Items where Subject is "Arts > Drawing"
 | Up a level |
Group by: Creators | Item Type
Number of items at this level: 87.
A
| Anderson, Gemma (2015) Drawing as Epistemology for Morphology. Doctoral thesis, Falmouth University. Item availability may be restricted. |
![[img]](/style/images/fileicons/text.png)
|
| Arnold, Bram (2015) Notes After A Week of Wandering. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921 |
|
| Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. Doctoral thesis, Falmouth University. |
|
B
| Barwick, Tom (2014) RE-Thinking the Mystery of Glitch. Varoom, 16 (27). pp. 42-46. ISSN 1750-483X |
|
Brown, Katrina  ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
Translucent surface/Quiet body, redistributed.
Journal for Artistic Research JAR, 2019 (18).
ISSN 2235-0225
|
|
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2020)
Working low: activating the horizontal plane.
In:
Body, Space, and Place in Collective and Collaborative Drawing: Drawing Conversations II (Hardback).
Drawing Conversations
.
Cambridge Scholars Publishing, Cambridge.
ISBN 9781527541962
Item availability may be restricted.
|
![Em[bed]ding circle_Book Chapter DC2_Fig 3.2](/3556/1/Em%5Bbed%5Dding%20circle_K.Brown_video%20still.jpg)
|
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
Writing body/annotating gesture.
In: Annual Conference SAR 10, March 2019, Zurich University of the Arts.
|
|
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233
(2019)
and a body turns.
[Exhibition]
Item availability may be restricted.
|
|
|
Brown, Katrina ORCID: https://orcid.org/0000-0001-9651-5233 and Irvine, Rosanna
(2016)
what remains and is to come.
[Performance]
Item availability may be restricted.
|
|
C
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2014)
Diagrams for Seriality.
7
.
Copy Press, London.
ISBN 978-1-909570-00-9
Item availability may be restricted.
|
|
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2016)
Five Layers of Looking.
In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus.
(Unpublished)
|
|
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2021)
Insensate Archive.
Working Paper.
UNSPECIFIED.
(Unpublished)
Item availability may be restricted.
|
|
|
Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David
(2021)
Writing as Occupation: thickening of thought and narrative loops, even.
In:
History(s) of MEANTIME.
School of Arts, University of Gloucestershire, Cheltenham, pp. 26-32.
ISBN ISBN 978-1-914900-01-3
|
![[img]](/4438/6/848a%20copy.jpg)
|
|
Christoforidou, Maria, Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion
(2016)
Various Writings: CAST Residency.
In: Various Writings: CAST Residency, 6-11th February 2017, CAST, Helston, Cornwall, UK.
|
|
F
| Foreman, Mark (2016) Open Studios Cornwall 2016. [Exhibition] (Unpublished) |
|
|
Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246, Chatfield, Andy and Wincott, Abigail ORCID: https://orcid.org/0000-0002-3162-644X
(2022)
Equity, Diversity & Inclusion: How to make your cultural leadership more diverse.
Project Report.
UNSPECIFIED.
|
|
G
| Graham, Joe (2015) ANCHOR. [Artwork] (Submitted) Item not available from this repository. |
| Graham, Joe (2015) ANCHOR: A Phenomenlogy of the Outline. In: Crossing the Line 3: Global Drawing Symposium, 5-7 Nov, 2015, The SACI Institute, Florence, Italy. |
|
| Graham, Joe (2017) ANCHORAGE: a phenomenology of outline. Journal for Artistic Research, 2017 (12). ISSN 2235-0225 |
|
| Graham, Joe (2016) Autonomic Drawing: Postphenomenological Research. In: iJADE Conference 2016: Drawing, 18-19 Nov 2016, University of Chester. |
|
| Graham, Joe (2016) Autonomic Drawing: Postphenomenology and Pedagogy. In: Research Practice Practice Research: 2016 NAFEA Symposium, 15-16 July 2016, The University of Cumbria Institute of the Arts. |
|
| Graham, Joe (2017) Climate Drawing: The Atmosphere of Time. In: Drawing Conversations 2: Body, Space, Place, 8 Dec 2017, Coventry University. (Submitted) |
|
| Graham, Joe (2016) The Force of Time: Diagramming Bergson's elan vital. In: 2016 Drawing Research Network Conference: Tracing the Bridge, 5-6 Sept 2016, Loughborough University. |
|
| Graham, Joe (2015) Kitchen Drawing No.23. [Exhibition] |
|
| Graham, Joe (2017) Nine Drawings: seriality, postphenomenology and the force of time. Journal of Visual Art Practice, 17 (1). ISSN 1470-2029 |
|
| Graham, Joe (2014) No Brown Shoes After Six O'Clock. [Exhibition] |
|
| Graham, Joe (2014) Pardes No.1 - 6. [Exhibition] (Submitted) |
|
| Graham, Joe (2014) Pardes No.12. [Exhibition] |
|
| Graham, Joe (2017) Sources of the signal. [Performance] Item not available from this repository. |
| Graham, Joe (2014) The Specious Line No.42. [Exhibition] |
|
| Graham, Joe (2014) The Specious Line: Drawing as a method for re-presenting the specious present. In: Crossing the Line 2: Drawing in the Middle East, 12th - 14th September 2014, The American University in Dubai. (Unpublished) |
|
| Graham, Joe (2016) Time Lines: Translating the passing of 'now' into line. In: The Bartlett School of Architecture: Drawing Research Seminar No.1, 17.2.16, The Bartlett School of Architecture, UCL, London. |
|
H
|
Heholt, Ruth ORCID: https://orcid.org/0000-0001-6963-6427, Lockley, Elfrea, Douglas, Mark, Downing, Niamh and North, Laurence ORCID: https://orcid.org/0000-0002-6578-1771
(2014)
Haunted Landscapes: Nature, Supernature and the Environment.
[Conference]
|
|
L
|
Lamb, Johny ORCID: https://orcid.org/0000-0001-7654-1004
(2021)
J.Lynch The Tender Appropriation.
[Composition]
|
|
|
Lees, Jonty ORCID: https://orcid.org/0000-0002-1445-1262 and Halvorsen, Morten Norbye
(2019)
Cornwall Council Schools Art Collection.
[Website]
|
|
|
Lewis-Jones, Huw ORCID: https://orcid.org/0000-0001-6455-4019
(2019)
Archipelago: An Atlas of Imagined Islands.
Thames & Hudson, London.
ISBN 978-0500022566
Item availability may be restricted.
|
![[img]](/3523/6/9780500022566_archipelago-an-atlas-of-imagined-islands_sprayed-edges.jpg)
|
|
Lewis-Jones, Huw ORCID: https://orcid.org/0000-0001-6455-4019
(2019)
The Sea Journal: Seafarers’ Sketchbooks.
Thames & Hudson, London.
ISBN 978-0500021279
Item availability may be restricted.
|
![[img]](/3522/6/Screenshot%202019-11-01%20at%2017.06.48.png)
|
|
Lewis-Jones, Huw ORCID: https://orcid.org/0000-0001-6455-4019
(2018)
The Writer’s Map: An Atlas of Imaginary Lands.
University of Chicago Press, Chicago.
ISBN 978-0226596631
Item availability may be restricted.
|
![[img]](/3521/6/9780500519509_in01_the-writers-map.jpg)
|
|
Lewis-Jones, Huw ORCID: https://orcid.org/0000-0001-6455-4019 and Herbert, Kari
(2016)
Explorers’ Sketchbooks: The Art of Discovery.
Chronicle, San Francisco.
ISBN 978-0500252192
|
![[img]](/3518/6/9780500252192_in01_explorers-sketchbook_.jpg)
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2023)
Better Dreams.
International Times, none.
ISSN 26340852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Bill O'Brien.
[Website Content]
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Encyclopaedic Tendencies and Impossible Projects: An interview with Peter Blegvad.
Punk & Post-Punk journal, 7 (3).
pp. 421-431.
ISSN 20441983 / 20443706
(In Press)
Item availability may be restricted.
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Five works from MAP DRAWINGS series 1.
After the Pause, 7 (2).
ISSN N/A
(In Press)
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Flowering Time.
[Exhibition]
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Four Italian Studies.
[Artwork]
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2017)
Francis Bacon poetry reading.
UNSPECIFIED.
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
I Didn't Lick It.
[Exhibition]
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2018)
Imaginary Landscapes.
[Artwork]
Item availability may be restricted.
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Inspired Thinking.
International Times, none.
ISSN 26340852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2019)
Other Ways of Seeing.
Stride, none.
ISSN none
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
Prior Knowledge.
[Artwork]
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2021)
Subversive Geometry and Disco Tents.
International Times, none.
ISSN 26340852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Untitled review of England on Fire, Stephen Ellcock and Mat Osman (Watkins Press).
Tears in the Fence, none.
ISSN 02665816
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Unusual Insight.
International Times, none.
ISSN 26340852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2022)
Wowie Zowie!
International Times, none.
ISSN 26340852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
from Map Drawings 2.
[Artwork]
(In Press)
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489
(2020)
A third selection of paintings from the Open Systems series.
International Times, none.
ISSN 2634-0852
|
|
|
Loydell, Rupert ORCID: https://orcid.org/0000-0003-2730-8489 and Annesley, Angela
(2020)
Cathedrals of the Soul.
Cornish Bookshelf
.
Ravenstongue Press, West Cornwall.
ISBN none
(In Press)
Item availability may be restricted.
|
|
M
| Male, Alan (2007) Typhloesus wellsi & Keurbosia susanae; enigmatic organisms from the Early Carboniferous and Ordovician respectively. [Artwork] |
![[img]](/745/1/Enigmatic%20prehistoric%20organisms.jpg)
|
|
Masterton, Elizabeth and Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2015)
Tanks & Tablecloths Chapter Two.
[Exhibition]
Item availability may be restricted.
|
|
| Montag, Daro, Osmond, Matthew and Allen, Jude (2014) Soil Culture Forum. [Conference] |
![[img]](/667/2/_MG_6828.JPG)
|
|
Myers, Misha and Frears, Lucy ORCID: https://orcid.org/0000-0003-3654-7246
(2021)
Performing Cartographies: Getting inside and beyond the map.
In:
New Directions in Radical Cartography. Why the Map is Never the Territory.
Rowman & Littlefield, Landham, Maryland, US, pp. 209-232.
ISBN 9781538147191
Item availability may be restricted.
|
|
N
| Neal, Andy (2018) designdice™ GDEN2018 [w**ichcraft]. In: Graphic Design Educators’ Network – W**chcraft, 6-7th September 2018, Northumbria University, Newcastle-upon-Tyne. |
|
|
North, Laurence ORCID: https://orcid.org/0000-0002-6578-1771
(2016)
Forms of the Gift in the Scrovegni Chapel, Padua, Italy; The Art of Salvation and Socio-political persuasion.
In: Othello's Island, 17 - 20 March 2016, CVAR Nicosia Cyprus.
|
|
O
| Osmond, Matthew (2017) An Underswell of Divination. The Dark Mountain Project, N/A. ISSN N/A |
|
P
| Pullum, Isolde (2014) Pangolin. [Exhibition] |
|
| Pullum, Isolde (2014) Pareidolia. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. |
|
| Pullum, Isolde (2014) Sasha. [Exhibition] |
|
| Pullum, Isolde (2014) Top Shell. [Exhibition] |
|
R
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2013)
An Essay Concerning the Architecture of Conversation.
Message, 1 (1).
pp. 24-33.
ISSN 978-184102-347-2
|
|
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2007)
Homeward Bound or An Exercise in Collecting Beginnings.
The British Library, London.
ISBN ISBN 978-0-7123-4990-1
|
|
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2012)
Lizzie Ridout: Ways to Talk & Yet Say Nothing or Ways to Not Talk & Yet Say Everything.
[Exhibition]
|
|
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2015)
A Polychromy in Black (Publication for Bideford Black: The Next Generation).
Études, Falmouth, UK.
ISBN 978-0-9934412-0-2
|
|
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272
(2018)
Portable Document: Thinkings & Makings.
[Exhibition]
|
|
|
Ridout, Lizzie ORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion
(2017)
The School of Various Writings: What is Writing?
[Project]
|
S
|
Scott, Linda ORCID: https://orcid.org/0000-0002-8277-1209
(2019)
Dark Dualities, Emergence and Eruption: Representations of The Shadow within Contemporary Illustrated Narratives.
In:
CONFIA19.
CONFIA
.
Instituto Politecnio do Calvado e do Ave, Barcelos PORTUGAL, pp. 436-448.
ISBN 978-989-54489-1-3
|
|
|
Scott, Linda ORCID: https://orcid.org/0000-0002-8277-1209
(2011)
Ghosts Of Gone Birds.
[Exhibition]
|
|
|
Scott, Linda ORCID: https://orcid.org/0000-0002-8277-1209
(2022)
TRANSITUS:
Time Travel, Transmedia and The Transatlantic Slave Trade.
In: TRANSITUS, 15 - 16 July 2022, ONLINE : TEAMS.
(Unpublished)
Item availability may be restricted.
|
|
| Sousa Lobo, Francisco (2017) Crisis of Meaning, Crisis of Form. Doctoral thesis, Goldsmiths, University of London. |
|
| Sousa Lobo, Francisco (2016) The Forty Thieves. [Exhibition] |
|
| Sousa Lobo, Francisco (2014) Manta Banter. In: THE CARNATION REVOLUTION BETWEEN AFRICAN ANTI-COLONIALISM AND EUROPEAN REBELLION, 22nd and 23rd of May, 2014, Birkbeck Institute, London, United Kingdom. Item availability may be restricted. |
|
W
| Willow, Lucy (2016) AIP GAFA (Guangzhou Academy of Fine Art)- Falmouth University International Collaboration and Solo Exhibition. [Exhibition] (Unpublished) |
|
| Willow, Lucy (2014) FALLEN: A SITE RELATED EXHIBITION. [Exhibition] (Unpublished) |
|
| Willow, Lucy (2014) Under The Influence: The Silent Creek at Low Tide. In: Under The Influence, 07-07 Mar 2014, CAST Helston, Cornwall.. (Unpublished) |
|
|
Willow, Lucy and Kemp, Mercedes ORCID: https://orcid.org/0000-0003-4101-6810
(2016)
CAFE MORTE: LOST FOR WORDS EXHIBITION.
[Exhibition]
(Unpublished)
|
|
|
Wylde, Gillian ORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID: https://orcid.org/0000-0001-8253-0256
(2017)
FOMO: Falmouth Art Publishing Fair 2017.
UNSPECIFIED.
|
|
Y
| Yule, Eleanor (2014) Ethnography or Auto-Ethnography? The Process of Biographical Construction in ”Moominland Tales - The Life of Tove Jansson” (BBC 2012). In: Tove Jansson Centennial Conference Multiple Aesthetics. Passion, Politics and Philosophy, November 27th – 28th 2014, Aula Magna, Stockholm University. |
|