Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas
(2024)
Through My Eyes.
[Performance]
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Cocker, Emma ORCID: https://orcid.org/0000-0002-2985-7839
(2024)
Dorsal Practices—Towards a Back-Oriented Being-in-the-World.
Humanities, 13 (2).
ISSN 2076-0787
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2024)
Hope, in the bleak mid - winter.
Theatre, Dance and Performance Training Journal, 15 (1).
pp. 1-6.
ISSN 1944-3919
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2024)
J.Lynch - Brythonic Problem, Live.
[Performance]
(Unpublished)
|
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2024)
Live Audience Accessibility & Augmentation – Exploring Inclusive Haptic Futures for Music Festivals.
In: ATLAS Conference, 26-28 June 2024, Breda.
Item availability may be restricted.
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Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323, Curtis, Mandy and Jones, Adam
(2024)
Audience perceptions of Deaf Rave DJ performances augmented with haptic vests at two UK music festivals.
In: AEME Forum 2024 - The Value of Events and Events Education, 3-4 July 2024, Sheffield Hallam University.
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2024)
Witching Sound in the Anthropocene (and Occultcene).
In:
The Witch Studies Reader.
Duke University Press, Durham, NC, USA, pp. 262-274.
ISBN 978-1-4780-3135-2
(In Press)
Item availability may be restricted.
|
| Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (8). ISSN 1352-8165 (In Press) Item availability may be restricted. |
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2024)
UK Science Festivals Network conference 2024.
In: UK Science Festivals Network conference 2024, 30th January 2024, STEAMhouse, Belmont Row, Birmingham B4 7RQ.
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Smith, Lindsay ORCID: https://orcid.org/0000-0001-8035-9379
(2023)
Embodying care: Trauma-informed practice in community dance.
Journal of Applied Arts and Health.
ISSN 2040-2465
Item availability may be restricted.
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip
(2023)
Noise Drawing No.4.
[Performance]
|
Parker, Will ORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2023)
POST- ensemble: workshop and performance at the 'Electronics Symposium'.
[Performance]
|
Williams, Emma, Glew, Sarah, Newman, Hannah, Kapka, Agneiska, Shaughnessy, Nicola, Herbert, Ruth, Walduck, Jackie, Foster, Annette, Cooke, Paul, Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Shaughnessy, Caitlin and Hugh‐Jones, Siobhan
(2023)
Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review.
Journal of Child Psychology and Psychiatry, 64 (12).
pp. 1735-1764.
ISSN 1469-7610
|
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2023)
Keynote Presentation at Access to Music Conference, Cheltenham Jazz Festival, 2024.
In: Access to Music, 03 May 2024, Cheltenham Jazz Festival, Montpellier Gardens, Cheltenham, UK.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2023)
Sounding the Museum.
In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2023)
Audiovisual Music Production: Influence of the Natural World on Process and Works.
[Project]
|
| Pugh, Jane (2023) A Re-imagining of Measure for Measure by West Cornwall Women’s Aid. [Project] (Unpublished) |
Rawlins, Trevor ORCID: https://orcid.org/0009-0007-6201-1126
(2023)
From Past to Present and the Future: As the conservatoire dies, what should replace it?
In: DramaHE conference 2023, 29th - 30th June 2023, University of Stafford.
(Unpublished)
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve
(2023)
Re:Voice.
[Performance]
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2023)
Through the Periscope: Microphone Character in Creative Studio Production.
In: Innovation in Music 2023 Conference, 30 June - 02 July, Edinburgh Napier University.
(Unpublished)
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2023)
J.Lynch - Work of Progress & Etudes.
[Composition]
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2023)
Family Tree portfolio.
UNSPECIFIED.
|
| Levinsky, Sarah (2023) ENCOUNTERS BETWEEN DANCE AND DIGITAL MEANING DISCOVERING POTENTIAL IN THE QUESTION OF MOVEMENT. Doctoral thesis, Falmouth University / University of the Arts London. |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2022)
circling, tumbling, dancing around: Back pieces.
Choreographic Practices, 13 (2).
pp. 145-163.
ISSN 2040-5669
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2022)
circling, tumbling, dancing around: Back pieces.
Choreographic Practices, 13 (2).
pp. 145-163.
ISSN 20405669
|
Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Morello and Mimesis: Genre Signifiers and Political Commentary.
In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina.
Item availability may be restricted.
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Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Conjuring Sound: Mimesis and Guitar Virtuosity.
In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia.
Item availability may be restricted.
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Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2022)
Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986).
In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania.
(Unpublished)
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip
(2022)
Noise Drawings 1, 3, & 2.
[Performance]
|
Clarke, Ciaran ORCID: https://orcid.org/0000-0002-5242-2550
(2022)
Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts.
[Media]
(Unpublished)
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena
(2022)
Orlando. Biografie (in translation: Orlando. Biographies).
[Performance]
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2022)
between Sol and sea and grey.
[Performance]
|
Stevens, Frankie ORCID: https://orcid.org/0000-0002-6178-6778
(2022)
Abyssal Noise: Representations of Death and Dying in Extreme Metal Music.
In:
Embodying the Music and Death Nexus: Consolations, Salvations, Transformations.
Emerald Interdisciplinary Connextions
.
Emerald Publishing, London, England..
ISBN ISBN : 1-80117-766-X ISBN : 9781801177672
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve
(2022)
Help! I Think I’m a Nationalist!
[Performance]
|
| Slater, Tom (2021) Drone Technologies and Dis/embodied Spaces: A practice-based enquiry into human-drone relationships through audiovisual art installation. Doctoral thesis, Falmouth University / University of the Arts London. |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2021)
J.Lynch The Tender Appropriation.
[Composition]
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2021)
The Tender Appropriation.
Difficult Art and Music, Bandcamp physical release.
ISBN N/A
Item availability may be restricted.
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian
(2021)
FEAST: Ingredients of Us.
[Performance]
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur
(2021)
Autopia: An AI collaborator for live networked computer music performance.
In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.
|
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian
(2021)
We've Been Here.
[Media]
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2021)
The Politics of Medium Specificity.
In: The Politics of Medium Specificity, 5 May, 2021, Centre for the Study of the Networked Image, London South Bank University.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2021)
Music and contemporaneity: Temporality and scale in a globalised present.
In: BSA Annual Conference 2021 - Remaking the Future, 13-15 April, 2021, Online.
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2021)
Listening for baselines beyond anthropophony:
an interview with Bernie Krause.
[Website Content]
|
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2021)
Shandyland - Pint Size.
[Performance]
Item availability may be restricted.
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon
(2021)
Speaker Park: An intersection of loudspeaker design and post-acousmatic composition.
In:
Innovation in music: Future opportunities.
Perspectives on Music Production
.
Routledge, Abingdon.
ISBN 9780367363352
Item availability may be restricted.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2020)
Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’.
Journal of Media Art, Study and Theory, 1 (2).
pp. 264-273.
ISSN na
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2020)
From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance).
In:
Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century.
Dance Books, Hampshire.
ISBN 978-1852731816
Item availability may be restricted.
|
| Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted. |
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2020)
Dark Sound: Feminine Voices in Sonic Shadow.
Ex-centrics
.
Bloomsbury, New York.
ISBN 9781501325809
(In Press)
Item availability may be restricted.
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2020)
3 Em[bed]ding circle.
[Performance]
|
Hilmi, Adem ORCID: https://orcid.org/0000-0002-0339-9833
(2020)
88-108.
[Exhibition]
|
| Williams, Frances (2020) Looking away: Failure, Embarrassment and Mis-attention in a Performance-related Artistic Practice. Doctoral thesis, University of the Arts London, Falmouth University. |
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2020)
Working low: activating the horizontal plane.
In:
Body, Space, and Place in Collective and Collaborative Drawing: Drawing Conversations II (Hardback).
Drawing Conversations
.
Cambridge Scholars Publishing, Cambridge.
ISBN 9781527541962
Item availability may be restricted.
|
| Slater, Tom (2019) Illusory Contours. [Media] (In Press) |
Blonska, Agnieszka ORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria
(2019)
DEVILS (Diably).
[Performance]
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip
(2019)
Still Every Year They Went.
[Composition]
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary
(2019)
"Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par.
In:
Routledge Companion to Dance Studies.
Routledge Companion
.
Routledge, London/Abingon, pp. 471-487.
ISBN 9781138234581
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew
(2019)
Autopia: An AI Collaborator for Live Coding Music Performances.
In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2019)
Clatter.
[Composition]
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2019)
Across Voids: An Interactive Experience on Grief.
[Media]
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2019)
J.Lynch - Skipholt 31.
[Composition]
Item availability may be restricted.
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
and a body turns.
[Exhibition]
Item availability may be restricted.
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen
(2019)
ANTI Contemporary Art Festival 2019: Death.
[Exhibition]
|
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2019)
Shandyland by Gareth Farr.
[Performance]
(Submitted)
Item availability may be restricted.
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
Translucent surface/Quiet body, redistributed.
Journal for Artistic Research JAR, 2019 (18).
ISSN 2235-0225
|
Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
The Crackle of Contemporaneity.
In:
Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research.
Leuven University Press, Belgium.
ISBN 9789462701830
Item availability may be restricted.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
Beyond 'Theory' and 'Practice' in Artistic Research.
In:
Theorem.
Ruskin Arts Press, Cambridge.
ISBN 9781912319008
Item availability may be restricted.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology.
Leonardo, 52 (3).
ISSN 0024-094X
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2019)
Dead Animals
Ontologies of recorded songs through the analogue of taxidermy.
Performance Research, 24 (1).
pp. 115-119.
ISSN 1352-8165
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
Is “New Music” Contemporary Art?
In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2019)
Liveness and Interactivity in Popular Music.
In:
Innovation in Music Performance, Production, Technology, and Business, 1st Edition.
Routledge, Abingdon.
ISBN 9781138498198
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John
(2019)
Autopia: An AI Collaborator for Gamified Live Coding Music Performances.
In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
La condition contemporaine': Contribution à une réflexion en course.
In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2019)
Can Music be Contemporary?
In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
Writing body/annotating gesture.
In: Annual Conference SAR 10, March 2019, Zurich University of the Arts.
|
Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Musical Arts at Dartington.
Theatre, Dance and Performance Training, 9 (3).
pp. 393-395.
ISSN 1944-3927
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2018)
Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest.
Theatre, Dance and Performance Training, 9 (3).
pp. 431-444.
ISSN 1944-3927
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Postcard: Site-Specific Music at Dartington.
Theatre, Dance and Performance Training, 9 (3).
p. 398.
ISSN 1944-3927
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2018)
J.Lynch - Extended Play.
[Composition]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2018)
ANTI Contemporary Art Festival 2018: Games and Play.
[Exhibition]
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose
(2018)
Anthropocene: The Human Epoch
Original Soundtrack.
[Composition]
Item availability may be restricted.
|
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2018)
I'm No Genre Nazi but these guys are the least black metal doom band ever.
In: Crosstown Traffic, September 2018, Huddersfield University.
(Unpublished)
|
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2018)
Industry perceptions of potential digital futures for live performance in the staging and consumption of music festivals.
In:
The Routledge Handbook of Festivals.
Routledge, Abingdon, pp. 406-416.
ISBN 9781138735811
|
Hall, John and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2018)
Towards Song: Reshaping Spoken Lyric.
Performance Research, 23 (2).
pp. 100-106.
ISSN 1352-8165
|
| Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University. |
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2018)
Multi-tool suite of pieces for vocals, guitar and interactive system.
[Composition]
|
Nolan, Ryan ORCID: https://orcid.org/0000-0003-2109-6008
(2018)
Beyond the dichotomy of 'theory' and 'practice' in artistic research.
In: Theorem 2018, Cambridge School of Art.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Making Solo Performance.
Palgrave Macmillan, London.
ISBN 978-1-137-60326-5
Item availability may be restricted.
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2018)
The Blackened Affect: Affect and Production in Black Metal.
In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2018)
Going Solo: Dr MIsri Dey discusses the past, present and future of solo performance.
Chichester Festival Theatre Programme, 1.
ISSN N/A
Item availability may be restricted.
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget
(2018)
Weaving intuitive illegitimate improvisation.
Liminalities: Unforseen Encounters, 14 (1).
pp. 90-109.
ISSN 1557-2935
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo
(2018)
Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance.
In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris.
(Unpublished)
Item availability may be restricted.
|
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2018)
Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals.
In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
|
Rofe, Michael, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929 and Parker, Will
(2017)
Online Orchestra - Connecting Remote Communities through Music.
Journal of Music, Technology and Education, 10 (2-3).
pp. 147-166.
ISSN 17527066
Item availability may be restricted.
|
| Rofe, Michael and Reuben, Federico (2017) Telematic Performance and the Challenge of Latency. Journal of Music, Technology and Education, 10 (2-3). pp. 167-184. ISSN 17527066 |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2017)
Moving Dramaturgy.
[Performance]
Item availability may be restricted.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reuben, Federico, Biscoe, Ian and Rofe, Michael
(2017)
Designing a System for Online Orchestra - Computer Hardware and Software.
Journal of Music, Technology and Education, 10 (2-3).
pp. 185-196.
ISSN 17527066
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2017)
Designing a System for Online Orchestra - Peripheral Equipment.
Journal of Music, Technology and Education, 10 (2-3).
pp. 197-212.
ISSN 17527066
|
Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Rofe, Michael
(2017)
Designing a System for Online Orchestra - Microphone Evaluation and Cost-Benefit Analysis.
Journal of Music, Technology and Education, 10 (2-3).
pp. 213-230.
ISSN 17527066
|
Rofe, Michael and Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186
(2017)
Composing for a Latency-Rich Environment.
Journal of Music, Technology and Education, 10 (2-3).
pp. 231-256.
ISSN 17527066
|
Rofe, Michael, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Hodsdon, Laura ORCID: https://orcid.org/0000-0002-0817-4852
(2017)
Experiencing Online Orchestra - Communities, Connections and Music-Making through Telematic Performance.
Journal of Music, Technology and Education, 10 (2-3).
pp. 257-276.
ISSN 17527066
|
Hargreaves, Jon ORCID: https://orcid.org/0000-0002-6230-8436
(2017)
Notes from the Podium of an Online Orchestra.
Journal of Music, Technology and Education, 10 (2-3).
pp. 277-287.
ISSN 17527066
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2017)
The Network as Niche.
Journal of Music, Technology and Education, 10 (2-3).
pp. 289-303.
ISSN 17527066
|
Rofe, Michael and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2017)
Online Orchestra - Special Issue of Journal of Music, Technology and Education.
[Journal]
Item availability may be restricted.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2017)
Ringing the Changes.
In:
Soundscapes and Sound Identities.
Soundscapes
.
Galaad Edizioni, Teramo, Italy, pp. 203-219.
ISBN 9788898722501
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2017)
ANTI Contemporary Art Festival 2017: Water.
[Exhibition]
|
| Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland.. |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2017)
Unresolved Differences : Choreographing Community in Cross-generational Dance Practice.
Doctoral thesis, University of the Arts London, Falmouth University.
Item availability may be restricted.
|
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323 and Randell, James
(2017)
How can a professional box office system be utilised as a learning vehicle for events management students?
In: AEME Conference 2017, 4th July 2017, Cardiff Metropolitan University.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2017)
Can you train on your own? How?
Theatre, Dance and Performance Training Journal, 8 (1).
pp. 105-108.
ISSN 1944-3927
|
Saario, Antti ORCID: https://orcid.org/0000-0002-2912-1354
(2017)
Public Dreaming: Europe. Almost. A Fantasy.
[Composition]
Item availability may be restricted.
|
| Gough, Richard (2017) Richard Gough and Polish Theatre – A Forty-year Encounter "Teatr" no 3/2017 (1192). Teatr - Polish Theatre Journal, "Teatr" no 3/2017 (1192) (1192). ISSN 0040-0769 Item availability may be restricted. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2017)
Stage Flight - Runner's World article.
Runner's World, March 2017.
ISSN 0897-1706
Item availability may be restricted.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2016)
Loudspeaker Listening: Tabula Rasa or Augmented Reality.
Leonardo Music Journal, 26.
pp. 3-6.
ISSN 0961-1215
|
| Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository. |
Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G
(2016)
Last Act Of Rebellion at Compass Festival, Leeds 2016.
[Performance]
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna
(2016)
what remains and is to come.
[Performance]
Item availability may be restricted.
|
Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929
(2016)
Online Orchestra Scalability Study.
In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth.
(Unpublished)
|
Macfarlane, Cecilia and Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2016)
ANY AGE, ANY BODY, ANY DANCE.
Foundation for Community Dance, Leicester.
ISBN 978-1898409366
|
| Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository. |
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2016)
Halloween, Witchcraft and the Power of Spells.
[Media]
Item not available from this repository.
|
Hayman, Darren and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2016)
Herodsfoot, Cornwall - Thankful Villages #16.
[Composition]
|
| Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry
(2016)
Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts.
Cambridge Scholars Publishing, Newcastle upon Tyne.
ISBN 978-1-4438-9888-1
|
Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186, Singh-Barmi, Kuldip, Biscoe, Ian, Cesar, Pablo, Jansen, Jack, Wang, Chen and Kaiser, Rene
(2016)
Co-Present and Remote Audience Experiences: Intensity and Cohesion.
Multimedia Tools and Applications, 2016.
pp. 1-34.
ISSN 1380-7501
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2016)
She's only doing this: scores.
Theatre Dance and Performance Training, 9 (2).
pp. 190-192.
ISSN 1944-3927 print
|
| Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2016)
Of This Parish - Artist Talk.
In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
|
| Standen, Verity (2016) HUG. [Performance] |
| Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository. |
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy
(2016)
Hollow Vertices: A performance environment for live coding and interactive media.
[Performance]
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2016)
Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University.
NIME 2016, 2016.
pp. 265-270.
ISSN 2220-4806
|
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2016)
BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'.
UNSPECIFIED.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip
(2016)
Farewell to Grogg.
UNSPECIFIED.
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2016)
drone bølge.
[Composition]
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2016)
Church Belles.
[Composition]
|
| Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press) |
| Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository. |
| Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted. |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2016)
Of This Parish: Creative Placemaking.
In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.
|
Farr, Gareth ORCID: https://orcid.org/0000-0001-9629-4899
(2016)
The Quiet House.
[Performance]
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip
(2016)
'Still Every Year They Went': Studio performance at sea.
Performance Research, 21 (2).
pp. 79-80.
ISSN ISSN 1469-9990
Item availability may be restricted.
|
| Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted. |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2016)
Field of Play:End of the Game.
[Exhibition]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2016)
To Intercession.
[Exhibition]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2016)
Beings & Things, at Playing-UP The Symposium, Tate Modern.
In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London.
|
| Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted. |
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2016)
Retro Rock & Heavy History.
In:
Global Metal Music and Culture: Current Directions in Metal Studies.
Routledge Studies in Popular Music
.
Routledge, London, pp. 297-310.
ISBN 9781315742816
|
| Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository. |
| Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository. |
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2016)
Sure Lines? Reflections on Dramaturgy in participatory dance and performance.
'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1).
pp. 20-23.
ISSN 0969-7225
|
| Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance] |
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2016)
Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition.
The International Journal of Screendance, 6 (Spring).
pp. 166-177.
ISSN 2154-6878
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2016)
ANTI Contemporary Art Festival 2016: Winter.
[Exhibition]
|
| Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished) |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2016)
Weather and Imagination, 2016 ANTI International Seminar.
[Conference]
|
Murray, Samuel J ORCID: https://orcid.org/0000-0003-1574-4929
(2016)
Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin.
In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University.
(Unpublished)
Item not available from this repository.
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2016)
Adventures in promoting equality and accessibility in computer music through live coding.
Project Report.
UNSPECIFIED.
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2015)
Future World.
[Composition]
Item availability may be restricted.
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2015)
Translucent surface/Quiet body.
Performance Research, 20 (6).
pp. 101-105.
ISSN 1352-8156 print
|
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799 |
| Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799 |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2015)
Spiral at Compass Festival, Leeds.
[Performance]
|
| Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED. |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2015)
Transient Parish.
[Exhibition]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2015)
Art of Endurance, 2015 ANTI International Seminar.
[Conference]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2015)
ANTI Contemporary Art Festival 2015: Running Programme.
[Exhibition]
|
| Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 |
| Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 |
| Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository. |
| Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada. |
| Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032 |
Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian
(2015)
Online Orchestra.
Project Report.
UNSPECIFIED.
|
Rofe, Michael, Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Reuben, Federico
(2015)
The Online Orchestra: Connecting Remote Communities through Music.
[Performance]
|
Waite, Simon ORCID: https://orcid.org/0000-0002-5252-4397
(2015)
Reimagining the Computer Keyboard as a Musical
Interface.
NIME 2015, 2015.
pp. 168-169.
ISSN 2220-4806
|
Whelan, G ORCID: https://orcid.org/0000-0001-5434-5985 and Andrews, P
(2015)
Unruly Runnings: On track with identity and difficulty.
In: Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association of Medical Humanities Conference, 23/06/15 - 25/06/15, Darlington Hall.
|
Bleakley, Alan, Lynch, Larry, Taylor, Kerry, Whalley, Joanne, Fussell, Ian, Marshal, Robert and Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2015)
Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association for Medical Humanities Conference 2015.
[Conference]
|
| Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository. |
Reeder, Philip and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2015)
Project Report: 'still every year they went'.
In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University.
(Unpublished)
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip
(2015)
Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished).
In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University.
(Unpublished)
|
| Gough, Richard (2015) On Ruins and Ruination - Co-Edited issue of Performance Research Volume 20 Issue 3. [Journal] Item availability may be restricted. |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2015)
Of This Parish: Project Report and Panel Discussion.
In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham.
Item not available from this repository.
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2015)
289ms Away.
[Exhibition]
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2015)
Dark Sound: Destructive Pop 2015.
[Conference]
|
| Reeder, Philip (2015) Hayle Churks Music Composition. [Composition] |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445
(2015)
Shaking and Faking It: when is a vibrato not a vibrato?
In: Giving Voice, International Festival of the Voice, Centre for Performance Research, April 10 - 18th 2015, Falmouth University.
Item not available from this repository.
|
| Meunier, Danielle (2015) 'Intersections of Neuroscience & Voice Training' presentation delivered at Giving Voice Festival 2015: Listening Mind, Moving Voice. In: Giving Voice Festival 2015: listening mind, moving voice, 10-18 April 2015, Falmouth University, Penryn Campus, Penryn, Cornwall, UK. Item availability may be restricted. |
| Myers, Misha, Crow, Frances, Persighetti, Simon, Frears, Lucy, Garwood, Gemma, Arnold, Bram and Qualmann, Clare (2015) Where to? Steps to the Future of Walking Arts. [Conference] |
Bossey, Adrian ORCID: https://orcid.org/0000-0002-9874-6323
(2015)
How do the personal backgrounds, experiences, attributes and entrepreneurial motivations of students and graduates from Falmouth University influence their decision to engage in entrepreneurial activity?
In: AEME 12th Annual Conference, 15 & 16 July 2015, AMATA, Falmouth University.
(Unpublished)
Item availability may be restricted.
|
| Condron, Aiden (2015) 'Worstward Ho' adapted for the stage by Aiden Condron in collaboration with Mouth on Fire Theatre. [Performance] |
| Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository. |
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2015)
The Taxidermist (Thirty Pounds of Bone).
[Composition]
Item availability may be restricted.
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria
(2015)
Solo Contemporary Performance Forum Website.
[Website]
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2015)
True West by Lone Twin & The Table.
[Performance]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2015)
Ringing the Changes: An Investigation into Sounds and Power.
In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy.
(Unpublished)
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2014)
Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice.
Journal of Dance and Somatic Practices, 6 (2).
pp. 175-187.
ISSN 17571871
|
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Framing the Gap: Contact (and) Improvisation.
The Journal of Dance and Somatic Practices, 6 (2).
ISSN 17571871
|
| Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted. |
| Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished) |
| Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521 |
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2014)
Report.
[Performance]
|
Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2014)
Wildworks 100: The Day Our World Changed/ 100:UnEarth.
[Performance]
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna
(2014)
What remains and is to come: a document.
Middlesex University, London UK.
ISBN 9781859243329
|
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2014)
Very Good Plus.
In: Musical Materialities, University of Sussex.
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2014)
The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running.
In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.
|
Birch, Simon ORCID: https://orcid.org/0000-0002-5059-2636
(2014)
Transmission.
[Performance]
Item not available from this repository.
|
Ferrett, D ORCID: https://orcid.org/0000-0001-8421-6308
(2014)
Improvising Themes of Abjection with Maggie Nicols.
Performance Research: A Journal of the Performing Arts, 19 (1).
pp. 81-90.
ISSN 1352-8165
Item availability may be restricted.
|
Poole, Simon ORCID: https://orcid.org/0000-0002-6383-4243
(2014)
The Vinyl Frontier.
In: Pop Life, University of Northampton.
|
Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255
(2014)
kulør.
[Composition]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2014)
Of This Parish [Film].
[Media]
|
| Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137 |
| Otter Bickerdike, Jennifer (2014) It Ain't Over ...Till It's Over. In: It Ain't Over Till Its Over. Atria, New York. ISBN 1476739919 |
Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim
(2014)
Free as in BEER: Some
Explorations into
Structured Improvisation
Using Networked
Live-Coding Systems.
Computer Music Journal, 38 (1).
pp. 54-64.
ISSN 0148-9267
|
Norman, Kyra ORCID: https://orcid.org/0000-0002-9634-7564
(2014)
Still, Moving: Reflecting on All This Can Happen.
The International Journal of Screendance, Volume 4 (Fall).
pp. 177-182.
ISSN 2154-6878
|
| Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished) |
Dey, Misri ORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika
(2014)
Contact [and] Improvisation.
[Journal]
Item availability may be restricted.
|
| Reeder, Philip (2014) Chopped and Stretched. [Media] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa
(2014)
ANTI Contemporary Art Festival 2014 - 2016.
[Exhibition]
|
| Otter Bickerdike, Jennifer (2013) The 360 Deal. In: The 360 Deal. New Music Strategies, London. ISBN 1780976186 |
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
(2013)
Chroma: Interactions of Noise.
[Exhibition]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2012)
Organ of Corti: A Listening Device.
Leonardo Music Journal, 22.
p. 55.
ISSN ISSN: 0961-1215
|
| Otter Bickerdike, Jennifer (2012) Spirit of Talk Talk. In: Spirit of Talk Talk. Rocket 88, London. ISBN 190661539X |
| Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521 |
| Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3 |
Wilson, Scott, Lorway, Norah ORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa
(2012)
Stirring up Pea Stew: A Network Feedback Structure for Live Coding.
In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.
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| Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985
(2012)
Running Through A Field: Performance and Humanness.
Performance Research: A Journal of the Performing Arts, 17 (2).
ISSN 1352-8165
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2012)
The Ship's Log.
[Composition]
Item not available from this repository.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2012)
Have Done with the Celtic Phantom.
[Composition]
Item not available from this repository.
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2011)
The Boat Project.
[Project]
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2011)
Five Songs: more than a metaphor.
Animated, Winter.
ISSN 0969-7225
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2010)
The Cochlea Unwound: A case study for a listening aid using a sonic crystal.
Performance Research, 15 (3).
pp. 95-102.
ISSN 13528165
|
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary
(2010)
Beastie 2010 - 2017.
[Performance]
|
Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2010)
Dance and Age Inclusive Practice.
Foundation for Community Dance, unknown.
ISBN 978-1-898409-09-0
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2010)
Method.
[Composition]
Item not available from this repository.
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Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2009)
And They Go Down To It In Ships.
[Composition]
Item not available from this repository.
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Pethybridge, Ruth ORCID: https://orcid.org/0000-0002-6082-5843
(2008)
Un Abrazo Sin Tiempo.
Animated, Autumn.
ISSN 0969-7225
|
| Reeder, Philip (2007) Whisper. [Media] |
Whelan, Gregg ORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna
(2007)
ANTI Contemporary Art Festival 2007 - 2013.
[Exhibition]
|
Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2007)
A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening.
In:
In the Place of Sound.
Cambridge Scholars Publishing, Newcastle, pp. 125-134.
ISBN 9781847183750
Item availability may be restricted.
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2006)
The Homesick Children of Migrant Mothers.
[Composition]
Item not available from this repository.
|
Crow, Frances and Prior, David ORCID: https://orcid.org/0000-0002-8750-445X
(2003)
Swash: A Case Study.
Earshot, 4.
pp. 17-21.
ISSN 1471-4183
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