Bailey, Adrian, Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925, Byers, Kate, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Waite, Linn
(2019)
Hard, Cracked the Wind.
[Media]
Item availability may be restricted.
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian
(2021)
We've Been Here.
[Media]
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2022)
As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief.
Revenant: Critical and Creative Studies of the Supernatural, 8.
pp. 348-363.
ISSN 2397-8791
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2022)
Machines Dreams & Fabulations: On Time After Time & The Wild Ones.
nickberkeley.com, N/A.
ISSN N/A
|
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297
(2017)
Can environmental documentaries make waves?
The Conversation, online article.
ISSN N/A
|
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297
(2018)
Reconsidering fictional films for communicating climate change issues: an analysis of the filmmaking strategies behind sustainable energy narratives.
In:
Handbook of Climate Change Communication: Vol. 1. Theory of Climate Change Communication.
Handbook of Climate Change Communication
.
Springer International Publishing, Britain, pp. 123-136.
ISBN 978-3-319-69837-3
Item availability may be restricted.
|
Cortese, Michela ORCID: https://orcid.org/0000-0001-5012-8297 and Andreoli, Enrico
(2017)
"Be Tradition" A metaphor for sustainable energy.
[Media]
|
| Crow, Frances (2014) Framing Listening and the Phonosphere. In: Bright Collisions Summit 2014, TodaysArt 2014, 24 - 28 September 2014, Den Hague, Netherlands. |
| Devanny, David (2023) THE CURSE OF THE CURSIVE: THE HORROR OF THE HAND IN FOLK HORROR FILM TYPOGRAPHY. In: Folk Horror: New Global Pathways. University of Wales Press, Wales. ISBN 9781786839794 Item availability may be restricted. |
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2021)
Shandyland - Pint Size.
[Performance]
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2024)
Music Films.
BFI/Bloomsbury, Physical Book.
ISBN 9781839023439
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart.
In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days.
Directors Notes, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE).
Digital Culture & Education, NA.
ISSN 1836-8301
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative.
Media Practice and Education, 19 (2).
pp. 205-221.
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Final Cut: Here To Be Heard Puts The Slits On Film.
The Quietus, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
An Interview With Caroline Richards.
Directors Notes, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
MAI in conversation with Hope Dickson Leach.
MAI: Feminism and Visual Culture, 1 (1).
ISSN 20031671
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Nothing Is Trite: PJ Harvey in A Dog Called Money.
The Quietus, NA (NA).
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods.
Directors Notes, N/A.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
On Location: Manchester.
In:
Directory of World Cinema: Britain 2.
Directory of World Cinema
.
Intellect, Bristol, pp. 32-39.
ISBN 978-1-78320-397-0
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Rethinking film education: What can we learn from filmmakers?
In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media
Projects.
In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
'Wilderness'.
[Media]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2022)
Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production.
Media Practice and Education, 23 (2).
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
“Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post].
[Website Content]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Making Strange: Adapting H. P. Lovecraft for the Screen.
In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.
|
| Goch, Dylan, Rhys, Gruff and Ramasut, Catrin (2014) American Interior (Story consultant). [Media] |
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.
Gothic Literary Studies
.
University of Wales Press, Cardiff.
ISBN 978-1-78683-233-7
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2018)
The Hammer House of Cornish Horror:
The Inversion of Imperial Gothic in The Plague of the Zombies and The Reptile.
In:
Gothic Britain: Dark Places in the Provinces and Margins of the British Isles.
Gothic Literary Studies
.
University of Wales Press, Cardiff.
ISBN 9781786832337
|
Jandrell, Mandy ORCID: https://orcid.org/0000-0001-6396-1544
(2018)
Evidence in Camera.
[Exhibition]
|
Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925
(2019)
Bait.
[Media]
|
Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Dean Quarry / with eyes that are not seen are quickly forgotten.
[Composition]
(Submitted)
|
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2015)
salvage.
[Artwork]
|
Krzywinska, Tanya ORCID: https://orcid.org/0000-0002-0744-4144 and Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427
(2021)
Gothic Kernow.
Anthem Studies in Gothic Literature
.
Anthem Press, London.
ISBN 9781785279065
(In Press)
Item availability may be restricted.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
London Calling.
International Times, none.
ISSN 26340852
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Something Special.
International Times, none.
ISSN 26340852
|
| Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x |
| Mackie, Mel (2016) RTS Student Networking Event: Breaking Into Media 2016. [Conference] |
| Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted. |
Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2021)
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter:
Constructing Criticism without Crushing Confidence: cultures of feedback in television script development.
In:
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT.
Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146.
ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook)
Item availability may be restricted.
|
| Macneill, Marie and Macneill, John (2019) THE COASTGUARD. [Performance] |
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2024)
Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193.
The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15).
pp. 45-59.
ISSN 17514193
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Harvey, Simon
(2024)
The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students.
Film Education Journal, 6 (1).
pp. 17-29.
ISSN 2515-7086
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425.
In:
Call Me by Your Name: Perspectives on the Film.
Intellect, Bristol.
ISBN 9781789389425
(In Press)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan.
In:
The Palgrave Handbook on Violence in Film & Media.
The Palgrave Handbook
.
Palgrave Macmillan., London, pp. 257-273.
ISBN 978-3031053894
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2024)
Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang).
In:
Communicating a World-in-Crisis.
Peter Lang, Oxford.
ISBN N/A
(Submitted)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019).
[Composition]
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students.
Film Education Journal, Educating Independent Filmmakers (7.1).
ISSN 2515-7086
(Submitted)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman.
In:
Future Folk: Contemporary Anxieties and Possible Futures.
Lexington Books Horror Studies
.
Lexington Books, Lanham, US.
ISBN 978-1-66692-123-6
(In Press)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Backwoods (Dir. Ryan Mackfall, 2019) - Short Film.
[Media]
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Thinking Inside the Box: Brian Eno, music, movement and light.
Journal of Visual Art Practice, 16 (2).
pp. 104-118.
ISSN 1470-2029
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2023)
From The Culch (Documentary, Original Soundtrack).
[Composition]
(In Press)
Item not available from this repository.
|
| McGregor, Wayne and Deepres, Ravi (2018) AfteRite and Woolf Works. [Performance] |
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641
(2014)
'Digital Play: Wendy McMurdo Collected Works 1995–2012'
Mid-career retrospective Solo exhibition
Jun-Aug 2014.
[Exhibition]
Item availability may be restricted.
|
McMurdo, Wendy ORCID: https://orcid.org/0000-0001-8568-9641
(2018)
UNSEEN Living Room: Film & Foto.
In: Unseen Photo Festival, 22nd Sept 2018, Amsterdam, Netherlands.
(Unpublished)
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna
(2017)
MAI: Feminism & Visual Culture.
[Journal]
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
FylmK.
Working Paper.
UNSPECIFIED.
(Unpublished)
Item availability may be restricted.
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2020)
Gonis Media Kernewek Cornish Media Service Update.
In: Cornish Language Forum, 07.11.20, Zoom.
(Unpublished)
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2020)
Gonis Media Kernewek Development Report 30042020.
Project Report.
UNSPECIFIED.
(Unpublished)
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2007)
Rural Revolution through Digital Media.
In:
Inclusion Through Media.
Goldsmiths / OpenMute, UK, pp. 220-235.
ISBN 1906496005
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
The hills are alive… with event cinema.
Arts Professional, The arts in rural areas (311).
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew
(2023)
From the Culch: Film.
[Project]
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2020)
Fledglings.
UNSPECIFIED.
(In Press)
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2022)
From the River: Beneath the Visible Evidence.
[Project]
|
| Mulraney, Rosa (2014) 'Deep' Kiss Pre-production. [Artwork] Item availability may be restricted. |
| Nicholls, Katharine and Hayes, Derek (2021) Case studies from the Live Briefs on BA(Hons) Animation at Falmouth University CILECT. In: CILECT CONGRESS 2021-10-12 Audiovisual Education: Impact & Relevance, ZOOM, in partnership with Kristiania University, Oslo, Norway, 14 - 16 October 2021, ZOOM. Item availability may be restricted. |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2014)
Still, Moving: Reflecting on All This Can Happen.
The International Journal of Screendance, Volume 4 (Fall).
pp. 177-182.
ISSN 2154-6878
|
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2016)
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition.
The International Journal of Screendance, 6 (Spring).
pp. 166-177.
ISSN 2154-6878
|
| Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521 |
| Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521 |
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799 |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2016)
Of This Parish - Artist Talk.
In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2014)
Of This Parish [Film].
[Media]
|
| Sullivan, Steve (2017) Being Frank: The Chris Sievey Story (Story consultant). [Media] (Unpublished) |
Whitehead, Jean ORCID: https://orcid.org/0000-0001-7756-9586
(2019)
Creating an interior mise-en-scene: the relationship between interior design, production design and film.
Film and Furniture, n/a.
ISSN n/a
|
| Yule, Eleanor and Manderson, David (2014) The Glass Half Full. OPEN SCOTLAND . LUATH PRESS LTD, EDINBURGH. ISBN 978-1-9100021-34-7 Item availability may be restricted. |