Items where Subject is "Performance > Theatre"
 | Up a level |
- Falmouth University Subject Areas (103)
- Performance (103)
Group by: Creators | Item Type
Number of items at this level: 97.
A
| Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. Doctoral thesis, Falmouth University. |
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| Barrios-O'Neill, Danielle and Hook, Alan (2011) [in]visible belfast. [Exhibition] |
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Bleakley, Alan, Lynch, Larry, Taylor, Kerry, Whalley, Joanne, Fussell, Ian, Marshal, Robert and Whelan, Gregg  ORCID: https://orcid.org/0000-0001-5434-5985
(2015)
Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association for Medical Humanities Conference 2015.
[Conference]
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![[img]](/2047/1/AMH%20Dangerous%20Currents_1.jpg)
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179
(2014)
People Have Voice.
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve
(2023)
Re:Voice.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Abbott, Victoria
(2015)
At The End Of The Line.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Canham, Dan, Parry, Mark and Bushell, Jules
(2014)
Once Upon A Time.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas and Abbott, Victoria
(2016)
Seamas Carey Meets His 4 Year Old Self, With a Choir.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve
(2022)
Help! I Think I’m a Nationalist!
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Chutnik, Sylwia, Grabowska, Magdalena and Grzybek, Agnieszka
(2015)
Gwalt. Glosy (Rape. Voices).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Clark, Gareth
(2015)
(F.E.A.R.).
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Dobson, Emily and Sellwood, Grace
(2016)
Wild Women.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian
(2021)
We've Been Here.
[Media]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kaba, Angel, Kaiwa, Sayaka, Morales, Marielle, Shyshko, Igor, Yoshihara, Mioko and Lisac, Valerij
(2014)
EINTOPF (Stew).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2015)
Dreaming in a Desert Place.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Kujawska, Patrycja and Iwanowski, Michal
(2017)
Polish Vermin.
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Sarkisian, Roza, Wichowska, Joanna and Levytskyi, Dima
(2016)
My Granddad was digging, My Dad was digging and I will not.
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179 and Wichowska, Joanna
(2016)
Praskie Sci-Fi (Praga’s Sci-Fi).
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena
(2022)
Orlando. Biografie (in translation: Orlando. Biographies).
[Performance]
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria
(2019)
DEVILS (Diably).
[Performance]
Item availability may be restricted.
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Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Sienicki, Artur, Mleczak, Natalia, Korsak, Emilia and Olszak, Kuba
(2017)
Mephisto.
[Performance]
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| Brown, Richard (2016) IMorphia: An Embodied Performance System. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, 2016. pp. 3820-3823. ISSN 978-1-4503-4082-3 |
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| Brown, Richard (2014) iMORPHIA: A PROJECTIVE PERFORMANCE SYSTEM. In: Fascinate, 27-31 August 2014, Falmouth. |
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Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256, Jaeger, Peter, Norwood, Tamarin, Pester, Holly, Kivland, Sharon, Jelili, Sami and LaMarre, Rebecca
(2014)
Jonah's Booth.
Their eyes travel across the page and their hearts search out meaning, n/a (n/a).
ISSN n/a
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![[img]](/1663/1/photo%202.jpg)
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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550
(2022)
Reviver Voce: The Voice, Technology, and Death.
Doctoral thesis, Falmouth University.
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Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550
(2022)
Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts.
[Media]
(Unpublished)
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| Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository. |
| Condron, Aiden (2015) 'Worstward Ho' adapted for the stage by Aiden Condron in collaboration with Mouth on Fire Theatre. [Performance] |
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2017)
Can you train on your own? How?
Theatre, Dance and Performance Training Journal, 8 (1).
pp. 105-108.
ISSN 1944-3927
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2015)
Devising Solo Performance : A Practitioner’s Enquiry.
Doctoral thesis, Falmouth University.
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Making Solo Performance.
Palgrave Macmillan, London.
ISBN 978-1-137-60326-5
Item availability may be restricted.
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![[img]](/style/images/fileicons/text.png)
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2015)
Shaking and Faking It: when is a vibrato not a vibrato?
In: Giving Voice, International Festival of the Voice, Centre for Performance Research, April 10 - 18th 2015, Falmouth University.
Item not available from this repository.
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria
(2015)
Solo Contemporary Performance Forum Website.
[Website]
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| Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository. |
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Contact [and] Improvisation.
[Journal]
Item availability may be restricted.
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Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Framing the Gap: Contact (and) Improvisation.
The Journal of Dance and Somatic Practices, 6 (2).
ISSN 17571871
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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2016)
The Quiet House.
[Performance]
Item availability may be restricted.
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Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2019)
Shandyland by Gareth Farr.
[Performance]
(Submitted)
Item availability may be restricted.
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| Fletcher, Jerome (2014) Bibliomancy. [Performance] |
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| Fletcher, Jerome (2014) Motif. In: Generative Constraints 2014: Motif, 14th November 2014, Centre for Creative Collaboration, London. (Unpublished) |
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Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246
(2020)
Deep Map App Reference Tool.
Living Maps Network Journal, 9 (Nov 20).
ISSN 9781538147191
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Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian
(2014)
Getting Closer – The Digital Tempest.
In: The Co-Creation, distributed performances and alternative content for the big screen workshop, 10 – 11 November 2014, Barcelona.
(Unpublished)
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| Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished) |
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| Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished) |
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| Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. |
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| Gough, Richard (2015) On Ruins and Ruination - Co-Edited issue of Performance Research Volume 20 Issue 3. [Journal] Item availability may be restricted. |
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| Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted. |
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| Gough, Richard (2017) Richard Gough and Polish Theatre – A Forty-year Encounter "Teatr" no 3/2017 (1192). Teatr - Polish Theatre Journal, "Teatr" no 3/2017 (1192) (1192). ISSN 0040-0769 Item availability may be restricted. |
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| Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted. |
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K
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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2018)
WildWorks 100:UnEarth.
[Performance]
(Unpublished)
Item availability may be restricted.
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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2015)
WildWorks: It Starts and Ends with Place and People.
In:
Make Believe: UK Design for Performance 2011-2015.
The Society of British Theatre Designers, Great Britain.
ISBN 978 - 0 - 9529309 - 8 - 3
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Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2014)
Wildworks 100: The Day Our World Changed/ 100:UnEarth.
[Performance]
Item availability may be restricted.
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L
| Leahy, Mark (2009) Glossing Speakers, or bookmaking for amateurs. Journal of Writing in Creative Practice, 2 (1). pp. 55-67. ISSN 1753-5190 |
| Leahy, Mark (2012) Hand in Glove - sinister hand vested sable lozengy couped. Open Letter: Negotiating the Social Bond of Poetics, 14 (8). pp. 74-82. ISSN 0048-1939 Item not available from this repository. |
| Leahy, Mark (2013) Muster Page Habit 2. [Performance] Item not available from this repository. |
| Leahy, Mark (2012) Muster Page Habit: Flat-head self-tapping. [Performance] Item not available from this repository. |
| Leahy, Mark (2011) Voice Recognition: A Play after Gertrude Stein, William Shakespeare and Rolf Harris. [Performance] Item not available from this repository. |
| Leahy, Mark (2014) answering machine. [Performance] |
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Considering Collaboration (published as an untitled review).
Tears in the Fence, none.
ISSN 02665816
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
'Dancing Out In Space'.
International Times, none.
ISSN 26340852
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Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Doctor Strange.
International Times, none.
ISSN 26340852
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Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2022)
THE COASTGUARD BY MARIE MACNEILL - audio recording.
[Performance]
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![[img]](/4755/2/overlay%3Fsrc0%3Dhttps%253A%252F%252Fi.vimeocdn.com%252Fvideo%252F1442898637-613e05ea2b97d26665092a61a2a3f2d727987febdf027d7f1abdbd720c3c50b4-d_1280x720%26src1%3Dhttps%253A%252F%252Ff.vimeocdn.com%252Fimages_v6%252Fshare%252Fplay_icon_overlay.png){kind=icon}
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| Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted. |
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| Meunier, Danielle (2015) 'Intersections of Neuroscience & Voice Training' presentation delivered at Giving Voice Festival 2015: Listening Mind, Moving Voice. In: Giving Voice Festival 2015: listening mind, moving voice, 10-18 April 2015, Falmouth University, Penryn Campus, Penryn, Cornwall, UK. Item availability may be restricted. |
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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
The hills are alive… with event cinema.
Arts Professional, The arts in rural areas (311).
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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2017)
Moving Dramaturgy.
[Performance]
Item availability may be restricted.
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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary
(2019)
"Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par.
In:
Routledge Companion to Dance Studies.
Routledge Companion
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Routledge, London/Abingon, pp. 471-487.
ISBN 9781138234581
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R
| Reeder, Philip (2007) Whisper. [Media] |
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Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111
(2019)
“Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter,” in the forthcoming book Second Nature: Comic Performance and Philosophy.
In:
Second Nature: Comic Performance and Philosophy.
Rowman & Littlefield, London, UK.
ISBN N/A
(In Press)
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Wang, Chen, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Stenton, Phil and Cesar, Pablo
(2014)
Sensing a live audience.
In: ACM CHI Conference on Human Factors in Computing Systems 2014, Toronto, Canada.
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Wang, Chen, Zhu, Xintong, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Biscoe, Ian, Röggla, Thomas and Cesar, Pablo
(2016)
How Are We Connected? Measuring Audience Galvanic Skin Response of Connected Performances.".
In: International Conference on Physiological Computing Systems, Lisbon, Portugal,.
(In Press)
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Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Andrews, P
(2015)
Unruly Runnings: On track with identity and difficulty.
In: Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association of Medical Humanities Conference, 23/06/15 - 25/06/15, Darlington Hall.
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![[img]](/2046/1/AMH%20Dangerous%20Currents_2.jpg)
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Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G
(2016)
Last Act Of Rebellion at Compass Festival, Leeds 2016.
[Performance]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2014)
The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running.
In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.
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![[img]](/782/1/Run%20Run%20Run%20.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2015)
Art of Endurance, 2015 ANTI International Seminar.
[Conference]
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![[img]](/2186/1/ANTI%20Seminar%202015%20Art%20of%20Endurance.png)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2016)
Beings & Things, at Playing-UP The Symposium, Tate Modern.
In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London.
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![[img]](/2003/1/Playing%20Up%20Tate.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2018)
Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest.
Theatre, Dance and Performance Training, 9 (3).
pp. 431-444.
ISSN 1944-3927
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2012)
Running Through A Field: Performance and Humanness.
Performance Research: A Journal of the Performing Arts, 17 (2).
ISSN 1352-8165
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2017)
Stage Flight - Runner's World article.
Runner's World, March 2017.
ISSN 0897-1706
Item availability may be restricted.
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2016)
Weather and Imagination, 2016 ANTI International Seminar.
[Conference]
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![[img]](/2188/1/ANTI%20SEMINAR%202016%20Weather%20and%20Imagination.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry
(2016)
Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts.
Cambridge Scholars Publishing, Newcastle upon Tyne.
ISBN 978-1-4438-9888-1
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![[img]](/2000/1/Risk%20and%20Regulation%20Book.jpg)
![[img]](/2000/2/Risk%20and%20Regulation%20Book_2.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2007)
ANTI Contemporary Art Festival 2007 - 2013.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2015)
ANTI Contemporary Art Festival 2015: Running Programme.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2016)
ANTI Contemporary Art Festival 2016: Winter.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2017)
ANTI Contemporary Art Festival 2017: Water.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2018)
ANTI Contemporary Art Festival 2018: Games and Play.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa
(2014)
ANTI Contemporary Art Festival 2014 - 2016.
[Exhibition]
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![[img]](/2169/2/ANTI_KXP_1920x1080px.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen
(2019)
ANTI Contemporary Art Festival 2019: Death.
[Exhibition]
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2010)
Beastie 2010 - 2017.
[Performance]
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![[img]](/356/2/SPILL%20Beastie%20draft%202.JPG)
![[img]](/356/7/Beastie%20IBT%20Brochure.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2017)
Ghost Dance at In Between Time Festival, Arnolfini, Bristol, 2017.
[Performance]
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![[img]](/2207/1/Ghost%20Dance%20IBT%20Brochure.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2015)
Spiral at Compass Festival, Leeds.
[Performance]
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![[img]](/2049/1/Spiral%20Compass%20Festival.jpg)
![[img]](/2049/2/Spiral%20Canon-5.jpg)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2015)
True West by Lone Twin & The Table.
[Performance]
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![[img]](/2211/2/TRUE%20WEST%20IBT_2.png)
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Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2016)
The Visitor.
[Performance]
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![[img]](/2174/1/The%20Visitor_Rain.jpg)
![[img]](/2174/2/The%20Visitor%20best2.jpg)
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| White, David (2016) Camera Obscura camera. [Project] (Unpublished) Item not available from this repository. |
| Williams, Frances (2020) Looking away: Failure, Embarrassment and Mis-attention in a Performance-related Artistic Practice. Doctoral thesis, University of the Arts London, Falmouth University. |
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| Wood, Hannah, Parr, Dani, Helps, Alice, Landau, Julie, Jamieson, Dan, Morgan, Rob and Boyle, Grace (2019) Project Dinosaurs and Project Robots – current codenames. [Performance] |
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