with Richard Herring. In: Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308. ISBN 978-3-319-90055-1
[thumbnail of Interview with podcaster Richard Herring]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681
[thumbnail of Intimate Conversations in Cinema's Elsewhere (2).docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary. In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK. Item availability may be restricted.
[thumbnail of Hip-Hop Docs.docx] [thumbnail of Hip-Hop Conference 2016.pdf]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) “I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) Juxebox Jarmusch: Jim at the Intersection of Music and Cinema. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA
[thumbnail of Teddy Pendergrass.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Landscape, Metaphors and Self-Distribution: The Tale of Brett & Simon Harvey’s ‘Brown Willy’. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Listen Up Philistines: Alex Ross Perry Interviewed. The Quietus, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: A Serious Man (Joel & Ethan Coen, 2009). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Lost Classic: Black Orpheus (Marcel Camus, 1959). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Lost Classic: Prince Avalanche (David Gordon Green, 2013). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) MAI in conversation with Hope Dickson Leach. MAI: Feminism and Visual Culture, 1 (1). ISSN 20031671
[thumbnail of HDL Transcript FINAL.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) A Mirror To Nature: Genius, Disaster and the Legacies of Orson Welles. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) New Joys: The Wonder Of Kelly Reichardt. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA
[thumbnail of Interview with filmmaker Nicolas Winding Refn]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A
[thumbnail of King Rocker Interview TQ.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) #Noirvember: The Theming of Cinema & the End of Criticism. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA
[thumbnail of Nothing Is Trite PJ.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A.
[thumbnail of Interview with filmmaker Christine Franz about music documentary]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2013) On Location: Macclesfield in Control (Anton Corbijn, 2007). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173
[thumbnail of BEN SHOCK BEALE DRAFT.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Paths to the Pantheon: Using the Education of Successful Filmmakers to Shape Film Education. In: MECCSA 2016, 6-8 January, 2016, Canterbury Christchurch University, Kent, UK. Item availability may be restricted.
[thumbnail of MECCSA 2016.docx] [thumbnail of Dr Neil Fox MECCSA 2016.pdf]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2022) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN TBC (In Press) Item availability may be restricted.
[thumbnail of Copy of Podcasting and Curation - Neil Fox.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Podcasting: New Aural Cultures and Digital Media. Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551. ISBN 978-3-319-90055-1 Item availability may be restricted.
[thumbnail of 10.1007_978-3-319-90056-8.pdf]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA
[thumbnail of Reel Sounds 2 - Accepted Version.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
[thumbnail of Reel Sounds Vol 3 FINAL.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) Richard Lester Discusses A Hard Day's Night. Clash Magazine, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) Screengem: General Mireau’s Sofa in Paths of Glory (Stanley Kubrick, 1957). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Screengem: Telephones in Rififi (Jules Dassin, 1955). The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Screengem: The Dude’s Ralphs card in The Big Lebowski. The Big Picture, Rolling. ISSN N/A
[thumbnail of The Big Lebowski NF.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin. The Quietus, NA. ISSN NA
[thumbnail of Amazing Grace The Quietus FORMATTED.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Self-Isolation Soundtrack: The Music of If Beale Street Could Talk. The Big Picture, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) Sex and Paranoia – Movies, Satire and the brinks of War. The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA
[thumbnail of Interview Tim Plester and Rob Curry FINAL.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368
[thumbnail of Fox - Spaghetti CInema.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A
[thumbnail of A review of Conny Plank: The Potential of Noise for The Quietus]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) “There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman. Directors Notes, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Together Alone. Beneficial Shock, 1 (3). pp. 67-72. ISSN 2399-5173
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media. In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK. Item availability may be restricted.
[thumbnail of BB Conference Version.docx] [thumbnail of Chester Presentation - Dr. Neil Fox.pdf]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA
[thumbnail of Right Here.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) We merely get in their way: The fierce chemistry of Herzog and Kinski. The Big Picture, N/A. ISSN N/A

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) ‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media Projects. In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.
[thumbnail of MECCSA Presentation Transcript (1).docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Why Sofia Coppola’s misunderstood drama is ripe for reappraisal. The Big Picture, Rolling. ISSN N/A
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) 'Wilderness'. [Media]
[thumbnail of Link to Full Version of Wilderness] [thumbnail of REF Portfolio submission for Wilderness with full details and material]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2022) Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production. Media Practice and Education, 23 (2). ISSN 2574-1144
[thumbnail of MPE 2021 Neil Fox FINAL DRAFT copy (2).pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA
[thumbnail of Cleaners from Venus FINAL (1).pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA
[thumbnail of White Riot Berlinale Review.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) “You Talkin’ To Me?” - Returning to Conversation,. Doing Arts Research In A Pandemic, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) Making Strange: Adapting H. P. Lovecraft for the Screen. In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.
[thumbnail of Final presentation with all images cleared]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2018) Cinematologists: Knowing Sounds. Media Practice and Education, 19 (1). pp. 48-51. ISSN 2574-1144
[thumbnail of Cinematologists Knowing Sounds, Media Practice and Education.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario (2016) Knowing Sounds: Podcasting As Academic Practice. Journal Of Media Practice, Disruptive Media Special Edition. ISSN 2040-0926
[thumbnail of Episode 32_ Knowing Sounds_ Podcasting as Academic Practice.mp3]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877, Llinares, Dario and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2015) The Cinematologists. UNSPECIFIED. Item availability may be restricted.
[thumbnail of REF Portfolio]

Frears, Lucy ORCID logoORCID: https://orcid.org/0000-0003-3654-7246 (2023) A Serpent's Dance by Lucy Frears Sound piece by Lucy Frears Film by Lucy Frears, edited to the sound by Marcus Cook. [Artwork]
[thumbnail of Serpent Dance Final Mix.wav] [thumbnail of A_Serpent_s_Dance_by_Lucy_Frears_Marcus_Cook-763404429.mp4]
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Frears, Lucy ORCID logoORCID: https://orcid.org/0000-0003-3654-7246, Chatfield, Andy and Wincott, Abigail ORCID logoORCID: https://orcid.org/0000-0002-3162-644X (2022) Equity, Diversity & Inclusion: How to make your cultural leadership more diverse. Project Report. UNSPECIFIED.
[thumbnail of Equity, Diversity & inclusion: How to make your cultural leadership more diverse. Includes original research on EDI in a selection of Cornwall's cultural organisations & recommendations on how to implement change using a range of research & data.]
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Gray, Struan ORCID logoORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190
[thumbnail of Struan Gray - Draft Manuscript - Picturing Ghosts .pdf]
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Guthrie, Mark, Oxborrow, Stephen and Macneill, Marie (2014) THE DEAD SEA. UNSPECIFIED. Item availability may be restricted.
[thumbnail of THE DEAD SEA - COMMISSIONED SCREENPLAY]

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Hayes, Derek ORCID logoORCID: https://orcid.org/0009-0005-8185-5098 (2023) The Day Of The Coyote. [Media]
[thumbnail of DAY OF THE COYOTE Final.mp4]
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Hayes, Derek ORCID logoORCID: https://orcid.org/0009-0005-8185-5098 and Mulraney, Rosa (2016) Primary Sources for VFX. In: The Cross Channel Film Lab, Le Groupe Ouest. Item availability may be restricted.
[thumbnail of Primary Sources for VFX]

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2020) Gothic Animals: Uncanny Otherness and the Animal With-Out. Studies in Animals and Literature’ . Palgrave Macmillan, London. ISBN 978-3-030-34539-6
[thumbnail of Introduction to the 'Gothic Animals' collection edited by Ruth Heholt and Melissa Edmundson]

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2023) Folk Horror New Global Pathways. Horror Studies . University of Wales Press, Cardiff. ISBN 978-1-78683-979-4 Item availability may be restricted.
[thumbnail of Folk Horror_2nd_Proofs (3).pdf]

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile. In: Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 9781786832337
[thumbnail of Ch 10 Ruth Heholt.doc]

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2014) ‘The Hammer House of Cornish Horror: The Plague of Zombies (1966) and The Reptile (1966)’. In: Locating the Gothic, October 2014, Limerick University. Item not available from this repository.

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2023) Handicrafts of Evil: The Make-Culture of Folk Horror. In: The Routledge Companion to Folk Horror. Routledge, Abingdon, pp. 160-172. ISBN 978-1-032-04283-1 Item availability may be restricted.
[thumbnail of Clean edited Handicrafts of Evil Chapter March 2022.pdf]

Heholt, Ruth ORCID logoORCID: https://orcid.org/0000-0001-6963-6427 (2014) "Look Closer": Sam Mendes's Visions of White Men. In: Sensational Pleasures in Cinema, Literature and Visual Culture: The Phallic Eye. Palgrave Macmillan, New York. ISBN 978-1-137-36363-3

Hook, Alan, Barrios-O'Neill, Danielle and Mairs Dyer, Jolene (2016) A Transmedia Topology of Making a Murderer. VIEW Journal of European Television History and Culture, 5 (10). ISSN 2213-0969
[thumbnail of Published version]
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[thumbnail of Una Topología Transmedia De Making A Murderer.pdf]
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Jandrell, Mandy ORCID logoORCID: https://orcid.org/0000-0001-6396-1544 (2018) Evidence in Camera. [Exhibition]
[thumbnail of Video Documentation of Dual Channel Film Installation "The Blue Hour"]
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[thumbnail of Documentation of Intallation 'Le Bibou' at The Collection Usher Gallery]
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Jenkin, Mark ORCID logoORCID: https://orcid.org/0000-0002-7552-2925 (2019) Bait. [Media]

Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London.
[thumbnail of PhD thesis]
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Joule, Andy ORCID logoORCID: https://orcid.org/0000-0003-2688-7263 (2015) Be Here Steryear. [Artwork]
[thumbnail of Music Film for William D Drake]
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Joule, Andy ORCID logoORCID: https://orcid.org/0000-0003-2688-7263 (2014) Me Fish Bring. [Artwork]
[thumbnail of Music Film for William D Drake]
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Joule, Andy ORCID logoORCID: https://orcid.org/0000-0003-2688-7263 (2013) four and five. [Artwork]
[thumbnail of Experimental Short]
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Krzywinska, Tanya ORCID logoORCID: https://orcid.org/0000-0002-0744-4144 (2000) A Skin for Dancing In: Witchcraft, Possession and Voodoo in Film. Flicks Books, unknown. ISBN 978-0275976552

Krzywinska, Tanya ORCID logoORCID: https://orcid.org/0000-0002-0744-4144 and King, Geoff (2000) Science Fiction Cinema: From Outerspace to Cyberspace. Wallflower Press, unknown. ISBN 978-1903364031

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Lloyd, Rebecca (2016) Haunting the Grown-Ups: The Borderlands of ParaNorman and Coraline. In: Haunted Landscapes Super-Nature and the Environment. Place, Memory, Affect . Rowman & Littlefield International, London, New York, pp. 199-214. ISBN 9781783488827 Item not available from this repository.

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2024) Documenting the [Im]Possible. Internationl Times, none. ISSN 26340852
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2024) Tentative Histories. International Times, none. ISSN 26340852
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Back On The Road Again. International Times, none. ISSN 26340852
[thumbnail of Book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) Behind the Scenes. International Times, none. ISSN none
[thumbnail of Book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Body Talk. International Times, none. ISSN 26340852
[thumbnail of Book & DVD review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none
[thumbnail of CD review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Curiouser and Curiouser. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2017) Earthbound: David Bowie and the Man Who Fell to Earth. International Times, none. ISSN none

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2019) Fly Me to the Moon / Frames of Reference. International Times, none. ISSN none
[thumbnail of book & CD review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) Fractured and Elliptical Sensibilities: An interview with Steve Taylor. Punk & Post-Punk journal, 11 (2). pp. 251-261. ISSN 20441983
[thumbnail of interview]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Into the Mystic. International Times, none. ISSN none
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Joining Up The Dots. International Times, none. ISSN 26340852
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2020) London Calling. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Lynch Mob. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Myriad Mysteries. International Times, none. ISSN 26340852
[thumbnail of book review]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2022) The Problem of England. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852
[thumbnail of book review]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) ‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy. (Unpublished)
[thumbnail of Conference script]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2021) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed). Routledge, London. ISBN 9780367423131 (Submitted) Item availability may be restricted.
[thumbnail of Loydell and Marshall TwinPeaksNov192019FINALDRAFT_wFOOTNOTEs..pdf] [thumbnail of Book chapter]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound Design, Music and the Birth of Evil in Twin Peaks: The Return. In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York. (Unpublished)
[thumbnail of Presentation]

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2017) Sound Mirrors: Brian Eno & Touchscreen Generative Music. Musicology Research, 3 (Autumn). pp. 27-50. ISSN 2515-981X
[thumbnail of SOUND MIRRORS 2017_FINALKM_Edit171017.pdf]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2014) Thinking Outside the Box: Brian Eno, music, movement and light. In: Music and Moving Image, Steinhardt, New York University. Item not available from this repository.

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Mackay, Jem (2014) www.swarmtv.net : Non-hierarchy Through Open Source Approaches To Distributed Filmmaking. Doctoral thesis, University of the Arts London in collaboration with Falmouth University.
[thumbnail of www.swarmtv.net_JemMackay.pdf]
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Macneill, Marie ORCID logoORCID: https://orcid.org/0000-0002-8815-6426 (2021) THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development. In: THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146. ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook) Item availability may be restricted.
[thumbnail of Uncorrected Final Draft for publishers Palgrave and editor Stayci Taylor and Craig Batty.pdf]

Manley, Nick (2024) Postvention training film for national Police conference use. [Media]
[thumbnail of Mental health training film  for National Police use.]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) Music as a source of narrative information in HBO's Westworld. In: Reading Westworld. Palgrave Macmillan, London, pp. 97-118. ISBN 978-3-030-14514-9
[thumbnail of Westworld_Marshall_Final.pdf]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2011) Oliver Stone's Improbable W. In: Presidents in the Movies: American History and Politics on Screen. Palgrave Macmillan, London. ISBN 978-0230113282 Item not available from this repository.

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) Sound and Music Use in Twin Peaks: The Return. In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
[thumbnail of Conference paper]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)
[thumbnail of These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld (Delivered at PCA/ACA Conference, Washington D.C. Science & Popular Culture Area Panel: From Game of Thrones to Westworld, 19 April 2019)]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
[thumbnail of Submitted copy]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2019) 'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return. In: Critical Essays on Twin Peaks: The Return. Palgrave Macmillan, London, pp. 269-280. ISBN 9783030047979
[thumbnail of book cover]
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[thumbnail of Academic chapter on Twin peaks]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository.

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305, Shear, Tim and Truran, Chris (2009) AltDiss: Creativity, Reflection and TV Production Practice. Media Education Research Journal, 1 (1). pp. 79-84. ISSN 2040-4530 Item not available from this repository.

McMurdo, Wendy (2021) Chat Room screens as part of the 'Insights programme at the 2021 Shanghai Photofair. [Exhibition]
[thumbnail of Chat Room screens as part of the 'Insights programme at the 2021 Shanghai Photofair]
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[thumbnail of Chat Room screens as part of the 'Insights programme at the 2021 Shanghai Photofair]
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McMurdo, Wendy ORCID logoORCID: https://orcid.org/0000-0001-8568-9641 (2018) Wendy McMurdo: The Digital Mirror. [Media]
[thumbnail of The Digital Mirror - a short film commissioned on my work in 2018 by the national Galleries of Scotland to mark my participation in the 2017-18 survey show When We Were Young (Scottish National Portrait Gallery Oct 2017- April 2018).]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2024) ‘Guerilla; Publishing on Feminism Today: MAI Feminism & Visual Culture. In: The Autumn Film School: Women Make Film, 14-18 October 2024, The Slovenian Cinematheque, Miklošičeva cesta 28, 1000 Ljubljana, Slovenia. (Unpublished)
[thumbnail of Lecture delivered at the Autumn Film School in Slovenia 2024]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2003) Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting. Kwartalnik Filmowy/Film Quarterly, Fall. pp. 92-102. ISSN 0452-9502
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2013) Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics. Journal of Film and Video, 65 (3). pp. 26-39. ISSN 07424671
[thumbnail of RR_Dont look to the East_130813_nid60.pdf]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) FEMINISTS UNDER COMMUNISM? Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.
[thumbnail of SOUTHAMPTON PRESENTATION.pdf]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475
[thumbnail of Alka Sadat Revised EUP 3.pdf]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2014) Gazing at the 'World without Women': Female Documentary Filmmakers in Socialist Poland. In: Dokumentarny film v krajinach V4/ Documentary film in V4 countries. Vysoka skola muzickych umeni, Bratislava, pp. 56-77. ISBN 978-80-89439-65-2 Item availability may be restricted.
[thumbnail of Book Chapter]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.
[thumbnail of Presentation at Visible Evidence XXIV (Buenos Aires, 2017)]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2013) Review: 'A Social History of Iranian Cinema, Vol.4: The Globalizing Era, 1984-2010'. Transnational Cinemas, 4 (2). ISSN Print ISSN: 2040-3526 Online ISSN: 2040-3534
[thumbnail of art00011_token=005e1cae7c22749bd39f573d2570257044236e6c5331424d316b5f7c4e7547543c7e386f642f466f8478a2c8785d97] [thumbnail of Reviews.pdf]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824
[thumbnail of index.html]

Misiak, Anna (2014) The Unstable Epistemological Territory of Roman Polanski's Cinema. Studies in Eastern European Cinema, 5 (2). pp. 211-213. ISSN ISSN: 2040-350X (Print) Item availability may be restricted.
[thumbnail of The Unstable Epistemological Territory of Roman Polanski s Cinema Polanski and Perception the Psychology of Seeing and the Cinema of Roman Polanski.pdf]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2014) The Voices of Displaced Afghan Women: Documentaries by Alka Sadat. In: World Documentary Conference 2014, 9-11 September 2014, Falmouth University. Item availability may be restricted.
[thumbnail of ALKA SADAT CONF PRESENTATION copy.pdf]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2014) WORLD DOCUMENTARY CONFERENCE FALMOUTH UNIVERSITY 2014. [Conference]
[thumbnail of World Documentary Conference 2014]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) When Politics Tipped the Scales: Locating Polish Documentary Films from the 1940s. Historical Journal of Film, Radio & Television, 38 (4). pp. 762-786. ISSN 1465-3451
[thumbnail of Peer reviewed research article]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.
[thumbnail of Women & Film Under Communism: A Report  from the Archive] [thumbnail of Portfolio for REF]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]
[thumbnail of MAI: Feminism & Visual Culture Issue 3 (Spring 2019)]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Bielak, Anna (2017) ORDERY NA POPLAMIONYCH SUKNIACH: ROZMOWA Z ANNĄ MISIAK. dwutygodnik.com, 224. ISSN 2299-8128
[thumbnail of Anna-Misiak-Women-Dwutygodnik- AUTORYZOWANY.docx]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178
[thumbnail of An Interview with Anna Misiak re: research in film archives]

Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463 and Berry, Mandy (2020) Kas Rag Media Gonis Poblek Kernewek A Case for Cornish Public Service Media. Project Report. UNSPECIFIED.
[thumbnail of PDF]
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Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463, Browne, Florence, Moseley, Rachel and Berry, Mandy (2019) Ragdres Hwithrans Darlesor Gonis Poblek Kernewek Cornish Public Service Broadcaster Research Project. Other. Cornwall Council.
[thumbnail of PDF report published by Cornwall Council]
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Morris, Chris ORCID logoORCID: https://orcid.org/0000-0001-6138-0324 (2016) “Aberfan – Remembering, Forgetting, Moving on”: An American In Aberfan. In: Aberfan - Remembering, Forgetting and Moving On, 8/9/2016, Cardiff University.. (Unpublished)
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Morris, Chris ORCID logoORCID: https://orcid.org/0000-0001-6138-0324 (2018) BEST KEPT SECRET: Fantasy is a great way to explore reality. In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy. (Unpublished)
[thumbnail of Conference paper]

Morris, Chris ORCID logoORCID: https://orcid.org/0000-0001-6138-0324 (2014) The Essence of Agatha Christie. [Media]
[thumbnail of A still from one of the 14 films]
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Morris, Chris ORCID logoORCID: https://orcid.org/0000-0001-6138-0324 (2018) “I am really glad and privileged that I shared my shit with you”. Storytelling for Refuge, Storytelling As Refuge. In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.
[thumbnail of “I am really glad and privileged that I shared my shit with you”. Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018]

Morris, Chris ORCID logoORCID: https://orcid.org/0000-0001-6138-0324 and Sheers, Owen (2014) Mametz. [Performance]
[thumbnail of MAMETZ trailer]
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[thumbnail of Press reviews etc]

Morris, David (2017) After The Sewol. [Media] (In Press)
[thumbnail of Teaser Trailer for Feature Documentary]
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Morris, David (2016) O Outro Lado do Cartão-Postal (The Other Side of the Postcard). [Media]

Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository.

Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project]
[thumbnail of From_The_Culch-FURR_2023.pptx]

Mulraney, Rosa ORCID logoORCID: https://orcid.org/0009-0008-7205-4856 (2024) Women's Health on Film: A Conversation with Alison Ramsey. MAI: FEMINISM & VISUAL CULTURE, 14. ISSN 2003-167x
[thumbnail of .pdf version of the online journal article]
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Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637 (2022) From the River: Beneath the Visible Evidence. [Project]
[thumbnail of From the River, research portfolio]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.
[thumbnail of Layers of Virtuosity_Sam Murray.pdf]

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Nicholls, Katharine ORCID logoORCID: https://orcid.org/0000-0001-9055-9972, Derek, Hayes and Mulraney, Rosa (2022) The Art of Animation Exhibition. [Exhibition]
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Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted.
[thumbnail of Presentation]

Nicholls, Katharine (2014) Deep Presentation. In: Creative Animation Knowledge Exchange - C.A.K.E., 14th - 18th July 2014, Edge hill University, St Helens Road, Ormskirk, Lancashire, L39 4QP. (Unpublished) Item availability may be restricted.
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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799
[thumbnail of 41xxiHJwU1L._SX350_BO1,204,203,200_.jpg]
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Peters, Camilla Filmmaker Margaret Tait: A Woman’s Voice in Context. Doctoral thesis, Falmouth University and University of the Arts London. Item availability may be restricted.
[thumbnail of CP MT PhD_FinalOnline_March2021.pdf]

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Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished)
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Sear, H M (2015) ...the rest is smoke. [Exhibition]
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2024) Introduction to ‘Transitus: Illustration as Material Crossing Ground’: The stake in the physical trace. Journal of Illustration, 10 (1). pp. 3-9. ISSN 2052-0204 Item availability may be restricted.
[thumbnail of Introductory essay Transitus]

Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2016) Nature as Neighbour: Landscape’s Relation to the Human in Studio Ghibli Films. In: Lanugage, Landscape and the Sublime, 29-30 June 2016, Dartington College, Devon.
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Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2015) German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging. In: Diasporic Constructions of Home and Belonging. De Gruyter, Amsterdam and Boston, pp. 479-497. ISBN 978-3-11-040861-4
[thumbnail of von Eicken_German_Turkish Identity in Fatih Akin's Head-On]
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Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756
[thumbnail of Revised_NC 12.1&2_2_art_Eicken.pdf]
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Williams, Jeremy and Cane, Eli (2017) On a Knife Edge. [Media] (Unpublished) Item availability may be restricted.
[thumbnail of Synopsis of documentary On a Knife Edge] [thumbnail of On a Knife Edge - Picture Lock - Not Final Color or Audio copy & not final credits - SD.mp4]

Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) The Day the World Turned Day Glo. [Exhibition]
[thumbnail of Opening night of The Day the World Turned DayGlo]
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[thumbnail of THE DAY THE WORLD TURNED DAY GLO, Installation detail]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Aasinanimal. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2011) Amerikan Tan: The Way of the Sausage. [Exhibition] (Unpublished)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2014) Bleu Gouttes. [Media]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2013) Blond Antediluvian. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2013) DIRT TIME: 9.Theorem 7.Debacle. In: DIRT TIME: 9.Theorem 7.Debacle, 7 April, 2013, Videotage, , To Kwa Wan, Hong Kong.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) 'The Dark Precursor' International Conference on Deleuze and Artistic Research 2015. In: International Conference on Deleuze and Artistic Research 2015, 9-11 November 2015, Ghent, Belgium.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2018) Gillian Wylde - Will Internets Eated Brain? [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2011) Golden Fulvous. In: POLYply 13, October 13th 2011, The Centre for Creative Collaboration, London.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2012) Humbly Through the Dust. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Intertextually Ignored Sapphic Vapours. In: Environments, 11 May 2016, London.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2019) ‘Intertextuel Sapphic Vaporwave’. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2011) IΩS▼NT GRLL. [Exhibition] (Unpublished)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2011) Rank. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Topologies of Writing, Text and the Moving Image. In: International Conference on Artistic Research, The Hague Society for Artistic Research, 28-29 April 2016, University of the Arts The Hague & Leiden University Venues: Royal Conservatoire and Royal Academy of Art.

Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2012) Velvety Nap. [Exhibition] (Unpublished)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2017) Will Internets Eat Brain? [Exhibition] (In Press)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 and Olsen, Redell (2018) Verdant Scent. [Performance]
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Yule, Eleanor (2015) Authenticity of Simulacra?: The Problematic Process of Creating a Medieval Screenwork. In: 10th Annual International Screenwriting Research Network Conference, London. (Unpublished)
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Yule, Eleanor (2014) Ethnography or Auto-Ethnography? The Process of Biographical Construction in ”Moominland Tales - The Life of Tove Jansson” (BBC 2012). In: Tove Jansson Centennial Conference Multiple Aesthetics. Passion, Politics and Philosophy, November 27th – 28th 2014, Aula Magna, Stockholm University.
[thumbnail of TOVE TALK SLIDE SHOW FINAL.pptx] [thumbnail of Lecture notes]

Yule, Eleanor (2015) In Search of Gregor Fisher, Finestripe Productions for BBC Scotland (2015). [Media]

Yule, Eleanor (0016) Michael Palin's Quest for Artemisia. [Media] Item availability may be restricted.
[thumbnail of Michael Palin’s Quest for Artemisia, 01:15 04/01/2016, BBC4, 60 mins. https://learningonscreen.ac.uk/ondemand/index.php/prog/0B9F2133 (Accessed 03 Mar 2017)]

This list was generated on Sat Dec 14 03:27:58 2024 UTC.