Items where Subject is "Theatre"

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Number of items at this level: 84.

A

Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. Doctoral thesis, Falmouth University.
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B

Barrios-O'Neill, Danielle and Hook, Alan (2011) [in]visible belfast. [Exhibition]
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Bleakley, Alan, Lynch, Larry, Taylor, Kerry, Whalley, Joanne, Fussell, Ian, Marshal, Robert and Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2015) Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association for Medical Humanities Conference 2015. [Conference]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179 (2014) People Have Voice. [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria (2015) At The End Of The Line. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules (2014) Once Upon A Time. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas and Abbott, Victoria (2016) Seamas Carey Meets His 4 Year Old Self, With a Choir. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka (2015) Gwalt. Glosy (Rape. Voices). [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179 and Clark, Gareth (2015) (F.E.A.R.). [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Dobson, Emily and Sellwood, Grace (2016) Wild Women. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Kaba, Angel, Kaiwa, Sayaka, Morales, Marielle, Shyshko, Igor, Yoshihara, Mioko and Lisac, Valerij (2014) EINTOPF (Stew). [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179 and Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810 (2015) Dreaming in a Desert Place. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Kujawska, Patrycja and Iwanowski, Michal (2017) Polish Vermin. [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Sarkisian, Roza, Wichowska, Joanna and Levytskyi, Dima (2016) My Granddad was digging, My Dad was digging and I will not. [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179 and Wichowska, Joanna (2016) Praskie Sci-Fi (Praga’s Sci-Fi). [Performance]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted.
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Sienicki, Artur, Mleczak, Natalia, Korsak, Emilia and Olszak, Kuba (2017) Mephisto. [Performance]
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Brown, Richard (2016) IMorphia: An Embodied Performance System. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, 2016. pp. 3820-3823. ISSN 978-1-4503-4082-3
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Brown, Richard (2014) iMORPHIA: A PROJECTIVE PERFORMANCE SYSTEM. In: Fascinate, 27-31 August 2014, Falmouth.
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C

Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256, Jaeger, Peter, Norwood, Tamarin, Pester, Holly, Kivland, Sharon, Jelili, Sami and LaMarre, Rebecca (2014) Jonah's Booth. Their eyes travel across the page and their hearts search out meaning, n/a (n/a). ISSN n/a
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Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository.

Condron, Aiden (2015) 'Worstward Ho' adapted for the stage by Aiden Condron in collaboration with Mouth on Fire Theatre. [Performance]
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D

Dey, Misri (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927
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Dey, Misri (2015) Devising Solo Performance : A Practitioner’s Enquiry. Doctoral thesis, Falmouth University.
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Dey, Misri (2018) Making Solo Performance. Palgrave Macmillan, London. ISBN 978-1-137-60326-5 Item availability may be restricted.
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Dey, Misri (2015) Shaking and Faking It: when is a vibrato not a vibrato? In: Giving Voice, International Festival of the Voice, Centre for Performance Research, April 10 - 18th 2015, Falmouth University. Item not available from this repository.

Dey, Misri and Hartley, Ria (2015) Solo Contemporary Performance Forum Website. [Website]

Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository.

Dey, Misri and Sarco-Thomas, Malaika (2014) Contact [and] Improvisation. [Journal] Item availability may be restricted.
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Dey, Misri and Sarco-Thomas, Malaika (2014) Framing the Gap: Contact (and) Improvisation. The Journal of Dance and Somatic Practices, 6 (2). ISSN 17571871
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F

Farr, Gareth ORCID logoORCID: https://orcid.org/0000-0001-9629-4899 (2016) The Quiet House. [Performance] Item availability may be restricted.
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Farr, Gareth ORCID logoORCID: https://orcid.org/0000-0001-9629-4899 (2019) Shandyland by Gareth Farr. [Performance] (Submitted) Item availability may be restricted.
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Fletcher, Jerome (2014) Bibliomancy. [Performance]
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Fletcher, Jerome (2014) Motif. In: Generative Constraints 2014: Motif, 14th November 2014, Centre for Creative Collaboration, London. (Unpublished)
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2014) Getting Closer – The Digital Tempest. In: The Co-Creation, distributed performances and alternative content for the big screen workshop, 10 – 11 November 2014, Barcelona. (Unpublished)
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Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished)
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Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished)
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Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland.
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Gough, Richard (2015) On Ruins and Ruination - Co-Edited issue of Performance Research Volume 20 Issue 3. [Journal] Item availability may be restricted.
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Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted.
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Gough, Richard (2017) Richard Gough and Polish Theatre – A Forty-year Encounter "Teatr" no 3/2017 (1192). Teatr - Polish Theatre Journal, "Teatr" no 3/2017 (1192) (1192). ISSN 0040-0769 Item availability may be restricted.
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Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted.
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K

Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810 (2018) WildWorks 100:UnEarth. [Performance] (Unpublished) Item availability may be restricted.
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Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810 (2015) WildWorks: It Starts and Ends with Place and People. In: Make Believe: UK Design for Performance 2011-2015. The Society of British Theatre Designers, Great Britain. ISBN 978 - 0 - 9529309 - 8 - 3
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Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810 (2014) Wildworks 100: The Day Our World Changed/ 100:UnEarth. [Performance] Item availability may be restricted.
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Leahy, Mark (2009) Glossing Speakers, or bookmaking for amateurs. Journal of Writing in Creative Practice, 2 (1). pp. 55-67. ISSN 1753-5190

Leahy, Mark (2012) Hand in Glove - sinister hand vested sable lozengy couped. Open Letter: Negotiating the Social Bond of Poetics, 14 (8). pp. 74-82. ISSN 0048-1939 Item not available from this repository.

Leahy, Mark (2013) Muster Page Habit 2. [Performance] Item not available from this repository.

Leahy, Mark (2012) Muster Page Habit: Flat-head self-tapping. [Performance] Item not available from this repository.

Leahy, Mark (2011) Voice Recognition: A Play after Gertrude Stein, William Shakespeare and Rolf Harris. [Performance] Item not available from this repository.

Leahy, Mark (2014) answering machine. [Performance]

M

Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted.
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Meunier, Danielle (2015) 'Intersections of Neuroscience & Voice Training' presentation delivered at Giving Voice Festival 2015: Listening Mind, Moving Voice. In: Giving Voice Festival 2015: listening mind, moving voice, 10-18 April 2015, Falmouth University, Penryn Campus, Penryn, Cornwall, UK. Item availability may be restricted.
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Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463 (2018) The hills are alive… with event cinema. Arts Professional, The arts in rural areas (311).
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2017) Moving Dramaturgy. [Performance] Item availability may be restricted.
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary (2019) "Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par. In: Routledge Companion to Dance Studies. Routledge Companion . Routledge, London/Abingon, pp. 471-487. ISBN 9781138234581 Item availability may be restricted.
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Reeder, Philip (2007) Whisper. [Media]
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2019) “Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter,” in the forthcoming book Second Nature: Comic Performance and Philosophy. In: Second Nature: Comic Performance and Philosophy. Rowman & Littlefield, London, UK. ISBN N/A (Submitted) Item availability may be restricted.
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Wang, Chen, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Stenton, Phil and Cesar, Pablo (2014) Sensing a live audience. In: ACM CHI Conference on Human Factors in Computing Systems 2014, Toronto, Canada.
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Wang, Chen, Zhu, Xintong, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Biscoe, Ian, Röggla, Thomas and Cesar, Pablo (2016) How Are We Connected? Measuring Audience Galvanic Skin Response of Connected Performances.". In: International Conference on Physiological Computing Systems, Lisbon, Portugal,. (In Press)
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Whelan, G ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Andrews, P (2015) Unruly Runnings: On track with identity and difficulty. In: Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association of Medical Humanities Conference, 23/06/15 - 25/06/15, Darlington Hall.
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Whelan, G ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G (2016) Last Act Of Rebellion at Compass Festival, Leeds 2016. [Performance]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2014) The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running. In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2015) Art of Endurance, 2015 ANTI International Seminar. [Conference]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2016) Beings & Things, at Playing-UP The Symposium, Tate Modern. In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London.
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2018) Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest. Theatre, Dance and Performance Training, 9 (3). pp. 431-444. ISSN 1944-3927
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2012) Running Through A Field: Performance and Humanness. Performance Research: A Journal of the Performing Arts, 17 (2). ISSN 1352-8165
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2017) Stage Flight - Runner's World article. Runner's World, March 2017. ISSN 0897-1706 Item availability may be restricted.
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2016) Weather and Imagination, 2016 ANTI International Seminar. [Conference]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry (2016) Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 978-1-4438-9888-1
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2015) ANTI Contemporary Art Festival 2015: Running Programme. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2016) ANTI Contemporary Art Festival 2016: Winter. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2017) ANTI Contemporary Art Festival 2017: Water. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2018) ANTI Contemporary Art Festival 2018: Games and Play. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen (2019) ANTI Contemporary Art Festival 2019: Death. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2010) Beastie 2010 - 2017. [Performance]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2017) Ghost Dance at In Between Time Festival, Arnolfini, Bristol, 2017. [Performance]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) Spiral at Compass Festival, Leeds. [Performance]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) True West by Lone Twin & The Table. [Performance]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2016) The Visitor. [Performance]
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White, David (2016) Camera Obscura camera. [Project] (Unpublished) Item not available from this repository.

Wood, Hannah, Parr, Dani, Helps, Alice, Landau, Julie, Jamieson, Dan, Morgan, Rob and Boyle, Grace (2019) Project Dinosaurs and Project Robots – current codenames. [Performance]
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This list was generated on Fri Sep 17 20:54:13 2021 BST.