Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2022)
Machines Dreams & Fabulations: On Time After Time & The Wild Ones.
nickberkeley.com, N/A.
ISSN N/A
|
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297
(2016)
Planet Earth’s adventure into cities cements its position as a pioneer of environmental film.
The Conversation, online article.
ISSN N/A
|
Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Lees, Belinda ORCID: https://orcid.org/0000-0003-1358-6824
(2024)
Rethinking screenwriting credits and the unproduced screenplay: Innovative approaches to accreditation using the script reading as an output.
Journal of Screenwriting, Not known.
ISSN 1759-7145
|
Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399
(2017)
Beyond the page: Crowdsourcing as a case study for digital screenwriting techniques.
New Cinemas: Journal of Contemporary Film, 15 (2).
pp. 209-228.
ISSN 14742756
Item availability may be restricted.
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Fontoura, Catarina ORCID: https://orcid.org/0000-0002-8330-1217
(2024)
Wild Home: Photography, Domesticity and More-than-human Boundaries in Fieldwork and Expeditionary Science.
Photographies, 17 (1-2).
pp. 169-185.
ISSN 1754-0763
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2025)
Being Nick Von Sternberg: Critical Parodies of Film Students in Anglophone Cinema.
Open Screens: Students on Screen Special, 7 (2).
ISSN 2516-2888
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
MAI in conversation with Hope Dickson Leach.
MAI: Feminism and Visual Culture, 1 (1).
ISSN 20031671
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Self-Isolation Soundtrack: The Music of If Beale Street Could Talk.
The Big Picture, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2025)
Unfazed, unprepared and excited: developing inclusive pedagogy and knowledge exchange between students, academics and the film industry at Falmouth University’s Sound/Image Cinema Lab.
New Schools of Thought - Critical Thinking & Creative Teaching (AMPS Proceedings Series), 42 (1).
pp. 92-97.
ISSN 2398-9467
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“You Talkin’ To Me?” - Returning to Conversation,.
Doing Arts Research In A Pandemic, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Black Stars: Belafonte, Poitier and a Long Overdue Celebration of Black Cinema.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Coffee & Celluloid: In Conversation with Bronco’s House Director Mark Jenkin.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Death Foretold is Not Death.
Directors Notes, N/A.
ISSN N/A
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Double Feature: Speed (1994) and Paterson (2016).
The Big Picture, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Energy Flash: Jake Meginsky On Milford Graves.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days.
Directors Notes, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE).
Digital Culture & Education, NA.
ISSN 1836-8301
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative.
Media Practice and Education, 19 (2).
pp. 205-221.
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Final Cut: Here To Be Heard Puts The Slits On Film.
The Quietus, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Four Frames: Best In Show (Christopher Guest, 2000).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Four Frames: The Immigrant (James Gray, 2014).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Four Frames: The Royal Tenenbaums (Wes Anderson, 2001).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Four Frames: There Will Be Blood (Paul Thomas Anderson, 2007).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2013)
Four Frames: Tragic spectacle in Rust and Bone (Jacques Audiard, 2012).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed.
The Quietus, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Head Music: Stop Making Sense Reassessed.
The Quietus, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
In The Driver's Seat: The Demented Fun of ByNWR.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
An Interview With Caroline Richards.
Directors Notes, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
Intimate Conversations in Cinema's "Elsewhere".
Notebook, Issue 1 (1).
pp. 92-99.
ISSN 2769-7681
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
“I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Juxebox Jarmusch: Jim at the Intersection of Music and Cinema.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The King of Philadelphia: Teddy Pendergrass on Film.
The Quietus, NA (NA).
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Landscape, Metaphors and Self-Distribution: The Tale of Brett & Simon Harvey’s ‘Brown Willy’.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Listen Up Philistines: Alex Ross Perry Interviewed.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Lost Classic: A Serious Man (Joel & Ethan Coen, 2009).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Lost Classic: Black Orpheus (Marcel Camus, 1959).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Lost Classic: Prince Avalanche (David Gordon Green, 2013).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
MAI In Conversation with Lynn Shelton.
MAI: Feminism and Visual Culture, 3 (3).
ISSN 2003-1673
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
A Mirror To Nature: Genius, Disaster and the Legacies of Orson Welles.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
New Joys: The Wonder Of Kelly Reichardt.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Nicolas Winding Refn on Night Tide and the importance of extreme cinema.
Little White Lies, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
#Noirvember: The Theming of Cinema & the End of Criticism.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Nothing Is Trite: PJ Harvey in A Dog Called Money.
The Quietus, NA (NA).
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods.
Directors Notes, N/A.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2013)
On Location: Macclesfield in Control (Anton Corbijn, 2007).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Once Upon A Dream.
Beneficial Shock, NA (5).
pp. 50-55.
ISSN 2399-5173
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Richard Lester Discusses A Hard Day's Night.
Clash Magazine, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Screengem: General Mireau’s Sofa in Paths of Glory (Stanley Kubrick, 1957).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Screengem: Telephones in Rififi (Jules Dassin, 1955).
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Screengem: The Dude’s Ralphs card in The Big Lebowski.
The Big Picture, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Sex and Paranoia – Movies, Satire and the brinks of War.
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014.
Journal of Italian Cinema & Media Studies, 5 (2).
pp. 267-271.
ISSN 2047-7368
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Stupid Things Are Best”: Conny Plank – The Potential of Noise.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
“There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman.
Directors Notes, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Together Alone.
Beneficial Shock, 1 (3).
pp. 67-72.
ISSN 2399-5173
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
"We Were Not The Part": Pondering the Importance of The Go-Betweens.
Directors Notes, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
We merely get in their way: The fierce chemistry of Herzog and Kinski.
The Big Picture, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Why Sofia Coppola’s misunderstood drama is ripe for reappraisal.
The Big Picture, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2022)
Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production.
Media Practice and Education, 23 (2).
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell.
The Quietus, NA.
ISSN NA
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario
(2018)
Cinematologists: Knowing Sounds.
Media Practice and Education, 19 (1).
pp. 48-51.
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario
(2016)
Knowing Sounds: Podcasting As Academic Practice.
Journal Of Media Practice, Disruptive Media Special Edition.
ISSN 2040-0926
|
| Hook, Alan, Barrios-O'Neill, Danielle and Mairs Dyer, Jolene (2016) A Transmedia Topology of Making a Murderer. VIEW Journal of European Television History and Culture, 5 (10). ISSN 2213-0969 |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
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Sound Mirrors: Brian Eno & Touchscreen Generative Music.
Musicology Research, 3 (Autumn).
pp. 27-50.
ISSN 2515-981X
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Fractured and Elliptical Sensibilities: An interview with Steve Taylor.
Punk & Post-Punk journal, 11 (2).
pp. 251-261.
ISSN 20441983
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305, Shear, Tim and Truran, Chris
(2009)
AltDiss: Creativity, Reflection and TV Production Practice.
Media Education Research Journal, 1 (1).
pp. 79-84.
ISSN 2040-4530
Item not available from this repository.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2003)
Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting.
Kwartalnik Filmowy/Film Quarterly, Fall.
pp. 92-102.
ISSN 0452-9502
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2013)
Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics.
Journal of Film and Video, 65 (3).
pp. 26-39.
ISSN 07424671
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2015)
Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd.
Short Film Studies, 5 (1).
pp. 21-25.
ISSN 20427824
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
When Politics Tipped the Scales:
Locating Polish Documentary Films from the 1940s.
Historical Journal of Film, Radio & Television, 38 (4).
pp. 762-786.
ISSN 1465-3451
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Bielak, Anna
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ORDERY NA POPLAMIONYCH SUKNIACH: ROZMOWA Z ANNĄ MISIAK.
dwutygodnik.com, 224.
ISSN 2299-8128
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga
(2017)
Woman under Communism: Rozmowa z Anna Misiak.
Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3).
pp. 42-46.
ISSN 2081-4178
|
Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856
(2024)
Women's Health on Film: A Conversation with Alison Ramsey.
MAI: FEMINISM & VISUAL CULTURE, 14.
ISSN 2003-167x
|
Ripley, Julie ORCID: https://orcid.org/0009-0005-4963-9977
(2025)
Consciousness, Capitalism and Costume in Ruben Östlund’s Triangle of Sadness (2023).
Film, Fashion & Consumption, 13 (1).
pp. 103-117.
ISSN 2044-2831
Item availability may be restricted.
|
Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111
(2024)
Introduction to ‘Transitus: Illustration as Material Crossing Ground’: The stake in the physical trace.
Journal of Illustration, 10 (1).
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ISSN 2052-0204
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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
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Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'.
New Cinemas, 12 (1+2).
pp. 76-96.
ISSN 14742756
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Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
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‘A Hero Mumsy’: Parenting, Power and Production Changes in The Sarah Jane Adventures.
In:
British Television Drama: Past, Present and Future.
Palgrave Macmillan, London, pp. 118-130.
ISBN 978-1-137-32757-4
Item availability may be restricted.
|
Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
(2015)
‘"I belong to the future": Timeslip Drama as History Production in The Georgian House and A Traveler in Time’.
In:
Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games.
McFarland & Company, Jefferson, N.C., pp. 149-164.
ISBN 978-0-7864-7807-1
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Christoforidou, Maria ORCID: https://orcid.org/0009-0003-9894-9643, El Mouadden, Rabab, Dati, Sofia, Vassalou, Elli and Phoebe, Christina
(2025)
Surplus Cinema: Feminisms and Filmmaking in the Context of Greece and its Intertwining Diasporas.
In:
Stretching the Archives Toward a Global Women’s Film Heritage.
Archive Books, https://www.archivebooks.org/stretching-the-archives-toward-a-global-womens-film-heritage/.
ISBN 9783949973697
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Christoforidou, Maria ORCID: https://orcid.org/0009-0003-9894-9643, Phoebe, Christina, Vassalou, Elli, El Mouadden, Rabab and Markhaëva, Mirra
(2023)
TRANSCRIPT/ Surplus Cinema: Feminisms and filmmaking in the context of Greece and intertwining diasporas.
In:
ARTWORKS - ISSUE 5.
Artworks, 1
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ARTWORKS, Athens, Greece.
ISBN 9786188692152
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
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Interview with Richard Herring.
In:
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308.
ISBN 978-3-319-90055-1
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
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Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver.
In:
Podcast Studies: practice in theory/theory into practice.
NA, NA
.
Wilfrid Laurier University Press, Print Publication.
ISBN 9781771126434
Item availability may be restricted.
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2023)
Handicrafts of Evil: The Make-Culture of Folk Horror.
In:
The Routledge Companion to Folk Horror.
Routledge, Abingdon, pp. 160-172.
ISBN 978-1-032-04283-1
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Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
The Hammer House of Cornish Horror:
The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile.
In:
Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.
Gothic Literary Studies
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University of Wales Press, Cardiff.
ISBN 9781786832337
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Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
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"Look Closer": Sam Mendes's Visions of White Men.
In:
Sensational Pleasures in Cinema, Literature and Visual Culture: The Phallic Eye.
Palgrave Macmillan, New York.
ISBN 978-1-137-36363-3
|
| Lloyd, Rebecca (2016) Haunting the Grown-Ups: The Borderlands of ParaNorman and Coraline. In: Haunted Landscapes Super-Nature and the Environment. Place, Memory, Affect . Rowman & Littlefield International, London, New York, pp. 199-214. ISBN 9781783488827 Item not available from this repository. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
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Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed).
Routledge, London.
ISBN 9780367423131
Item availability may be restricted.
|
Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2021)
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter:
Constructing Criticism without Crushing Confidence: cultures of feedback in television script development.
In:
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT.
Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146.
ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook)
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
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Music as a source of narrative information in HBO's Westworld.
In:
Reading Westworld.
Palgrave Macmillan, London, pp. 97-118.
ISBN 978-3-030-14514-9
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
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'Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return.
In:
Critical Essays on Twin Peaks: The Return.
Palgrave Macmillan, London, pp. 269-280.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
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Oliver Stone's Improbable W.
In:
Presidents in the Movies: American History and Politics on Screen.
Palgrave Macmillan, London.
ISBN 978-0230113282
Item not available from this repository.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Eno Remixed: Collaboration & Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury, London.
ISBN 978-1441155344
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
From Visceral Style to Discourse of Resistance:
Reading Alka Sadat’s Afghan Documentaries on Violence Against Women.
In:
Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism.
Edinburgh University Press, Edinurgh, pp. 137-155.
ISBN 9781474419475
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2025)
'Guerilla' Publishing on Feminism Today: MAI Feminism & Visual Culture.
In:
Ženske delajo film.
Narodna in univerzitetna knjižnica, Ljubljana, Lubijana, pp. 123-131.
ISBN 791:305-055.2(082)
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2014)
Gazing at the 'World without Women': Female Documentary Filmmakers in Socialist Poland.
In:
Dokumentarny film v krajinach V4/ Documentary film in V4 countries.
Vysoka skola muzickych umeni, Bratislava, pp. 56-77.
ISBN 978-80-89439-65-2
Item availability may be restricted.
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2025)
Immersed in Cabilla.
In:
Innovations in Music: [subtitle TBC].
Perspectives on Music Production
.
Routledge, London and New York.
ISBN TBC
(In Press)
Item availability may be restricted.
|
Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2015)
German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging.
In:
Diasporic Constructions of Home and Belonging.
De Gruyter, Amsterdam and Boston, pp. 479-497.
ISBN 978-3-11-040861-4
|
Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
Cinegi Arts&Film, a Case Study: how it worked and what we learned.
Project Report.
Arts Council England, UK.
|
Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246, Chatfield, Andy and Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X
(2022)
Equity, Diversity & Inclusion: How to make your cultural leadership more diverse.
Project Report.
UNSPECIFIED.
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Berry, Mandy
(2020)
Kas Rag Media Gonis Poblek Kernewek
A Case for Cornish Public Service Media.
Project Report.
UNSPECIFIED.
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Browne, Florence, Moseley, Rachel and Berry, Mandy
(2019)
Ragdres Hwithrans Darlesor Gonis Poblek Kernewek
Cornish Public Service Broadcaster Research Project.
Other.
Cornwall Council.
|
| Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted. |
| Boljkovac, Nadine (2016) Returning Guest Speaker. ‘Feminist (Auto)Portraiture and the Moving Image.’ Englisches Seminar, Universität zu Köln. In: 'Feminist (Auto)Portraiture and the Moving Image' Guest Lecture, 2016, Universität zu Köln. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Classrooms without teachers and film without borders: proactively responding to digital disruption in film education.
In: Media Education Summit, 20-21 November, 2015, Emerson College, Boston, USA.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Collection-making: Podcasting as a contemporary curation practice.
In: MeCCSA 2020, 8-10 January 2020, University of Brighton.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart.
In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary.
In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Paths to the Pantheon: Using the Education of Successful Filmmakers to Shape Film Education.
In: MECCSA 2016, 6-8 January, 2016, Canterbury Christchurch University, Kent, UK.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Rethinking film education: What can we learn from filmmakers?
In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media.
In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media
Projects.
In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Making Strange: Adapting H. P. Lovecraft for the Screen.
In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.
|
Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098 and Mulraney, Rosa
(2016)
Primary Sources for VFX.
In: The Cross Channel Film Lab, Le Groupe Ouest.
Item availability may be restricted.
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2014)
‘The Hammer House of Cornish Horror: The Plague of Zombies (1966) and The Reptile (1966)’.
In: Locating the Gothic, October 2014, Limerick University.
Item not available from this repository.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound Design, Music and the Birth of Evil in Twin Peaks: The Return.
In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York.
(Unpublished)
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2014)
Thinking Outside the Box: Brian Eno, music, movement and light.
In: Music and Moving Image, Steinhardt, New York University.
Item not available from this repository.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return.
In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy.
(Unpublished)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound and Music Use in Twin Peaks: The Return.
In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
These Violent Delights Have Violent Ends: Representing
Artificial Intelligence in HBO’s Westworld.
In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC.
(In Press)
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
FEMINISTS UNDER COMMUNISM?
Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2024)
‘Guerilla; Publishing on Feminism Today: MAI Feminism & Visual Culture.
In: The Autumn Film School: Women Make Film, 14-18 October 2024, The Slovenian Cinematheque, Miklošičeva cesta 28, 1000 Ljubljana, Slovenia.
(Unpublished)
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina.
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2014)
The Voices of Displaced Afghan Women: Documentaries by Alka Sadat.
In: World Documentary Conference 2014, 9-11 September 2014, Falmouth University.
Item availability may be restricted.
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2016)
“Aberfan – Remembering, Forgetting, Moving on”: An American In Aberfan.
In: Aberfan - Remembering, Forgetting and Moving On, 8/9/2016, Cardiff University..
(Unpublished)
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
BEST KEPT SECRET: Fantasy is a great way to explore reality.
In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy.
(Unpublished)
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
“I am really glad and privileged that I shared my shit with you”.
Storytelling for Refuge, Storytelling As Refuge.
In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.
|
| Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository. |
Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856 and Nicholls, Katharine
(2024)
Why Mums Don't Jump: Our Stories, Our Health - Workshop.
In: Why Mums Don't Jump: Our Stories, Our Health - Workshop, 16th November 2024, Fish Factory Arts Space, Penryn.
|
Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986).
In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania.
(Unpublished)
Item availability may be restricted.
|
| Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted. |
| Nicholls, Katharine (2014) Deep Presentation. In: Creative Animation Knowledge Exchange - C.A.K.E., 14th - 18th July 2014, Edge hill University, St Helens Road, Ormskirk, Lancashire, L39 4QP. (Unpublished) Item availability may be restricted. |
| Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished) |
Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111
(2016)
Nature as Neighbour: Landscape’s Relation to the Human in Studio Ghibli Films.
In: Lanugage, Landscape and the Sublime, 29-30 June 2016, Dartington College, Devon.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2013)
DIRT TIME: 9.Theorem 7.Debacle.
In: DIRT TIME: 9.Theorem 7.Debacle, 7 April, 2013, Videotage, , To Kwa Wan, Hong Kong.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2015)
'The Dark Precursor' International Conference on Deleuze and Artistic Research 2015.
In: International Conference on Deleuze and Artistic Research 2015, 9-11 November 2015, Ghent, Belgium.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2016)
Intertextually Ignored Sapphic Vapours.
In: Environments, 11 May 2016, London.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2011)
Golden Fulvous.
In: POLYply 13, October 13th 2011, The Centre for Creative Collaboration, London.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2015)
‘Le Charisme Inverse’.
In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2016)
Topologies of Writing, Text and the Moving Image.
In: International Conference on Artistic Research, The Hague Society for Artistic Research, 28-29 April 2016, University of the Arts The Hague & Leiden University Venues: Royal Conservatoire and Royal Academy of Art.
|
| Yule, Eleanor (2015) Authenticity of Simulacra?: The Problematic Process of Creating a Medieval Screenwork. In: 10th Annual International Screenwriting Research Network Conference, London. (Unpublished) |
| Yule, Eleanor (2014) Ethnography or Auto-Ethnography? The Process of Biographical Construction in ”Moominland Tales - The Life of Tove Jansson” (BBC 2012). In: Tove Jansson Centennial Conference Multiple Aesthetics. Passion, Politics and Philosophy, November 27th – 28th 2014, Aula Magna, Stockholm University. |
| Boljkovac, Nadine and Berressem, Hanjo, eds. (2017) Against Nature: Herzog’s Cinema. Bloomsbury, New York. ISBN TBD (In Press) Item not available from this repository. |
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and King, Geoff, eds.
(2002)
ScreenPlay: cinema/videogames/interfaces.
Wallflower Press, unknown.
ISBN 190336423X
Item not available from this repository.
|
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and Atkins, Barry, eds.
(2007)
Videogame, Player, Text.
Manchester University Press, Manchester, UK.
ISBN 978-0-7190-7400-4
|
| Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2024)
Music Films.
BFI/Bloomsbury, Physical Book.
ISBN 9781839023439
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551.
ISBN 978-3-319-90055-1
Item availability may be restricted.
|
Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583
(2022)
Picturing Ghosts:
Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film.
Cultural Memories
.
Peter Lang, Oxford.
ISBN 9781800791190
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2020)
Gothic Animals: Uncanny Otherness and the Animal With-Out.
Studies in Animals and Literature’
.
Palgrave Macmillan, London.
ISBN 978-3-030-34539-6
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2023)
Folk Horror New Global Pathways.
Horror Studies
.
University of Wales Press, Cardiff.
ISBN 978-1-78683-979-4
Item availability may be restricted.
|
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144
(2000)
A Skin for Dancing In: Witchcraft, Possession and Voodoo in Film.
Flicks Books, unknown.
ISBN 978-0275976552
|
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and King, Geoff
(2000)
Science Fiction Cinema: From Outerspace to Cyberspace.
Wallflower Press, unknown.
ISBN 978-1903364031
|
| Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521 |
| Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521 |
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799 |
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799 |
| Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London. |
Mackay, Jem ORCID: https://orcid.org/0009-0007-1979-118X
(2014)
www.swarmtv.net : Non-hierarchy Through Open Source Approaches To Distributed Filmmaking.
Doctoral thesis, University of the Arts London in collaboration with Falmouth University.
|
| Peters, Camilla Filmmaker Margaret Tait: A Woman’s Voice in Context. Doctoral thesis, Falmouth University and University of the Arts London. |
Christoforidou, Maria ORCID: https://orcid.org/0009-0003-9894-9643
(2021)
Μάλθα(Maltha): The Thrice Burnt Archive of Unreliable Prophesies.
[Artwork]
|
Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246
(2023)
A Serpent's Dance by Lucy Frears
Sound piece by Lucy Frears
Film by Lucy Frears, edited to the sound by Marcus Cook.
[Artwork]
|
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2015)
Be Here Steryear.
[Artwork]
|
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2014)
Me Fish Bring.
[Artwork]
|
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2013)
four and five.
[Artwork]
|
| Clark, Tim (2020) Masculinities: Liberation through Photography. [Exhibition] Item availability may be restricted. |
James, Ben ORCID: https://orcid.org/0000-0003-0553-416X
(2025)
transmediale 2025 festival.
[Exhibition]
(Unpublished)
|
Jandrell, Mandy ORCID: https://orcid.org/0000-0001-6396-1544
(2018)
Evidence in Camera.
[Exhibition]
|
| McMurdo, Wendy (2021) Chat Room screens as part of the 'Insights programme at the 2021 Shanghai Photofair. [Exhibition] |
Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856, Nicholls, Katharine and Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098
(2024)
Why Mums Don't Jump: Our Stories, Our Health (Virtual Tour).
[Exhibition]
|
Nicholls, Katharine ORCID: https://orcid.org/0000-0001-9055-9972, Derek, Hayes and Mulraney, Rosa
(2022)
The Art of Animation Exhibition.
[Exhibition]
|
| Sear, H M (2015) ...the rest is smoke. [Exhibition] |
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2016)
Aasinanimal.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2011)
Amerikan Tan: The Way of the Sausage.
[Exhibition]
(Unpublished)
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2016)
The Day the World Turned Day Glo.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2017)
Will Internets Eat Brain?
[Exhibition]
(In Press)
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2013)
Blond Antediluvian.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2018)
Gillian Wylde - Will Internets Eated Brain?
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2012)
Humbly Through the Dust.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2019)
‘Intertextuel Sapphic Vaporwave’.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2011)
IΩS▼NT GRLL.
[Exhibition]
(Unpublished)
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2011)
Rank.
[Exhibition]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2012)
Velvety Nap.
[Exhibition]
(Unpublished)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2023)
From The Culch (Documentary, Original Soundtrack).
[Composition]
(In Press)
Item not available from this repository.
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2025)
Gans’n Dhama Wedhen.
[Composition]
Item availability may be restricted.
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas
(2024)
Through My Eyes.
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve
(2022)
Help! I Think I’m a Nationalist!
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 and Sheers, Owen
(2014)
Mametz.
[Performance]
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771 and Olsen, Redell
(2018)
Verdant Scent.
[Performance]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2025)
The Cinematologists Presents: Students on Screen.
[Media]
(In Press)
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
'Wilderness'.
[Media]
|
Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098
(2023)
The Day Of The Coyote.
[Media]
|
Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925
(2019)
Bait.
[Media]
|
Manley, Nick ORCID: https://orcid.org/0009-0007-6554-7778
(2024)
Postvention training film for national Police conference use.
[Media]
|
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641
(2018)
Wendy McMurdo: The Digital Mirror.
[Media]
|
| Morris, David (2017) After The Sewol. [Media] (In Press) |
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2014)
The Essence of Agatha Christie.
[Media]
|
| Morris, David (2016) O Outro Lado do Cartão-Postal (The Other Side of the Postcard). [Media] |
| Williams, Jeremy and Cane, Eli (2017) On a Knife Edge. [Media] (Unpublished) Item availability may be restricted. |
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771
(2014)
Bleu Gouttes.
[Media]
|
| Yule, Eleanor (2015) In Search of Gregor Fisher, Finestripe Productions for BBC Scotland (2015). [Media] |
| Yule, Eleanor (0016) Michael Palin's Quest for Artemisia. [Media] Item availability may be restricted. |
Tattersall, Felicity, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852
(2023)
Re:voice archive database.
[Dataset]
(Unpublished)
Item availability may be restricted.
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew
(2023)
From the Culch: Film.
[Project]
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2022)
From the River: Beneath the Visible Evidence.
[Project]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
Women & Film Under Communism: A Report from the Archive.
[Website]
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
“Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post].
[Website Content]
|
Downing, Niamh ORCID: https://orcid.org/0000-0002-3840-3257, Llinares, Dario and Arnold, Sarah
(2014)
Cosmographies.
[Conference]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2014)
WORLD DOCUMENTARY CONFERENCE
FALMOUTH UNIVERSITY 2014.
[Conference]
|
Howard, Jeff ORCID: https://orcid.org/0000-0001-9077-1025 and Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2025)
Revenant: Critical and Creative Studies of the Supernatural, Issue 12.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Horeck, Tanya, Ford, Jessica and Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494
(2021)
MAI: Feminism & Visual Culture: Focus Issue Seven: Female Detectives on TV.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy
(2019)
MAI Feminism & Visual Culture Issue 3 (Spring 2019).
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Peirse, Alison ORCID: https://orcid.org/0000-0003-1032-9013 and Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494
(2024)
MAI Feminism & Visual Culture: Focus Issue Thirteen: Doing Women’s Global Horror Film History.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494 and Backman Rogers, Anna
(2023)
MAI Feminism & Visual Culture: Focus Issue Eleven: Representing Women's Realities.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494, Kahn, Ariel and Antola, Laura
(2023)
MAI Feminism & Visual Culture: Focus Issue Ten: Feminist Discourse in Comics & Graphic Novels.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sadri, Houman ORCID: https://orcid.org/0000-0002-7736-2494, Sheen, Erica and Fayard, Nicole
(2023)
MAI: Feminism & Visual Culture: Focus Issue Twelve: Reframing Varda.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Sardi, Houman, Rouse, Rebecca, Westborg, Josefin and Carron Youmans, Amy
(2024)
MAI Feminism & Visual Culture: Focus Issue Fourteen: Feminist Pedagogies in Games (Autumn 2024).
[Journal]
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2025)
Carry On Confluence.
International Times, none.
ISSN 2634-0852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Curiouser and Curiouser.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Documenting the [Im]Possible.
Internationl Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Tentative Histories.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Back On The Road Again.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Behind the Scenes.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Body Talk.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
'Confusion now hath made his masterpiece'.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2017)
Earthbound: David Bowie and the Man Who Fell to Earth.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Fly Me to the Moon / Frames of Reference.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Into the Mystic.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Joining Up The Dots.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
London Calling.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Lynch Mob.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
The Myriad Mysteries.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
The Problem of England.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Something Special.
International Times, none.
ISSN 26340852
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2013)
Review: 'A Social History of Iranian Cinema, Vol.4: The Globalizing Era, 1984-2010'.
Transnational Cinemas, 4 (2).
ISSN Print ISSN: 2040-3526 Online ISSN: 2040-3534
|
| Misiak, Anna (2014) The Unstable Epistemological Territory of Roman Polanski's Cinema. Studies in Eastern European Cinema, 5 (2). pp. 211-213. ISSN ISSN: 2040-350X (Print) Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Llinares, Dario and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2015)
The Cinematologists.
UNSPECIFIED.
Item availability may be restricted.
|
| Guthrie, Mark, Oxborrow, Stephen and Macneill, Marie (2014) THE DEAD SEA. UNSPECIFIED. Item availability may be restricted. |