| Bennett, Georgie  ORCID: https://orcid.org/0009-0004-2885-3467
  
(2024)
Drawing from Virtual Travel: Regret, Danger, and Magic.
    Journal of Illustration, 10 (2).
     pp. 257-277.
     ISSN 2052-0204
  
  
      
       Item availability may be restricted. | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2024)
Andrew Humphreys’ and Olivier Kugler’s The Great Fish & Chips: Indexical pathways in illustration research.
    Journal of Illustration, 10 (1).
     pp. 97-116.
     ISSN 2052-0204
  
  
      
       Item availability may be restricted. | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0005-1295-6565
  
(2023)
Elepidote II.
    [Exhibition] | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0005-1295-6565
  
(2023)
DRY-STONE.
    
    
      DRY-STONE
      .
    
    Edition Demand, Düsseldorf, Germany.
     ISBN N/A | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2023)
Mouse House Presents... Charlie Duck.
    [Exhibition] | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2023)
Clay World.
    In: Clay World, July 30th 2023, Penrose Estate, Cornwall. | 
| Buckeridge, Bronwen  ORCID: https://orcid.org/0009-0001-0406-0102
  
(2023)
FOUR ON THE FLOOR | SIX IN THE AIR.
    [Exhibition] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2023)
The Canary in the Coalmine: Retransmitting Apocalyptic Warnings through Dystopian Narrative.
    In: CONFIA 23, 6-7 JULY 2023, Centro Cultural e De Congressos. | 
| Hubmann, Tom  ORCID: https://orcid.org/0009-0003-7167-8134
  
(2023)
Cyanotribes.
    [Exhibition]
  
   (Unpublished) | 
| Bennett, Georgie  ORCID: https://orcid.org/0009-0004-2885-3467
  
(2023)
Almost Reality: A Virtual Travel series (exhibited at the Haunted Landscapes conference 2023).
    [Exhibition]
  
   (Unpublished) | 
| Emanuele, Ella  ORCID: https://orcid.org/0000-0002-0785-6018, Hunter, David  ORCID: https://orcid.org/0000-0002-0234-1023, Duer, Zachary  ORCID: https://orcid.org/0000-0001-9386-8770 and Birch, Simon  ORCID: https://orcid.org/0000-0002-5059-2636
  
(2023)
dAnCing LiNes.
    In: 15th Conference on Creativity and Cognition, 19-21 June 2023, Online. | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0005-1295-6565
  
(2023)
Elepidote.
    [Exhibition] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2023)
Dark Town: Reimagining dangerous tradition, group ritual and brutal betrayal.
    In: Illustration and adaptation, October 10/11 2019, Burgundy University     Dijon   France. | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2023)
Memory is a strange place, what does it look like?
    In: Haunted Landscapes: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University, Falmouth, Cornwall, UK.
  
   (Unpublished) | 
| Willow, Lucy  ORCID: https://orcid.org/0000-0003-1755-9903
  
(2023)
M(OTHERHOOD).
    Working Paper.
    UNSPECIFIED. | 
| Willow, Lucy  ORCID: https://orcid.org/0000-0001-5345-8179
  
(2023)
The Unfurling Fern.
    [Artwork] | 
| Bluemel, Phyllida (2023) Time with No Horizon. In: Haunted Landscapes: Nature, Super-Nature, and Global Environments, 4-6 July 2023, Falmouth University. (Unpublished) | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0005-1295-6565
  
(2023)
Exhibition text for Hannah Waldron's Sprinkle Water on the Web" solo exhibition at Galerie Tator.
    UNSPECIFIED. | 
| Willow, Lucy  ORCID: https://orcid.org/0000-0003-1755-9903
  
(2022)
DRAWN FROM THE WELL.
    [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2022)
Machines Dreams & Fabulations: On Time After Time & The Wild Ones.
    nickberkeley.com, N/A.
    
     ISSN N/A | 
| Hubmann, Tom  ORCID: https://orcid.org/0009-0003-7167-8134
  
(2022)
Seaweed Futures.
    [Exhibition]
  
   (Unpublished) | 
| Buckeridge, Bronwen  ORCID: https://orcid.org/0009-0001-0406-0102
  
(2022)
WIDOWHOOD, INTERRUPTIVE WILDNESS AND UNRULY DOMESTICITY IN PIGEON RACING SYSTEMS.
    In: Animal Borderlands, 25 September 2020, Keeble College, Oxford University. | 
| Buckeridge, Bronwen  ORCID: https://orcid.org/0009-0001-0406-0102
  
(2022)
Bird Talk, 2022.
    [Performance] | 
| Mclaughlin, Cavan  ORCID: https://orcid.org/0000-0002-0859-6676 and Tomos, Elizabeth  ORCID: https://orcid.org/0000-0002-3812-8945
  
(2022)
Trans- States: The Art of Deception.
    [Conference] | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771, Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209, Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111, McCannon, Desdemona and Holme, Adrian
  
(2022)
12th Annual Illustration Research Symposium.
    [Conference] | 
| Bennett, Georgie  ORCID: https://orcid.org/0009-0004-2885-3467
  
(2022)
The Virtual Traveller: Drawing from a digital world.
    In: TRANSITUS, 15 - 16 July 2022, ONLINE : TEAMS.
  
   (Unpublished) | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2022)
A Manifesto of Sorts.
    
      In:  
      A Manifesto of Sorts.
    
    
    Fifth Syllable, Hastings.
     ISBN 978-1-8383733-2-0 | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2022)
Developing Your Creative Practice Arts Council £10,000 Research Award.
    [Project] | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2022)
Two Month Research Residency at Guldagergaard International Ceramic Research Centre, Skælskør, Denmark.
    [Project] | 
| Sinclair, Jeanie (2022) "The Most Wonderful Wonderful Parties": Gossip and anecdote as feminist epistemology in women’s oral histories of the creative community in postwar St Ives. Doctoral thesis, Falmouth University / University of the Arts London. | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2021)
Low Brow, High Brow, Sci Fi: From the Margins to the Heights.
    
      In:  
      CONFIA 2021: 9th International Conference on Illustration & Animation, October 28-29, Aveiro, Portugal.
    
    
    IPCA University, Barcelos  Northern Portugal, pp. 243-257.
     ISBN 978-989-54939-6-8 | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2021)
The Fountain Show II, Sundy, London.
    [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2021)
Thoughts Not Human.
    In: Checkered Reality - Reality Check: A provocation, 1st July 2021, London.
  
   (Unpublished) | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
  
(2021)
Writing as Occupation: thickening of thought and narrative loops, even.
    
      In:  
      History(s) of MEANTIME.
    
    
    School of Arts, University of Gloucestershire, Cheltenham, pp. 26-32.
     ISBN ISBN 978-1-914900-01-3 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2021)
Insensate Archive.
    Working Paper.
    UNSPECIFIED.
  
   (Unpublished)
      
       Item availability may be restricted. | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2021)
FULL GAS Solo Exhibition, Zona Mista, London.
    [Exhibition] | 
| Christoforidou, Maria  ORCID: https://orcid.org/0000-0002-1340-4114
  
(2021)
uncategorisedmaterial.com.
    [Artwork] | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2021)
FULL GAS.
    
    
      N/A
      .
    
    Landfill Editions, Falmouth, UK.
     ISBN 9781637955321 | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2020)
The All Seeing Eye: Surveillance Technologies as Tools of Control.
    
      In:  
      CONFIA2020:8TH CONFERENCE ON ILLUSTRATION AND ANIMATION.
    
    
      CONFIA
      .
    
    Instituto Politécnico do Cávado e do Ave, Northern Portugal, pp. 1-688.
     ISBN 978-989-54939-0-6 | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2020)
Auto - group exhibition at Zona Mista, London.
    [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2020)
Hospital Rooms Video.
    [Media] | 
| Lunt, Matthew (2020) Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens. Doctoral thesis, University of the Arts London, Falmouth University. | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2020)
Bentham's Image: The Corpo-Reality Check.
    
      In:  
      Bentham and the Arts.
    
    
    UCL Press, London.
     ISBN 9781787357389
  
   (In Press) | 
| Duck, Charlie  ORCID: https://orcid.org/0009-0009-2969-6041
  
(2020)
Acme Fire Station Residency Award 2020-2025.
    UNSPECIFIED. | 
| Honourable title, Kapala Kurantaka, Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038 and Vidal Cal, Irene
  
(2020)
Kapala Kurantaka Yoga.
    
    
      Kapala Kurantaka: With traditional illustrations
      .
    
    Traditional Yoga Publishing, Hyderabad.
     ISBN pending
  
   (In Press)
      
       Item availability may be restricted. | 
| Baugh, Tom (2020) Dialogues of Disorder; understanding obsessive compulsive disorder and self-injury through filmic projection. In: International Medical Humanities Conference, Limerick, 16 June 2021, Online. (Submitted) | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2019)
Architecture and the Graphic Novel.
    Journal of Illustration, 6 (2).
     pp. 341-364.
     ISSN 2052-0204
  
  
      
       Item availability may be restricted. | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2019)
Heart Of Unity.
    [Artwork] | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038 and Waldron, Hannah
  
(2019)
CHAOS: A Co-Created book publication.
    [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2019)
'The Animal Gaze'.
    In: The Animal Gaze Constructed, 6-7 March 2020, Sir John Cass School of Art, Architecture & Design in Aldgate, London (UK)..
  
   (Unpublished) | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038 and Waldron, Hannah
  
(2019)
CHAOS: A Co-Creation.
    
    
      n/a
      .
    
    Atlantic Press Books, Penryn.
     ISBN 978-1-9997925-5-8 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2019)
‘Intertextuel Sapphic Vaporwave’.
    [Exhibition] | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038 and Waldron, Hannah
  
(2019)
Chaos Project Academic Paper.
    In: Illustrating Mental Health: Illustration Research Symposium and Exhibition, November 8th and 9th 2019, The Art House, Castle Street, University of Worcester.
  
   (Submitted) | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262 and Halvorsen, Morten Norbye
  
(2019)
Cornwall Council Schools Art Collection.
    [Website] | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2019)
Historical and Philosophical Relations between the Uncanny and Illustration.
    
      In:  
      A Companion to Illustration: Art and Theory.
    
    
      Blackwell Companions to Art History
      .
    
    Wiley Blackwell, Oxford, pp. 444-466.
     ISBN 978-1-119-18553-6 | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038 and Vidal Cal, Irene
  
(2019)
'Charles Causley: The Story of a Poet'.
    
    
      'Charles Causley: The Story of a Poet'
      .
    
    Atlantic Press, Falmouth.
     ISBN ISBN 978-1-9997925-2-7 | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2019)
Dark Dualities, Emergence and Eruption: Representations of The Shadow within Contemporary Illustrated Narratives.
    
      In:  
      CONFIA19.
    
    
      CONFIA
      .
    
    Instituto Politecnio do Calvado e do Ave, Barcelos PORTUGAL, pp. 436-448.
     ISBN 978-989-54489-1-3 | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2019)
Is it Risky Showing Frisky?
    In: Global Communities:  Curating Modern Art Today, 26 -27 April 2019, Tate St Ives. | 
| Clarke, Sue (2019) Chapter title: 'The Illustrator as Visual Problem Solver: A Deconstruction of Conceptual Strategies for the Contemporary Illustrator'. Book title: 'A Companion Guide to Illustration'. In: 'A Companion Guide to Illustration', edited by Alan Male. Wiley Blackwell, USA and worldwide. ISBN ISBN: 987-1-1191-8553-6 | 
| Osmond, Mat (2019) Greenstone Axe. The Dark Mountain Project: The Devil's Door, N/A. ISSN N/A | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2019)
“Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter,” in the forthcoming book Second Nature: Comic Performance and Philosophy.
    
      In:  
      Second Nature: Comic Performance and Philosophy.
    
    
    Rowman & Littlefield, London, UK.
     ISBN N/A
  
   (In Press) | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2019)
Learning from the Past, from Giotto to Transport For London:
Travels in Space and Time.
    
      In:  
      A Companion to Illustration: Art and theory.
    
    
    Wiley and Blackwell, USA, pp. 59-84.
     ISBN 978-1-1191-8553-6
  
  
      
       Item availability may be restricted. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2018)
"A as in Animal”.
    In: Multispecies Storytelling in Intermedial Practices, January 23-25th, 2019, Linnæus University, Sweden. | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2018)
Narrative form and the creation and subversion of architectural ornament.
    In: Decriminalising Ornament: The Pleasures of Pattern, 9th International Research Symposium, Nov 17-19, 2018, Anglia Ruskin, Cambridge.
  
   (Unpublished) | 
| Arnold, Bram  ORCID: https://orcid.org/0000-0002-1233-6244
  
(2018)
Let Us Not Be Afraid of Words.
    In: Beyond The Fields, 18/19th August 2018., End of The World Garden, Penryn, Cornwall.. | 
| Willow, Lucy (2018) At Sea Again: creative bereavement project. [Project] (Unpublished) | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2018)
Innocence Lost and the Landscapes of Darkness: Shedding light On Embedded Political Themes in Illustrated Narratives.
    
      In:  
      CONFIA 2018: International conference on Illustration & Animation.
    
    
    IPCA, Barcelos PORTUGAL, pp. 608-624.
     ISBN 978-989-99861-6-9 | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2018)
Pool School Gallery.
    [Project] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771 and Olsen, Redell
  
(2018)
Verdant Scent.
    [Performance] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2018)
Gillian Wylde - Will Internets Eated Brain?
    [Exhibition] | 
| Osmond, Matthew (2018) Anima #5. In: The Black Madonna's Song. Atlantic Press, Penryn, Cornwall. ISBN N/A | 
| Halvorsen, Morten Norbye and Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2018)
Pool School Gallery CIC Contemporary Artist Programme 2018/2019.
    [Exhibition] | 
| Willow, Lucy (2018) At Sea Again: A Drop in the Ocean. In: Remember Me The Changing Face of Memorialisation, 4-7 April 2018, Hull, UK. (Unpublished) | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2018)
?Will Internets eat brain?
    In: ReFrag #4 Cradle-to-Grave, 28 March -1 April 2018, Parsons Paris. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2018)
Will Internets eated brain??
    In: Artistic Research Will Eat Itself  9th SAR - International Conference on Artistic Research, April 11th 4pm - 13th 6pm 2018, University of Plymouth. | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2018)
Nature's Testing.
    [Artwork] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2018)
Woodlane Windows.
    [Project] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2017)
Mostish Will Speak on Darkness.
    Haunt Journal of Art, 4.
     pp. 42-50.
     ISSN 2334-1165 | 
| Mott, Nicholas (2017) Nick Mott 'The Hole World' lathe cut 10" and CDR album. [Media] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2017)
FOMO: Falmouth Art Publishing Fair 2017.
    UNSPECIFIED. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
  
(2017)
Antelope Hotel.
    [Artwork] | 
| Graham, Joe (2017) Climate Drawing: The Atmosphere of Time. In: Drawing Conversations 2: Body, Space, Place, 8 Dec 2017, Coventry University. (Submitted) | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2017)
Will Internets Eat Brain?
    Journal for Writing in Creative Practice, 10 (1).
     pp. 137-158.
     ISSN 17535190
  
  
      
       Item availability may be restricted. | 
| Osmond, Matthew (2017) An Underswell of Divination. The Dark Mountain Project, N/A. ISSN N/A | 
| Graham, Joe (2017) Nine Drawings: seriality, postphenomenology and the force of time. Journal of Visual Art Practice, 17 (1). ISSN 1470-2029 | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2017)
Sneetches, Picture Books and Children as Philosophers: Learning through critical         		  	            enquiry with storybook characters as your teachers.
    
      In:  
      UNSPECIFIED
    
    
    UNSPECIFIED. | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2017)
Illustration, Performativity and the Explicit Body of Marie-Antoinette in Eighteenth-Century French Pornographic Pamphlets.
    In: Illustrating Identity/ies, 8-10 November, 2017, University of Lorraine, Nancy, France.
  
   (Unpublished) | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2017)
Illustrating Identities     Conference in Nancy , France
November 8-10 2017.
    In: Illustrating Identities, November  8 - 10  2017, Lorraine University   Nancy France.
  
   (Unpublished)
      
       Item availability may be restricted. | 
| Webster, Andy (2017) Search for the Disco King, The Bowie Lounge, Rock n Roll Suicide. [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2017)
Zennor Project Space
Beekeeping, hypnosis and the internet.
CAST Café Friday 30 June.
    [Conference] | 
| Graham, Joe (2017) Sources of the signal. [Performance] Item not available from this repository. | 
| Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810
  
(2017)
Three Encounters on the West Bank.
    
      In:  
      This Is Not A Border.
    
    
    Bloomsbury, London.
     ISBN 978-1408884980 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2017)
Untimely findings: Art-research and the Extra-disciplinary.
    In: Paradox Conference London 2017, 13th to 15th September 2017, Conway Hall, Red Lion Square, London.
  
   (Unpublished) | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2017)
Art and the Alternative Space/Time of the London Underground.
    In: Association of Art Historians 2017 Annual Conference, The Object of Urban Visual Culture, 6th-8th April 2017, Loughborough University, UK. | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2017)
Zennor Project Space.
    [Project] | 
| Sousa Lobo, Francisco (2017) We Just Don't Know. [Artwork] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2017)
Will Internets Eat Brain?
    [Exhibition]
  
   (In Press) | 
| Sousa Lobo, Francisco (2017) Ordet / A PAlavra. Ao Norte, Viana do Castelo, Portugal. Item availability may be restricted. | 
| Willow, Lucy and Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810
  
(2017)
CAFE MORTE: TEARS OF THINGS- MUSEUM OF BROKEN OBJECTS.
    [Exhibition]
  
   (Unpublished) | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2017)
On Objects.
    In: "On Objects," sponsored by The Forum for European Philosophy, 31 January 2017, Wolfson Theatre, London School of Economics. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2017)
'Motor Soul'.
    [Exhibition] | 
| Sousa Lobo, Francisco (2017) It's No Longer I That Liveth. Mundo Fantasma, Associacao Chili Com Carne, Porto, Portugal. Item availability may be restricted. | 
| Graham, Joe (2017) ANCHORAGE: a phenomenology of outline. Journal for Artistic Research, 2017 (12). ISSN 2235-0225 | 
| Marton, Helen (2016) Artefact Life History: Digital intervention and the notion of recycling in the communication of archaeology through digital craft practice. In: Theoretical Archaeological Conference - Southampton University, Southampton University. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2016)
Writing Beyond Art.
    In: Words of Art, 29th November 2016, UAL Wimbledon.
  
   (Unpublished) | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2016)
Aasinanimal.
    [Exhibition] | 
| Graham, Joe (2016) Autonomic Drawing: Postphenomenological Research. In: iJADE Conference 2016: Drawing, 18-19 Nov 2016, University of Chester. | 
| Marton, Helen (2016) Pressgang – The Art of Printmaking. [Exhibition] | 
| Averill, Simon (2016) From Silence. [Exhibition] | 
| Mcleod, Neil (2016) Professional Practice: 20 Questions. In: Professional Practice: 20 Questions. Q-Art . Q-Art, London, pp. 405-409. ISBN 978-0-9564355-8-3 | 
| Dicker, Simon Lee, Webster, Andy and Ray, Darren (2016) Droppers as part of Weather Station (Part II), b-side festival 2016, Portland, Dorset, UK – 10-18 September 2016. [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2016)
Art • Writing • Diagrammatics.
    Theatre, Dance and Performance Training, 7 (2).
     pp. 247-252.
     ISSN 1944-3919 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
  
(2016)
Writing As Occupation #3 (performance/installation).
    [Performance] | 
| Graham, Joe (2016) The Force of Time: Diagramming Bergson's elan vital. In: 2016 Drawing Research Network Conference: Tracing the Bridge, 5-6 Sept 2016, Loughborough University. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
  
(2016)
Writing As Occupation #3: 
(Artists Talk).
    In: force8, 1st September 2016, Methodist Chapel (force8 project space) West Bay, Dorset.
  
  
      
       Item availability may be restricted. | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
The Itinerant Illustrator: Creating storyworlds in the reader's space.
    Journal of Illustration, 2 (2).
     pp. 267-285.
     ISSN 20520204
  
  
      
       Item availability may be restricted. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2016)
The Day the World Turned Day Glo.
    [Exhibition] | 
| Graham, Joe (2016) Autonomic Drawing: Postphenomenology and Pedagogy. In: Research Practice Practice Research: 2016 NAFEA Symposium, 15-16 July 2016, The University of Cumbria Institute of the Arts. | 
| Juniper, Emily and Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
Vassa Zheleznova.
    
    
      n/a
      .
    
    Atlantic Press Ltd, Falmouth.
     ISBN 978-0-9571549-9-5 | 
| Mcleod, Neil and Southworth, Kate (2016) Painting and Painting. [Exhibition] | 
| Southworth, Kate and Mcleod, Neil (2016) Painting and Painting. [Exhibition] | 
| Osmond, Matthew (2016) Meinrad Craighead and the Animal Face of God. Landscape, Language and the Sublime, NA (NA). NA. ISSN NA | 
| Osmond, Matthew, Povall, Richard, Leahy, Mark and Nelson, Camilla (2016) Language, Landscape and the Sublime. [Conference] | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2016)
Dirty Corner’s Elicitations
and, “Myth Today,” today.
    In: Society for European Philosophy, August 23-26, 2016, Regent's University, London.
  
   (Unpublished) | 
| Averill, Simon (2016) 'Singularity'. [Exhibition] | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2016)
Nature as Neighbour: Landscape’s Relation to the Human in Studio Ghibli Films.
    In: Lanugage, Landscape and the Sublime, 29-30 June 2016, Dartington College, Devon. | 
| Foreman, Mark (2016) Open Studios Cornwall 2016. [Exhibition] (Unpublished) | 
| Thompson, Luke and Dunne, Mairead (2016) The Clearing. Atlantic Press Poetry . Atlantic Press Ltd, Penryn, Cornwall. ISBN 978-0-9571549-8-8 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2016)
Because Internets.
    In: ISEA2016 Hong Kong 香港, Monday 16 to Sunday 22 May 2016., City University’s Creative Media Centre, Jockey Club Innovation Tower, The Hong Kong Polytechnic University, and Cattle Depot Artist Village..
  
   (Submitted) | 
| Webster, Andy and Ray, Darren (2016) Dropper’s – Andy Webster & Darren Ray OSR Projects Lobster Trap Commission 2016. [Exhibition] | 
| Southworth, Kate (2016) A Seduction In To Life. [Artwork] Item not available from this repository. | 
| Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810 and Mitchell, Bill
  
(2016)
Wildworks - A Great Night Out.
    [Exhibition] | 
| Prior, David  ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
  
(2016)
To Intercession.
    [Exhibition] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2016)
Pushing The Envelope.
    [Artwork] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2016)
Intertextually Ignored Sapphic Vapours.
    In: Environments, 11 May 2016, London. | 
| Sousa Lobo, Francisco (2016) The Forty Thieves. [Exhibition] | 
| Strang, Em and Osmond, Matthew (2016) Stone. Atlantic Press Poetry . Atlantic Press Ltd, Penryn, Cornwall. ISBN 978-0-9571549-7-1 | 
| North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2016)
Forms of the Gift in the Scrovegni Chapel, Padua, Italy; The Art of Salvation and Socio-political persuasion.
    In: Othello's Island, 17 - 20 March 2016, CVAR Nicosia Cyprus. | 
| Willow, Lucy (2016) AIP GAFA (Guangzhou Academy of Fine Art)- Falmouth University International Collaboration and Solo Exhibition. [Exhibition] (Unpublished) | 
| Morgan, Catrin and Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
The Blue Forum.
    [Conference] | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2016)
Deconstructive Tendencies in Bentham's Philosophy of Language: Reading the (per)Happiness in Felicific Calculus.
    In: The Bentham Project Seminar Series, 11 March 2016, Faculty of Laws, University College London.
  
   (Submitted) | 
| Willow, Lucy (2016) THE LAST PHOTOGRAPH: A MICROSCOPIC VIEW OF TRANSIENCE, MOURNING AND LOSS. In: Malady and Mortality Illness, Disease and Death in Literary and Visual Culture. Cambride Scholars Publishing, Newcastle upon Tyne, pp. 283-289. ISBN 1-4438-9010-3 | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
The Musings of Creatures Imagined in a Barren Land.
    [Design] | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
Exhibition of the illustrations from The Musings of Creatures Imagined in a Barren Land.
    [Exhibition] | 
| Osmond, Matthew and Strang, Emma (2016) Stone. In: Stone, March 2016, Atlantic Press, Falmouth. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2016)
Topologies of Writing, Text and the Moving Image.
    In: International Conference on Artistic Research, The Hague Society for Artistic Research, 28-29 April 2016, University of the Arts The Hague & Leiden University Venues: Royal Conservatoire and Royal Academy of Art. | 
| Graham, Joe (2016) Time Lines: Translating the passing of 'now' into line. In: The Bartlett School of Architecture: Drawing Research Seminar No.1, 17.2.16, The Bartlett School of Architecture, UCL, London. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2016)
Five Layers of Looking.
    In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus.
  
   (Unpublished) | 
| Paton, David  ORCID: https://orcid.org/0000-0002-2790-7687
  
(2016)
Stitch-Split: The Breath of the Geologic.
    Architecture and Culture, 3 (3).
     pp. 267-270.
     ISSN 2050-7828
  
  
      
       Item availability may be restricted. | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2016)
Traditional Yoga: The Science of Yoga.
    
    
      n/a
      .
    
    Traditional Yoga, Bath.
     ISBN n/a | 
| Kilburn, John (2016) 72 Hrs. 72Hrs . Atlantic Press Ltd, Penryn. ISBN 978-0-9571549-6-4 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2016)
Insiders (reading-performance).
    [Performance] | 
| Willow, Lucy and Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810
  
(2016)
CAFE MORTE: LOST FOR WORDS.
    In: MOTH; TALKS IN THE FACE OF DEATH, January 08 2016, Falmouth University.
  
   (Unpublished) | 
| Willow, Lucy and Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810
  
(2016)
CAFE MORTE: LOST FOR WORDS EXHIBITION.
    [Exhibition]
  
   (Unpublished) | 
| Mcleod, Neil, Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810 and Willow, Lucy
  
(2016)
Lost for Words Exhibition.
    [Exhibition] | 
| Southworth, Kate (2016) 48 Summers. [Artwork] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2016)
What role do images and Arts Activism play in reinforcing messages connected to the theme of Climate Change ?
    
      In:  
      UNSPECIFIED
    
    
    Edicao IPCA, Barcelos Portugal, pp. 510-524. | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2016)
Lear Revisited.
    [Artwork]
  
   (Unpublished) | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2016)
Komik and Kathode.
    [Artwork] | 
| Clarke, Sue (2015) Joint Illustration forum for BA Illustration students from London College of Communication and Falmouth University. [Conference] | 
| Mott, Nicholas (2015) Volcano The Bear 'Commencing'. [Media] | 
| Matthias, Gayle (2015) Sinew II. [Artwork] | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2015)
Facebook as Graveyard.
    [Artwork]
  
   (Unpublished) | 
| Graham, Joe (2015) ANCHOR: A Phenomenlogy of the Outline. In: Crossing the Line 3: Global Drawing Symposium, 5-7 Nov, 2015, The SACI Institute, Florence, Italy. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2015)
Insiders.
    E.R.O.S., 2015 (7).
     pp. 295-303.
     ISSN 2048-8352
  
  
      
       Item availability may be restricted. | 
| Anderson, Gemma (2015) Drawing as Epistemology for Morphology. Doctoral thesis, Falmouth University. Item availability may be restricted. | 
| Webster, Andy and Ray, D (2015) Arlene's Solar Furnace - Andy Webster & Darren Ray, 2015. [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256, Hughes, Sarah, Stent, David, Pester, Holly and Davies, Angharad
  
(2015)
Vectors.
    
      In:  
      Angharad Davies Rydal Mount.
    
    
    Compost and Height, West Dean, pp. 5-11.
     ISBN no isbn
  
  
      
       Item availability may be restricted. | 
| Button, Virginia (2015) Lucian Freud. British Artists . Tate Publishing (Tate Enterprises Ltd), London, UK. ISBN 978 1 84976 314 1 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2015)
'The Dark Precursor' International Conference on Deleuze and Artistic Research 2015.
    In: International Conference on Deleuze and Artistic Research 2015, 9-11 November 2015, Ghent, Belgium. | 
| Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 | 
| Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771 and Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2015)
Diagramma Enflamma.
    [Artwork] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771 and Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2015)
Enflamma Diagra.
    [Exhibition] | 
| Owen, Nigel (2015) National Geographic Illustrated Maps: Colombia, Queensland,. [Artwork] Item availability may be restricted. | 
| Graham, Joe (2015) ANCHOR. [Artwork] (Submitted) Item not available from this repository. | 
| Barwick, Tom (2015) The Pedagogy of Pressure. In: Pedrio Teaching & Learning Conference, July 2015, Plymouth University. | 
| Hallett, Alyson and Bluemel, Phyllida (2015) On Ridgegrove Hill. Atlantic Press Ltd, Penryn. ISBN 978-0-9571549-5-7 Item availability may be restricted. | 
| Prior, David  ORCID: https://orcid.org/0000-0002-8750-445X and Crow, Frances
  
(2015)
289ms Away.
    [Exhibition] | 
| Osmond, Matthew (2015) Us and Them: Empathy, Ecocide and the Graphic Ecofable. Politics of Place, Issue 3 (Green Connections), 2500 words (approx) (3\7). ISSN http://blogs.exeter.ac.uk/politicsofplace/files/2012/02/2015WinterPOP_OSMOND.pdf | 
| Graham, Joe (2015) Kitchen Drawing No.23. [Exhibition] | 
| Matthias, Gayle (2015) Anatomical Deconstruction IX. [Artwork] | 
| Matthias, Gayle and Jorgensen, Tavs (2015) New Approaches in Glass Investment Casting- Creative Practitioners Researching and Innovating in the Field of Digital Fabrication. The Design Journal, 17 (3). pp. 455-471. ISSN 1460-6925 | 
| Anderson, Gemma and Noy, Violeta (2015) Isomorphology. Isomorphology . Atlantic Press Ltd, Penryn, Cornwall TR10 8JW. ISBN 978-0-9571549-3-3 | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2015)
Illustrator As Activist: Conservation of Endangered Species And the Role Of The Illustrator.
    
      In:  
      CONFIA 15.
    
    
    IPCA  University   Portugal, Portugal, pp. 341-352.
     ISBN 978-989-98241-9-5 | 
| Southworth, Kate and Mcleod, Neil (2015) Cultural Capital Installation. [Exhibition] | 
| Southworth, Kate, Mcleod, Neil and Thomas, Dominic (2015) Cultural Capital Installation. [Exhibition] | 
| Osmond, Matthew (2015) Fly Sings. UNSPECIFIED. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2015)
‘Le Charisme Inverse’.
    In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University. | 
| Hyde, David (2015) Re-Making the Past. [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2015)
'Are you a doctor, sir?'.
    [Artwork]
  
  
      
       Item availability may be restricted. | 
| Matthias, Gayle and Jorgensen, Tavs (2015) Glass Mould Innovation Through Collaborative Research- Combining Studio Glass Knowledge with New Approaches in Digital Fabrication. The Glass Art Society Journal, Chicago, Illinois, 2014. pp. 46-47. ISSN 0692267484 | 
| Kemp, Mercedes  ORCID: https://orcid.org/0000-0003-4101-6810
  
(2015)
WildWorks: It Starts and Ends with Place and People.
    
      In:  
      Make Believe: UK Design for Performance 2011-2015.
    
    
    The Society of British Theatre Designers, Great Britain.
     ISBN 978 - 0 - 9529309 - 8 - 3 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2015)
Inna-deno pudenda membra.
    E.R.O.S., 2015 (7).
     pp. 91-96.
     ISSN 2048-8353 | 
| Armitage, Claire (2015) Printed textile collection for Scottish National Trust. [Artwork] (Submitted) | 
| Mott, Nicholas (2015) Nick Mott 'Here Begins The Great Destroyer' Compact Disc. [Media] | 
| Graham, Joe (2014) No Brown Shoes After Six O'Clock. [Exhibition] | 
| Pullum, Isolde (2014) Sasha. [Exhibition] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2014)
Cheltenham Illustration Awards.
    [Artwork] | 
| Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished) | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2014)
Performing Objects/Performing Philosophy.
    In: Performance Philosophy, April 1-12, 2015, University of Chicago.
  
   (Unpublished) | 
| Pullum, Isolde (2014) Top Shell. [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Macleod, Katy
  
(2014)
The Absenting Subject.
    Journal of Visual Arts Practice, 13 (2).
     pp. 138-149.
     ISSN 1470-2029
  
  
      
       Item availability may be restricted. | 
| Pullum, Isolde (2014) Pangolin. [Exhibition] | 
| Marton, Helen (2014) Material Resonance and Site Specificity: An Interdisciplinary Approach. In: European Ceramic Context, September 2014, Bornholm: Denmark. | 
| Crow, Frances and Prior, David  ORCID: https://orcid.org/0000-0002-8750-445X
  
(2014)
Report.
    [Performance] | 
| Barwick, Tom (2014) RE-Thinking the Mystery of Glitch. Varoom, 16 (27). pp. 42-46. ISSN 1750-483X | 
| Barwick, Tom (2014) She's Lost Control. In: 3rd International Illustration Symposium: Interpretation., September 2014, University of The Arts Bournemouth. | 
| Graham, Joe (2014) The Specious Line: Drawing as a method for re-presenting the specious present. In: Crossing the Line 2: Drawing in the Middle East, 12th - 14th September 2014, The American University in Dubai. (Unpublished) | 
| Graham, Joe (2014) The Specious Line No.42. [Exhibition] | 
| Southworth, Kate (2014) 64 Telepathic Moments. [Artwork] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256, Jaeger, Peter, Norwood, Tamarin, Pester, Holly, Kivland, Sharon, Jelili, Sami and LaMarre, Rebecca
  
(2014)
Jonah's Booth.
    Their eyes travel across the page and their hearts search out meaning, n/a (n/a).
    
     ISSN n/a | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2014)
Bleu Gouttes.
    [Media] | 
| Graham, Joe (2014) Pardes No.1 - 6. [Exhibition] (Submitted) | 
| Montag, Daro, Osmond, Matthew and Allen, Jude (2014) Soil Culture Forum. [Conference] | 
| Southworth, Kate (2014) Thunder Arousing. [Artwork] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2014)
Art Base Tate St Ives 21st Birthday Celebration.
    [Exhibition] | 
| Sousa Lobo, Francisco (2014) Manta Banter. In: THE CARNATION REVOLUTION BETWEEN AFRICAN ANTI-COLONIALISM AND EUROPEAN REBELLION, 22nd and 23rd of May, 2014, Birkbeck Institute, London, United Kingdom. Item availability may be restricted. | 
| Shapiro, Carolyn  ORCID: https://orcid.org/0000-0002-2987-8111
  
(2014)
(Per)happiness, Performative Language and the Figure of the Automaton: reading the deconstructive wedge of Felicific Calculus.
    In: Well-Being Reconsidered: the International Society for Utilitaran Studies, 19-22 August 2014, Yokohama University. | 
| Willow, Lucy (2014) FALLEN: A SITE RELATED EXHIBITION. [Exhibition] (Unpublished) | 
| Surridge, Mark (2014) Alignments Exhibition. [Exhibition] | 
| Osmond, Matthew (2014) The Mingled Measure. The Mingled Measure: Interpreting and Adapting ST Coleridge's The Rime of the Ancient Mariner, 8 (2). | 
| Heholt, Ruth  ORCID: https://orcid.org/0000-0001-6963-6427, Lockley, Elfrea, Douglas, Mark, Downing, Niamh and North, Laurence  ORCID: https://orcid.org/0000-0002-6578-1771
  
(2014)
Haunted Landscapes: Nature, Supernature and the Environment.
    [Conference] | 
| Willow, Lucy (2014) Under The Influence: The Silent Creek at Low Tide. In: Under The Influence, 07-07 Mar 2014, CAST Helston, Cornwall.. (Unpublished) | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256, Stent, David and Farmer, Patrick
  
(2014)
Writing As Occupation #2.
    [Performance] | 
| Pullum, Isolde (2014) Pareidolia. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. | 
| Averill, Simon (2014) 'Splitter'. [Exhibition] | 
| Matthias, Gayle (2014) Anatomical Deconstruction VII. [Artwork] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2014)
The Outsider Obsessions.
    Varoom Magazine: The Journal of Illustration and Made Images, 24 (24).
     pp. 18-25.
     ISSN 1750-483X
  
  
      
       Item availability may be restricted. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2014)
Diagrams for Seriality.
    
    
      7
      .
    
    Copy Press, London.
     ISBN 978-1-909570-00-9
  
  
      
       Item availability may be restricted. | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2014)
Quiet Works.
    [Exhibition] | 
| Paton, David  ORCID: https://orcid.org/0000-0002-2790-7687 and DeSilvey, Caitlin
  
(2014)
Growing Granite: The Recombinant Geologies of Sludge.
    
      In:  
      Making and Growing: Anthropological Studies of Organims and Artefacts.
    
    
      Anthropological Studies of Creativity and Perception
      .
    
    Taylor & Francis, Farnham, pp. 221-237.
     ISBN 140943642X
  
  
       Item not available from this repository. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256, Lally, Colm and Zaman, Rehana
  
(2013)
Neil Chapman in discussion with Rehana Zaman / Colm Lally in discussion with Neil Chapman.
    
      In:  
      Proto-tools 1 Transcription, 16-17 November 2013 Flat Time House.
    
    
      Proto-tools
      .
    
    Event Media Projects, London, pp. 86-96.
     ISBN 978-0-9576627-1-1 | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2013)
Blond Antediluvian.
    [Exhibition] | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola
  
(2013)
Spillways, Pedways, Silos.
    
    
    Good Press & Publication Studio, Malmö.
     ISBN 978-91-87577-03-1 | 
| Sousa Lobo, Francisco (2013) Theology After Bas Jan Ader. Performance Research, 18 (4). pp. 69-72. ISSN ISSN: 1352-8165 (2013) 18:4 Item availability may be restricted. | 
| Marton, Helen (2013) Resonant Objects: Inevitable & Inextricable. In: Creativity: An Exploration and Contemporary Responses to the Bronze Age, 2013, Magdalene College Cambridge. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2013)
DIRT TIME: 9.Theorem 7.Debacle.
    In: DIRT TIME: 9.Theorem 7.Debacle, 7 April, 2013, Videotage, , To Kwa Wan, Hong Kong. | 
| Matthias, Gayle and Jorgensen, Tavs (2013) Reflections on a collaborative research project in digital moulding for glass casting and artistic interpretations. In: Making Futures Volume III Interfaces Between Craft Knowledge and Design: New Opportunities for Social Innovation & Sustainability, Mount Edgcumbe, Cornwall, UK. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2013)
Percale Thrip.
    
      In:  
      UNSPECIFIED
    
    
    Information as material (iam), Acklam, UK.
     ISBN 978-1-907468-20-9 | 
| Webster, Andy (2013) Action. [Artwork] Item not available from this repository. | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2013)
‘Patent Pursuit of Smoothness’.
    
      In:  
      E:vent, 2003-2011.
    
    
    E:vent Media Projects, London.
     ISBN ISBN 978-0-9576627-0-4 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
  
(2013)
Displacement Activity.
    [Performance] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262, Phoenix, Dr Cassandra and Fleming, Prof Lora
  
(2013)
Lightening never strikes the same abstract wooden sculpture twice.
    [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2012)
Humbly Through the Dust.
    [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2012)
Velvety Nap.
    [Exhibition]
  
   (Unpublished) | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2012)
Happy Birthday Mr Lear.
    [Artwork]
  
  
      
       Item availability may be restricted. | 
| Marton, Helen (2012) The Resonance of Gabbroic Clay in Contemporary Ceramic Works. The Resonance of Gabbroic Clay in Contemporary Ceramic Work, New Light: Archaeological Ceramics: Insight from Innovation. pp. 245-252. ISSN 9780992633646 | 
| Matthias, Gayle and Jorgensen, Tavs (2012) Glass Investment Casting with 3D Printed Models. In: Towards a New Ceramic Future, V&A, London. | 
| Matthias, Gayle (2012) Anatomical Deconstruction V. [Artwork] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209, Ridout, Lizzie  ORCID: https://orcid.org/0000-0002-8140-8272, Potter, Ashley, Barwick, Tom, Owens, Dean and Harper, Clare
  
(2012)
Message.
    [Artwork] | 
| Scott, Linda  ORCID: https://orcid.org/0000-0002-8277-1209
  
(2011)
Ghosts Of Gone Birds.
    [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2011)
The Cornwall Workshop.
    [Conference] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2011)
Rank.
    [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2011)
Amerikan Tan: The Way of the Sausage.
    [Exhibition]
  
   (Unpublished) | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2011)
Golden Fulvous.
    In: POLYply 13, October 13th 2011, The Centre for Creative Collaboration, London. | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2011)
The Penis Show.
    [Exhibition] | 
| Wylde, Gillian  ORCID: https://orcid.org/0000-0001-5436-0771
  
(2011)
IΩS▼NT GRLL.
    [Exhibition]
  
   (Unpublished) | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2011)
Outrageous Fortune Tarot Deck.
    
    
    Slimvolume, LONDON.
     ISBN 978-1-907185-02-1 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256
  
(2010)
Glossolaris.
    
      In:  
      Glossolaris.
    
    
    AND Publications, London.
     ISBN ISBN 978-1-907840-03-6 | 
| Chapman, Neil  ORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola
  
(2010)
BLOODCRYSTALPOLLENSTAR.
    
      In:  
      Deleuze and Contemporary Art.
    
    
      Deleuze Connections
      .
    
    Edinburgh University Press, Edinburgn, pp. 286-309.
     ISBN 9780748638383
  
   (In Press) | 
| Matthias, Gayle (2010) Sink II: ceramic and glass sculpture. [Artwork] | 
| Montag, Daro (2009) Leafcutter Ant Drawing. In: Expeditions. CCW Graduate School, London. ISBN 978-1-908339-03-4 | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2008)
Cabaret Futura.
    [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2008)
The Inaugural Meeting of the Artists' Cycling Club.
    [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2007)
Jonty Lees: Artist in Residence.
    [Exhibition] | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2006)
Jonty Lees, MOOT.
    [Exhibition] | 
| Crow, Frances and Prior, David  ORCID: https://orcid.org/0000-0002-8750-445X
  
(2003)
Swash: A Case Study.
    Earshot, 4.
     pp. 17-21.
     ISSN 1471-4183 | 
| Braund, Stephen  ORCID: https://orcid.org/0000-0001-8099-3038
  
(2003)
The Journal.
    The Journal, August/September 2003 (Aug 03).
     pp. 1-30.
     ISSN Issn 1474-1679
  
  
      
       Item availability may be restricted. | 
| Lees, Jonty  ORCID: https://orcid.org/0000-0002-1445-1262
  
(2003)
Spiral Drawing.
    [Artwork] |