Items where Division is "Academy of Music & Theatre Arts"

Number of items at this level: 242.

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Cannell, Tori, Clarke, Ciaran, Williams, Ellie and Carey, Seamas (2024) Through My Eyes. [Performance]
[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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[thumbnail of 'Through My Eyes' photo: Steve Tanner]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 and Cocker, Emma ORCID logoORCID: https://orcid.org/0000-0002-2985-7839 (2024) Dorsal Practices—Towards a Back-Oriented Being-in-the-World. Humanities, 13 (2). ISSN 2076-0787
[thumbnail of Journal Article]
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2024) Hope, in the bleak mid - winter. Theatre, Dance and Performance Training Journal, 15 (1). pp. 1-6. ISSN 1944-3919 Item availability may be restricted.
[thumbnail of Journal editorial]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2024) J.Lynch - Brythonic Problem, Live. [Performance] (Unpublished)
[thumbnail of JLynch_ElectronicSymposium2_Mar24.zip] [thumbnail of Musicians performing]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2024) Live Audience Accessibility & Augmentation – Exploring Inclusive Haptic Futures for Music Festivals. In: ATLAS Conference, 26-28 June 2024, Breda. Item availability may be restricted.
[thumbnail of ATLAS Book of Abstracts] [thumbnail of ATLAS Programme]

Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323, Curtis, Mandy and Jones, Adam (2024) Audience perceptions of Deaf Rave DJ performances augmented with haptic vests at two UK music festivals. In: AEME Forum 2024 - The Value of Events and Events Education, 3-4 July 2024, Sheffield Hallam University.
[thumbnail of AEME Presentation]
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[thumbnail of AEME Programme and Abstracts]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2024) Witching Sound in the Anthropocene (and Occultcene). In: The Witch Studies Reader. Duke University Press, Durham, NC, USA, pp. 262-274. ISBN 978-1-4780-3135-2 (In Press) Item availability may be restricted.
[thumbnail of Chapter]

Levinsky, Sarah (2024) Choreographic Explorations in the Middle and the Excess: Turning habit into potential with Tools that Propel. Performance Research, 28 (8). ISSN 1352-8165 (In Press) Item availability may be restricted.
[thumbnail of Levinsky - Choreographic explorations]

Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2024) UK Science Festivals Network conference 2024. In: UK Science Festivals Network conference 2024, 30th January 2024, STEAMhouse, Belmont Row, Birmingham B4 7RQ.
[thumbnail of UK SFNC Eventbrite Accessibility Image]
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[thumbnail of UK SFNC Eventbrite overview image]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 and Smith, Lindsay ORCID logoORCID: https://orcid.org/0000-0001-8035-9379 (2023) Embodying care: Trauma-informed practice in community dance. Journal of Applied Arts and Health. ISSN 2040-2465 Item availability may be restricted.
[thumbnail of JAAH 15.1_art_Pethybridge[36] (1).docx]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2023) Noise Drawing No.4. [Performance]
[thumbnail of Noise Drawing No 4]
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Parker, Will ORCID logoORCID: https://orcid.org/0009-0003-9967-0169 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) POST- ensemble: workshop and performance at the 'Electronics Symposium'. [Performance]
[thumbnail of Footage of the POST- performance at the Electronics Symposium]
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[thumbnail of Score for POST- workshop at the Electronic Symposium]
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Williams, Emma, Glew, Sarah, Newman, Hannah, Kapka, Agneiska, Shaughnessy, Nicola, Herbert, Ruth, Walduck, Jackie, Foster, Annette, Cooke, Paul, Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843, Shaughnessy, Caitlin and Hugh‐Jones, Siobhan (2023) Practitioner Review: Effectiveness and mechanisms of change in participatory arts‐based programmes for promoting youth mental health and well‐being – a systematic review. Journal of Child Psychology and Psychiatry, 64 (12). pp. 1735-1764. ISSN 1469-7610
[thumbnail of Child Psychology Psychiatry - 2023 - Williams - Practitioner Review  Effectiveness and mechanisms of change in (1).pdf]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2023) Keynote Presentation at Access to Music Conference, Cheltenham Jazz Festival, 2024. In: Access to Music, 03 May 2024, Cheltenham Jazz Festival, Montpellier Gardens, Cheltenham, UK.
[thumbnail of Access to Music Slide]
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[thumbnail of Keynote presentation from Adrian Bossey at Access to Music Conference]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2023) Sounding the Museum. In: DRHA Conference 2023, 10-13 September 2023, Turin, Italy.
[thumbnail of 231010_DPRIOR_DHRA2023_Sounding the Museum.pdf]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2023) Audiovisual Music Production: Influence of the Natural World on Process and Works. [Project]
[thumbnail of Waite2023_AudiovisualProduction_NatWorldProcess&Works.pdf]
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[thumbnail of Euclid]
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Pugh, Jane (2023) A Re-imagining of Measure for Measure by West Cornwall Women’s Aid. [Project] (Unpublished)
[thumbnail of Documentation of Participatory Arts Project]

Rawlins, Trevor ORCID logoORCID: https://orcid.org/0009-0007-6201-1126 (2023) From Past to Present and the Future: As the conservatoire dies, what should replace it? In: DramaHE conference 2023, 29th - 30th June 2023, University of Stafford. (Unpublished)
[thumbnail of DramaHE conference 2023 paper presentation]

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Abbott, Vicky, Fletcher, Jennifer, Pharo, Joshua, Macara, Julie, Tonietto, Claud, Bunker, Charlie, King, Louis, Hooper, Pete, Scarle, James, Meyrick, Ollie, Monk, Denzil ORCID logoORCID: https://orcid.org/0000-0002-8658-9463, Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852, Frears, Lucy, Vautier, Gabby, Megaw, Neal and Tanner, Steve (2023) Re:Voice. [Performance]
[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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[thumbnail of Re:Voice, Tate St. Ives, April 2023]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2023) Through the Periscope: Microphone Character in Creative Studio Production. In: Innovation in Music 2023 Conference, 30 June - 02 July, Edinburgh Napier University. (Unpublished)
[thumbnail of In Music 2023 Periscope]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2023) J.Lynch - Work of Progress & Etudes. [Composition]

Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2023) Family Tree portfolio. UNSPECIFIED.
[thumbnail of Family Tree porfolio.pptx] [thumbnail of Framing Statement for Family Tree Tour Pack Taster film and article (2).docx]

Levinsky, Sarah (2023) ENCOUNTERS BETWEEN DANCE AND DIGITAL MEANING DISCOVERING POTENTIAL IN THE QUESTION OF MOVEMENT. Doctoral thesis, Falmouth University / University of the Arts London.
[thumbnail of LEVINSKY, S Thesis_Encounters Between Dance and Digital Meaning.pdf]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2022) circling, tumbling, dancing around: Back pieces. Choreographic Practices, 13 (2). pp. 145-163. ISSN 2040-5669
[thumbnail of circling, tumbling, dancing around_BACK-NOTES_acceoted version_2022_K.Brown.pdf]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2022) circling, tumbling, dancing around: Back pieces. Choreographic Practices, 13 (2). pp. 145-163. ISSN 20405669
[thumbnail of A text-image artist essay]
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Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Morello and Mimesis: Genre Signifiers and Political Commentary. In: 13TH INTERNATIONAL SYMPOSIUM “MUSIC IN SOCIETY”, 7th-10th December 2022, Sarajevo, Bosnia and Herzegovina. Item availability may be restricted.
[thumbnail of Morello and Mimesis_Sam Murray.pdf]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Conjuring Sound: Mimesis and Guitar Virtuosity. In: Psychology and Music – Interdisciplinary Encounters, October 26th-29th 2022, Belgrade, Serbia. Item availability may be restricted.
[thumbnail of Mimesis and Guitar Virtuosity_Sam Murray.pdf]

Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2022) Layers of Virtuosity: Guitar Performance in Walter Hill’s Crossroads (1986). In: The Biennial Baltic Musicological Conference Music and Visual Culture: Score, Stage & Screen, 6-8 October 2022, Vilnius, Lithuania. (Unpublished) Item availability may be restricted.
[thumbnail of Layers of Virtuosity_Sam Murray.pdf]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Singh-Barmi, Kuldip (2022) Noise Drawings 1, 3, & 2. [Performance]
[thumbnail of Noise Drawings 1, 3, & 2]
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Clarke, Ciaran ORCID logoORCID: https://orcid.org/0000-0002-5242-2550 (2022) Reviver Voce: The Voice, Technology, and Death - Accompanying Media Artefacts. [Media] (Unpublished)
[thumbnail of Barbara Altounyan - Interview for Reviver Voce project] [thumbnail of Home video: Ballysally Road]

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Bielawka, Klara, Brykalski, Arkadiusz, Czerwinski, Anu, Kedziora, Karolina, Kozyra, Katarzyna, Le Puke, Pepe, Szwan, Lulla-Andrzej, Robaszkiewicz, Maria, Rutkowska, Filipka, Byrska, Olga, Bednarek, Krysia, Ślesiński, Arek, Sienicki, Artur, Szewczak, Leopold, Daab, Adam and Zaremba, Bozena (2022) Orlando. Biografie (in translation: Orlando. Biographies). [Performance]
[thumbnail of Orlando. Biographies  photo: M. Hueckel]
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[thumbnail of Orlando. Biographies  photo: M. Hueckel]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2022) between Sol and sea and grey. [Performance]
[thumbnail of between Sol and sea Tate St. Ives]
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[thumbnail of between Sol and sea 2]
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Stevens, Frankie ORCID logoORCID: https://orcid.org/0000-0002-6178-6778 (2022) Abyssal Noise: Representations of Death and Dying in Extreme Metal Music. In: Embodying the Music and Death Nexus: Consolations, Salvations, Transformations. Emerald Interdisciplinary Connextions . Emerald Publishing, London, England.. ISBN ISBN : 1-80117-766-X ISBN : 9781801177672
[thumbnail of Book chapter]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Carey, Seamas, McDonald, Rebecca, King, Louis, Bunker, Charlie and Tanner, Steve (2022) Help! I Think I’m a Nationalist! [Performance]
[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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[thumbnail of Help! I Think I’m a Nationalist! photo by Steve Tanner]
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Slater, Tom (2021) Drone Technologies and Dis/embodied Spaces: A practice-based enquiry into human-drone relationships through audiovisual art installation. Doctoral thesis, Falmouth University / University of the Arts London.
[thumbnail of Tom Slater PhD Thesis_final submission_24-11-21.pdf]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) J.Lynch The Tender Appropriation. [Composition]
[thumbnail of composition, production and text in form of cassette, A5 book, and download.]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2021) The Tender Appropriation. Difficult Art and Music, Bandcamp physical release. ISBN N/A Item availability may be restricted.
[thumbnail of A miniature book that accompanies and explicates in part, the compositions of this project]

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Fatehi Irani, Tara, Hofer, Ilona, Jovanović, Mathilde, Tewfik Bailey, Nadia Louise and Tan, Gillian (2021) FEAST: Ingredients of Us. [Performance]
[thumbnail of FEAST: Ingredients of Us - Photos: David Oxberry © PROJEKT EUROPA]
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[thumbnail of FEAST: Ingredients of Us - Photos: David Oxberry © PROJEKT EUROPA]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Wilson, Arthur (2021) Autopia: An AI collaborator for live networked computer music performance. In: 2nd Conference on AI Music Creativity (MuMe + CSMC), July 18-22 2021, Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz, Austria.
[thumbnail of AIMC2021 paper CameraReady.pdf]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Fletcher, Jennifer, Tanner, Steve and Kingsnorth, Ian (2021) We've Been Here. [Media]
[thumbnail of You follow me - we've been here]
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[thumbnail of You taught me how to eat more - we've been here]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2021) The Politics of Medium Specificity. In: The Politics of Medium Specificity, 5 May, 2021, Centre for the Study of the Networked Image, London South Bank University.
[thumbnail of CSNI Talk.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2021) Music and contemporaneity: Temporality and scale in a globalised present. In: BSA Annual Conference 2021 - Remaking the Future, 13-15 April, 2021, Online.
[thumbnail of BSA annual conference_ ‘Remaking the Future’.pdf]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2021) Listening for baselines beyond anthropophony:
an interview with Bernie Krause. [Website Content]
[thumbnail of An interview for the Bloomsbury Sound Studies Website]
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Farr, Gareth ORCID logoORCID: https://orcid.org/0000-0001-9629-4899 (2021) Shandyland - Pint Size. [Performance] Item availability may be restricted.
[thumbnail of Shandyland Pint Size is a short film based on the poem "There is a Place" Which is part of a collection of poems exploring the role of the pub and pub culture within working class communities]

Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 and Pigott, Jon (2021) Speaker Park: An intersection of loudspeaker design and post-acousmatic composition. In: Innovation in music: Future opportunities. Perspectives on Music Production . Routledge, Abingdon. ISBN 9780367363352 Item availability may be restricted.
[thumbnail of Submitted conference paper that was accepted for Routledge book chapter publication. For MOCK REF review only.]
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[thumbnail of REF Portfolio]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2020) Lac Bugs, Petrocapitalism, and Data: ‘Mediatic Musicology Without Music’. Journal of Media Art, Study and Theory, 1 (2). pp. 264-273. ISSN na
[thumbnail of Lac_Bugs_Petrocapitalism_and_Data.pdf]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2020) From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance). In: Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Dance Books, Hampshire. ISBN 978-1852731816 Item availability may be restricted.
[thumbnail of Book Chapter]

Stevens, Frankie (2020) Blackened Audiotopia: Privatised Listening and Urban Experience. Metal Music Studies Journal, 6 (2). pp. 161-174. ISSN 2052-4005 Item availability may be restricted.
[thumbnail of MMS 6.2_Stevens.pdf] [thumbnail of Blackened audiotopia[1].pdf]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2020) Dark Sound: Feminine Voices in Sonic Shadow. Ex-centrics . Bloomsbury, New York. ISBN 9781501325809 (In Press) Item availability may be restricted.
[thumbnail of Dark Sound - PDFs of chapters]

Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2020) 3 Em[bed]ding circle. [Performance]
[thumbnail of Documentation. Drawing Score Performance_3 Embedding Circle]
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Hilmi, Adem ORCID logoORCID: https://orcid.org/0000-0002-0339-9833 (2020) 88-108. [Exhibition]
[thumbnail of Interactive Audio/visual Exhibition]

Williams, Frances (2020) Looking away: Failure, Embarrassment and Mis-attention in a Performance-related Artistic Practice. Doctoral thesis, University of the Arts London, Falmouth University.
[thumbnail of Thesis (printed document) .pdf]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2020) Working low: activating the horizontal plane. In: Body, Space, and Place in Collective and Collaborative Drawing: Drawing Conversations II (Hardback). Drawing Conversations . Cambridge Scholars Publishing, Cambridge. ISBN 9781527541962 Item availability may be restricted.
[thumbnail of DC2_Ch.3_Accepted version_K.Brown_Feb 2019.pdf] [thumbnail of Em[bed]ding circle_Book Chapter DC2_Fig 3.2]
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Slater, Tom (2019) Illusory Contours. [Media] (In Press)
[thumbnail of Audiovisual installation - laser projection, video projection, 3rd order ambisonics.]

Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Khyzna, Nina, Sienicki, Artur, Slesinski, Arkadiusz, Adamczyk, Karolina, Bielawka, Klara, Bozek, Aleksandra, Brykalski, Arkadiusz, Czerkaszyna, Oxana, Lagiewczyk, Natalia and Robaszkiewicz, Maria (2019) DEVILS (Diably). [Performance] Item availability may be restricted.
[thumbnail of DEVILS (Diably), photo: Magda Magda Hueckel]
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[thumbnail of DEVILS (Diably), photo: Magda Hueckel]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2019) Still Every Year They Went. [Composition]
[thumbnail of REF Portfolio]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 and Lee, Rosemary (2019) "Dancing Through the Hard Stuff": Repetition, resilience and female solidarity in the landscape - Rosemary Lee's Passage for Par. In: Routledge Companion to Dance Studies. Routledge Companion . Routledge, London/Abingon, pp. 471-487. ISBN 9781138234581
[thumbnail of ‘Dancing through the hard stuff’Accepted Version.pdf]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304, Wilson, Arthur, Speakman, John A. and Jarvis, Matthew (2019) Autopia: An AI Collaborator for Live Coding Music Performances. In: International Conference on Live Coding, 5-7 February 2020, University of Limerick, Ireland.
[thumbnail of ICLC2020_Lorway.pdf]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Clatter. [Composition]
[thumbnail of PC.zip]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2019) Across Voids: An Interactive Experience on Grief. [Media] Item availability may be restricted.
[thumbnail of __MACOSX/AcrossVoidsMedia/._SWCTN_LORWAY.pdf] [thumbnail of Audio Visual Media and a contextual document]

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2019) J.Lynch - Skipholt 31. [Composition] Item availability may be restricted.
[thumbnail of EP Skipholt 31]

Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2019) and a body turns. [Exhibition] Item availability may be restricted.
[thumbnail of accompanying card with exhibition]
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[thumbnail of publicity image for exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen (2019) ANTI Contemporary Art Festival 2019: Death. [Exhibition]
[thumbnail of ANTI festival 2019_ Moth, In the Face of Death. Photo: Pekka Mäkinen]
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Farr, Gareth ORCID logoORCID: https://orcid.org/0000-0001-9629-4899 (2019) Shandyland by Gareth Farr. [Performance] (Submitted) Item availability may be restricted.
[thumbnail of Shandyland - draft 18..pdf]

Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2019) Translucent surface/Quiet body, redistributed. Journal for Artistic Research JAR, 2019 (18). ISSN 2235-0225
[thumbnail of Screenshot online article]
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[thumbnail of Screenshot online article]
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Cox, Geoff, Prior, Andrew and Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) The Crackle of Contemporaneity. In: Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research. Leuven University Press, Belgium. ISBN 9789462701830 Item availability may be restricted.
[thumbnail of The Crackle of Contemporaneity Cox, Prior, and Nolan FoC draft.pdf]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Beyond 'Theory' and 'Practice' in Artistic Research. In: Theorem. Ruskin Arts Press, Cambridge. ISBN 9781912319008 Item availability may be restricted.
[thumbnail of Beyond 'Theory' and 'Practice' in Arts-based Research[2].pdf]

Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Review of Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Leonardo, 52 (3). ISSN 0024-094X
[thumbnail of Review_ Postdigital Music.pdf]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2019) Dead Animals Ontologies of recorded songs through the analogue of taxidermy. Performance Research, 24 (1). pp. 115-119. ISSN 1352-8165
[thumbnail of Dead Animals actual paper..pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Is “New Music” Contemporary Art? In: Biennial Conference of the Royal Musical Association's Music and Philosophy Study Group, 11-12 July, 2019, King's College London.
[thumbnail of MPSG19-Programme-web-version-xs.pdf]
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[thumbnail of King's College paper.pdf]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198
[thumbnail of https://www.routledge.com/Innovation-in-Music-Performance-Production-Technology-and-Business/Hepworth-Sawyer-Hodgson-Paterson-Toulson/p/book/9781138498198]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Jarvis, Matthew, Wilson, Arthur, Powley, Edward ORCID logoORCID: https://orcid.org/0000-0002-7317-7304 and Speakman, John (2019) Autopia: An AI Collaborator for Gamified Live Coding Music Performances. In: Society for the Study of Artificial Intelligence and Simulation of Behaviour Convention, Falmouth University.
[thumbnail of AISB2019_Live_Coding_Game.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) La condition contemporaine': Contribution à une réflexion en course. In: La condition contemporaine': Contribution à une réflexion en course, 22 February, 2019, University of Paris 8.
[thumbnail of CFP_La_condition_contemporaine_Fran_ais_Anglais.pdf]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2019) Can Music be Contemporary? In: Time, History and Materials, 26 January, 2019, Canterbury Christ Church University.
[thumbnail of 190117_Schedule_Time-History-and-Materials.pdf]
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[thumbnail of #Orpheuspaper.pdf]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2019) Writing body/annotating gesture. In: Annual Conference SAR 10, March 2019, Zurich University of the Arts.
[thumbnail of Timed pptx Annotation as part of performance presentation]
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Wiggins, Trevor, Sanderson, Griselda, Denyer, Frank, Laws, Catherine and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Musical Arts at Dartington. Theatre, Dance and Performance Training, 9 (3). pp. 393-395. ISSN 1944-3927
[thumbnail of Musical Arts at Dartington_Pre Print.pdf]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2018) Here we are, let’s go: Dartington College of Arts, 14 June 1997, Studio 11, 6.30 pm. A revision of Lone Twin’s On Everest. Theatre, Dance and Performance Training, 9 (3). pp. 431-444. ISSN 1944-3927
[thumbnail of WHELAN_HERE WE ARE_TDPT.pdf]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Postcard: Site-Specific Music at Dartington. Theatre, Dance and Performance Training, 9 (3). p. 398. ISSN 1944-3927
[thumbnail of TDPT_2018_9_3_PRIOR_PREPRINT.pdf]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2018) J.Lynch - Extended Play. [Composition]

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2018) ANTI Contemporary Art Festival 2018: Games and Play. [Exhibition]
[thumbnail of ANTI Festival 2019_ Madeleine Flynn & Tim Humphrey, Pivot. Photo: Pekka Mäkinen]
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 and Bolton, Rose (2018) Anthropocene: The Human Epoch Original Soundtrack. [Composition] Item availability may be restricted.
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2018) I'm No Genre Nazi but these guys are the least black metal doom band ever. In: Crosstown Traffic, September 2018, Huddersfield University. (Unpublished)
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions of potential digital futures for live performance in the staging and consumption of music festivals. In: The Routledge Handbook of Festivals. Routledge, Abingdon, pp. 406-416. ISBN 9781138735811
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Hall, John and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2018) Towards Song: Reshaping Spoken Lyric. Performance Research, 23 (2). pp. 100-106. ISSN 1352-8165
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Stevens, Frankie (2018) Defining Doom Through Women's Experience: Deterritorialising Doom Metal Signifiers. In: ISMMS/PSN Doing Metal, Being Punk,Doing Punk, Being Metal: Hybridity, Crossover and Difference in Punk and Metal Subcultures, 13-14 December 2018, De Montford University.
[thumbnail of Basis of the paper which was expanded upon.]
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2018) Multi-tool suite of pieces for vocals, guitar and interactive system. [Composition]
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Nolan, Ryan ORCID logoORCID: https://orcid.org/0000-0003-2109-6008 (2018) Beyond the dichotomy of 'theory' and 'practice' in artistic research. In: Theorem 2018, Cambridge School of Art.
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[thumbnail of THEOREM 2018  –  Cambridge School of Art.pdf]
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2018) Making Solo Performance. Palgrave Macmillan, London. ISBN 978-1-137-60326-5 Item availability may be restricted.
[thumbnail of 400246_1_En_1_Chapter2.pdf]
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2018) The Blackened Affect: Affect and Production in Black Metal. In: Crosstown Traffic: Popular Music Theory and Practice, 3-5 September 2018, University of Huddersfield, UK.
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2018) Going Solo: Dr MIsri Dey discusses the past, present and future of solo performance. Chichester Festival Theatre Programme, 1. ISSN N/A Item availability may be restricted.
[thumbnail of Article in a Festival Programme] [thumbnail of Text only version of article without photographss]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843, Turner, Jane and Parkes, Jo (2018) Shapeshifters: Self-organising systems, migration and repetition at the intersection of folk and popular dance. In: Pop Moves: Movement, Memory, Migration, 8/12/18, Paris. (Unpublished) Item availability may be restricted.
[thumbnail of Abstract for a lecture demonstration]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2018) Industry perceptions on potential digital futures for live performance in the staging and consumption of ‘music’ festivals. In: Events Education & Research: Coming of Age, the AEME 15th Events Management Educators Forum, 4-5 July 2018, Leeds Beckett University.
[thumbnail of Conference presentation proposal] [thumbnail of Conference paper]

Rofe, Michael, Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 and Parker, Will (2017) Online Orchestra - Connecting Remote Communities through Music. Journal of Music, Technology and Education, 10 (2-3). pp. 147-166. ISSN 17527066 Item availability may be restricted.
[thumbnail of Online Orchestra - Connecting Remote Communities through Music] [thumbnail of s2 Connecting remote communities.pdf]
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Rofe, Michael and Reuben, Federico (2017) Telematic Performance and the Challenge of Latency. Journal of Music, Technology and Education, 10 (2-3). pp. 167-184. ISSN 17527066
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2017) Moving Dramaturgy. [Performance] Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reuben, Federico, Biscoe, Ian and Rofe, Michael (2017) Designing a System for Online Orchestra - Computer Hardware and Software. Journal of Music, Technology and Education, 10 (2-3). pp. 185-196. ISSN 17527066
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Rofe, Michael, Biscoe, Ian and Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2017) Designing a System for Online Orchestra - Peripheral Equipment. Journal of Music, Technology and Education, 10 (2-3). pp. 197-212. ISSN 17527066
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Rofe, Michael (2017) Designing a System for Online Orchestra - Microphone Evaluation and Cost-Benefit Analysis. Journal of Music, Technology and Education, 10 (2-3). pp. 213-230. ISSN 17527066
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Rofe, Michael and Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 (2017) Composing for a Latency-Rich Environment. Journal of Music, Technology and Education, 10 (2-3). pp. 231-256. ISSN 17527066
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Rofe, Michael, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Hodsdon, Laura ORCID logoORCID: https://orcid.org/0000-0002-0817-4852 (2017) Experiencing Online Orchestra - Communities, Connections and Music-Making through Telematic Performance. Journal of Music, Technology and Education, 10 (2-3). pp. 257-276. ISSN 17527066
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Hargreaves, Jon ORCID logoORCID: https://orcid.org/0000-0002-6230-8436 (2017) Notes from the Podium of an Online Orchestra. Journal of Music, Technology and Education, 10 (2-3). pp. 277-287. ISSN 17527066
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) The Network as Niche. Journal of Music, Technology and Education, 10 (2-3). pp. 289-303. ISSN 17527066
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Rofe, Michael and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Online Orchestra - Special Issue of Journal of Music, Technology and Education. [Journal] Item availability may be restricted.
[thumbnail of Editorial - Special Issue of Journal of Music, Technology and Education]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2017) Ringing the Changes. In: Soundscapes and Sound Identities. Soundscapes . Galaad Edizioni, Teramo, Italy, pp. 203-219. ISBN 9788898722501

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2017) ANTI Contemporary Art Festival 2017: Water. [Exhibition]
[thumbnail of Mark Požlep, Island. ANTI Festival 2017. Photo: Mäkinen  Pekka]
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Stevens, Frankie (2017) The Women of Doom: An Ethnographic Study of Women's Experience in Doom Metal. In: ICTM/SMI Annual Postgraduate Conference, 19-20 January 2018, University of Maynooth, Ireland..
[thumbnail of The basis of the presentation which was expanded upon.]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2017) Unresolved Differences : Choreographing Community in Cross-generational Dance Practice. Doctoral thesis, University of the Arts London, Falmouth University. Item availability may be restricted.
[thumbnail of RPethybridge_Final PhD Thesis_191217.pdf]

Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 and Randell, James (2017) How can a professional box office system be utilised as a learning vehicle for events management students? In: AEME Conference 2017, 4th July 2017, Cardiff Metropolitan University.
[thumbnail of AEME Conference 2017 Presentation: How can a professional box office system be utilised as a learning vehicle for events management students?]
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[thumbnail of AEME 17 Proposal - Updated 11.05.17.doc]

Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2017) Can you train on your own? How? Theatre, Dance and Performance Training Journal, 8 (1). pp. 105-108. ISSN 1944-3927
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Saario, Antti ORCID logoORCID: https://orcid.org/0000-0002-2912-1354 (2017) Public Dreaming: Europe. Almost. A Fantasy. [Composition] Item availability may be restricted.
[thumbnail of Public Dreaming: Europe. Almost. A Fantasy.] [thumbnail of Live dreamscape file]

Gough, Richard (2017) Richard Gough and Polish Theatre – A Forty-year Encounter "Teatr" no 3/2017 (1192). Teatr - Polish Theatre Journal, "Teatr" no 3/2017 (1192) (1192). ISSN 0040-0769 Item availability may be restricted.
[thumbnail of Richard Gough and Polish Theatre – A Forty year Encounter "Teatr" no 3/2017 (1192)] [thumbnail of rozmowa%20z%20Richardem%20Goughem%20(POL)[1].doc]

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2017) Stage Flight - Runner's World article. Runner's World, March 2017. ISSN 0897-1706 Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215
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Rofe, Michael (2016) Online Orchestra - conference paper as part of Network Performance conference, University of Coventry. In: Network Performance Conference, Coventry University. (Unpublished) Item not available from this repository.

Whelan, G ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, G (2016) Last Act Of Rebellion at Compass Festival, Leeds 2016. [Performance]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2016) what remains and is to come. [Performance] Item availability may be restricted.
[thumbnail of Performance 'what remains and is to come' at Karst Gallery Plymouth 2014]
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[thumbnail of Remaining outcome from performance Karst Gallery 2014]
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Rofe, Michael, Biscoe, Ian, Reeder, Philip and Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2016) Online Orchestra Scalability Study. In: Online Orchestra Scalability Study, 10/11/2016, BSO, Poole, & Jewell Academy, Bournemouth. (Unpublished)
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Macfarlane, Cecilia and Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2016) ANY AGE, ANY BODY, ANY DANCE. Foundation for Community Dance, Leicester. ISBN 978-1898409366

Särkelä, Janne (2016) Melancholy Paradox (LP). [Project] (In Press) Item not available from this repository.

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository.

Hayman, Darren and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) Herodsfoot, Cornwall - Thankful Villages #16. [Composition]

Gough, Richard (2016) Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects. Presentation in the Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland. In: Kantor in Cardiff (Wales, UK, 1976) – the impact on a young theatre maker: subsequent performance amidst detritus, clutter and errant objects., Cricoteka (Centre for the Art and Documentation of Tadeusz Kantor), Krakow, Poland.
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Bleakley, Alan and Lynch, Larry (2016) Dangerous Currents: Risk and Regulation at the Interface of Medicine and the Arts. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 978-1-4438-9888-1
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Singh-Barmi, Kuldip, Biscoe, Ian, Cesar, Pablo, Jansen, Jack, Wang, Chen and Kaiser, Rene (2016) Co-Present and Remote Audience Experiences: Intensity and Cohesion. Multimedia Tools and Applications, 2016. pp. 1-34. ISSN 1380-7501
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2016) She's only doing this: scores. Theatre Dance and Performance Training, 9 (2). pp. 190-192. ISSN 1944-3927 print
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Condron, Aiden (2016) Talhiya Lapse. [Performance] Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) Of This Parish - Artist Talk. In: Seachange Festival 2016, 26 - 28 August, Totnes, Devon, UK.
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Standen, Verity (2016) HUG. [Performance]

Rofe, Michael (2016) Online Orchestra - conference paper at Performance Studies Network, Bath Spa. In: Performance Studies Network Conference, Bath Spa University. Item not available from this repository.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Bhumber, Kiran and Lee, Nancy (2016) Hollow Vertices: A performance environment for live coding and interactive media. [Performance]
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[thumbnail of REF Portfolio]

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles: An Interactive System and Composition Using Real-World Metaphors: In Proceedings of the International Conference on New Interfaces for Musical Expression, Queensland Conservatorium Griffith University. NIME 2016, 2016. pp. 265-270. ISSN 2220-4806
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Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2016) BBC Radio 3 Late Junction Radio Playback of 'still every year they went' composition 'Farewell To Grog'. UNSPECIFIED.
[thumbnail of Playback of Exclusive Late Junction Composition of 'Farewell To Grog']
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) Farewell to Grogg. UNSPECIFIED.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) drone bølge. [Composition]

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2016) Church Belles. [Composition]
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Otter Bickerdike, Jennifer (2016) Joy Devotion: The Importance of Ian Curtis and Fan Culture. Headpress, London. ISBN 1909394289 (In Press)
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Rofe, Michael (2016) Online Orchestra - conference paper at York St John University. In: Connect Resound Conference, York St John. (Unpublished) Item not available from this repository.

Gough, Richard (2016) UNDERSTANDING A WORLD VIEW OF THEATRE Prof Richard Gough ‘live interview with Fiona Lindsay (Digital Theatre + Creative Producer) followed by Q&A. Transcript published on Digital Theatre +. [Website Content] Item availability may be restricted.
[thumbnail of Interview Transcript] [thumbnail of Announcement of Interview]

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Of This Parish: Creative Placemaking. In: Creative Placemaking, 9 June 2016, The Exchange, Penzance, UK.
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Farr, Gareth ORCID logoORCID: https://orcid.org/0000-0001-9629-4899 (2016) The Quiet House. [Performance] Item availability may be restricted.
[thumbnail of Script of The Quiet House by Gareth Farr]
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2016) 'Still Every Year They Went': Studio performance at sea. Performance Research, 21 (2). pp. 79-80. ISSN ISSN 1469-9990 Item availability may be restricted.
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[thumbnail of still every year.pdf]

Meunier, Danielle (2016) Fátima Miranda (Spain) | ‘Vocal Experimenting in Performance Practice’, in dialogue with Danielle Meunier at Voice Encounters Conference 2016, Wroclaw, Poland. In: Voice Encounters 2016. ‘Vocal Experimenting in Performance Practice’, Fatima Miranda in dialogue with Danielle Meunier, 14-24 April 2016, Grotowski Institute, Wroclaw, Poland. (Unpublished) Item availability may be restricted.
[thumbnail of Voice Encounters Conference 2016 Programme Schedule]

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Field of Play:End of the Game. [Exhibition]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2016) To Intercession. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2016) Beings & Things, at Playing-UP The Symposium, Tate Modern. In: Playing-UP The Symposium, 04/04/2016, Tate Modern, London.
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Gough, Richard (2016) On Sea/At Sea - Co-edited issue of Performance Research (Vol 21:2 April 2016). [Journal] Item availability may be restricted.
[thumbnail of Journal - Performance Research Vol 21:2]

Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2016) Retro Rock & Heavy History. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music . Routledge, London, pp. 297-310. ISBN 9781315742816
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Rofe, Michael (2016) Online Orchestra - conference paper at Network Performance Workshop, Miami. In: Network Performance Workshop, New Symphony Centre, Miami. (Unpublished) Item not available from this repository.

Rofe, Michael (2016) Online Orchestra - conference paper at University of Bristol Music Seminar Series. In: University of Bristol Music Seminar Series, University of Bristol. (Unpublished) Item not available from this repository.

Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2016) Sure Lines? Reflections on Dramaturgy in participatory dance and performance. 'Animated' Journal of People Dancing; Foundation for Community Dance, Spring 2016 (1). pp. 20-23. ISSN 0969-7225
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Stringer, Gary, Bessant, Jack, Greensmith, Dominic and Wood, Jesse (2016) Reef In St. Ives. [Performance]

Norman, Kyra ORCID logoORCID: https://orcid.org/0000-0002-9634-7564 (2016) Testing ground: evolving screendance practices and theories and the Leeds International Film Festival Screendance Competition. The International Journal of Screendance, 6 (Spring). pp. 166-177. ISSN 2154-6878
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2016) ANTI Contemporary Art Festival 2016: Winter. [Exhibition]
[thumbnail of Tomi Paasonen, World Cup Bling Troopers. Photo: Pekka Mäkinen]
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Gough, Richard (2016) Ice, Manna & Burnt Offerings - Climates of Taste Illustrated lecture/presentation as part of Performance Studies international (PSi) Conference 22 (2016) - Performance Climates Psi 22 - July 5-9, 2016, Melbourne, Australia. In: Performance Studies international (PSi) Conference 22 (2016) Performance Climates Psi 22, July 5-9, 2016, Melbourne, Australia. (Unpublished)
[thumbnail of International Conference - Panel Presentation (Text + Visuals)]

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2016) Weather and Imagination, 2016 ANTI International Seminar. [Conference]
[thumbnail of ANTI SEMINAR 2016 Weather and Imagination.jpg]
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Murray, Samuel J ORCID logoORCID: https://orcid.org/0000-0003-1574-4929 (2016) Paganini and the guitar: tracing instrumental idioms in the 24 caprices for violin. In: Royal Musical Association Research Students’ Conference 2016, 6-8 January 2016, Bangor University. (Unpublished) Item not available from this repository.

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2016) Adventures in promoting equality and accessibility in computer music through live coding. Project Report. UNSPECIFIED.
[thumbnail of Link to report in Sound, Gender, Feminism, Activism zine]

Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2015) Future World. [Composition] Item availability may be restricted.
[thumbnail of Audio files for Future World]

Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 (2015) Translucent surface/Quiet body. Performance Research, 20 (6). pp. 101-105. ISSN 1352-8156 print
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Pilgrimage: Pop Culture Pilgrim. Swifts . Sage, London. ISBN 1473907799
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) Spiral at Compass Festival, Leeds. [Performance]
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Anderson, Carleen (2015) Audio recording and production for Carleen Anderson's Cage Street Memorial. UNSPECIFIED.
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Transient Parish. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2015) Art of Endurance, 2015 ANTI International Seminar. [Conference]
[thumbnail of ANTI Seminar 2015 Art of Endurance.png]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2015) ANTI Contemporary Art Festival 2015: Running Programme. [Exhibition]
[thumbnail of ANTI Festival 2015 Pechakucha, Vicki Weitz_Photo: Pekka Mäkinen]
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[thumbnail of ANTI Festival 2015 ANTI-ADULT RUN! RUN! RUN!, Kai Syng Tan and Alan Latham _Photo: Pekka Mäkinen]
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Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921
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Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921
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Newall, Amanda (2015) Hoover Diaries. UNSPECIFIED. Item not available from this repository.

Newall, Amanda and Saario, Antti (2015) Hoover Diaries (ISEA 2015: Disruption - conference presentation). In: ISEA 2015: Disruption, 15-18 August 2015, Simon Fraser University, Vancouver, Canada.

Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032
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Rofe, Michael, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X, Reeder, Philip, Murray, Samuel ORCID logoORCID: https://orcid.org/0000-0003-1574-4929, Parker, Will, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2015) Online Orchestra. Project Report. UNSPECIFIED.
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Rofe, Michael, Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Reuben, Federico (2015) The Online Orchestra: Connecting Remote Communities through Music. [Performance]
[thumbnail of Researcher and Performance in Online Orchestra Research Project]

Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2015) Reimagining the Computer Keyboard as a Musical Interface. NIME 2015, 2015. pp. 168-169. ISSN 2220-4806
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Whelan, G ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Andrews, P (2015) Unruly Runnings: On track with identity and difficulty. In: Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association of Medical Humanities Conference, 23/06/15 - 25/06/15, Darlington Hall.
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Bleakley, Alan, Lynch, Larry, Taylor, Kerry, Whalley, Joanne, Fussell, Ian, Marshal, Robert and Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2015) Dangerous Currents: Risk and regulation at the interface of medicine and the arts, Association for Medical Humanities Conference 2015. [Conference]
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Morgan, Chris (2015) Formal & Non Formal Music Education. In: Count Me In, 15 November 2015, Heartlands, Pool. Item not available from this repository.

Reeder, Philip and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 and Reeder, Philip (2015) Reeder, Philip and Lamb, Johny (2015) Project Report: 'still every year they went'. In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished). In: Innovation In Music 2015, 8 June 2015, Anglia Ruskin University. (Unpublished)

Gough, Richard (2015) On Ruins and Ruination - Co-Edited issue of Performance Research Volume 20 Issue 3. [Journal] Item availability may be restricted.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Of This Parish: Project Report and Panel Discussion. In: BEAST FEaST, April 30 - May 3, 2015, Bramall Building, University of Birmingham. Item not available from this repository.

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2015) 289ms Away. [Exhibition]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Dark Sound: Destructive Pop 2015. [Conference]
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Reeder, Philip (2015) Hayle Churks Music Composition. [Composition]
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 (2015) Shaking and Faking It: when is a vibrato not a vibrato? In: Giving Voice, International Festival of the Voice, Centre for Performance Research, April 10 - 18th 2015, Falmouth University. Item not available from this repository.

Meunier, Danielle (2015) 'Intersections of Neuroscience & Voice Training' presentation delivered at Giving Voice Festival 2015: Listening Mind, Moving Voice. In: Giving Voice Festival 2015: listening mind, moving voice, 10-18 April 2015, Falmouth University, Penryn Campus, Penryn, Cornwall, UK. Item availability may be restricted.
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Myers, Misha, Crow, Frances, Persighetti, Simon, Frears, Lucy, Garwood, Gemma, Arnold, Bram and Qualmann, Clare (2015) Where to? Steps to the Future of Walking Arts. [Conference]
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Bossey, Adrian ORCID logoORCID: https://orcid.org/0000-0002-9874-6323 (2015) How do the personal backgrounds, experiences, attributes and entrepreneurial motivations of students and graduates from Falmouth University influence their decision to engage in entrepreneurial activity? In: AEME 12th Annual Conference, 15 & 16 July 2015, AMATA, Falmouth University. (Unpublished) Item availability may be restricted.
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Condron, Aiden (2015) 'Worstward Ho' adapted for the stage by Aiden Condron in collaboration with Mouth on Fire Theatre. [Performance]
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Dey, Misri, Inglehart, Claire and Morrison, Angeline (2015) The Tides at Giving Voice Festival. [Performance] Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) The Taxidermist (Thirty Pounds of Bone). [Composition] Item availability may be restricted.
[thumbnail of Thirty Pounds of Bone - The Taxidermist] [thumbnail of REF Portfolio]

Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 and Hartley, Ria (2015) Solo Contemporary Performance Forum Website. [Website]

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2015) True West by Lone Twin & The Table. [Performance]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2015) Ringing the Changes: An Investigation into Sounds and Power. In: Forum Klanglandschaft (FKL) Symposium: Soundscapes and Sound Identities, May 22-24, 2015, Beseno Castle, Italy. (Unpublished)
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2014) Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice. Journal of Dance and Somatic Practices, 6 (2). pp. 175-187. ISSN 17571871
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Framing the Gap: Contact (and) Improvisation. The Journal of Dance and Somatic Practices, 6 (2). ISSN 17571871
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Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted.
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Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished)
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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521
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Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2014) Report. [Performance]
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Kemp, Mercedes ORCID logoORCID: https://orcid.org/0000-0003-4101-6810 (2014) Wildworks 100: The Day Our World Changed/ 100:UnEarth. [Performance]
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Brown, Katrina ORCID logoORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna (2014) What remains and is to come: a document. Middlesex University, London UK. ISBN 9781859243329
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex.
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2014) The Amateur Human: Seeing Running at RUN RUN RUN International Festival of Running. In: RUN RUN RUN International Festival of Running, The Slade School of Fine Art, UCL.
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Birch, Simon ORCID logoORCID: https://orcid.org/0000-0002-5059-2636 (2014) Transmission. [Performance] Item not available from this repository.

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2014) The Vinyl Frontier. In: Pop Life, University of Northampton.
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Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255 (2014) kulør. [Composition]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2014) Of This Parish [Film]. [Media]
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Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137
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Otter Bickerdike, Jennifer (2014) It Ain't Over ...Till It's Over. In: It Ain't Over Till Its Over. Atria, New York. ISBN 1476739919
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Coull, Rosalyn, Vasilakos, Konstantinos and Moyers, Tim (2014) Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems. Computer Music Journal, 38 (1). pp. 54-64. ISSN 0148-9267
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Norman, Kyra ORCID logoORCID: https://orcid.org/0000-0002-9634-7564 (2014) Still, Moving: Reflecting on All This Can Happen. The International Journal of Screendance, Volume 4 (Fall). pp. 177-182. ISSN 2154-6878
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Gough, Richard (2014) Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturgies of the New Millennium - Performing Tangiers 2014 International Conference, Tangier/Tetouan, Morocco. In: Against Illustration: Falling Bodies - Seen and Unseen Presentation at Alternative Dramaturges - Performing Tangiers 2014 International Conference,, Tangiers, Morocco. (Unpublished)
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Dey, Misri ORCID logoORCID: https://orcid.org/0000-0001-8659-9445 and Sarco-Thomas, Malaika (2014) Contact [and] Improvisation. [Journal] Item availability may be restricted.
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Reeder, Philip (2014) Chopped and Stretched. [Media]

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985, Tuukkanen, Johanna and Itkonen, Elisa (2014) ANTI Contemporary Art Festival 2014 - 2016. [Exhibition]
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Otter Bickerdike, Jennifer (2013) The 360 Deal. In: The 360 Deal. New Music Strategies, London. ISBN 1780976186

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances (2013) Chroma: Interactions of Noise. [Exhibition]

Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2012) Organ of Corti: A Listening Device. Leonardo Music Journal, 22. p. 55. ISSN ISSN: 0961-1215
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Otter Bickerdike, Jennifer (2012) Spirit of Talk Talk. In: Spirit of Talk Talk. Rocket 88, London. ISBN 190661539X
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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521
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Reeder, Philip and Sinclair, Jeanie (2012) The Intangible Archive. Electronic Visualisation and the Arts, 2012. ISSN 978-1-780171-59-3
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Wilson, Scott, Lorway, Norah ORCID logoORCID: https://orcid.org/0000-0001-8179-6255, Moyers, Tim, Coull, Rosalyn and Kuoppala, Visa (2012) Stirring up Pea Stew: A Network Feedback Structure for Live Coding. In: International Conference on Live Interfaces: Performance, Art, Music, September 7-8 2012, University of Leeds, UK.
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Reeder, Philip and Sinclair, Jeanie (2012) Museums And The Web - Conference Item for The Intangible Archive. [Conference]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 (2012) Running Through A Field: Performance and Humanness. Performance Research: A Journal of the Performing Arts, 17 (2). ISSN 1352-8165
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2012) The Ship's Log. [Composition] Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2012) Have Done with the Celtic Phantom. [Composition] Item not available from this repository.

Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2011) The Boat Project. [Project]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2011) Five Songs: more than a metaphor. Animated, Winter. ISSN 0969-7225
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2010) The Cochlea Unwound: A case study for a listening aid using a sonic crystal. Performance Research, 15 (3). pp. 95-102. ISSN 13528165
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Winters, Gary (2010) Beastie 2010 - 2017. [Performance]
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2010) Dance and Age Inclusive Practice. Foundation for Community Dance, unknown. ISBN 978-1-898409-09-0

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2010) Method. [Composition] Item not available from this repository.

Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2009) And They Go Down To It In Ships. [Composition] Item not available from this repository.

Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2008) Un Abrazo Sin Tiempo. Animated, Autumn. ISSN 0969-7225

Reeder, Philip (2007) Whisper. [Media]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2007) ANTI Contemporary Art Festival 2007 - 2013. [Exhibition]
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2007) A Space for Sound: The Rise, Fall and Fallout of the Concert Hall as a Primary Space for Listening. In: In the Place of Sound. Cambridge Scholars Publishing, Newcastle, pp. 125-134. ISBN 9781847183750 Item availability may be restricted.
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Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2006) The Homesick Children of Migrant Mothers. [Composition] Item not available from this repository.

Crow, Frances and Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2003) Swash: A Case Study. Earshot, 4. pp. 17-21. ISSN 1471-4183
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This list was generated on Sun Oct 20 16:02:10 2024 UTC.