Items where Subject is "Film & TV > Film > International Film"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Creators | Item Type
Jump to: B | C | D | F | G | J | L | M | N | O | P | R | S | V | W
Number of items at this level: 75.

B

Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.
Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.

Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449
Book. Untimely Affects: Gilles Deleuze and an Ethics of Cinema. Edinburgh University Press, April 2015 paperback
Preview

Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media]

C

Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2020) European Cinema in the Twenty-First Century. Palgrave Macmillan, United Kingdom. ISBN 978-3-030-33436-9 (Submitted) Item availability may be restricted.
Book chapter
Preview
Book manuscript

Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2018) Irish Production Culture and Women Producers: Nicky Gogan. In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London. (Unpublished)
[img]

Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2020) Irish Production Cultures and Women Producers: Nicky Gogan. In: Women in the Irish Film Industry: Stories and Storytellers. Cork University Press, Cork, Republic of Ireland. ISBN 9781782053736
Book Chapter
Preview

Canning, Laura ORCID logoORCID: https://orcid.org/0000-0002-6270-0657 (2018) The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint. In: Rethinking Genre in Contemporary Global Cinema. Palgrave Macmillan, New York, NY, pp. 121-133. ISBN 978-3-319-90133-6
Book Chapter The “Smart” Teen Film 1990–2005: Identity Crisis, Nostalgia, and the Teenage Viewpoint
Preview

Cortese, Michela ORCID logoORCID: https://orcid.org/0000-0001-5012-8297 (2017) Can environmental documentaries make waves? The Conversation, online article. ISSN N/A
[img]
Preview

D

Dutheil, Evy ORCID logoORCID: https://orcid.org/0000-0003-4079-6923 and Deepres, Ravi (2018) Utopias: Sustainable Ethos Design. In: International Open Elective 2019 Ghandhi and Desigh, 21 Jan - 01 Feb 2019, Ahmedabad. (In Press)
Open Elective Workshop
Preview
Utopias NID Elective Student leaflet
Preview

F

Finnegan, John ORCID logoORCID: https://orcid.org/0000-0003-4902-4399 (2016) The screenplay and the spectator: Exploring audience identification in narrative structure. Journal of Screenwriting, 7 (3). pp. 319-331. ISSN 17597137
[img]
Preview

Finnegan, John ORCID logoORCID: https://orcid.org/0000-0003-4902-4399 and Mac Coille, Oisin (2016) Still Life. [Media]
Still Life
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Double Feature: Speed (1994) and Paterson (2016). The Big Picture, NA. ISSN NA
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Energy Flash: Jake Meginsky On Milford Graves. The Quietus, N/A. ISSN N/A
Interview with filmmaker Jake Meginsky for the Quietus

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed. The Quietus, Rolling. ISSN N/A
Final Text

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) In The Driver's Seat: The Demented Fun of ByNWR. The Quietus, NA. ISSN NA
Feature Article and Interview the the team behind byNWR
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2021) Intimate Conversations in Cinema's "Elsewhere". Notebook, Issue 1 (1). pp. 92-99. ISSN 2769-7681
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) The King of Philadelphia: Teddy Pendergrass on Film. The Quietus, NA (NA). ISSN NA
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) MAI In Conversation with Lynn Shelton. MAI: Feminism and Visual Culture, 3 (3). ISSN 2003-1673
Final Version pre-publication

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Nicolas Winding Refn on Night Tide and the importance of extreme cinema. Little White Lies, NA. ISSN NA
Interview with filmmaker Nicolas Winding Refn
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Once Upon A Dream. Beneficial Shock, NA (5). pp. 50-55. ISSN 2399-5173
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2022) Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver. In: Podcast Studies: practice in theory/theory into practice. NA, NA . Wilfrid Laurier University Press, Print Publication. ISBN TBC (In Press) Item availability may be restricted.
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2017) Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014. Journal of Italian Cinema & Media Studies, 5 (2). pp. 267-271. ISSN 2047-7368
[img]
Preview

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Stupid Things Are Best”: Conny Plank – The Potential of Noise. The Quietus, N/A. ISSN N/A
A review of Conny Plank: The Potential of Noise for The Quietus

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2015) We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology. In: The Arena Concert: Music, Media and Mass Entertainment. Bloomsbury, London, pp. 207-218. ISBN 978-1-6289-2555-5 Item availability may be restricted.
[img]

Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2018) "We Were Not The Part": Pondering the Importance of The Go-Betweens. Directors Notes, NA. ISSN NA
[img]

G

Gray, Struan ORCID logoORCID: https://orcid.org/0009-0009-4477-2583 (2022) Picturing Ghosts: Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film. Cultural Memories . Peter Lang, Oxford. ISBN 9781800791190
[img]
Preview

Greenhough, Amy (2021) Spinning Flesh Into Gold. In: ICFA: "Climate Change and the Anthropocene", 18th-21st March 2021, Online. (Unpublished) Item availability may be restricted.
Spinning Flesh into Gold Conference Paper

J

James, Ben Evans ORCID logoORCID: https://orcid.org/0000-0003-0553-416X (2023) A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes. Arts, 12 (3). p. 94. ISSN 2076-0752
A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes
Preview

L

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) 'Confusion now hath made his masterpiece'. International Times, none. ISSN none
CD review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2017) Earthbound: David Bowie and the Man Who Fell to Earth. International Times, none. ISSN none

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) Joining Up The Dots. International Times, none. ISSN 26340852
book review

Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2023) The Myriad Mysteries. International Times, none. ISSN 26340852
book review

M

Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x
An interview with Debs Paterson

Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted.
Book of Abstracts
Preview
Slides for The Meddle of The Muddle

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-). MAI: Feminism and Visual Culture Journal, 10. ISSN 2003-167x
[img]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare. In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted.
[img]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381. In: The Films of Denis Villeneuve. Refocus Series . Edinburgh University Press, Edinburgh, pp. 178-193. ISBN 9781474497381
[img]
Preview

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted.
[img] [img]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang). In: Communicating a World-in-Crisis. Peter Lang, Oxford. ISBN N/A (Submitted) Item availability may be restricted.
[img]

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press)
[img]
Preview

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2021) ‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller. MAI: Feminism and Visual Culture Journal, 7. ISSN 2003-167x
[img]
Preview

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2016) Eno Remixed: Collaboration & Oblique Strategies. In: Brian Eno: Oblique Music. Bloomsbury, London. ISBN 978-1441155344 Item availability may be restricted.
Submitted copy

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2003) Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting. Kwartalnik Filmowy/Film Quarterly, Fall. pp. 92-102. ISSN 0452-9502
[img]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2013) Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics. Journal of Film and Video, 65 (3). pp. 26-39. ISSN 07424671
[img]
Preview

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) From Visceral Style to Discourse of Resistance: Reading Alka Sadat’s Afghan Documentaries on Violence Against Women. In: Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism. Edinburgh University Press, Edinurgh, pp. 137-155. ISBN 9781474419475
[img]
Preview

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2012) Jerzy Skolimowski: The Cinema of the Non-conformist. Historical Journal of Film, Radio and Television, 32 (1). pp. 150-152. ISSN 0143-0985 Item availability may be restricted.
Book Review

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians. In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina. Item availability may be restricted.
Presentation at Visible Evidence XXIV (Buenos Aires, 2017)

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2015) Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd. Short Film Studies, 5 (1). pp. 21-25. ISSN 20427824
[img]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) When Politics Tipped the Scales: Locating Polish Documentary Films from the 1940s. Historical Journal of Film, Radio & Television, 38 (4). pp. 762-786. ISSN 1465-3451
Peer reviewed research article
Preview

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2017) Women & Film Under Communism: A Report from the Archive. [Website] Item availability may be restricted.
Women & Film Under Communism: A Report  from the Archive Portfolio for REF

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X (2018) The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance. MAI: Feminism & Visual Culture, 1 (1). ISSN 2003-1671
Peer-reviewed article
Preview

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal]
MAI: Feminism & Visual Culture (Online Journal) [img]

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy (2019) MAI Feminism & Visual Culture Issue 3 (Spring 2019). [Journal]
MAI: Feminism & Visual Culture Issue 3 (Spring 2019)

Misiak, Anna ORCID logoORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga (2017) Woman under Communism: Rozmowa z Anna Misiak. Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3). pp. 42-46. ISSN 2081-4178
An Interview with Anna Misiak re: research in film archives

Moore, Marshall ORCID logoORCID: https://orcid.org/0000-0003-0638-0828 (2019) An End to Monstrosity: Horror, Queer Representation, and the Trump Kakistocracy. In: Make America Hate Again: Trump-Era Horror and the Politics of Fear. Routledge, London. ISBN 9781138498280
[img]

N

Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted.
Presentation

Norman, Kyra ORCID logoORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878
[img]
Preview
[img]

O

Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
[img]
Preview

P

Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
[img]
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Documentary Sound: Beyond the Diegetic. In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University. (Unpublished)
Conference Presentation
Preview

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

R

Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished)
[img]

S

Sousa Lobo, Francisco (2017) Ordet / A PAlavra. Ao Norte, Viana do Castelo, Portugal. Item availability may be restricted.
[img]

V

Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2015) German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging. In: Diasporic Constructions of Home and Belonging. De Gruyter, Amsterdam and Boston, pp. 479-497. ISBN 978-3-11-040861-4
von Eicken_German_Turkish Identity in Fatih Akin's Head-On
Preview

Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2016) Katja Riemann Intro_KCL Event_Verena von Eicken. In: An Evening with Katja Riemann, 17 May 2016, King's College London. Item availability may be restricted.
Katja Riemann Intro_KCL Event_von Eicken

Von Eicken, Verena ORCID logoORCID: https://orcid.org/0000-0002-7773-848X (2014) Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'. New Cinemas, 12 (1+2). pp. 76-96. ISSN 14742756
[img]
Preview

W

Whitehead, Jean ORCID logoORCID: https://orcid.org/0000-0001-7756-9586 (2019) Creating an interior mise-en-scene: the relationship between interior design, production design and film. Film and Furniture, n/a. ISSN n/a
[img]
Preview

This list was generated on Tue Feb 20 09:36:58 2024 UTC.