Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2022)
As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief.
Revenant: Critical and Creative Studies of the Supernatural, 8.
pp. 348-363.
ISSN 2397-8791
|
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297
(2017)
Can environmental documentaries make waves?
The Conversation, online article.
ISSN N/A
|
Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399
(2016)
The screenplay and the spectator: Exploring audience identification in narrative structure.
Journal of Screenwriting, 7 (3).
pp. 319-331.
ISSN 17597137
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Double Feature: Speed (1994) and Paterson (2016).
The Big Picture, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Energy Flash: Jake Meginsky On Milford Graves.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed.
The Quietus, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
In The Driver's Seat: The Demented Fun of ByNWR.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
Intimate Conversations in Cinema's "Elsewhere".
Notebook, Issue 1 (1).
pp. 92-99.
ISSN 2769-7681
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The King of Philadelphia: Teddy Pendergrass on Film.
The Quietus, NA (NA).
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
MAI In Conversation with Lynn Shelton.
MAI: Feminism and Visual Culture, 3 (3).
ISSN 2003-1673
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Nicolas Winding Refn on Night Tide and the importance of extreme cinema.
Little White Lies, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Once Upon A Dream.
Beneficial Shock, NA (5).
pp. 50-55.
ISSN 2399-5173
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014.
Journal of Italian Cinema & Media Studies, 5 (2).
pp. 267-271.
ISSN 2047-7368
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Stupid Things Are Best”: Conny Plank – The Potential of Noise.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
"We Were Not The Part": Pondering the Importance of The Go-Betweens.
Directors Notes, NA.
ISSN NA
|
Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583
(2024)
Unwieldy matter: Liquid landscapes of memory in postdictatorship Chilean film.
MIRAJ: Moving Image Review & Art Journal, 12 (2).
pp. 189-204.
ISSN 2045-6298
Item availability may be restricted.
|
James, Ben Evans ORCID: https://orcid.org/0000-0003-0553-416X
(2023)
A Geography of the Screen: Mapmaking as Bridge between Film and Curatorial Production Processes.
Arts, 12 (3).
p. 94.
ISSN 2076-0752
|
| Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-).
MAI: Feminism and Visual Culture Journal, 10.
ISSN 2003-167x
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller.
MAI: Feminism and Visual Culture Journal, 7.
ISSN 2003-167x
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2003)
Cenzura Filmowa po Zjezdzie w Wisle/Film Censorship after the Wisla Meeting.
Kwartalnik Filmowy/Film Quarterly, Fall.
pp. 92-102.
ISSN 0452-9502
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2013)
Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics.
Journal of Film and Video, 65 (3).
pp. 26-39.
ISSN 07424671
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2012)
Jerzy Skolimowski: The Cinema of the Non-conformist.
Historical Journal of Film, Radio and Television, 32 (1).
pp. 150-152.
ISSN 0143-0985
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2015)
Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd.
Short Film Studies, 5 (1).
pp. 21-25.
ISSN 20427824
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
When Politics Tipped the Scales:
Locating Polish Documentary Films from the 1940s.
Historical Journal of Film, Radio & Television, 38 (4).
pp. 762-786.
ISSN 1465-3451
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance.
MAI: Feminism & Visual Culture, 1 (1).
ISSN 2003-1671
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga
(2017)
Woman under Communism: Rozmowa z Anna Misiak.
Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3).
pp. 42-46.
ISSN 2081-4178
|
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2016)
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition.
The International Journal of Screendance, 6 (Spring).
pp. 166-177.
ISSN 2154-6878
|
Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2014)
Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'.
New Cinemas, 12 (1+2).
pp. 76-96.
ISSN 14742756
|
Whitehead, Jean ORCID: https://orcid.org/0000-0001-7756-9586
(2019)
Creating an interior mise-en-scene: the relationship between interior design, production design and film.
Film and Furniture, n/a.
ISSN n/a
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2020)
Irish Production Cultures and Women Producers: Nicky Gogan.
In:
Women in the Irish Film Industry: Stories and Storytellers.
Cork University Press, Cork, Republic of Ireland.
ISBN 9781782053736
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint.
In:
Rethinking Genre in Contemporary Global Cinema.
Palgrave Macmillan, New York, NY, pp. 121-133.
ISBN 978-3-319-90133-6
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2022)
Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver.
In:
Podcast Studies: practice in theory/theory into practice.
NA, NA
.
Wilfrid Laurier University Press, Print Publication.
ISBN TBC
(In Press)
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology.
In:
The Arena Concert: Music, Media and Mass Entertainment.
Bloomsbury, London, pp. 207-218.
ISBN 978-1-6289-2555-5
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425.
In:
Call Me by Your Name: Perspectives on the Film.
Intellect, Bristol.
ISBN 9781789389425
(In Press)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381.
In:
The Films of Denis Villeneuve.
Refocus Series
.
Edinburgh University Press, Edinburgh, pp. 178-193.
ISBN 9781474497381
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan.
In:
The Palgrave Handbook on Violence in Film & Media.
The Palgrave Handbook
.
Palgrave Macmillan., London, pp. 257-273.
ISBN 978-3031053894
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2024)
Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang).
In:
Communicating a World-in-Crisis.
Peter Lang, Oxford.
ISBN N/A
(Submitted)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman.
In:
Future Folk: Contemporary Anxieties and Possible Futures.
Lexington Books Horror Studies
.
Lexington Books, Lanham, US.
ISBN 978-1-66692-123-6
(In Press)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Eno Remixed: Collaboration & Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury, London.
ISBN 978-1441155344
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2024)
„Feministka jest, chociaż szyldu nie ma.”
Moje spotkanie z Heleną Amiradżibi.
In:
(Nie)Zapomniane dokumentalistki.
Wydawnictwo PWSFTiTV, Łódź, Poland.
ISBN 978-83-67397-42-1
(In Press)
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
From Visceral Style to Discourse of Resistance:
Reading Alka Sadat’s Afghan Documentaries on Violence Against Women.
In:
Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism.
Edinburgh University Press, Edinurgh, pp. 137-155.
ISBN 9781474419475
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Moore, Marshall ORCID: https://orcid.org/0000-0003-0638-0828
(2019)
An End to Monstrosity: Horror, Queer Representation, and the Trump Kakistocracy.
In:
Make America Hate Again: Trump-Era Horror and the Politics of Fear.
Routledge, London.
ISBN 9781138498280
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Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2017)
Ringing the Changes.
In:
Soundscapes and Sound Identities.
Soundscapes
.
Galaad Edizioni, Teramo, Italy, pp. 203-219.
ISBN 9788898722501
|
Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2015)
German-Turkish Identity in Fatih Akin’s Head-On: Transgressing Gender Boundaries, Redefining Home and Belonging.
In:
Diasporic Constructions of Home and Belonging.
De Gruyter, Amsterdam and Boston, pp. 479-497.
ISBN 978-3-11-040861-4
|
| Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted. |
Brackenbury, Dan ORCID: https://orcid.org/0009-0001-4906-5310
(2024)
Site Revealed.
In: Nineteenth International Conference on the Arts in Society, 24—26 May, 2024, Hanyang University, Seoul, Korea (Republic of).
Item availability may be restricted.
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
Irish Production Culture and Women Producers: Nicky Gogan.
In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London.
(Unpublished)
|
Dutheil, Evy ORCID: https://orcid.org/0000-0003-4079-6923 and Deepres, Ravi
(2018)
Utopias: Sustainable Ethos Design.
In: International Open Elective 2019 Ghandhi and Desigh, 21 Jan - 01 Feb 2019, Ahmedabad.
(In Press)
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Rethinking film education: What can we learn from filmmakers?
In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
|
| Greenhough, Amy (2021) Spinning Flesh Into Gold. In: ICFA: "Climate Change and the Anthropocene", 18th-21st March 2021, Online. (Unpublished) Item availability may be restricted. |
| Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare.
In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina.
Item availability may be restricted.
|
| Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada. |
| Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted. |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2018)
I'm No Genre Nazi but these guys are the least black metal doom band ever.
In: Crosstown Traffic, September 2018, Huddersfield University.
(Unpublished)
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2014)
Documentary Sound: Beyond the Diegetic.
In: World Documentary Film and TV Conference, September 4-6, 2014, Falmouth University.
(Unpublished)
|
| Ripley, Julie (2023) Consciousness, Capitalism and Costume in Ruben Östland’s Triangle of Sadness (2023). In: Eupop 2023: The Darkness Within, 4-6 July 2023, Stirling University. (Unpublished) |
Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2016)
Katja Riemann Intro_KCL Event_Verena von Eicken.
In: An Evening with Katja Riemann, 17 May 2016, King's College London.
Item availability may be restricted.
|
| Boljkovac, Nadine and Berressem, Hanjo, eds. (2017) Against Nature: Herzog’s Cinema. Bloomsbury, New York. ISBN TBD (In Press) Item not available from this repository. |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 and Downing, Niamh, eds.
(2016)
Haunted Landscapes: Super-Nature and the Environment.
Place, Memory, Affect
.
Roman & Littlefield, London.
ISBN 9781783488810
Item availability may be restricted.
|
| Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449 |
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2020)
European Cinema in the Twenty-First Century.
Palgrave Macmillan, United Kingdom.
ISBN 978-3-030-33436-9
(Submitted)
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2024)
Music Films.
BFI/Bloomsbury, Physical Book.
ISBN 9781839023439
Item availability may be restricted.
|
Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583
(2022)
Picturing Ghosts:
Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film.
Cultural Memories
.
Peter Lang, Oxford.
ISBN 9781800791190
|
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799 |
| Sousa Lobo, Francisco (2017) Ordet / A PAlavra. Ao Norte, Viana do Castelo, Portugal. Item availability may be restricted. |
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641
(2024)
Appointed convener, Royal Scottish Academy Annual 2024.
[Exhibition]
(Submitted)
|
| Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media] |
Finnegan, John ORCID: https://orcid.org/0000-0003-4902-4399 and Mac Coille, Oisin
(2016)
Still Life.
[Media]
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian
(2024)
Hip-hop Dar es Salaam.
[Project]
(Unpublished)
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
Women & Film Under Communism: A Report from the Archive.
[Website]
Item availability may be restricted.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna
(2017)
MAI: Feminism & Visual Culture.
[Journal]
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy
(2019)
MAI Feminism & Visual Culture Issue 3 (Spring 2019).
[Journal]
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
'Confusion now hath made his masterpiece'.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2017)
Earthbound: David Bowie and the Man Who Fell to Earth.
International Times, none.
ISSN none
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Joining Up The Dots.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
The Myriad Mysteries.
International Times, none.
ISSN 26340852
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 and Arendse, Adrianne
(2021)
Freeman.
UNSPECIFIED.
|
| Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository. |