| Best, Chris (2013) Fragilities. [Composition] (Unpublished) |
| Best, Chris (2016) Scending. [Composition] (Unpublished) |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas
(2024)
Through My Eyes.
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria
(2019)
DEVILS (Diably).
[Performance]
Item availability may be restricted.
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve
(2023)
Re:Voice.
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve
(2022)
Help! I Think I’m a Nationalist!
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena
(2022)
Orlando. Biografie (in translation: Orlando. Biographies).
[Performance]
|
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
Moving, mesmerising, memorable.
The Morning Star, 2024 (23/01).
ISSN 0307-1758
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020.
The Quietus, NA.
ISSN NA
|
Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Dean Quarry / with eyes that are not seen are quickly forgotten.
[Composition]
(Submitted)
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2024)
J.Lynch - Brythonic Problem, Live.
[Performance]
(Unpublished)
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2023)
J.Lynch Brythonic Problem.
[Composition]
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2023)
J.Lynch - Work of Progress & Etudes.
[Composition]
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2021)
J.Lynch The Tender Appropriation.
[Composition]
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip
(2022)
Noise Drawings 1, 3, & 2.
[Performance]
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
PUNK JAZZ?
Punk & Post-Punk journal, 14 (1).
ISSN 2044-1983
(In Press)
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Saint Arthur.
International Times, none.
ISSN 2634-0852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Sonic Archeology / Dig Deep.
International Times, none.
ISSN 2634-0852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Taylor, Andrew
(2024)
Out from Behind the Curtain.
International Times, none.
ISSN 2634-0852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
The Art of Landscape.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
British Progressive Jazz.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Different Places Everywhere.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
Digging in the Dark: Recent Listening.
Interational Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Document and Eye Witness.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Electro Dudes.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Fly Me to the Moon / Frames of Reference.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Four from Cold Blue Music.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
The Ghost of Music Past.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
The Hissing of Summer Storms.
International Times, none (none).
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Impossible Worlds.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Moods, atmospheres, photos, language and sound.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Multichannel Diffusion: an interview with Robert Hampson.
Punk & Post-Punk, 12 (1).
pp. 79-90.
ISSN 20441983
(In Press)
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Music Matters.
International Timesa, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Musical Histories.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
'A Poetry of Noise'.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
A Quiet Revolution.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2014)
Rupert Loydell interviews Andrew Poppy.
Punk & Post Punk, 2 (3).
ISSN 20441983
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Seeing Sound, Hearing Pictures.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Seeing Stars.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Shadow of a Hand.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Something Special.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Systems, Strategies and Ideas.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Unsung Mysteries.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Versions of Live.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Vertical Hold.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
We don’t hide from vague: An interview with the Revolutionary Army of the Infant Jesus.
Punk & Post-Punk journal, 10 (1).
pp. 141-148.
ISSN 20441983
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
An untitled book review of Monolithic Undertow: In Search of Sonic Oblivion, Harry Sword (2021), London: White Rabbit, 455pp, ISBN: 9781474615235, h/bk £20 (1).
Punk & Post-Punk journal, 10 (3).
pp. 533-534.
ISSN 20441983
(In Press)
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
untitled review of ON MINIMALISM and THE NAMES OF MINIMALISM.
Punk & Post-Punk, 12 (3).
pp. 413-416.
ISSN 20441983
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2014)
Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies.
In: Modular Forms, Roehampton University.
Item not available from this repository.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
‘Listen to the Sounds': Sound and Storytelling in Twin Peaks: The Return.
In: Mapping Spaces, Sounding Places: Geographies of Sound in Audiovisual Media, 19-22 March 2019, Cremona, Italy.
(Unpublished)
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed).
Routledge, London.
ISBN 9780367423131
(Submitted)
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound Design, Music and the Birth of Evil in Twin Peaks: The Return.
In: Music and the Moving Image, 24-27 May 2018, NYU Steinhardt, New York.
(Unpublished)
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2014)
Thinking Outside the Box: Brian Eno, music, movement and light.
In: Music and Moving Image, Steinhardt, New York University.
Item not available from this repository.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425.
In:
Call Me by Your Name: Perspectives on the Film.
Intellect, Bristol.
ISBN 9781789389425
(In Press)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019).
[Composition]
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Control & Surrender: Eno Remixed: Collaboration and Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury Academic, London.
ISBN 9781441117458
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return.
In:
Critical Essays on Twin Peaks: The Return.
Palgrave Macmillan, New York, pp. 269-280.
ISBN 978-3-03-004797-9
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2023)
From The Culch (Documentary, Original Soundtrack).
[Composition]
(In Press)
Item not available from this repository.
|
Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Conjuring Sound: Mimesis and Guitar Virtuosity.
In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia.
Item availability may be restricted.
|
Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986).
In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania.
(Unpublished)
Item availability may be restricted.
|
Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Morello and Mimesis: Genre Signifiers and Political Commentary.
In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina.
Item availability may be restricted.
|
Murray, Samuel J ORCID: https://orcid.org/0000-0003-1574-4929
(2016)
Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin.
In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University.
(Unpublished)
Item not available from this repository.
|
Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2023)
POST- ensemble: workshop and performance at the 'Electronics Symposium'.
[Performance]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2023)
Descent.
[Composition]
Item availability may be restricted.
|
| Reeder, Philip (2015) Hayle Churks Music Composition. [Composition] |
Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian
(2015)
Online Orchestra.
Project Report.
UNSPECIFIED.
|