Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2024)
„Feministka jest, chociaż szyldu nie ma.”
Moje spotkanie z Heleną Amiradżibi.
In:
(Nie)Zapomniane dokumentalistki.
Wydawnictwo PWSFTiTV, Łódź, Poland.
ISBN 978-83-67397-42-1
(In Press)
Item availability may be restricted.
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Kerr, David, Rubanza, Hashim and Thomas, Octavian
(2024)
Hip-hop Dar es Salaam.
[Project]
(Unpublished)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Harvey, Simon
(2024)
The Sound/Image Cinema Lab, Long Way Back (dir. Brett Harvey): developing working principles for crewing feature film production with higher education students.
Film Education Journal, 6 (1).
pp. 17-29.
ISSN 2515-7086
|
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
A39 & Cornish Political Theatre.
In: A39 & Cornish Political Theatre, 11/6/2024, Cornish Heritage in Penzance/ Ertach Kernow yn Pennsans.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2024)
Music Films.
BFI/Bloomsbury, Physical Book.
ISBN 9781839023439
Item availability may be restricted.
|
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
Contempt for the warmongers.
The Morning Star, 2024 (28/05).
ISSN 0307-1758
|
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
Your first time in the north.
The Morning Star, 2024 (11/05).
p. 16.
ISSN 0307-1758
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2024)
Marshall, Kingsley. 2024. ‘Can you hear me?” ‘Son sur le scenario’ - the act of writing sound in the script of Mark Jenkin’s Enys Men (2023)’. In The Soundtrack, Special Edition: Screenwriting Sound and Music. Intellect. ISSN: 1751-4193.
The Soundtrack, Screenwriting Sound: Expanding the Creative Vocabulary of Sound in the Screenplay (15).
pp. 45-59.
ISSN 17514193
Item availability may be restricted.
|
Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583
(2024)
Unwieldy matter: Liquid landscapes of memory in postdictatorship Chilean film.
MIRAJ: Moving Image Review & Art Journal, 12 (2).
pp. 189-204.
ISSN 2045-6298
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2024)
‘David Lynch Constrained on Dune’.
In:
A Critical Companion to David Lynch.
A Critical Companion, Directors Series
.
Lexington Books, Lanham, US.
ISBN 978166691
(Submitted)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2024)
Marshall, Kingsley. 2024. 'The New Weird: Independent Cinema as an Ecosophical Response to Climate Change' In Cottle, Simon. 2004. Communicating a World-in-Crisis (Peter Lang).
In:
Communicating a World-in-Crisis.
Peter Lang, Oxford.
ISBN N/A
(Submitted)
Item availability may be restricted.
|
Mulraney, Rosa ORCID: https://orcid.org/0009-0008-7205-4856 and Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2024)
WHY MUMS DON'T JUMP: ANIMATION AS A FEMINIST TOOL.
MAI: Feminism and Visual Culture, 13.
ISSN 2003-167X
|
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2024)
Moving, mesmerising, memorable.
The Morning Star, 2024 (23/01).
ISSN 0307-1758
|
| Jones, Rachael (2023) Embodied Landscapes: process and participation in filmmaking. Doctoral thesis, Falmouth University & University of the Arts London. |
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637, Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Edney, Andrew
(2023)
From the Culch: Film.
[Project]
|
Hayes, Derek ORCID: https://orcid.org/0009-0005-8185-5098
(2023)
The Day Of The Coyote.
[Media]
|
| Mackay, Jem (2023) Movie Maths. MAI: Feminism & Visual Culture, 1 (11). ISSN 2003-167x |
Farmer, Paul ORCID: https://orcid.org/0009-0002-4822-038X
(2023)
After the Miners' Strike.
Open Book Publishers, Cambridge.
ISBN 978-1-80064-912-5
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
The Sound/Image Cinema Lab, Long Way Back. Developing working principles for crewing feature film production with higher education students.
Film Education Journal, Educating Independent Filmmakers (7.1).
ISSN 2515-7086
(Submitted)
Item availability may be restricted.
|
Padfield, Jerry ORCID: https://orcid.org/0000-0003-2885-2697
(2023)
Broadening participation in community radio: investigating methods for inclusion and wellbeing.
Doctoral thesis, Falmouth University / University of the Arts London.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Who Makes the Hood?: The City, Community And Contemporary Folk Horror in Nia Dacosta’s Candyman.
In:
Future Folk: Contemporary Anxieties and Possible Futures.
Lexington Books Horror Studies
.
Lexington Books, Lanham, US.
ISBN 978-1-66692-123-6
(In Press)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2023)
From The Culch (Documentary, Original Soundtrack).
[Composition]
(In Press)
Item not available from this repository.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Kingsley Marshall, Kingsley. 2024. ‘Music as Narrator in Call Me by Your Name’. In Lamberti, Edward and Williams, Michael (Eds.). 2024. Call Me by Your Name: Perspectives on the Film. Bristol, UK: Intellect Books. ISBN: 9781789389425.
In:
Call Me by Your Name: Perspectives on the Film.
Intellect, Bristol.
ISBN 9781789389425
(In Press)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
WHO MAKES THE HOOD?: THE CITY, COMMUNITY AND CONTEMPORARY FOLK HORROR IN NIA DACOSTA’S CANDYMAN.
In: HAUNTED LANDSCAPES 2023: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University.
(In Press)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2023)
Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-).
MAI: Feminism and Visual Culture Journal, 10.
ISSN 2003-167x
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Marshall, Kingsley. 2022. ‘Mere Data Makes A Man: Artificial Intelligence in Bladerunner 2049’, in English, Jeri and Pascal, Marie. 2022. Refocus: The Films of Denis Villeneuve. Edinburgh: Edinburgh University Press. ISBN: 9781474497381.
In:
The Films of Denis Villeneuve.
Refocus Series
.
Edinburgh University Press, Edinburgh, pp. 178-193.
ISBN 9781474497381
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Shaw, Daniel; Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London: Bloomsbury.
Bloomsbury, London.
ISBN 9781350162167
(In Press)
Item availability may be restricted.
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2022)
As Well As/Instead Of Orpheus: Making, Teaching and Living in Grief.
Revenant: Critical and Creative Studies of the Supernatural, 8.
pp. 348-363.
ISSN 2397-8791
|
Nicholls, Katharine ORCID: https://orcid.org/0000-0001-9055-9972, Derek, Hayes and Mulraney, Rosa
(2022)
The Art of Animation Exhibition.
[Exhibition]
|
Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2022)
THE COASTGUARD BY MARIE MACNEILL - audio recording.
[Performance]
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2022)
From the River: Beneath the Visible Evidence.
[Project]
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2022)
Marshall, Kingsley. 2022. ‘The Aesthetics of Asymmetrical Warfare. Cinema’s representation of Conflict in the Twenty-First Century’. In Choe, Steve and Aboujieb, Lina (Eds). 2022. The Palgrave Handbook of Violence in Film & Media. London, UK: Palgrave Macmillan.
In:
The Palgrave Handbook on Violence in Film & Media.
The Palgrave Handbook
.
Palgrave Macmillan., London, pp. 257-273.
ISBN 978-3031053894
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2022)
Podcasting as a Contemporary Curation Practice: A Conversation with Projections’ Mary Wild and Sarah Cleaver.
In:
Podcast Studies: practice in theory/theory into practice.
NA, NA
.
Wilfrid Laurier University Press, Print Publication.
ISBN TBC
(In Press)
Item availability may be restricted.
|
Rogers, Matthew ORCID: https://orcid.org/0000-0002-9935-2879 and Parish, Marion
(2022)
Enthusiasms of Scale model boat clubs of Cornwall.
In: Leisure Studies Association Annual Conference 2022, July 2022, Falmouth University.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2022)
Without the filmmaking there is no research: establishing the Sound/Image Cinema Lab via a REF2021 impact case study and exploring the impact of its engagement with UK film production.
Media Practice and Education, 23 (2).
ISSN 2574-1144
|
Gray, Struan ORCID: https://orcid.org/0009-0009-4477-2583
(2022)
Picturing Ghosts:
Memories, Traces and Prophesies of Rebellion in Postdictatorship Chilean Film.
Cultural Memories
.
Peter Lang, Oxford.
ISBN 9781800791190
|
Macneill, Marie ORCID: https://orcid.org/0000-0002-8815-6426
(2021)
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT. Chapter:
Constructing Criticism without Crushing Confidence: cultures of feedback in television script development.
In:
THE PALGRAVE HANDBOOK OF SCRIPT DEVELOPMENT.
Palgrave/ Macmillan, Springer Nature Switzerland AG 2021, pp. 135-146.
ISBN ISBN 978-3-030-82233-0 ISBN 978-3-030-82234-7 (eBook)
Item availability may be restricted.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Marshall, Kingsley. 2022. ‘Introduction: Charlie Brooker’s Artistic Vision’, ‘You Were Never Really Here: Representations of Artificial Intelligence in Black Mirror’ and ‘Conclusion’. In Marshall, Kingsley and Rocha, James (Eds.). 2022. Philosophical Reflections on Black Mirror. London, UK: Bloomsbury.
In:
Philosophical reflections on Black Mirror.
Philosophical redflections
.
Bloomsbury, London, pp. 114-128.
ISBN 9781350162198
Item availability may be restricted.
|
Myers, Misha and Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246
(2021)
Performing Cartographies: Getting inside and beyond the map.
In:
New Directions in Radical Cartography. Why the Map is Never the Territory.
Rowman & Littlefield, Landham, Maryland, US, pp. 209-232.
ISBN 9781538147191
Item availability may be restricted.
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637 and Arendse, Adrianne
(2021)
Freeman.
UNSPECIFIED.
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
The Buddha of Suburbia.
International Times, none.
ISSN 26340852
|
| Nicholls, Katharine and Hayes, Derek (2021) Case studies from the Live Briefs on BA(Hons) Animation at Falmouth University CILECT. In: CILECT CONGRESS 2021-10-12 Audiovisual Education: Impact & Relevance, ZOOM, in partnership with Kristiania University, Oslo, Norway, 14 - 16 October 2021, ZOOM. Item availability may be restricted. |
| Owen, Ann (2021) A World within Reach: A Neuroanimatic Perspective on Themes of Threat in the Miniature World OF Coraline. In: Coraline: A Closer Look at Studio LAIKA s Stop-Motion Witchcraft. Animation: Key Films/Filmmakers . Bloomsbury, London, pp. 135-152. ISBN 978-1501347863 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
Intimate Conversations in Cinema's "Elsewhere".
Notebook, Issue 1 (1).
pp. 92-99.
ISSN 2769-7681
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
‘Witchcraft is Just a Way of Concentrating Energy': An Interview with Anna Biller.
MAI: Feminism and Visual Culture Journal, 7.
ISSN 2003-167x
|
Jones, Rachael and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Dean Quarry / with eyes that are not seen are quickly forgotten.
[Composition]
(Submitted)
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen To The Sounds.
Music and Screen Media Series
.
Routledge, London.
ISBN 9783030047979
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2021)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In:
Music in Twin Peaks: Listen to the Sounds (Co-edited Reba Wissner, Katherine Reed).
Routledge, London.
ISBN 9780367423131
(Submitted)
Item availability may be restricted.
|
Rogers, Matthew ORCID: https://orcid.org/0000-0002-9935-2879, Esmene, Shukru ORCID: https://orcid.org/0000-0001-8561-6055 and Michael, Leyshon ORCID: https://orcid.org/0000-0001-9411-6167
(2021)
Your Shore Beach Rangers Evaluation Report.
Project Report.
UNSPECIFIED.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2021)
No Image: A King Rocker Conversation with Stewart Lee, Michael Cumming And Robert Lloyd.
The Quietus, N/A.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Developing a Commercial Film Production Ecosystem in Academia with Pedagogy at Its Heart.
In: UIIN: Boundary Spanning Champions Online Forum, 2-3 December, 2020, Online Conference.
|
Mulraney, Paul ORCID: https://orcid.org/0009-0001-4424-1637
(2020)
Fledglings.
UNSPECIFIED.
(In Press)
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2020)
Gonis Media Kernewek Cornish Media Service Update.
In: Cornish Language Forum, 07.11.20, Zoom.
(Unpublished)
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Reel Sounds – Vol. 3: IDLES, Toy Pianos And More At Doc'n Roll 2020.
The Quietus, NA.
ISSN NA
|
Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246
(2020)
Deep Map App Reference Tool.
Living Maps Network Journal, 9 (Nov 20).
ISSN 9781538147191
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2020)
Marshall, Kingsley. 2020. ‘Allied: Zemeckis and Silvestri. Longstanding Relationships Between Composers and Directors’. In Barkman, Adam and Sanna, Antonio (Eds.). 2020. A Critical Companion to Robert Zemeckis. Lanham, US: Lexington Books.
In:
A Critical Companion to Robert Zemeckis.
Critical Companions to Popular Directors
.
Lexington Books, Lanham, US, pp. 75-89.
ISBN 9781793623454
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“How’s 1988 Sounding?”: The Myths And Legendary Tapes Of Delia Derbyshire.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Once Upon A Dream.
Beneficial Shock, NA (5).
pp. 50-55.
ISSN 2399-5173
|
Rogers, Matthew ORCID: https://orcid.org/0000-0002-9935-2879 and Leyshon, Michael ORCID: https://orcid.org/0000-0001-9411-6167
(2020)
Designing for Inclusivity: Platforms of Protest and Participation.
Urban Planning, 5 (4).
pp. 33-44.
ISSN 2183-7635
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Southern Journey, Revisited: An Interview With Rob Curry And Tim Plester.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Film production and the intersection of technology, education and culture in a post-COVID-19 climate // A Conversation between Dr Neil Fox (Falmouth University) and Freya Billington (UWE).
Digital Culture & Education, NA.
ISSN 1836-8301
|
| Farmer, Paul (2020) Diary in the Plague Year: Roaming the lockdown in images and words in a year like no other. Independent Publishing Network, Stithians, Cornwall. ISBN 978-1-83853-382-3 |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
“You Talkin’ To Me?” - Returning to Conversation,.
Doing Arts Research In A Pandemic, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Self-Isolation Soundtrack: The Music of If Beale Street Could Talk.
The Big Picture, NA.
ISSN NA
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2020)
European Cinema in the Twenty-First Century.
Palgrave Macmillan, United Kingdom.
ISBN 978-3-030-33436-9
(Submitted)
Item availability may be restricted.
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2020)
Gonis Media Kernewek Development Report 30042020.
Project Report.
UNSPECIFIED.
(Unpublished)
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Berry, Mandy
(2020)
Kas Rag Media Gonis Poblek Kernewek
A Case for Cornish Public Service Media.
Project Report.
UNSPECIFIED.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
You Are Bognor Regis RAR: White Riot And The Anti-Fascist Labour Of Rock Against Racism.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
In The Driver's Seat: The Demented Fun of ByNWR.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2020)
Nicolas Winding Refn on Night Tide and the importance of extreme cinema.
Little White Lies, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Reel Sounds - Vol.2: Crosby, Cuba and More in Focus at Doc'n Roll 2019.
The Quietus, NA.
ISSN NA
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Browne, Florence, Moseley, Rachel and Berry, Mandy
(2019)
Ragdres Hwithrans Darlesor Gonis Poblek Kernewek
Cornish Public Service Broadcaster Research Project.
Other.
Cornwall Council.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Double Feature: Speed (1994) and Paterson (2016).
The Big Picture, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Collection-making: Podcasting as a contemporary curation practice.
In: MeCCSA 2020, 8-10 January 2020, University of Brighton.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Original Film Soundtrack to Hard, Cracked the Wind (Director, Mark Jenkin, 2019).
[Composition]
|
Bailey, Adrian, Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925, Byers, Kate, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463 and Waite, Linn
(2019)
Hard, Cracked the Wind.
[Media]
Item availability may be restricted.
|
Jenkin, Mark ORCID: https://orcid.org/0000-0002-7552-2925
(2019)
Bait.
[Media]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The World Leaks In - Upstairs Planet: Cleaners From Venus & The Universe of Martin Newell.
The Quietus, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
4 Years Ahead Of His Time: Stewart Lee & Michael Cumming On The Nightingales.
The Quietus, NA.
ISSN NA
|
| Macneill, Marie and Macneill, John (2019) THE COASTGUARD. [Performance] |
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X, Backman Rogers, Anna, Ulfsdotter, Boel and McCauley, Amy
(2019)
MAI Feminism & Visual Culture Issue 3 (Spring 2019).
[Journal]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Annesley, Angela and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Making Strange: Adapting H. P. Lovecraft for the Screen.
In: Folk Horror In The 21st Century, 4-6 September, 2019, Falmouth University.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
MAI In Conversation with Lynn Shelton.
MAI: Feminism and Visual Culture, 3 (3).
ISSN 2003-1673
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
Music as a source of narrative information in HBO's Westworld.
In:
Reading Westworld.
Palgrave Macmillan, London, pp. 97-118.
ISBN 978-3-030-14514-9
(In Press)
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Seeing Is Disbelieving: The Amazing Grace of Aretha Franklin.
The Quietus, NA.
ISSN NA
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2019)
The Gulf War Aesthetic? Sound design, and the representation of asymmetrical warfare.
In: Music and Sound Design for the Screen, 6-7 September 2019, Maynooth University.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Backwoods (Dir. Ryan Mackfall, 2019) - Short Film.
[Media]
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Rethinking film education: What can we learn from filmmakers?
In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
|
| Macneill, Marie (2019) The Meddle of the Muddle: How many captains does it take to steer a story and whose course is it anyway? In: Screenwriters Research Network 2019, 12th -14th September 2019, Poto, Portugal. Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
Nothing Is Trite: PJ Harvey in A Dog Called Money.
The Quietus, NA (NA).
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2019)
The King of Philadelphia: Teddy Pendergrass on Film.
The Quietus, NA (NA).
ISSN NA
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return.
In:
Critical Essays on Twin Peaks: The Return.
Palgrave Macmillan, New York, pp. 269-280.
ISBN 978-3-03-004797-9
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
"We Were Not The Part": Pondering the Importance of The Go-Betweens.
Directors Notes, NA.
ISSN NA
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Reel Sounds: Anne Clark, Mary Lane, Welsh Pop & More at Doc 'N Roll Fest.
The Quietus, NA.
ISSN NA
|
Berry, Mandy, Towell, Patrick and Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
Cinegi Arts&Film, a Case Study: how it worked and what we learned.
Project Report.
Arts Council England, UK.
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
These Violent Delights Have Violent Ends: Representing
Artificial Intelligence in HBO’s Westworld.
In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC.
(In Press)
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Stupid Things Are Best”: Conny Plank – The Potential of Noise.
The Quietus, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551.
ISBN 978-3-319-90055-1
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Interview with Richard Herring.
In:
Podcasting: New Aural Cultures and Digital Media.
Palgrave Macmillan, https://www.palgrave.com/gb/book/9783319900551, pp. 299-308.
ISBN 978-3-319-90055-1
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
The "Smart" Teen Film: Identity Crisis, Nostalgia and the Teenage Viewpoint.
In:
Rethinking Genre in Contemporary Global Cinema.
Palgrave Macmillan, New York, NY, pp. 121-133.
ISBN 978-3-319-90133-6
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Energy Flash: Jake Meginsky On Milford Graves.
The Quietus, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
‘Filmmaking is a hard thing to do’: reflections on student and lecturer experience of Falmouth University’s filmmaker in residence initiative.
Media Practice and Education, 19 (2).
pp. 205-221.
ISSN 2574-1144
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
“Now you need to load the dishwasher” – How Christine Franz Captured the Electric Rise of Sleaford Mods.
Directors Notes, N/A.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Screengem: The Dude’s Ralphs card in The Big Lebowski.
The Big Picture, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Together Alone.
Beneficial Shock, 1 (3).
pp. 67-72.
ISSN 2399-5173
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Why Sofia Coppola’s misunderstood drama is ripe for reappraisal.
The Big Picture, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario
(2018)
Cinematologists: Knowing Sounds.
Media Practice and Education, 19 (1).
pp. 48-51.
ISSN 2574-1144
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
The lessons we have learnt: how sexism in American politics sparked off the new feminist renaissance.
MAI: Feminism & Visual Culture, 1 (1).
ISSN 2003-1671
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
BEST KEPT SECRET: Fantasy is a great way to explore reality.
In: GEECT conference Teaching Documentary II, 26-29 April 2018, Bolzano, Italy.
(Unpublished)
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
An Interview With Caroline Richards.
Directors Notes, Rolling.
ISSN N/A
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
MAI in conversation with Hope Dickson Leach.
MAI: Feminism and Visual Culture, 1 (1).
ISSN 20031671
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657
(2018)
Irish Production Culture and Women Producers: Nicky Gogan.
In: Trailblazing Women On and Off Screen International Conference, June 18-20 2018, Greenwich, London.
(Unpublished)
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2018)
“I am really glad and privileged that I shared my shit with you”.
Storytelling for Refuge, Storytelling As Refuge.
In: Storytelling for Refuge, Storytelling As Refuge, 12th Annual Storytelling Symposium of the George Ewart Evans Centre for Storytelling, University of South Wales, 6-7th April 2018, 6-7 April 2018, University of South Wales.
|
Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
FylmK.
Working Paper.
UNSPECIFIED.
(Unpublished)
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2018)
Final Cut: Here To Be Heard Puts The Slits On Film.
The Quietus, Rolling.
ISSN N/A
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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2018)
The hills are alive… with event cinema.
Arts Professional, The arts in rural areas (311).
|
Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Sound Design, Music and The Birth of Evil in Twin Peaks: The Return.
In: Music & The Moving Image, 27 May 2018, NYU, New York.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
FEMINISTS UNDER COMMUNISM?
Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Doing Women’s Film and Television History IV: Calling the Shots – Then, Now, and Next (Academic Conference), 23-25 May 2018, University of Southampton, Southampton, UK.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2018)
Sound and Music Use in Twin Peaks: The Return.
In: Sound and Storytelling, Dodge College, Chapman University, Los Angeles, USA.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2018)
From Visceral Style to Discourse of Resistance:
Reading Alka Sadat’s Afghan Documentaries on Violence Against Women.
In:
Female Agency and Documentary Strategies: Subjectivities, Identity, and Activism.
Edinburgh University Press, Edinurgh, pp. 137-155.
ISBN 9781474419475
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Bielak, Anna
(2017)
ORDERY NA POPLAMIONYCH SUKNIACH: ROZMOWA Z ANNĄ MISIAK.
dwutygodnik.com, 224.
ISSN 2299-8128
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Explore life in the South London community which gave birth to the Maccabees' sound in Elephant Days.
Directors Notes, Rolling.
ISSN N/A
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Galuszka, Kinga
(2017)
Woman under Communism: Rozmowa z Anna Misiak.
Film Pro: Magazyn dla profesjonalistow i pasjonatow kina, 31 (3).
pp. 42-46.
ISSN 2081-4178
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X and Backman Rogers, Anna
(2017)
MAI: Feminism & Visual Culture.
[Journal]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
‘Where Next? Envisioning a Layered and Cohesive Future for Academic/Industry Media
Projects.
In: Journal of Media Practice and MeCCSA Practice Network Annual Symposium: ‘Practice and/as media industry research’, June 8 2017, Bath Spa University.
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
Women & Film Under Communism: A Report from the Archive.
[Website]
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Harsh My Buzz: The Colossus Of Destiny: A Melvins Tale Reviewed.
The Quietus, Rolling.
ISSN N/A
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| Morris, David (2017) After The Sewol. [Media] (In Press) |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
'Wilderness'.
[Media]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2017)
Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014.
Journal of Italian Cinema & Media Studies, 5 (2).
pp. 267-271.
ISSN 2047-7368
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2017)
The Miscellaneous Chronicles of Gender Equality under Communism: Everyday Experiences of Polish Women as Filmed by Female Documentarians.
In: Visible Evidence XXIV, 2 August to 6 August 2017, Buenos Aires, Argentina.
Item availability may be restricted.
|
| Williams, Jeremy and Cane, Eli (2017) On a Knife Edge. [Media] (Unpublished) Item availability may be restricted. |
| Sullivan, Steve (2017) Being Frank: The Chris Sievey Story (Story consultant). [Media] (Unpublished) |
| Boljkovac, Nadine and Berressem, Hanjo, eds. (2017) Against Nature: Herzog’s Cinema. Bloomsbury, New York. ISBN TBD (In Press) Item not available from this repository. |
| Mackie, Mel (2016) RTS Student Networking Event: Breaking Into Media 2016. [Conference] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877 and Llinares, Dario
(2016)
Knowing Sounds: Podcasting As Academic Practice.
Journal Of Media Practice, Disruptive Media Special Edition.
ISSN 2040-0926
|
| Morris, David and Weinstein, Jonathan (2016) Guest Lecture at NYU TISCH. In: David Morris Guest Talk, 30/10/2016, TISCH, NYU, New York City, New York, USA.. (Unpublished) Item not available from this repository. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Black Stars: Belafonte, Poitier and a Long Overdue Celebration of Black Cinema.
Directors Notes, N/A.
ISSN N/A
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490, Guntuku, Sharath Chandra, Lin, Weisi and Ghinea, Gheorghita
(2016)
Do Personality and Culture Influence Perceived Video Quality and Enjoyment?
IEEE Transactions on Multimedia, 18 (9).
pp. 1796-1807.
ISSN 1520-9210
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Four Frames: Best In Show (Christopher Guest, 2000).
The Big Picture, N/A.
ISSN N/A
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2016)
Eno Remixed: Collaboration & Oblique Strategies.
In:
Brian Eno: Oblique Music.
Bloomsbury, London.
ISBN 978-1441155344
Item availability may be restricted.
|
| Morris, David (2016) O Outro Lado do Cartão-Postal (The Other Side of the Postcard). [Media] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Death Foretold is Not Death.
Directors Notes, N/A.
ISSN N/A
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Lost Classic: Black Orpheus (Marcel Camus, 1959).
The Big Picture, N/A.
ISSN N/A
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Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2016)
Katja Riemann Intro_KCL Event_Verena von Eicken.
In: An Evening with Katja Riemann, 17 May 2016, King's College London.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Landscape, Metaphors and Self-Distribution: The Tale of Brett & Simon Harvey’s ‘Brown Willy’.
Directors Notes, N/A.
ISSN N/A
|
| Nicholls, Katharine (2016) ‘The Cross Channel Film Lab’ case study. In: HEA Conference Inspire – sharing great practice in Arts and Humanities teaching and learning, Thursday, 3 March, 2016, The Waterfront Hotel Brighton BN1 2GS. Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
It is where you’re from: Re-negotiating the role of place in Hip Hop through documentary.
In: International Hip Hop Studies Conference, 23-25 June, 2016, University of Cambridge, Cambridge, UK.
Item availability may be restricted.
|
Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490
(2016)
Games and Game Jams: An Employability-First Approach to Educating Programmers.
In: Inspire to Succeed: Transforming Teaching and Learning in STEM (HEA), 28-29 January 2016, Nottingham, UK.
|
| Brandenburg, Heidi, Orzel, Mathew and Akbar, Taira (2016) When Two Worlds Collide (Story consultant). [Media] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
Screengem: General Mireau’s Sofa in Paths of Glory (Stanley Kubrick, 1957).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2016)
“Would you ask The Beatles that?” How Bob Dylan and The Beatles shaped perceptions of the music press [blog post].
[Website Content]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Head Music: Stop Making Sense Reassessed.
The Quietus, Rolling.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
We Made This Together: how Awesome; I Fuckin' Shot That! Foresaw Changes in the Live Concert Experience brought about by Social Media and Digital Technology.
In:
The Arena Concert: Music, Media and Mass Entertainment.
Bloomsbury, London, pp. 207-218.
ISBN 978-1-6289-2555-5
Item availability may be restricted.
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490, Spyridonis, Fotios and Ghinea, Gheorghita
(2015)
Designing for Designers: Towards the Development of Accessible ICT Products and Services using the VERITAS Framework.
Computer Standards & Interfaces, 42.
pp. 113-124.
ISSN 0920-5489
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Four Frames: The Immigrant (James Gray, 2014).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
#Noirvember: The Theming of Cinema & the End of Criticism.
Directors Notes, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Coffee & Celluloid: In Conversation with Bronco’s House Director Mark Jenkin.
Directors Notes, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Lost Classic: A Serious Man (Joel & Ethan Coen, 2009).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Paths to the Pantheon: Using the Education of Successful Filmmakers to Shape Film Education.
In: MECCSA 2016, 6-8 January, 2016, Canterbury Christchurch University, Kent, UK.
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
“I’m a Proponent of Change”: Penelope Spheeris and The Decline Of Western Civilization.
Directors Notes, N/A.
ISSN N/A
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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2015)
Be Here Steryear.
[Artwork]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
A Mirror To Nature: Genius, Disaster and the Legacies of Orson Welles.
Directors Notes, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Listen Up Philistines: Alex Ross Perry Interviewed.
The Quietus, N/A.
ISSN N/A
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490 and Ghinea, Gheorghita
(2015)
Reliability in the Assessment of Program Quality by Teaching Assistants During Code Reviews.
In: Proceedings of the 2015 ACM Conference on Innovation and Technology in Computer Science Education, July 6-8, 2015, Vilnius, Lithuania.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Lost Classic: Prince Avalanche (David Gordon Green, 2013).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Screengem: Telephones in Rififi (Jules Dassin, 1955).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Classrooms without teachers and film without borders: proactively responding to digital disruption in film education.
In: Media Education Summit, 20-21 November, 2015, Emerson College, Boston, USA.
Item availability may be restricted.
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Guntuku, Sharath Chandra, Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490, Huan, Yang, Ghinea, Gheorghita and Lin, Weisi
(2015)
The CP-QAE-I: A Video Dataset for Exploring the Effects of Personality and Culture on Perceived Quality and Affect in Multimedia.
In: Proceedings of the 7th International Workshop on Quality of Multimedia Experience, May 26-29, 2015, Costa Navarino, Messinia, Greece.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Four Frames: There Will Be Blood (Paul Thomas Anderson, 2007).
The Big Picture, N/A.
ISSN N/A
|
| Nicholls, Katharine (2015) ‘The Cross Channel Film Lab’ case study. In: Society of Animation Studies, Beyond the Frame, Canterbury, 2015, 13th - 16th July 2015, Augustine House, Canterbury, CT1 2YA (Christchurch University). (Unpublished) |
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2015)
Trapped by bureaucracy: Kieślowski, his masters and the making of Urzᶏd.
Short Film Studies, 5 (1).
pp. 21-25.
ISSN 20427824
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Morris, Christopher ORCID: https://orcid.org/0000-0001-6138-0324
(2015)
Fog of Sex.
UNSPECIFIED.
UNSPECIFIED.
Item availability may be restricted.
|
Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
(2015)
‘"I belong to the future": Timeslip Drama as History Production in The Georgian House and A Traveler in Time’.
In:
Time Travel in Popular Media: Essays on Film, Television, Literature and Video Games.
McFarland & Company, Jefferson, N.C., pp. 149-164.
ISBN 978-0-7864-7807-1
|
Canning, Laura ORCID: https://orcid.org/0000-0002-6270-0657 and Sweeney, Sheamus
(2015)
Not Your Feminist Daddy.
In: Console-ing Passions International Conference on Television, Video, Audio, New Media and Feminism, June 18-20 2015, Cornwall.
(Unpublished)
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877, Llinares, Dario and Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2015)
The Cinematologists.
UNSPECIFIED.
Item availability may be restricted.
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
We Made This Together: How Awesome; I Fuckin’ Shot That! Foresaw changes in the live concert experience brought about by digital technology and social media.
In: Popular Music and the Public Sphere, April 10, 2016, University of Chester, Chester, UK.
Item availability may be restricted.
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2015)
Sex and Paranoia – Movies, Satire and the brinks of War.
The Big Picture, N/A.
ISSN N/A
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Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2015)
salvage.
[Artwork]
|
Tarhini, Ali, Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490, Abbasi, Sujeet Kumar Sharma and Sharif, Muhammad
(2015)
Differences in Intention to Use Educational RSS Feeds Between Lebanese and British Students: A Multi-Group Analysis Based on the Technology Acceptance Model.
Electronic Journal of e-Learning, 13 (1).
pp. 14-29.
ISSN 1479-4403
|
| Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449 |
| Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Four Frames: The Royal Tenenbaums (Wes Anderson, 2001).
The Big Picture, N/A.
ISSN N/A
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
On Location: Manchester.
In:
Directory of World Cinema: Britain 2.
Directory of World Cinema
.
Intellect, Bristol, pp. 32-39.
ISBN 978-1-78320-397-0
Item availability may be restricted.
|
Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324
(2014)
The Essence of Agatha Christie.
[Media]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Juxebox Jarmusch: Jim at the Intersection of Music and Cinema.
Directors Notes, N/A.
ISSN N/A
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Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
(2014)
Style, Space And Seriality In Early Children’s Television Drama: Puck Of Pook’s Hill, Five Children And It (BBC, 1951) And Man In Armour (1951–1954).
Historical Journal of Film, Radio and Television, 34 (3).
pp. 345-356.
ISSN 1465-3451
|
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2014)
WORLD DOCUMENTARY CONFERENCE
FALMOUTH UNIVERSITY 2014.
[Conference]
|
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
New Joys: The Wonder Of Kelly Reichardt.
Directors Notes, N/A.
ISSN N/A
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490 and Ghinea, Gheorghita
(2014)
Measuring Enrichment: The Assembly and Validation of an Instrument to Assess Student Self-Beliefs in CS1.
In: Proceedings of the 10th ACM International Conference on Computing Education Research, August 11-13, 2014, Glasgow, UK.
|
| Misiak, Anna (2014) The Unstable Epistemological Territory of Roman Polanski's Cinema. Studies in Eastern European Cinema, 5 (2). pp. 211-213. ISSN ISSN: 2040-350X (Print) Item availability may be restricted. |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
Richard Lester Discusses A Hard Day's Night.
Clash Magazine, N/A.
ISSN N/A
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Morris, Chris ORCID: https://orcid.org/0000-0001-6138-0324 and Sheers, Owen
(2014)
Mametz.
[Performance]
|
Von Eicken, Verena ORCID: https://orcid.org/0000-0002-7773-848X
(2014)
Masculinity in Crisis? – What a Man (2011) and the German 'relationship comedy'.
New Cinemas, 12 (1+2).
pp. 76-96.
ISSN 14742756
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
“There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman.
Directors Notes, N/A.
ISSN N/A
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| Goch, Dylan, Rhys, Gruff and Ramasut, Catrin (2014) American Interior (Story consultant). [Media] |
Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2014)
We merely get in their way: The fierce chemistry of Herzog and Kinski.
The Big Picture, N/A.
ISSN N/A
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Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
(2014)
‘A Hero Mumsy’: Parenting, Power and Production Changes in The Sarah Jane Adventures.
In:
British Television Drama: Past, Present and Future.
Palgrave Macmillan, London, pp. 118-130.
ISBN 978-1-137-32757-4
Item availability may be restricted.
|
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2014)
Me Fish Bring.
[Artwork]
|
| Nicholls, Katharine (2014) Deep Presentation. In: Creative Animation Knowledge Exchange - C.A.K.E., 14th - 18th July 2014, Edge hill University, St Helens Road, Ormskirk, Lancashire, L39 4QP. (Unpublished) Item availability may be restricted. |
Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2014)
Gazing at the 'World without Women': Female Documentary Filmmakers in Socialist Poland.
In:
Dokumentarny film v krajinach V4/ Documentary film in V4 countries.
Vysoka skola muzickych umeni, Bratislava, pp. 56-77.
ISBN 978-80-89439-65-2
Item availability may be restricted.
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| Mulraney, Rosa (2014) 'Deep' Kiss Pre-production. [Artwork] Item availability may be restricted. |
Byard, Victoria ORCID: https://orcid.org/0000-0001-8107-4674
(2014)
An Adventure in Space and Time.
Foundation: The International Review of Science Fiction, 43 (117).
pp. 80-85.
ISSN 03064964
Item availability may be restricted.
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| Guthrie, Mark, Oxborrow, Stephen and Macneill, Marie (2014) THE DEAD SEA. UNSPECIFIED. Item availability may be restricted. |
Joule, Andy ORCID: https://orcid.org/0000-0003-2688-7263
(2013)
four and five.
[Artwork]
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Fox, Neil ORCID: https://orcid.org/0000-0002-2959-2877
(2013)
On Location: Macclesfield in Control (Anton Corbijn, 2007).
The Big Picture, N/A.
ISSN N/A
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2013)
Stone/Dubya: The Improbable President.
In: The Films of Oliver Stone Conference, November 2013, Rider University, Princeton, New Jersey.
(Unpublished)
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490 and Ghinea, Gheorghita
(2013)
Promoting Game Accessibility: Experiencing an Induction on Inclusive Design Practice at the Global Games Jam.
In: Proceedings of the Inaugural Workshop on the Global Games Jam, May 14, 2013, Chania, Crete.
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490 and Ghinea, Gheorghita
(2013)
Integrating Fantasy Role-Play into the Programming Lab: Exploring the 'Projective Identity' Hypothesis.
In: Proceeding of the 44th ACM Technical Symposium on Computer Science Education, March 6-9, 2013, Denver, CO, USA.
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Misiak, Anna ORCID: https://orcid.org/0000-0001-7153-944X
(2013)
Review: 'A Social History of Iranian Cinema, Vol.4: The Globalizing Era, 1984-2010'.
Transnational Cinemas, 4 (2).
ISSN Print ISSN: 2040-3526 Online ISSN: 2040-3534
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490
(2012)
A Monument to the Player: Preserving a Landscape of Socio-Cultural Capital in the Transitional MMORPG.
New Review of Hypermedia and Multimedia, 18 (4).
pp. 295-320.
ISSN 1361-4568
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Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490
(2012)
Vocalnayno: Designing a Game-Based Intervention to Support Reading Development in Primary Schools.
In: Proceedings of the 6th European Conference on Games-Based Learning, October 4-5, 2012, Cork, Ireland.
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Brown, Douglas ORCID: https://orcid.org/0000-0001-6662-6629
(2012)
Game-Playing-Role.
Doctoral thesis, Brunel University.
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Arachchilage, Nalin, Love, Steve and Scott, Michael ORCID: https://orcid.org/0000-0002-6803-1490
(2012)
Designing a Mobile Game to Teach Conceptual Knowledge of Avoiding 'Phishing Attacks'.
International Journal for e-Learning Security, 2 (1).
pp. 127-132.
ISSN 2046-4568
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305
(2011)
Oliver Stone's Improbable W.
In:
Presidents in the Movies: American History and Politics on Screen.
Palgrave Macmillan, London.
ISBN 978-0230113282
Item not available from this repository.
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Marshall, Kingsley ORCID: https://orcid.org/0000-0002-2518-7305, Shear, Tim and Truran, Chris
(2009)
AltDiss: Creativity, Reflection and TV Production Practice.
Media Education Research Journal, 1 (1).
pp. 79-84.
ISSN 2040-4530
Item not available from this repository.
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Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463
(2007)
Rural Revolution through Digital Media.
In:
Inclusion Through Media.
Goldsmiths / OpenMute, UK, pp. 220-235.
ISBN 1906496005
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| Peters, Camilla Filmmaker Margaret Tait: A Woman’s Voice in Context. Doctoral thesis, Falmouth University and University of the Arts London. Item availability may be restricted. |