Bailey, Adrian, Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925, Byers, Kate, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Waite, Linn (2019) Hard, Cracked the Wind. [Media] Item availability may be restricted. |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian (2021) We've Been Here. [Media] |
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 (2022) As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief. Revenant: Critical and Creative Studies of the Supernatural, 8. pp. 348-363. ISSN 2397-8791 |
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 (2022) Machines Dreams & Fabulations: On Time After Time & The Wild Ones. nickberkeley.com, N/A. ISSN N/A |
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2017) Can environmental documentaries make waves? The Conversation, online article. ISSN N/A |
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 (2018) Reconsidering fictional films for communicating climate change issues: an analysis of the filmmaking strategies behind sustainable energy narratives. In: Handbook of Climate Change Communication: Vol. 1. Theory of Climate Change Communication. Handbook of Climate Change Communication . Springer International Publishing, Britain, pp. 123-136. ISBN 978-3-319-69837-3 Item availability may be restricted. |
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 and Andreoli, Enrico (2017) "Be Tradition" A metaphor for sustainable energy. [Media] |
Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands. |
Devanny, David (2023) THE CURSE OF THE CURSIVE: THE HORROR OF THE HAND IN FOLK HORROR FILM TYPOGRAPHY. In: Folk Horror: New Global Pathways. University of Wales Press, Wales. ISBN 9781786839794 Item availability may be restricted. |
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899 (2021) Shandyland - Pint Size. [Performance] Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2024) Music Films. BFI/Bloomsbury, Physical Book. ISBN 9781839023439 Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) 4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart. In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days. Directors Notes, Rolling. ISSN N/A |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE). Digital Culture & Education, NA. ISSN 1836-8301 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) ‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative. Media Practice and Education, 19 (2). pp. 205-221. ISSN 2574-1144 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Final Cut: Here To Be Heard Puts The Slits On Film. The Quietus, Rolling. ISSN N/A |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) “How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) An Interview With Caroline Richards. Directors Notes, Rolling. ISSN N/A |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) MAI in conversation with Hope Dickson Leach. MAI: Feminism and Visual Culture, 1 (1). ISSN 20031671 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2021) No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd. The Quietus, N/A. ISSN N/A |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Nothing Is Trite: PJ Harvey in A Dog Called Money. The Quietus, NA (NA). ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) “Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods. Directors Notes, N/A. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2014) On Location: Manchester. In: Directory of World Cinema: Britain 2. Directory of World Cinema . Intellect, Bristol, pp. 32-39. ISBN 978-1-78320-397-0 Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2018) Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) ‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media Projects. In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2017) 'Wilderness'. [Media] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2022) Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production. Media Practice and Education, 23 (2). ISSN 2574-1144 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2016) “Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post]. [Website Content] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2020) You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism. The Quietus, NA. ISSN NA |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Making Strange: Adapting H. P. Lovecraft for the Screen. In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University. |
Goch, Dylan, Rhys, Gruff and Ramasut, Catrin (2014) American Interior (Story consultant). [Media] |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 978-1-78683-233-7 |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2018) The Hammer House of Cornish Horror: The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile. In: Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. Gothic Literary Studies . University of Wales Press, Cardiff. ISBN 9781786832337 |
Jandrell, Mandy ORCID: https://orcid.org/0000-0001-6396-1544 (2018) Evidence in Camera. [Exhibition] |
Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925 (2019) Bait. [Media] |
Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2021) Dean Quarry / with eyes that are not seen are quickly forgotten. [Composition] (Submitted) |
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263 (2015) salvage. [Artwork] |
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427 (2021) Gothic Kernow. Anthem Studies in Gothic Literature . Anthem Press, London. ISBN 9781785279065 (In Press) Item availability may be restricted. |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2020) London Calling. International Times, none. ISSN 26340852 |
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2023) Something Special. International Times, none. ISSN 26340852 |
Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x |
Mackie, Mel (2016) RTS Student Networking Event: Breaking Into Media 2016. [Conference] |
Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted. |
Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426 (2021) THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development. In: THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146. ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook) Item availability may be restricted. |
Macneill, Marie and Macneill, John (2019) THE COASTGUARD. [Performance] |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193. The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15). pp. 45-59. ISSN 17514193 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Harvey, Simon (2024) The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students. Film Education Journal, 6 (1). pp. 17-29. ISSN 2515-7086 |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425. In: Call Me by Your Name: Perspectives on the Film. Intellect, Bristol. ISBN 9781789389425 (In Press) Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2022) Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan. In: The Palgrave Handbook on Violence in Film & Media. The Palgrave Handbook . Palgrave Macmillan., London, pp. 257-273. ISBN 978-3031053894 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2024) Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang). In: Communicating a World-in-Crisis. Peter Lang, Oxford. ISBN N/A (Submitted) Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2019) Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019). [Composition] |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students. Film Education Journal, Educating Independent Filmmakers (7.1). ISSN 2515-7086 (Submitted) Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 (2023) Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman. In: Future Folk: Contemporary Anxieties and Possible Futures. Lexington Books Horror Studies . Lexington Books, Lanham, US. ISBN 978-1-66692-123-6 (In Press) |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 (2019) Backwoods (Dir. Ryan Mackfall, 2019) - Short Film. [Media] Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 (2016) Thinking Inside the Box: Brian Eno, music, movement and light. Journal of Visual Art Practice, 16 (2). pp. 104-118. ISSN 1470-2029 Item availability may be restricted. |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2023) From The Culch (Documentary, Original Soundtrack). [Composition] (In Press) Item not available from this repository. |
McGregor, Wayne and Deepres, Ravi (2018) AfteRite and Woolf Works. [Performance] |
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2014) 'Digital Play: Wendy McMurdo Collected Works 1995–2012' Mid-career retrospective Solo exhibition Jun-Aug 2014. [Exhibition] Item availability may be restricted. |
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641 (2018) UNSEEN Living Room: Film & Foto. In: Unseen Photo Festival, 22nd Sept 2018, Amsterdam, Netherlands. (Unpublished) |
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna (2017) MAI: Feminism & Visual Culture. [Journal] |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) FylmK. Working Paper. UNSPECIFIED. (Unpublished) Item availability may be restricted. |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Cornish Media Service Update. In: Cornish Language Forum, 07.11.20, Zoom. (Unpublished) |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2020) Gonis Media Kernewek Development Report 30042020. Project Report. UNSPECIFIED. (Unpublished) |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2007) Rural Revolution through Digital Media. In: Inclusion Through Media. Goldsmiths / OpenMute, UK, pp. 220-235. ISBN 1906496005 |
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 (2018) The hills are alive… with event cinema. Arts Professional, The arts in rural areas (311). |
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew (2023) From the Culch: Film. [Project] |
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2020) Fledglings. UNSPECIFIED. (In Press) |
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 (2022) From the River: Beneath the Visible Evidence. [Project] |
Mulraney, Rosa (2014) 'Deep' Kiss Pre-production. [Artwork] Item availability may be restricted. |
Nicholls, Katharine and Hayes, Derek (2021) Case studies from the Live Briefs on BA(Hons) Animation at Falmouth University CILECT. In: CILECT CONGRESS 2021-10-12 Audiovisual Education: Impact & Relevance, ZOOM, in partnership with Kristiania University, Oslo, Norway, 14 - 16 October 2021, ZOOM. Item availability may be restricted. |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878 |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878 |
Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521 |
Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521 |
Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799 |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media] |
Sullivan, Steve (2017) Being Frank: The Chris Sievey Story (Story consultant). [Media] (Unpublished) |
Whitehead, Jean ORCID: https://orcid.org/0000-0001-7756-9586 (2019) Creating an interior mise-en-scene: the relationship between interior design, production design and film. Film and Furniture, n/a. ISSN n/a |
Yule, Eleanor and Manderson, David (2014) The Glass Half Full. OPEN SCOTLAND . LUATH PRESS LTD, EDINBURGH. ISBN 978-1-9100021-34-7 Item availability may be restricted. |