Items where Subject is "International Film"

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Number of items at this level: 78.

B

Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.
[thumbnail of Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.]

Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449
[thumbnail of Book. Untimely Affects: Gilles Deleuze and an Ethics of Cinema. Edinburgh University Press, April 2015 paperback]
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Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media]

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Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2020) European Cinema in the Twenty-First Century. Palgrave Macmillan, United Kingdom. ISBN 978-3-030-33436-9 (Submitted) Item availability may be restricted.
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Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2018) Irish Production Culture and Women Producers: Nicky Gogan. In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London. (Unpublished)
[thumbnail of Trailblazing Women Greenwich presentation June2018.pptx]

Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2020) Irish Production Cultures and Women Producers: Nicky Gogan. In: Women in the Irish Film Industry: Stories and Storytellers. Cork University Press, Cork, Republic of Ireland. ISBN 9781782053736
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Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2018) The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint. In: Rethinking Genre in Contemporary Global Cinema. Palgrave Macmillan, New York, NY, pp. 121-133. ISBN 978-3-319-90133-6
[thumbnail of Book Chapter The “Smart” Teen Film 1990–2005: Identity Crisis, Nostalgia, and the Teenage Viewpoint]
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Cortese, Michela ORCID logoORCID: https://orcid.org/0000-0001-5012-8297 (2017) Can environmental documentaries make waves? The Conversation, online article. ISSN N/A
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Dutheil, Evy ORCID logoORCID: https://orcid.org/0000-0003-4079-6923 and Deepres, Ravi (2018) Utopias: Sustainable Ethos Design. In: International Open Elective 2019 Ghandhi and Desigh, 21 Jan - 01 Feb 2019, Ahmedabad. (In Press)
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[thumbnail of Utopias NID Elective Student leaflet]
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Finnegan, John ORCID logoORCID: https://orcid.org/0000-0003-4902-4399 (2016) The screenplay and the spectator: Exploring audience identification in narrative structure. Journal of Screenwriting, 7 (3). pp. 319-331. ISSN 17597137
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Finnegan, John ORCID logoORCID: https://orcid.org/0000-0003-4902-4399 and Mac Coille, Oisin (2016) Still Life. [Media]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
[thumbnail of Interview with filmmaker Jake Meginsky for the Quietus]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA
[thumbnail of Feature Article and Interview the the team behind byNWR]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681
[thumbnail of Intimate Conversations in Cinema's Elsewhere (2).docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA
[thumbnail of Interview with filmmaker Nicolas Winding Refn]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2022) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN TBC (In Press) Item availability may be restricted.
[thumbnail of Copy of Podcasting and Curation - Neil Fox.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA
[thumbnail of Interview Tim Plester and Rob Curry FINAL.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368
[thumbnail of Fox - Spaghetti CInema.pdf]
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A
[thumbnail of A review of Conny Plank: The Potential of Noise for The Quietus]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, London, pp. 207-218. ISBN 978-1-6289-2555-5 Item availability may be restricted.
[thumbnail of Neil Fox - Chapter 22.docx]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA
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Gray, Struan ORCID logoORCID: https://orcid.org/0009-0009-4477-2583 (2024) Unwieldy matter: Liquid landscapes of memory in postdictatorship Chilean film. MIRAJ: Moving Image Review & Art Journal, 12 (2). pp. 189-204. ISSN 2045-6298 Item availability may be restricted.
[thumbnail of Unweildy Matter - Struan Gray .pdf]

Gray, Struan ORCID logoORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190
[thumbnail of Struan Gray - Draft Manuscript - Picturing Ghosts .pdf]
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Greenhough, Amy (2021) Spinning Flesh Into Gold. In: ICFA: "Climate Change and the Anthropocene", 18th-21st March 2021, Online. (Unpublished) Item availability may be restricted.
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James, Ben Evans ORCID logoORCID: https://orcid.org/0000-0003-0553-416X (2023) A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes. Arts, 12 (3). p. 94. ISSN 2076-0752
[thumbnail of A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes]
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2017) Earthbound: David Bowie and the Man Who Fell to Earth. International Times, none. ISSN none

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Joining Up The Dots. International Times, none. ISSN 26340852
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Myriad Mysteries. International Times, none. ISSN 26340852
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Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x
[thumbnail of An interview with Debs Paterson]

Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted.
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[thumbnail of Slides for The Meddle of The Muddle]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-). MAI: Feminism and Visual Culture Journal, 10. ISSN 2003-167x
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted.
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381. In: The Films of Denis Villeneuve. Refocus Series . Edinburgh University Press, Edinburgh, pp. 178-193. ISBN 9781474497381
[thumbnail of Villeneuve_Chapter_FURR_KM04072021.pdf]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.
[thumbnail of FURR_HandbookonViolenceinFilmandMedia_abstract_FinalKMEdit.pdf] [thumbnail of MarshallK_V3_0700821_Edit_HandbookonViolenceinFilmandMedia.docx]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang). In: Communicating a World-in-Crisis. Peter Lang, Oxford. ISBN N/A (Submitted) Item availability may be restricted.
[thumbnail of v6 Chapter 10- Kingsley Marshall FURR.pdf]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press)
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2021) ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller. MAI: Feminism and Visual Culture Journal, 7. ISSN 2003-167x
[thumbnail of v4 Anna Biller KM Final.pdf]
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2003) Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting. Kwartalnik Filmowy/Film Quarterly, Fall. pp. 92-102. ISSN 0452-9502
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2013) Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics. Journal of Film and Video, 65 (3). pp. 26-39. ISSN 07424671
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2012) Jerzy Skolimowski: The Cinema of the Non-conformist. Historical Journal of Film, Radio and Television, 32 (1). pp. 150-152. ISSN 0143-0985 Item availability may be restricted.
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) When Politics Tipped the Scales: Locating Polish Documentary Films from the 1940s. Historical Journal of Film, Radio & Television, 38 (4). pp. 762-786. ISSN 1465-3451
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.
[thumbnail of Women & Film Under Communism: A Report  from the Archive] [thumbnail of Portfolio for REF]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance. MAI: Feminism & Visual Culture, 1 (1). ISSN 2003-1671
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]
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Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178
[thumbnail of An Interview with Anna Misiak re: research in film archives]

Moore, Marshall ORCID logoORCID: https://orcid.org/0000-0003-0638-0828 (2019) An End to Monstrosity: Horror, Queer Representation, and the Trump Kakistocracy. In: Make America Hate Again: Trump-Era Horror and the Politics of Fear. Routledge, London. ISBN 9781138498280
[thumbnail of End to Monstrosity - AotOE - final.docx]

Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637 and Arendse, Adrianne (2021) Freeman. UNSPECIFIED.
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Mulraney, Paul ORCID logoORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian (2024) Hip-hop Dar es Salaam. [Project] (Unpublished) Item availability may be restricted.
[thumbnail of Initial treatment for documentary project]

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Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted.
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Norman, Kyra ORCID logoORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Documentary Sound: Beyond the Diegetic. In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University. (Unpublished)
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

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Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished)
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Sousa Lobo, Francisco (2017) Ordet / A PAlavra. Ao Norte, Viana do Castelo, Portugal. Item availability may be restricted.
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Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2015) German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging. In: Diasporic Constructions of Home and Belonging. De Gruyter, Amsterdam and Boston, pp. 479-497. ISBN 978-3-11-040861-4
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Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2016) Katja Riemann Intro_KCL Event_Verena von Eicken. In: An Evening with Katja Riemann, 17 May 2016, King's College London. Item availability may be restricted.
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Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756
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Whitehead, Jean ORCID logoORCID: https://orcid.org/0000-0001-7756-9586 (2019) Creating an interior mise-en-scene: the relationship between interior design, production design and film. Film and Furniture, n/a. ISSN n/a
[thumbnail of Film and Furniture article - Jean Whitehead.pdf]
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This list was generated on Sat May 18 21:42:35 2024 UTC.