Items where Subject is "Philosophy & Psychology"

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Number of items at this level: 134.

A

Alshaigy, Bedour, Scott, Michael ORCID logoORCID: https://orcid.org/0000-0002-6803-1490 and Zarb, Mark (2017) Towards Gender-Inclusive Programming Pedagogy. In: Computing Education Practice, 11th January, Durham, UK. (In Press)
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Arnold, Bram (2018) Let Us Not Be Afraid of Words. In: Beyond The Fields, 18/19th August 2018., End of The World Garden, Penryn, Cornwall..
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Arnold, Bram (2014) Resting Places. In: Performing Grief Symposium, October 17th, 2014., Sorbonne, Paris.. (Unpublished)
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Arnold, Bram (2016) Walking Home: The path as transect in an 800km autoethnographic enquiry. Doctoral thesis, Falmouth University.
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Arnold, Bram (2015) A note on Remoteness. In: Remote Performances in Nature & Architecture. Ashgate / Routledge, Farnham. ISBN 1472453921
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Barry, Kaya, Baxter, Tess, Bennett, Bruce, Booker, Clare, Bowers, Natalie, Büscher, Monika, Chapman, Owen, Collier, Mike, Cunningham, Jocelyn, Lujan Escalante, Malé, Ferguson, Nick, Guelton, Bernard, Merrington, Peter, Ntaousani, Elia, Jungnickel, Kat, Kesselring, Sven, Lopez, Carlos, Pollastri, Serena, Pugh, Nikki, Rose, Emma, Sawchuk, Kim, Sheller, Mimi, Smith, Richard, Southern, Jen, Szerszynski, Bron, Syng Tan, Kai, O Keeffe, Linda, Thulin, Sam, Whittaker, Emma and Wilson, Louise Ann (2018) 2018: Art & Mobilities Network Inaugural Symposium Instant Journal (Peter Scott Gallery). [Project]
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Blonska, Agnieszka ORCID logoORCID: https://orcid.org/0000-0001-5345-8179, Wichowska, Joanna, Rumas, Robert, Sienicki, Artur, Mleczak, Natalia, Korsak, Emilia and Olszak, Kuba (2017) Mephisto. [Performance]
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Boduszek, Daniel, Debowska, Agata, Jones, Adele, Ma, Minhua ORCID logoORCID: https://orcid.org/0000-0001-7451-546X, Smith, David, Willmott, Dominic, Jemmott, Ena and Da Breo, Hazel (2019) Prosocial video game as an intimate partner violence prevention tool among youth: A randomised controlled trial. Computers in Human Behavior, 93. pp. 260-266. ISSN 0747-5632 Item availability may be restricted.
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Boljkovac, Nadine (2014) Guest Speaker. ‘A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema.’ Organised by Ed Keller, Director. Center for Transformative Media, Parsons The New School for Design (NYC), December 2014. In: A Secret Called Happiness: Cinema of Ethics, Ethics of Cinema. - Guest Talk by Nadine Boljkovac, Center for Transformative Media, Parsons The New School for Design (NYC), December 2014.. Item availability may be restricted.
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Boljkovac, Nadine (2015) Untimely Affects. Plateaus: New Directions in Deleuze Studies . Edinburgh University Press, Edinburgh. ISBN 9780748646449
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Brown, Douglas ORCID logoORCID: https://orcid.org/0000-0001-6662-6629 (2012) Game-Playing-Role. Doctoral thesis, Brunel University.
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Casas Roma, Joan (2019) The Good, the Bad and the Robot: Projecting Attitudes into A.I. International Conference of the Catalan Association for Artificial Intelligence, 1. ISSN (Not published yet)
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Casas Roma, Joan and Arnedo-Moreno, Joan (2019) From Games to Moral Agents: Towards a Model for Moral Actions. In: Artificial Intelligence Research and Development. Frontiers in Artificial Intelligence and Applications, 1 . IOS Press, Netherlands, pp. 19-28. ISBN 978-1-64368-015-6
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Casas Roma, Joan, Huertas, Antonia and Rodriguez, M. Elena (2020) The Logic of Imaginary Scenarios. Logic Journal of the IGPL, 28 (3). pp. 363-388. ISSN 1368-9894
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Casas Roma, Joan, Huertas, Antonia and Rodríguez, M. Elena (2019) The Logic of Imagination Acts. Erkenntnis, Online. p. 1. ISSN 0165-0106
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Casas Roma, Joan, Rodriguez, M. Elena and Huertas, Antonia (2019) A Common Frame for Formal Imagination. Minds and Machines, Online. pp. 1-32. ISSN 0924-6495
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2016) Art • Writing • Diagrammatics. Theatre, Dance and Performance Training, 7 (2). pp. 247-252. ISSN 1944-3919
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2016) Five Layers of Looking. In: Falmouth School of Art Drawing Forum, Falmouth University Falmouth Campus. (Unpublished)
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2016) Insiders (reading-performance). [Performance]
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2017) Mostish Will Speak on Darkness. Haunt Journal of Art, 4. pp. 42-50. ISSN 2334-1165
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2017) Untimely findings: Art-research and the Extra-disciplinary. In: Paradox Conference London 2017, 13th to 15th September 2017, Conway Hall, Red Lion Square, London. (Unpublished)
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 and Stahl, Ola (2010) BLOODCRYSTALPOLLENSTAR. In: Deleuze and Contemporary Art. Deleuze Connections . Edinburgh University Press, Edinburgn, pp. 286-309. ISBN 9780748638383 (In Press)
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Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 and Stent, David (2016) Writing As Occupation #3 (performance/installation). [Performance]
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Christoforidou, Maria, Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion (2016) Various Writings: CAST Residency. In: Various Writings: CAST Residency, 6-11th February 2017, CAST, Helston, Cornwall, UK.
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Christoforidou, Maria, Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion (2017) Various Writings: Chapter One. In: Please Specify! The Society of Artistic Research's annual conference, 28/29 April 2017, University of the Arts Helsinki, Finland.
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Christoforidou, Maria, Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion (2017) Various Writings: Chapter Two. In: MIX 2017: Writing Digital, 10-12th July 2017, Bath Spa University, Newton Park Campus.
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Dixley, Allison (2014) Breast Intentions: how women sabotage breastfeeding for themselves and others. Pinter & Martin, London. ISBN 978-1-78066-215-2
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2020) Dark Sound: Feminine Voices in Sonic Shadow. Ex-centrics . Bloomsbury, New York. ISBN 9781501325809 (In Press) Item availability may be restricted.
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2016) Halloween, Witchcraft and the Power of Spells. [Media] Item not available from this repository.

Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 (2014) Improvising Themes of Abjection with Maggie Nicols. Performance Research: A Journal of the Performing Arts, 19 (1). pp. 81-90. ISSN 1352-8165 Item availability may be restricted.
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308 and Lamb, Johny ORCID logoORCID: https://orcid.org/0000-0001-7654-1004 (2015) Dark Sound: Destructive Pop 2015. [Conference]
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Ferrett, D ORCID logoORCID: https://orcid.org/0000-0001-8421-6308, Thomas, Gustav and Hayden, Bridget (2018) Weaving intuitive illegitimate improvisation. Liminalities: Unforseen Encounters, 14 (1). pp. 90-109. ISSN 1557-2935
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Fontoura, Catarina (2019) Alqueva Untitled #1. [Exhibition]
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Fontoura, Catarina (2019) Invocations, An Asygnifying Fieldwork Guide. In: Art in the Anthropocene, 6-9 June 2019, Trinity College Dublin. (Unpublished)
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2019) Rethinking film education: What can we learn from filmmakers? In: Film-Philosophy, 9-11 July, 2019, University of Brighton.
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Fox, Neil ORCID logoORCID: https://orcid.org/0000-0002-2959-2877 (2014) “There’s an Event Going on in There” – For No Good Reason: A Documentary About Ralph Steadman. Directors Notes, N/A. ISSN N/A

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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 (2014) The Superfast Tempest. In: Superfast Cornwall Researcher Networking Day, Plymouth. (Unpublished)
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Biscoe, Ian (2014) Getting Closer – The Digital Tempest. In: The Co-Creation, distributed performances and alternative content for the big screen workshop, 10 – 11 November 2014, Barcelona. (Unpublished)
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186 and Harvie, Tamarin (2015) Different art forms hit different sweet spots. In: International Dementia Conference, 3 - 4 November 2015, NEC Birmingham. (Submitted)
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Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Singh-Barmi, Kuldip, Biscoe, Ian, Cesar, Pablo, Jansen, Jack, Wang, Chen and Kaiser, Rene (2016) Co-Present and Remote Audience Experiences: Intensity and Cohesion. Multimedia Tools and Applications, 2016. pp. 1-34. ISSN 1380-7501
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Gill, Jeff and Medd, Will (2013) Your PhD Coach. Humanities . Open University Press, Berkshire UK. ISBN 978-033524767-7 Item not available from this repository.

Graham, Joe (2015) ANCHOR. [Artwork] (Submitted) Item not available from this repository.

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James, Ben and Kiernan, Anna (2017) Reimagining book concepts for digital audiences. In: London Book Fair, 14-16 March 2017, London. (Unpublished) Item not available from this repository.

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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2015) Transformation and Engagement: an interview with H.L. Hix. New Writing, 12 (3). ISSN 1943-3107
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Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 and Hix, Harvey (2020) Good News, Big News, News That Stays News. Stride, none. ISSN none
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2020) Shaw, Daniel; Marshall, Kingsley and Rocha, James (Eds.). 2020. Philosophical Reflections on Black Mirror. London: Bloomsbury. Bloomsbury, London. ISBN 9781350162167 Item not available from this repository.

Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2018) These Violent Delights Have Violent Ends: Representing Artificial Intelligence in HBO’s Westworld. In: Popular Culture Association/American Culture Association Conference, 19 April 2019, Marriot Wardman Park, Washington DC. (In Press)
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 (2019) You Were Never really Here: Representations of Artificial intelligence in Charlie Brooker's Black Mirror. In: Philosophical reflections on Black Mirror. Bloomsbury, London. ISBN TBC (In Press) Item availability may be restricted.
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Marshall, Kingsley ORCID logoORCID: https://orcid.org/0000-0002-2518-7305 and Loydell, Rupert ORCID logoORCID: https://orcid.org/0000-0003-2730-8489 (2018) Sound Design, Music and The Birth of Evil in Twin Peaks: The Return. In: Music & The Moving Image, 27 May 2018, NYU, New York.
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McMurdo, Wendy ORCID logoORCID: https://orcid.org/0000-0001-8568-9641 (2020) 'Florilegium: A gathering of flowers'- Inverleith House, Royal Botanical Gardens, Edinburgh. Sep 16th – Dec 13th 2020. [Exhibition]
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McMurdo, Wendy ORCID logoORCID: https://orcid.org/0000-0001-8568-9641 (2017) Let's Go to a Place: in Gravitas, group show curated by Christiane Monarchi for Photo50, London Art Fair 2017 and related symposium on collaboration and photography. [Exhibition]
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Morris, David (2017) After The Sewol. [Media] (In Press)
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Neal, Andy and Star, Dion (2017) [DiaGram]; Rethinking Graphic Design Process. In: REDO: Cumulus REDO Conference Proceedings, Design School Kolding 30 May - 2 June 2017. ReDo Cumulus 2017 . Design School Kolding and Cumulus International, Online (worldwide) / Denmark., pp. 81-95. ISBN 9788793416154
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Osmond, Mat (2019) Greenstone Axe. The Dark Mountain Project: The Devil's Door, N/A. ISSN N/A
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Osmond, Matthew (2018) Anima #5. In: The Black Madonna's Song. Atlantic Press, Penryn, Cornwall. ISBN N/A
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Osmond, Matthew (2015) Fly Sings. UNSPECIFIED.
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Osmond, Matthew (2016) Meinrad Craighead and the Animal Face of God. Landscape, Language and the Sublime, NA (NA). NA. ISSN NA
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Osmond, Matthew (2015) Us and Them: Empathy, Ecocide and the Graphic Ecofable. Politics of Place, Issue 3 (Green Connections), 2500 words (approx) (3\7). ISSN http://blogs.exeter.ac.uk/politicsofplace/files/2012/02/2015WinterPOP_OSMOND.pdf
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Osmond, Matthew, Povall, Richard, Leahy, Mark and Nelson, Camilla (2016) Language, Landscape and the Sublime. [Conference]

Osmond, Matthew and Strang, Emma (2016) Stone. In: Stone, March 2016, Atlantic Press, Falmouth.
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Otter Bickerdike, Jennifer (2014) The Counter-Narratives of Radical Theology and Popular Music. In: The Counter-Narratives of Radical Theology and Popular Music. Radical Theologies . Palgrave Macmillan, London, pp. 17-24. ISBN 1137394137
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Otter Bickerdike, Jennifer (2014) Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Pop Music, Culture, Identity . Palgrave Macmillan, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2012) Joy Devotion: A Year of Trinkets, Trash and Tributes at the Ian Curtis Memorial Stone. Blurb, London. ISBN 1137393521
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Otter Bickerdike, Jennifer (2015) The Secular Religion of Fandom: Pop Culture Pilgrim (SAGE Swifts). Sage Swifts . Sage, London. ISBN 1473907799
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Otter Bickerdike, Jennifer and Sparrowhawk, John (2015) Enchanting David Bowie. In: Enchanting David Bowie: Space Body Time Memory. Bloomsbury, London, pp. 49-60. ISBN 1628923032
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2020) From Direct Action to Being There: The Ambiguous Politics of Community Dance and the Occupy Movement (A History of Resemblance). In: Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Dance Books, Hampshire. ISBN 978-1852731816 Item availability may be restricted.
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Pethybridge, Ruth ORCID logoORCID: https://orcid.org/0000-0002-6082-5843 (2014) Relative Proximity: Reaching Towards an Ethics of Touch in Cross-Generational Dance Practice. Journal of Dance and Somatic Practices, 6 (2). pp. 175-187. ISSN 17571871
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2016) Retro Rock & Heavy History. In: Global Metal Music and Culture: Current Directions in Metal Studies. Routledge Studies in Popular Music . Routledge, London, pp. 297-310. ISBN 9781315742816 Item availability may be restricted.
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Poole, Simon ORCID logoORCID: https://orcid.org/0000-0002-6383-4243 (2014) Very Good Plus. In: Musical Materialities, University of Sussex.
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Prior, David ORCID logoORCID: https://orcid.org/0000-0002-8750-445X (2016) Loudspeaker Listening: Tabula Rasa or Augmented Reality. Leonardo Music Journal, 26. pp. 3-6. ISSN 0961-1215
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Reynolds, Paul (2017) An Aesthetic Taxonomy-of-Holes in Devoré-Lace. In: RMIT/Swedish School of Textiles Conference. “Everything and Everybody as Material: Beyond Fashion Design Methods”, Borås, Sweden, June 7, 2017, June 7, 2017, Borås, Sweden.
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 (2008) The Invent-ory: words on imagined repositories, endless indexes and an exercise in collecting beginnings. Ultrabold, 5. ISSN Not known
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 (2012) Lizzie Ridout: Ways to Talk & Yet Say Nothing or Ways to Not Talk & Yet Say Everything. [Exhibition]
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 (2018) Portable Document: Thinkings & Makings. [Exhibition]
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272, Christoforidou, Maria and Star, Dion (2018) Various Writings: Chapter 1 (Research Catalogue Exposition published in RUUKKU). RUUKKU: Studies in Artistic Research, 8. ISSN 2341-9687
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Masterton, Elizabeth (2014) Tanks & Tablecloths at The Independent School of Art. UNSPECIFIED. (Unpublished)
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Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion (2017) The School of Various Writings: What is Writing? [Project]

Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 and Star, Dion (2018) The School of Various Writings: Writing Machines. [Project]

Rofe, Michael (2014) Dualisms of Time. Contemporary Music Review, 33 (4). pp. 341-354. ISSN 0749-4467 Item availability may be restricted.
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Scott, Linda ORCID logoORCID: https://orcid.org/0000-0002-8277-1209 (2020) The All Seeing Eye: Surveillance Technologies as Tools of Control. In: CONFIA2020:8TH CONFERENCE ON ILLUSTRATION AND ANIMATION. CONFIA . Instituto Politécnico do Cávado e do Ave, Northern Portugal, pp. 1-688. ISBN 978-989-54939-0-6
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Scott, Linda ORCID logoORCID: https://orcid.org/0000-0002-8277-1209 (2019) Dark Dualities, Emergence and Eruption: Representations of The Shadow within Contemporary Illustrated Narratives. In: CONFIA19. CONFIA . Instituto Politecnio do Calvado e do Ave, Barcelos PORTUGAL, pp. 436-448. ISBN 978-989-54489-1-3
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Scott, Linda ORCID logoORCID: https://orcid.org/0000-0002-8277-1209 (2017) Sneetches, Picture Books and Children as Philosophers: Learning through critical enquiry with storybook characters as your teachers. In: UNSPECIFIED UNSPECIFIED.
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Scott, Michael ORCID logoORCID: https://orcid.org/0000-0002-6803-1490, Zarb, Mark, Alshaigy, Bedour and Ghinea, Gheorghita (2017) Diagnosis of Setbacks and Intervention in Introductory Programming at Scale. In: Computing Education Practice, 11th January 2017, Durham, UK. (In Press)
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Scott, Tom (2015) A Christmas Present. Revenant, 1 (1). pp. 143-145. ISSN 2397-8791
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2016) Deconstructive Tendencies in Bentham's Philosophy of Language: Reading the (per)Happiness in Felicific Calculus. In: The Bentham Project Seminar Series, 11 March 2016, Faculty of Laws, University College London. (Submitted)
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2019) “Happiness, Dead and Alive: Object Theatre as Philosophy of the Encounter,” in the forthcoming book Second Nature: Comic Performance and Philosophy. In: Second Nature: Comic Performance and Philosophy. Rowman & Littlefield, London, UK. ISBN N/A (Submitted) Item availability may be restricted.
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2019) Historical and Philosophical Relations between the Uncanny and Illustration. In: A Companion to Illustration: Art and Theory. Blackwell Companions to Art History . Wiley Blackwell, Oxford, pp. 444-466. ISBN 978-1-119-18553-6 Item availability may be restricted.
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2017) Illustration, Performativity and the Explicit Body of Marie-Antoinette in Eighteenth-Century French Pornographic Pamphlets. In: Illustrating Identity/ies, 8-10 November, 2017, University of Lorraine, Nancy, France. (Unpublished)
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2016) Nature as Neighbour: Landscape’s Relation to the Human in Studio Ghibli Films. In: Lanugage, Landscape and the Sublime, 29-30 June 2016, Dartington College, Devon.
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2017) On Objects. In: "On Objects," sponsored by The Forum for European Philosophy, 31 January 2017, Wolfson Theatre, London School of Economics.
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2014) (Per)happiness, Performative Language and the Figure of the Automaton: reading the deconstructive wedge of Felicific Calculus. In: Well-Being Reconsidered: the International Society for Utilitaran Studies, 19-22 August 2014, Yokohama University.
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2014) Performing Objects/Performing Philosophy. In: Performance Philosophy, April 1-12, 2015, University of Chicago. (Unpublished)
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Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111 (2018) Solicitations, or, Asking for it: The Violations of Anish Kapoor's *Dirty Corner*. MAI Feminism, Autumn 2018 (2). ISSN 2003-1672
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Sousa Lobo, Francisco (2017) Crisis of Meaning, Crisis of Form. Doctoral thesis, Goldsmiths, University of London.
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Sousa Lobo, Francisco (2013) Theology After Bas Jan Ader. Performance Research, 18 (4). pp. 69-72. ISSN ISSN: 1352-8165 (2013) 18:4 Item availability may be restricted.
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Star, Dion and Ridout, Lizzie ORCID logoORCID: https://orcid.org/0000-0002-8140-8272 (2019) Ridout, Lizzie and Star, Dion (2019) The School of Various Writings: Writing at a Distance. [Project]

Summerley, Rory ORCID logoORCID: https://orcid.org/0000-0001-6496-9679 (2019) The Story of Bonehead Merkle: Appraising the Fictional Component of Sports. Well-Played, 8 (3). pp. 151-172. ISSN 2164-3458
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Waite, Simon ORCID logoORCID: https://orcid.org/0000-0002-5252-4397 (2019) Liveness and Interactivity in Popular Music. In: Innovation in Music Performance, Production, Technology, and Business, 1st Edition. Routledge, Abingdon. ISBN 9781138498198 Item availability may be restricted.
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Wang, Chen, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Stenton, Phil and Cesar, Pablo (2014) Sensing a live audience. In: ACM CHI Conference on Human Factors in Computing Systems 2014, Toronto, Canada.
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Wang, Chen, Zhu, Xintong, Geelhoed, Erik ORCID logoORCID: https://orcid.org/0000-0001-7152-1186, Biscoe, Ian, Röggla, Thomas and Cesar, Pablo (2016) How Are We Connected? Measuring Audience Galvanic Skin Response of Connected Performances.". In: International Conference on Physiological Computing Systems, Lisbon, Portugal,. (In Press)
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna (2016) ANTI Contemporary Art Festival 2016: Winter. [Exhibition]
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Whelan, Gregg ORCID logoORCID: https://orcid.org/0000-0001-5434-5985 and Tuukkanen, Johanna Tuukkanen (2019) ANTI Contemporary Art Festival 2019: Death. [Exhibition]
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Whittaker, Emma (2020) An Aesthetics of Ambient Literature: Experience, Narrative, Design. In: Ambient Literature. Palgrave, London. ISBN 978-3-030-41456-6 (In Press) Item not available from this repository.

Whittaker, Emma (2019) Discriminate AR, Immersive Explorations in Pilgrimage Experiences. In: SIEF2019, 13-17 April 2019, Santiago de Compostela, Spain. Item not available from this repository.

Whittaker, Emma (2015) Inside the Snow Globe: Pragmatisms, belief and the ambiguous objectivity of the imaginary. Technoetic Arts: A Journal of Speculative Research, 13 (3). pp. 275-284. ISSN ISSN 1477965X
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Whittaker, Emma (2016) Inside the Snow Globe: pragmatisms, belief and the objectivity of the imaginary’. In: The Undivided Mind, Planetary Collegium Symposium, 16-18th July 2015, Plymouth University.

Whittaker, Emma (2013) Listening to Locative Narratives: Illusion and the Imaginative Experience. Leonardo Music Journal, December (LM23). pp. 17-18. ISSN ISSN: 0961-1215
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Whittaker, Emma (2015) Place-Matching. [Media]
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Whittaker, Emma (2018) Sound Art as Locative Narrative. In: The Oxford Handbook of Sound Art. The Oxford Handbooks . Oxford University Press, Oxford. ISBN Not yet available (Submitted) Item not available from this repository.

Whittaker, Emma (2017) Transitions-Felt: William James, Locative Narrative and the Multi-Stable Field of Expanded Narrative. Doctoral thesis, University of Plymouth.
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Whittaker, Emma (2019) The Wave-crest: Narrative Complexity and Locative Narrative. In: Narrative Complexity, Cognition, Embodiment, Evolution. Frontiers of Narrative Series . University of Nebraska Press, Lincoln, pp. 73-97. ISBN 978-0-8032-9686-2

Whittaker, Emma and Brocklehurst, James (2016) Journeyer's Guidebook. [Media]

Whittaker, Emma and Brocklehurst, James (2016) Locative Narrative: Creating Contexts for Supposition in Spatially Distributed Museums. In: National Archives Conference: Discovering Collections, Discovering Communities 2016, 10-12 October 2016, The Lowry, Salford.

Whittaker, Emma and Brocklehurst, James (2013) The Lost Index: Landscape with Figures. [Artwork]

Whittaker, Emma and Brocklehurst, James (2014) The Lost Index: The Turning. [Artwork]

Whittaker, Emma and Brocklehurst, James (2014) Playing with Perception: Locative Narrative and Sonic Virtual Locations. In: Digital Research in the Humanities and Arts 2014, 31 August - 1 September 2014, University of Greenwich.

Willow, Lucy (2018) At Sea Again: A Drop in the Ocean. In: Remember Me The Changing Face of Memorialisation, 4-7 April 2018, Hull, UK. (Unpublished)
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Willow, Lucy (2018) At Sea Again: creative bereavement project. [Project] (Unpublished)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Aasinanimal. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2019) 'The Animal Gaze'. In: The Animal Gaze Constructed, 6-7 March 2020, Sir John Cass School of Art, Architecture & Design in Aldgate, London (UK).. (Unpublished)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) 'Are you a doctor, sir?'. [Artwork] Item availability may be restricted.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Because Internets. In: ISEA2016 Hong Kong 香港, Monday 16 to Sunday 22 May 2016., City University’s Creative Media Centre, Jockey Club Innovation Tower, The Hong Kong Polytechnic University, and Cattle Depot Artist Village.. (Submitted)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2013) DIRT TIME: 9.Theorem 7.Debacle. In: DIRT TIME: 9.Theorem 7.Debacle, 7 April, 2013, Videotage, , To Kwa Wan, Hong Kong.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) 'The Dark Precursor' International Conference on Deleuze and Artistic Research 2015. In: International Conference on Deleuze and Artistic Research 2015, 9-11 November 2015, Ghent, Belgium.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2012) Humbly Through the Dust. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) Inna-deno pudenda membra. E.R.O.S., 2015 (7). pp. 91-96. ISSN 2048-8353
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2015) ‘Le Charisme Inverse’. In: Dark Sound: Destructive Pop 2015, Thursday 23 April 2015 18.00 to Saturday 25 April 2015 23.00, Falmouth University.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2017) 'Motor Soul'. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2016) Topologies of Writing, Text and the Moving Image. In: International Conference on Artistic Research, The Hague Society for Artistic Research, 28-29 April 2016, University of the Arts The Hague & Leiden University Venues: Royal Conservatoire and Royal Academy of Art.

Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2017) Will Internets Eat Brain? [Exhibition] (In Press)
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 (2018) Will Internets eated brain?? In: Artistic Research Will Eat Itself 9th SAR - International Conference on Artistic Research, April 11th 4pm - 13th 6pm 2018, University of Plymouth.
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771 and Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2015) Enflamma Diagra. [Exhibition]
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Wylde, Gillian ORCID logoORCID: https://orcid.org/0000-0001-5436-0771, Shapiro, Carolyn ORCID logoORCID: https://orcid.org/0000-0002-2987-8111, Christoforidou, Maria and Chapman, Neil ORCID logoORCID: https://orcid.org/0000-0001-8253-0256 (2017) FOMO: Falmouth Art Publishing Fair 2017. UNSPECIFIED.
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Zioga, Polina, Pollick, Frank, Ma, Minhua ORCID logoORCID: https://orcid.org/0000-0001-7451-546X, Chapman, Paul and Stefanov, Kristian (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Frontiers in Neuroscience, 12. pp. 1-13. ISSN 1662-453X
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This list was generated on Fri Feb 26 00:42:04 2021 GMT.